14,014 templates · updated Oct 2026
Nano Banana is Google's family of Gemini image models: the original Nano Banana (Gemini 2.5 Flash Image), Nano Banana 2 (Gemini 3.1 Flash Image) with its update Nano Banana 2.1 and the low-cost 2 Lite, and Nano Banana Pro (Gemini 3 Pro Image) for the most detailed work.
This page lists all 14,014 library templates set up for a Nano Banana model. On GPT Image Hub they start at 25 credits per image; copy any prompt free or open it in the generator.
A seamless vertical triptych composition, featuring three distinct compositional zones stacked without borders. The same subject appears in all zones wearing a heavy black hooded winter parka dusted with snowflakes. The background in all z…
Keep the person's features. [Daily life] The male lead wears a work shirt with rolled-up sleeves. There is a compass tattoo on his right forearm. The background is a sunlit station platform.
Create a photorealistic wedding portrait of exactly the two adults in the reference images. Image 1 is the man and image 2 is the woman. Use these photographs as the only identity references. Preserve both recognizable facial identities, natural skin tones, face shapes, eyes, noses, mouths, hairlines, facial hair, apparent ages and body proportions. Keep the man on the left and the woman on the right. They remain the same Indian individuals, with natural skin texture and believable gentle bridal grooming; no skin lightening, face replacement, de-aging or generic model faces. Replace their casual clothing with the specific attire below. Give them natural, comfortable body language, clear unobstructed faces and anatomically plausible hands. Make a vertical 4:5 medium portrait, approximately mid-thigh or waist upward, with sufficient space above both heads and around the shoulders for later cropping. Both faces should be turned toward the camera and recognizable. Use realistic wedding photography, coherent natural light, real fabric and jewellery textures, softly separated background and lifelike expressions. One photographic image with exactly two main people, no split-screen, illustration, text, watermark or decorative photo border. Avoid a Western wedding gown, tuxedo, church or champagne props. Regional character must come from the garments, textiles, jewellery and setting, never from replacing either face with a stereotyped regional face. Preserve any original facial hair, natural body build and mature features. Keep both people individually recognizable, with comfortable asymmetrical posture rather than rigid mannequin poses. Specific wedding look and scene: A Punjabi wedding couple in a heritage courtyard in Punjab. Retain the man's original Sikh turban wrap and his recognizable full beard; dress him in an ivory embroidered sherwani with a deep wine-coloured turban and matching stole. The bride wears a rich rose-pink Punjabi bridal salwar-kameez ensemble with a carefully embroidered dupatta covering the top/back of her head while leaving her full face visible. Include red-and-ivory chooda bangles, a few delicate kalire hanging naturally at her wrist and a modest central maang tikka. Capture a waist-up, intimate three-quarter portrait as she gently holds his forearm, both smiling toward the camera. A quiet brick-and-carved-wood Punjabi courtyard, soft pink floral strings and diffuse morning light. Keep their apparent ages and natural bodies, without de-aging or an overly fashion-model look.
The subject is dressed in a deep violet velvet blouse with a plunging V-neckline and gold-trimmed elbow-length sleeves, draped in a lustrous lime-green silk saree featuring gold woven polka-dot motifs and a detailed gold border. Heavy jewe…
Keep the facial features of the person in the image. The protagonist is bare-chested, with loose sweatpants wrapped around the waist, and white boxing hand wraps on both hands. He stands sideways to the camera, abdominal muscles deeply defined, and the background is a professional boxing gym with red ambient lights, with highly dramatic light and shadow.
The subject is dressed in a sophisticated, structured black blazer with sharp lapels and a deep V-neckline, paired with a classic black felt beret tilted slightly on the head. The head is positioned nearly straight on, turned fractionally…
A seamless vertical triptych composition, featuring three distinct compositional zones stacked without borders. The same subject appears in all zones wearing a chunky white knit scarf, a dark winter coat, and holding a transparent umbrella…
The male subject is dressed in a crisp, cream-colored Nehru jacket with a mandarin collar layered over a pristine white long-sleeved kurta, featuring subtle button details. The female subject wears an elegant, off-white ethnic ensemble wit…
Transform the person in the original photo into an elegant romantic seaside wedding fashion portrait. Preserve the person's face, identity, body shape, natural proportions, pose, camera angle, lighting direction, and overall photo realism. Dress her in a light blue lace dress with a refined floral lace overlay, smooth opaque lining, a tailored bodice, and a layered wave-shaped skirt. The skirt should flow naturally like soft ocean waves, with airy fabric layers, realistic lace texture, graceful movement, and elegant wedding-inspired styling. Add silver pendant earrings and one simple delicate necklace. The jewelry should sparkle subtly and remain refined. Apply elegant makeup with natural glowing skin, soft eye makeup, rosy blush, and refined pink lips. Style the hair softly and romantically, keeping the face clearly visible. Place her in a peaceful seaside wedding background with calm ocean water, a romantic floral wedding arch, white chairs, pale blue sky, soft beach light, and gentle coastal atmosphere. The final image should feel romantic, fresh, elegant, and suitable for professional bridal fashion photography.
Create a photorealistic wedding portrait of exactly the two adults in the reference images. Image 1 is the man and image 2 is the woman. Use these photographs as the only identity references. Preserve both recognizable facial identities, natural skin tones, face shapes, eyes, noses, mouths, hairlines, facial hair, apparent ages and body proportions. Keep the man on the left and the woman on the right. They remain the same Indian individuals, with natural skin texture and believable gentle bridal grooming; no skin lightening, face replacement, de-aging or generic model faces. Replace their casual clothing with the specific attire below. Give them natural, comfortable body language, clear unobstructed faces and anatomically plausible hands. Make a vertical 4:5 medium portrait, approximately mid-thigh or waist upward, with sufficient space above both heads and around the shoulders for later cropping. Both faces should be turned toward the camera and recognizable. Use realistic wedding photography, coherent natural light, real fabric and jewellery textures, softly separated background and lifelike expressions. One photographic image with exactly two main people, no split-screen, illustration, text, watermark or decorative photo border. Avoid a Western wedding gown, tuxedo, church or champagne props. Regional character must come from the garments, textiles, jewellery and setting, never from replacing either face with a stereotyped regional face. Preserve any original facial hair, natural body build and mature features. Keep both people individually recognizable, with comfortable asymmetrical posture rather than rigid mannequin poses. Specific wedding look and scene: A Gujarati wedding portrait centred on a red-and-ivory panetar sari. The bride wears an ivory silk sari with a broad red border, a red blouse and a red gharchola-style ceremonial drape with a clear woven gold grid pattern. Add refined gold earrings, a small maang tikka and red-gold bangles; the drape must not cover her face. The groom wears a cream embroidered sherwani, a red bandhani safa and an ivory stole. They pause while walking side by side through a sunlit carved Gujarati courtyard, hands loosely joined low between them and both glancing toward the camera with happy, natural expressions. Ivory-and-red floral mandap decorations and a traditional carved doorway provide context, without filling the frame with unrelated religious props. Make the sari folds and the gharchola grid visibly different from a generic lehenga.
Generate a realistic, vertical, Indian-life-themed Polaroid instant-film snapshot. Use the person in the input photo as the only identity reference, keeping their real facial features, face shape, age, skin tone depth, hair color and natural skin texture; do not swap faces, do not blend two people's faces, do not make the person look younger, do not whiten the skin or change ethnicity. Adjust only the clothing, natural pose and environment according to the theme. The lighting must have the true look of a portable Polaroid's built-in direct flash: a frontal, close-range flash beside the lens lights the person, so the person is bright and the background slightly darker, with a clear natural flash shadow, and real skin texture is preserved. Present visible but moderate analog film grain, slight softening, limited dynamic range, a slight warm color cast and vignetting, like a casual keepsake snapshot taken by a friend. No professional studio soft light, no cinematic rim light, no soft natural-light portrait look, no excessive creamy bokeh, no plastic skin, no heavy retouching. The whole frame is a complete, front-facing classic Polaroid print, with clean pure-white wide borders all around and the bottom border slightly wider; the border is intact and carries no writing. Do not add a tabletop outside the print, a hand-held-print scene, a second photo or a collage. The person is the main subject of the photo with a clear face, and the composition range is chosen according to the specific theme. Theme: Garba Night, a Gujarati festival dance night. Only one adult woman from the reference photo appears; strictly keep her own face shape, skin tone, age and original short-hair silhouette. She wears a Gujarati-style chaniya choli in a royal blue and magenta color scheme, the fabric with fine small mirror-work pieces, embroidery and geometric patterns, paired with an odhni in the same colors with a decorative border and a long skirt falling naturally. She wears small traditional earrings and a few bangles, with the accessories not covering the face. She is doing a light, quick turning-and-clapping step of Garba, her body slightly turned, her hands gently clapping together naturally at the side of her chest, with the gesture clear and not covering the face, looking at the camera with a happy smile. Use a three-quarter-length composition from head to mid-calf, so that the outline of the spinning long skirt is clearly in the frame. Only the hem of the skirt and the edge of the odhni have slight motion blur, while the face and upper body are frozen by the direct flash; the skirt does not float in an exaggerated way, and the relationship between the limbs is natural. Do not draw Garba as the stick-holding Dandiya dance, and do not hold dance sticks. The background is a night festival courtyard, with a few warm string lights, flower garlands and a small patch of colorful rangoli decoration on the ground; the background is fairly dark, with no other clearly visible people. The frontal, close-range direct flash casts a natural shadow behind her, the mirror embroidery reflects slightly, and the real grain and festive candid-snapshot feel are preserved; do not make it a stage promotional poster. Neither the final photo nor the white borders should have titles, captions, readable text, date stamps, logos, watermarks, app interfaces or reference-photo thumbnails; no extra people, extra arms or fingers, wrong joints, or comic or 3D-rendering look.
Keep the facial features of the person in the reference photo. The protagonist wears a peacock-green silk saree, body turned slightly to the side, right hand gently supporting the chin, gazing softly at the camera. The scene is a fashion runway; a clear round spotlight lights the protagonist from the front side and at the same time falls on the mirrored wall in the background, projecting a bright round halo, forming a spotlight effect, forming a spotlight effect. The silk fabric shows premium refracted highlights, with hyper-realistic skin texture.
The subject is a confident male centered in the frame, whose facial structure, features, and overall demeanor must match the reference image exactly to ensure exceptional character consistency. He looks directly into the camera, displaying a serious, confident, and powerful expression. The person presents a cross-legged full-body pose, fully seated in a modern beige armchair, with hands elegantly resting on the top of the armrests. The perspective is a dramatic high-angle full-body shot from above. He wears a structured black single-breasted suit jacket paired with black trousers, and on his feet, he wears a pair of exquisite black couture leather shoes. He is positioned within a modern beige stone terrace environment (with marble flooring and limestone walls). The core and most overwhelming visual feature is that he is surrounded by gigantic, densely packed bouquets of deep red roses, distributed behind and on both sides of the armchair, nearly filling the entire terrace space, creating a sea of red effect. The lighting is bright, soft, and even daylight. This is a highly impactful cinematic photo, with vibrant colors (for the roses), strong contrast, 8k high resolution, and the exquisite quality of fine art photography.
A medium shot, waist-up portrait of a beautiful young woman with a gentle, subtle smile, radiating a serene and elegant aura, looking directly at the camera with soft, joyful eyes. Her hair is styled in an elegant updo with soft tendrils framing her face, adorned with a delicate pink cherry blossom hair accessory. She is wearing a complete traditional light pink kimono with subtle white floral patterns, extending down to her waist. The scene is an extensive view of a tranquil blue lake on the shore, with a majestic and clear view of the snow-capped Mount Fuji under a brilliant blue sky, showing more of the surrounding lake area. Bountiful, cascading cherry blossom branches with dense pink flowers hang down heavily from the left and top, beautifully framing the entire upper body composition. Delicate pink cherry petals are floating in the air. Bright, natural daylight, vibrant, clear colors, travel photography quality, sharp focus on the woman and Fuji, with deep, natural depth of field, 8k resolution, cinematic film still quality.
[Camera angle: eye level, shot size: medium shot] In a corner of a modern minimalist living room that is sunny yet carries a cool, quiet air, the subject, wearing an off-white chunky-knit sweater, sits alone in a comfortable single-seat sofa. He holds a book in his hands, his gaze directed far off-frame. His expression is extremely calm, the corners of his mouth flat, his eyes carrying a faint, lingering sadness and loneliness, as if in a silent conversation with the forlorn self in the mirror, full of literary air and quiet self-admiration. Soft sunlight lights his sharply defined profile with great clarity, his skin texture real and flawless, creating a strong, refined, cool and realistic quality. 50mm standard prime commercial lens, aperture f/1.8, the indoor plants in the background softly and completely blurred. The image is quiet, harmonious, rich in light, and full of melancholic aesthetics.
Keep the character's pose unchanged.Completely change the character's hairstyle.Change hairstyle to medium-length dreadlocks style. Essential to keep original hair color and facial structure.
Preserve the facial features of the main subject in the input image. Realistic live-action photography style. The foreground subject is a color close-up portrait, seated with a slight sideways turn, hands naturally overlapped in front of the knees, wearing a midnight blue saree inspired long dress set, face clear; the entire background is a plain gray-black studio backdrop, with no visible seams or splits in the frame; behind the subject, overlay an enlarged black, white and gray portrait of the same subject as a double-exposure background, placed above the subject, face clear but with soft transparency; the whole image keeps only two visual colors, midnight blue and black-white-gray, with no other vivid colors, premium soft studio lighting, minimalist magazine cover quality, 3:4.
Keep the facial features of the person in the reference photo. Dark yet gentle portrait style, ultra-detailed 8K quality, vertical close-up composition, with the person and the black panther as the core of the frame. The panther's two front paws rest on the man's shoulder, its body slightly curled, head slightly raised, gaze sharp and steady, with fur and muscle texture clearly visible. The man crouches slightly in the center of the frame, body leaning slightly forward, hands resting naturally on his knees, head slightly raised and looking straight at the camera, with defined shoulder and neck lines, a cold, aloof presence, and a steady, noble posture. The man wears a grayish-white long garment: a slim-fitting robe on the upper body with delicate tone-on-tone embroidery, the hem falling naturally, discreetly gathered at the waist, a shawl stirring slightly in the wind, and he wears a simple silver ring and bracelet that enhance the refined cold aura. The background is high-end studio style, with a gray gradient matte haze filling the whole frame; a soft light source combined with slightly harder backlight creates layering and dimensionality, reinforcing the cool, distant mood, with no clutter in the frame, highlighting the interaction between the person and the panther. Soft side light and slightly hard backlight outline the person's clothing folds, the lines of motion and the texture of the panther's fur; the dark blue and black clothing forms a subtle contrast with the gray matte background; the overall palette is low-saturation and cool-toned, black-gray and deep blue, the atmosphere dark yet gentle, mysterious, cold and aloof; the lace embroidery, skin texture and the panther's coat are clearly visible, reinforcing the contrast of strength between the person and the panther and the refined cold aesthetic
A couple is taking wedding photos. The man is wearing a black suit on the left side of the picture, and the woman is wearing a gorgeous white wedding dress with a veil on her head on the right side of the picture. The two are standing on the grass with a white church in the background. They look directly at the camera with happy smiles on their faces.
Keep the facial features of the person in the image. The background is the sea, with sunlight shining down and a natural atmosphere. The person sits in the driver's seat, facing front, looking at the camera with a handsome, roguish swagger. Close-up shot, driving a luxury-edition red sports car, wearing a famous-brand watch on the wrist, with the watch-wearing hand resting on the edge of the car door. The person looks tall, rich and handsome, high definition
The subject wears a textured cream wool coat with wide lapels, pinned with a gold brooch featuring a red central stone. Underneath is a high-collared beige blouse with a small red floral print, accented by a double-strand pearl necklace. A…
Realistic South Asian portrait photography, a rainy-day scene on the balcony of an old building: an Indian woman leans against an old windowsill / balcony railing, smiling and reaching out a hand to catch raindrops. The image has a warm, dark, cinematic tone; the background is mottled old walls, a wooden door, a narrow corridor and arched window frames, with shallow depth of field, and the setting has a damp, retro, quiet monsoon-season atmosphere.\nThe female subject is in the center-right of the frame, with a small red bindi on her forehead, wearing small gold earrings, a delicate necklace and bangles. She wears red sari or salwar-style traditional clothing, with a dark green shawl / dupatta over it, one side of the dark green fabric draped beside her hair and shoulder; the red-and-black palette is vivid but not garish. Her body leans forward, her left hand resting naturally on the old wooden railing, her right hand extended toward the upper right of the frame, palm up, catching the falling raindrops, her eyes looking at the rain above her palm, her expression bright and gentle with a natural smile.\nIn the foreground is an old wooden balcony railing, its surface worn, dusty and marked by dampness, with vertical balusters below. At the upper left is the edge of an arched window, and the wall is mottled with a plaster texture. On the right side of the frame, clear raindrops hang in the air, some near the camera forming crystalline highlights, with rain streaks falling from above. The background is in warm brown, gray-brown and dark red tones; her face is lit by soft natural light, and the clothing and skin keep a realistic texture.\nImage requirements: the figure is fully visible from the head down to the waist / railing; the right hand's rain-catching gesture is clear, the fingers natural; the raindrops, water beads, old wooden railing, arched-window wall and the details of the red-and-black traditional clothing are all clear; realistic photography, shallow depth of field, warm soft light, cinematic monsoon portrait, South Asian woman, old balcony, rain drops, natural smile, high detail, realistic skin texture.
Keep the face, hairstyle and original clothing of the person in the reference photo. A close-range three-quarter-length shot of a young man standing in front of a railing at night, one hand in his pocket and the other resting on the rail. The background is mostly black but keeps the railing and the night space; backlight comes through the strands of his hair and from behind his shoulders, while a direct on-camera flash lights up his face, arms and clothes. The pose is natural with a sense of movement, 9:16.
Use the two people in the image as the character reference. Keep each person's clearly recognizable facial features, hairstyle, skin tone and age, and naturally blend them into one complete scene. Generate the man and the woman from the image sharing a black umbrella on a rainy-night city street and kissing deeply. The man wears a long black coat and a slightly open white shirt; one hand holds the umbrella and the other holds the woman tightly around the waist. The woman wears a black coat with a fine sheen; one hand grips the man's collar and the other gently strokes the side of his neck. The two lean toward each other, lost in the moment in the curtain of rain, the image full of emotional tension that suddenly erupts after restraint. Dense raindrops fall on the umbrella and on both their shoulders; the wet street reflects blurred lights, and distant cars and street lamps become soft blobs of light. Rain runs down from the ends of their hair and along the contours of their faces, with a deep, hazy background. Vertical frame, medium shot from the waist up, cinematic camera position from the front side, the two taking up about 78% of the image height. High-contrast black-and-white photography, deep black shadows, silver rain light and soft facial rim light, a classic film noir romance look, no text, no watermark.
Keep the facial features of the person in the reference photo. The subject sits in a leather swivel chair on a private jet, holding champagne. Outside the window is a golden sea of clouds.
Generate a realistic, vertical Indian-lifestyle-themed Polaroid instant-film snapshot. Use the people in the input photos as the only identity reference, preserving their real facial features, face shapes, ages, skin-tone depth, hair colors and natural skin texture; do not swap faces, do not blend the two people's faces, do not make anyone look younger, do not lighten skin or change ethnicity. Only adjust the clothing, natural poses and setting according to the theme. The lighting must have the true look of a portable Polaroid's built-in direct flash: a close, frontal flash next to the lens lights the people, who are bright while the background is slightly darker, with clear natural flash shadows, and real skin texture is kept. Show visible but moderate analog film grain, slight softening, limited dynamic range, a slight warm color cast and vignetting, like a casual keepsake snapshot taken by a friend. No professional studio soft light, cinematic rim light, soft natural-light portrait look, excessive creamy bokeh, plastic skin or heavy retouching. The whole image is one complete, front-facing classic Polaroid print with clean pure-white wide borders all around, the bottom border slightly wider, the frame intact and with no writing; do not add a tabletop outside the print, a scene of a hand holding the print, a second photo or a collage. The people take up the main part of the photo with clear faces; the framing range is chosen according to the specific theme. Theme: Cricket Besties. Only the two adult men from reference photo 1 and reference photo 2 appear, each keeping their own face shape, hairstyle, skin tone and personal identity; do not turn either of them into a woman and do not mix the two faces. The two wear simple navy-blue and sky-blue cricket sports shirts with no text, numbers or logos, standing shoulder to shoulder just after practice, slightly sweaty with natural hair, both looking at the camera with happy smiles. The man from photo 1 casually holds the handle of a real cricket bat in one hand; the bat is a wide, flat, light-colored willow cricket bat, blade pointing down and extending to the bottom of the frame, not blocking the face. The man from photo 2 has one hand resting naturally on his companion's shoulder, and with the other hand at his waist holds a small red stitched cricket ball. The relationship between their arms is clear, the fingers are natural, and the body proportions stay as their own, with no exaggerated muscles. Use a close-up from the waist up. The background of the night practice ground is slightly dark, showing a bit of green grass, practice nets and the outline of distant stumps. The in-camera direct flash is the key light on the people, giving the authentic feel of friends snapping a post-match Polaroid, without professional sports-advertising lighting or exaggerated athletic poses. No baseball bat, football, cricket helmet, spectator faces, team logos or any readable text. Neither the final photo nor the white borders should contain a title, caption, readable text, date stamp, trademark, watermark, app interface or reference-image thumbnail; no extra people, extra arms or fingers, wrong joints, or comic or 3D-render look.
The female subject dons a vintage 1940s charcoal grey skirt suit featuring a fitted blazer with a prominent white floral brooch on the lapel and a pleated asymmetric skirt, accessorized with white wrist-length gloves and a structured white…
[!!! Important Consistency Command: Character consistency is absolute: the person depicted MUST strictly maintain facial features, likeness, AND the exact hairstyle (length, texture, layers, bangs details) and hair color 100% identical and precisely matched to the reference uploaded photo. !!!] High-end cinematic, ultra-realistic high-fashion editorial photograph with meticulous details and strong textures. Studio lighting, from floor-level, low-angle perspective, medium-wide focal length (e.g., 24mm-35mm). A person, maintaining 100% likeness to the reference face, hair, and hair color, is depicted in a powerful, melancholic, side-lying, upward-facing pose, lying flat on a wet, dark, highly reflective surface. Their hand is splayed on the dark floor in the immediate foreground, leading the eye, while their intense, serious, direct gaze pierces the camera lens, their mouth slightly parted with a cold expression. They wear a form-fitting, wet white long-sleeved top. Core Prop: Dense, vertical sheets of heavy rain are pouring down all around the subject. The dark floor surface is covered in water, creating a perfect, dark reflection of the subject's face and body. Color and Atmosphere: The scene is dominated by a cold, low-saturation color palette, featuring deep grey, black, stark wet white, and a single splash of vibrant red lips. Shot in low-key lighting, the ray-traced rain streaks are backlit and illuminated. The atmosphere is quiet, melancholic, oppressive, intense, and dramatically cool, with a strong surreal quality. Detailed skin texture with visible rain droplets, high fidelity, masterpiece.
A man wearing a long black wool coat, a white crew-neck inner top, straight-leg dark jeans and chunky-soled Chelsea boots sits on a folding metal chair, both hands overlapped and holding a horse's reins, legs naturally apart, body leaning slightly forward, gaze directed to the side of the camera; the camera uses an eye-level, slightly upward angle, with the man occupying 60% of the frame, and a horse peeking out half its body from behind him to create layers; the scene is an open desert grassland, the ground dry cracked earth with sparse withered grass, the background leaving the sky blank, and the overall look is a high-contrast black-and-white texture.
Do not change the person's position or pose; change only the person's clothing, hairstyle and background. Realistic portrait, a man with a strikingly styled black hairstyle, wearing a black motorcycle leather jacket with silver studs and patchwork details, with accessories including layered silver necklaces, studded wristbands and a trouser chain. The background is a mist-filled dark forest with gnarled dead trees, the overall look dark and monochrome-toned, dramatic cinematic lighting, high contrast, sharp focus, 8K resolution, punk rock style, dark fantasy atmosphere
Using the user's uploaded image as the sole identity basis, strictly preserve the lead's original facial features, hairstyle, skin tone, age impression, build and natural proportions. Generate a 9:16 vertical, hyper-realistic cinematic city night portrait after rain. A tight close-up from the chest up, the man in the center wearing a black hooded sweatshirt, body facing forward, head turned slightly to the right, quietly gazing at the phantom behind him with a restrained expression.\nThe female phantom is at the right rear, leaning her head out beside the man's right shoulder and intimately embracing him from behind: one glowing arm crosses the man's chest, the palm resting lightly on his left shoulder and chest; the other arm wraps around the right shoulder and holds a full bouquet of deep-red roses in front of his chest. The phantom is made of a warm golden outline, translucent threads of light and particles, faintly showing the form of a sari, with the outline of her hair drifting lightly backward; the body is transparent yet structurally complete, and the roses keep a real petal texture. The man's profile, the phantom's outline, the embracing hands and the bouquet are clearly visible.\nThe background is an empty, wet city road, warm light from tall streetlamps and soft-focus city lights, with the asphalt reflecting a golden glow; the deep-blue night, black clothing, warm-gold phantom and deep-red roses form a romantic surreal cinematic color scheme. 50–70mm lens, shallow depth of field, light rain mist and film grain. Avoid the phantom turning into a real person, arms passing through the body, hands or figures merging, deformed fingers, roses changing color and extra people; no text, logo, watermark or interface elements.
The male subject wears an impeccably tailored dark navy three-piece suit featuring a structured jacket, matching vest, crisp white dress shirt, and a dark silk tie, radiating formal elegance. The female subject is dressed in a refined, sle…
The male subject wears a refined cream three-piece suit featuring wide peaked lapels, a textured waistcoat, and a pleated white tuxedo shirt accented by a crisp black bow tie and a white rose boutonniere. The female subject is dressed in a…
Strictly preserve the subject's head features, facial structure, face-shape contour and facial bone proportions, and keep the hairstyle consistent with the reference photo; also preserve the subject's original skin tone, body type, skeleton, body measurements, natural proportions and recognizability. Generate a vertical 9:16, ultra-realistic cinematic fashion portrait. The subject stands in front of a minimalist black indoor background, in the center of the frame, body turned slightly to one side. The subject wears an ivory-white slim-fit suit jacket and matching trousers, with no shirt under the jacket, the collar naturally open, and a thin-chain pendant on the chest; the subject's right hand is naturally tucked into the trouser pocket, with a dark watch on the right wrist. The subject's left hand hangs in front of the body, firmly holding a long-stemmed bouquet of a dozen or so deep red roses, with the green leaves and stems clear and intact. The subject looks at the camera with a calm, natural expression.\nVertical composition from above the thighs up. Strong golden sunset light slants in from the right of the frame, creating sharp-edged light and shadow zones on the ivory suit, the deep red roses and the background wall, and the wall keeps the subject's natural cast shadow; local highlights are warm and bright, while the remaining areas stay deep black. A three-color palette of black, ivory white and deep red, 85mm lens, shallow depth of field, low-key cinematic lighting, realistic suit fibers and petal textures. Avoid an overexposed white suit, an uncontrolled number of bouquet flowers, a wrong shadow direction, malformed hands and a misplaced pendant. No other people, text, brand logos, watermarks or interface elements.
Use the uploaded selfie as the only identity reference. Create a dazzling luxury Indian gala portrait featuring the same person in an extravagant traditional fashion look. Dress the person in a highly ornate Indian traditional couture outfit suitable for the person, with emerald, gold, deep jewel tones, intricate embroidery, refined jewelry, and elegant ceremonial styling. The pose should feel glamorous, confident, and powerful. Place the person in a grand gala environment with palace interiors, glowing chandeliers, polished marble, silk curtains, floral installations, warm spotlights, and a dramatic luxury event atmosphere. The scene should look like a high-end fashion magazine cover. Preserve the person’s recognizable facial identity and overall appearance from the uploaded selfie. Do not specify or change hair color, skin tone, ethnicity, or race. Use realistic jewelry sparkle, rich textile texture, dramatic fashion lighting, premium editorial composition, cinematic shadows, high contrast, and a breathtaking luxury mood. Style: photorealistic Indian luxury gala portrait, jewel-tone traditional couture, palace fashion editorial, dramatic glamorous lighting, high detail, sharp focus.
Using the two people in the reference photo as the character reference, keep each person's clearly recognizable facial features, hairstyle, skin tone and age, and naturally blend them into one complete scene. Generate the man and woman from the photo embracing and kissing in a warm, cozy living room. The man wears a soft dark brown knit sweater and casual trousers; the woman wears a loose cream knit top and a relaxed home-style long skirt. The two sit on the edge of the sofa, the man's arm around the woman's waist, the woman gently stroking the side of the man's face with one hand, their bodies naturally close, sharing a sweet kiss in a quiet, warm home atmosphere. The background is a fireplace with burning logs, a soft sofa, blankets, a warm yellow floor lamp and a wooden coffee table with hot drinks. A light rain falls outside the window, with hazy droplets on the glass, and the indoor light is soft and warm. Vertical medium shot from the waist up, the two people taking up about 76% of the frame height. Amber lighting, natural skin tones, fine knit texture and shallow depth of field, cozy and refined lifestyle cinematography, no text, no watermark.
Keep the person's looks and clothing consistent. Premium warm-brown native filter | keep the original clothes, pure white background, upright standing posture, a firm gaze looking straight at the camera, a blurred upscale business meeting room, natural and luminous, clear eyebrows, lively eyes, simple business style, high-definition faithful reproduction of the face, high-end elite temperament
Keep the facial features of the person in the reference photo. A high-resolution, strongly structured portrait photograph with a medium-shot composition and a side-on, eye-level angle. The subject leans against a thick cherry blossom trunk; the background is dense but layered cherry blossom branches crossing to form a geometric structure, and blurred branches in the foreground add a pressing, enclosing frame. The subject is placed in the right third of the frame, weight shifted to one side against the support, shoulders slightly tilted to create an asymmetrical posture, arms crossed over the chest. The facial expression is calm and restrained, the corners of the mouth slightly drawn in, the eyes looking straight into the camera with a slight sense of distance. Fill light illuminates the face; the facial features are clear, the skin tone is bright and the skin is fair. The overall color tone is a contrast of pink and neutral colors.
Create a photorealistic wedding portrait of exactly the two adults in the reference images. Image 1 is the man and image 2 is the woman. Use these photographs as the only identity references. Preserve both recognizable facial identities, natural skin tones, face shapes, eyes, noses, mouths, hairlines, facial hair, apparent ages and body proportions. Keep the man on the left and the woman on the right. They remain the same Indian individuals, with natural skin texture and believable gentle bridal grooming; no skin lightening, face replacement, de-aging or generic model faces. Replace their casual clothing with the specific attire below. Give them natural, comfortable body language, clear unobstructed faces and anatomically plausible hands. Make a vertical 4:5 medium portrait, approximately mid-thigh or waist upward, with sufficient space above both heads and around the shoulders for later cropping. Both faces should be turned toward the camera and recognizable. Use realistic wedding photography, coherent natural light, real fabric and jewellery textures, softly separated background and lifelike expressions. One photographic image with exactly two main people, no split-screen, illustration, text, watermark or decorative photo border. Avoid a Western wedding gown, tuxedo, church or champagne props. Regional character must come from the garments, textiles, jewellery and setting, never from replacing either face with a stereotyped regional face. Preserve any original facial hair, natural body build and mature features. Keep both people individually recognizable, with comfortable asymmetrical posture rather than rigid mannequin poses. Specific wedding look and scene: A Telugu wedding couple in a flower-decorated mandap courtyard. The bride wears an ivory pattu silk sari with a broad vermilion-red and gold border, a red blouse, refined layered gold wedding jewellery and a jasmine-adorned low bun. The groom wears a cream silk shirt, cream dhoti with red-gold border and a matching angavastram. Both wear fresh jasmine-and-red-flower wedding garlands. They pause just beside the mandap, bodies angled slightly together, one of her hands naturally resting on his arm, both looking at the camera with relaxed smiles. Banana stems, jasmine strands, brass lamps and warm daylight give the scene a South Indian ceremonial atmosphere. Keep cloth folds, garlands and hands plausible; no face whitening, changed face shapes or overly heavy makeup.
High quality, real, HDR, HD, Brazilian wedding dresses are white. In terms of design, wedding dresses with deep V designs are usually made of lace or chiffon
Use the provided couple portrait as the identity reference. Preserve both adults' recognizable facial identities, face shapes, facial features, skin tones, ages, hairstyles, hair colors, body proportions, and gender presentation. Keep Person A as the person on the left and Person B as the person on the right. Do not swap their identities or alter their faces. Transform them into a close, candid 1980s amusement-park snapshot matching a “Funfair Night” retro template. Person A is on the left and slightly closer to the camera, leaning forward with the head slightly lower. Person B is on the right and slightly behind, also leaning forward with the head slightly higher. Their shoulders and upper arms naturally touch, their heads nearly lean together, and both faces remain fully visible and clearly separated. They look directly toward the camera with relaxed, spontaneous smiles, as if a friend suddenly took the photo at close range. Do not make them stand upright at a distance and do not create a wide full-body shot. Person A wears an oversized faded light-blue denim jacket with visible worn and bleached areas, a white crew-neck shirt, and light high-waisted jeans. Person B wears an oversized 1980s nylon windbreaker with large color blocks: teal blue as the main color, purple-magenta and hot-pink panels on the sleeves and front, a white T-shirt underneath, and light blue high-waisted jeans. The windbreaker must have a distinctly retro loose silhouette, elastic cuffs, soft nylon folds, and saturated teal and magenta panels. Keep the two outfits separate and physically coherent. Set the scene in a real nighttime amusement park. In the upper-right background, show a large Ferris wheel with only the right half of the wheel visible, its orange-red bulbs forming a bright arc with a few visible passenger cabins. On the far left background, show only part of a brightly lit carnival ride or carousel with many warm yellow bulbs. Behind the couple, show a deep purple-blue twilight sky with a muted pink-orange glow near the horizon. Add a few distant blurred visitors, dark tree silhouettes, and small fairground lights, but no other recognizable faces. Use a close 35mm consumer film-camera perspective at roughly chest height. Vertical 2:3 composition. Frame both people from the top of the head to mid-thigh; their faces and upper bodies fill about 80–85% of the image height. Person A's face is left and slightly lower; Person B's face is right and slightly higher. The Ferris wheel stays visible over Person B's right shoulder and the carnival lights stay visible at the far left. Keep the camera close enough for a mild near-camera perspective, but do not distort either face. The image should look like an authentic 1980s color-negative snapshot, not a modern clean digital portrait: soft low-resolution detail, gentle focus falloff, slightly faded but saturated colors, warm flash on the faces, blooming bulbs, purple shadows, orange highlights, mild red/cyan chromatic misregistration around hair and jacket edges, analog lens haze, slight handheld softness, subtle film grain, and uneven exposure. Keep faces recognizable while reducing modern sharpness, HDR, pore detail, crisp eyelashes, and commercial studio polish. Make the photograph fill the entire canvas from edge to edge. The bottom should continue showing the couple's jeans and dark amusement-park surroundings. No title, no logo, no watermark, no poster text, no black bar, no white margin, no rounded card, no external frame, no camera HUD, no battery icon, and no REC interface.
In Figure 1, a man stands at a 70-degree angle on a dark street, getting rained on under a dim streetlamp. His expression is melancholic, his head slightly tilted back at a 45-degree angle, his back slightly hunched, his eyes closed, and his eyelashes thick. His lips are relaxed, his face etched with sadness, and his facial muscles are relaxed. He wears a military green fitted T-shirt. The image has been sharpened and contrast enhanced. Skin texture has been improved, with clear pores, raindrops on his face, and a 4K high-definition rendering. The image captures the melancholic mood, with clear rain lines, raindrops on his face, and his wet hair. His military green short-sleeved shirt is completely soaked and clings to his body. The background clearly shows the heavy rain. A melancholic Indian man in the rain. His eyes are closed in melancholy, and he has thick eyebrows. The image exudes realism. The cool color palette, blue streetlamp, downturned lips, and sad expression are all present. The hairstyle and facial features retain the appearance of the man in Figure 1. A portrait photograph with sophisticated atmospheric lighting. He's completely soaked in the rain, his face turned to the side, eyes closed, facing the raindrops. His wet face, flowing hair, the rain, the wind, the raindrops wetting his face, hair, and clothes—low light, white clothes, blue tones, rim lighting—his expression conveys a sense of melancholy. A rainy day, reminiscent of a Wong Kar-wai film. A hunched back, letting the rain fall. The various lights in the alleyway in the background are out of focus as circular halos.
Using the two people in the picture as character references, accurately preserve their facial features, hairstyles, skin tones and ages, and naturally place them into the same real scene. Generate the man and woman in the picture kissing during the intermission in a private box at an opera house. The man wears a formal black suit, a white shirt and a black bow tie, and the woman wears a dark green silk blouse, a short black skirt, black stockings and refined earrings. The two stand side by side next to the box railing; the woman rests one hand on the railing, her body naturally turned toward the man; the man gently holds her other hand, and the two lean in close and kiss tenderly. The background is a real classical opera house, where red velvet seats, golden railings, the box structure, the stage curtain and audience members returning to their seats are visible. The lighting comes from the theater chandeliers, wall sconces and residual stage light. Vertical medium shot from above the thighs, three-quarter camera angle from the front side, with the two occupying about 78% of the image height. 50mm lens, realistic indoor exposure, fine clothing texture and natural skin tones, presenting an elegant, formal social-occasion atmosphere, no text, no watermark.
Use the man and woman in the reference photo as the only people. Strictly preserve both people's facial features, hairstyles, skin tones, ages and gender characteristics; do not swap or blend identities. Black-and-white wilderness wedding photography. On a vast, empty grassland, the man is on the left, wearing a black tuxedo, white shirt and black bow tie; the woman is on the right, wearing a white wedding dress with a natural skirt and a slit design. Both walk slowly in opposite directions, their bodies drawn apart, but the hands between them are still clasped together, forming a clear emotional connection. The man and woman both glance slightly back; the scene is romantic, quiet, and has a cinematic narrative feel. Following the original template, use an environmental full-body composition, with both people's heads, bodies, wedding dress hem and feet fully visible. The people occupy about 55%–65% of the frame height and about 65%–75% of its width, with the horizon in the upper-middle part of the frame. Keep an overcast sky above, low hills visible behind, and the grassland ground below, giving the environment a sense of space, but the people must not shrink into distant silhouettes. Silver-gray black-and-white tones, soft overcast light, natural satin sheen on the wedding dress, clearly outlined black tuxedo, fine film grain, the quality of a high-end wedding magazine and an art film. No text, titles, logos, borders or watermarks. Avoid half-length close-ups, people filling the frame, extreme wide shots, people too small, wedding dress or feet cropped, missing hand-holding, deformed arms, blurry faces, identity changes or other people appearing.
Use the uploaded selfie as the only identity reference. Create a highly realistic portrait of the same person wearing an elegant traditional Indian saree in a royal festive style. The person should be posed gracefully in a refined portrait composition, wearing a richly detailed saree with beautiful draping, elegant jewelry, and traditional festive accessories. The background should feel luxurious and cultural, such as a palace-inspired interior, carved arches, warm lamps, decorative fabrics, and subtle floral details. Preserve the person’s recognizable facial identity and overall appearance from the uploaded selfie. Do not specify or change hair color, skin tone, ethnicity, or race. Use realistic fabric texture, natural facial detail, refined jewelry reflections, soft cinematic lighting, warm golden tones, premium fashion photography, and a polished editorial portrait look. Style: photorealistic Indian traditional fashion portrait, royal saree styling, palace atmosphere, elegant festive mood, high detail, sharp focus.
Create a photorealistic wedding portrait of exactly the two adults in the reference images. Image 1 is the man and image 2 is the woman. Use these photographs as the only identity references. Preserve both recognizable facial identities, natural skin tones, face shapes, eyes, noses, mouths, hairlines, facial hair, apparent ages and body proportions. Keep the man on the left and the woman on the right. They remain the same Indian individuals, with natural skin texture and believable gentle bridal grooming; no skin lightening, face replacement, de-aging or generic model faces. Replace their casual clothing with the specific attire below. Give them natural, comfortable body language, clear unobstructed faces and anatomically plausible hands. Make a vertical 4:5 medium portrait, approximately mid-thigh or waist upward, with sufficient space above both heads and around the shoulders for later cropping. Both faces should be turned toward the camera and recognizable. Use realistic wedding photography, coherent natural light, real fabric and jewellery textures, softly separated background and lifelike expressions. One photographic image with exactly two main people, no split-screen, illustration, text, watermark or decorative photo border. Avoid a Western wedding gown, tuxedo, church or champagne props. Specific wedding look and scene: A Tamil wedding couple on a shaded South Indian heritage-house veranda. The bride wears a rich coral-red Kanjeevaram silk sari with broad woven gold borders, a matching short-sleeved blouse, traditional layered gold necklaces, gold jhumkas, a neat central forehead ornament and a small bindi. Her hair is arranged in a low bun encircled with fresh jasmine flowers, leaving her face unobstructed. The groom wears a cream silk shirt with a gold-bordered white veshti and an angavastram over one shoulder. Both wear modest fresh jasmine-and-red-rose wedding garlands. Capture a natural pause as they walk side by side: he gently holds her hand low between them, shoulders relaxed, both looking toward the camera with quiet happy smiles. Include carved wooden pillars, banana-leaf decoration and jasmine garlands in the softly blurred background. Soft morning daylight emphasizes the lustrous silk weave and warm natural brown skin. The sari, jasmine, gold jewellery and veshti establish the regional look without adding elements from other regional wedding traditions.
Create a photorealistic wedding portrait of exactly the two adults in the reference images. Image 1 is the man and image 2 is the woman. Use these photographs as the only identity references. Preserve both recognizable facial identities, natural skin tones, face shapes, eyes, noses, mouths, hairlines, facial hair, apparent ages and body proportions. Keep the man on the left and the woman on the right. They remain the same Indian individuals, with natural skin texture and believable gentle bridal grooming; no skin lightening, face replacement, de-aging or generic model faces. Replace their casual clothing with the specific attire below. Give them natural, comfortable body language, clear unobstructed faces and anatomically plausible hands. Make a vertical 4:5 medium portrait, approximately mid-thigh or waist upward, with sufficient space above both heads and around the shoulders for later cropping. Both faces should be turned toward the camera and recognizable. Use realistic wedding photography, coherent natural light, real fabric and jewellery textures, softly separated background and lifelike expressions. One photographic image with exactly two main people, no split-screen, illustration, text, watermark or decorative photo border. Avoid a Western wedding gown, tuxedo, church or champagne props. Regional character must come from the garments, textiles, jewellery and setting, never from replacing either face with a stereotyped regional face. Preserve any original facial hair, natural body build and mature features. Keep both people individually recognizable, with comfortable asymmetrical posture rather than rigid mannequin poses. Specific wedding look and scene: An Assam-inspired wedding portrait in a quiet bamboo-and-wood veranda near lush green trees. The bride wears a warm champagne-gold muga-silk mekhela chador with restrained red woven motifs, a matching modest blouse and a few elegant Assamese-inspired gold ornaments. Preserve her natural hair texture and face; use a neat low hair arrangement and a small bindi. The groom wears an ivory silk kurta with dhoti-style trousers and a cream handwoven cheleng chadar with red woven accents. They sit close on a simple cane bench, leaning gently toward each other, hands relaxed on their own laps and faces turned toward the camera. The warm lustre of muga silk, handwoven texture and soft greenery are central. Do not change their facial features or skin tones to imitate a regional stereotype.
Transform into a Lolita doll style, preserving the character's facial features, with a delicate face, ruffled accessories, soft-light effect, porcelain-white skin, and sweet gothic charm. If the background contains anything inappropriate (sensitive), it may be modified or removed. Composition after redrawing: keep the same aspect ratio as the original image.
Create an artistic collage of 6 vintage Polaroid photos, attached with a decorative rope and mini clothespins, like a home photo gallery. Each Polaroid frame has a slight fading and an old paper effect. The background is a soft pastel wall with light shadows, creating a cozy and creatively chaotic atmosphere. Emotions and poses: * Light laughter — eyes closed, natural joy. * Dreamy gaze upwards, relaxed pose. * Playful wink. * Calm smile with a head tilted to the side.Dynamic gesture hands raised high, full of energy. * Romantic half-glance over the shoulder. The atmosphere is an art-retro style with elements of a '70s fashion magazine, soft diffused lighting, and muted warm and golden tones. Each photograph looks like a unique behind-the-scenes shot, with a touch of nostalgia and a sense of personal history.
The male subject is styled in a luxurious, beige down-filled puffer jacket with a high collar, worn open to reveal a heavy-gauge charcoal turtleneck sweater underneath. The female subject exudes winter elegance in a form-fitting, cream-col…
Keep the facial features of the person in the photo. The main subject in the reference photo sits astride a deep red heavy motorcycle, wearing a leather vest, with a golden castle in the background and long hair gently moving. Image size 9:16.
Keep the person's head features consistent. Generate a hyper-realistic night-time outdoor birthday celebration portrait photograph: the person sits in the center on a park bench, the body facing the camera but the head turned slightly toward the right side of the frame, the face lit by the cake's firelight, the expression relaxed with slightly squinting eyes, as if blowing out the candles or feeling the heat of the flames. In the person's left hand is a bottle of dark green champagne, the mouth of the bottle pointing up and slightly to the left, the foam or champagne inside spraying out to form a tall vertical column of mist that shoots upward from the left side of the frame; the spray is a warm orange, semi-transparent, lit by the lights, with tiny droplets clearly visible. In the person's right hand is a round, dark chocolate birthday cake resting on a tray, at chest height on the right side of the frame. The cake has several lit birthday candles, the candle flames are very bright and form an intense orange-white beam of flame shooting horizontally toward the right side of the frame, the edges of the flame diffusing and the center slightly overexposed, like the effect of birthday candles and a spray-flower flare suddenly blown bright. The background is a city park at night; behind the person is a wooden bench running horizontally across the middle of the frame, with black metal armrests and a backrest. In the distance are silhouettes of dark tree branches, blurred building outlines, and bokeh from street lamps and car lights, forming small round bokeh light spots in white, yellow and red. There is a little snow or light-colored patches on the ground and under the bench, and the overall environment is cold and dark. The main light of the image comes from the cake candles and flames; intense warm orange firelight illuminates the person's face, hair and upper body, with clear orange-yellow highlights on the face, while the dark areas still keep their night-scene shadows. The champagne spray is lit by the firelight and street lamps, forming a glowing golden column of mist. The background overall is deep and dark, with only street-lamp bokeh and a few city light points; do not light the environment too brightly. A high-contrast night scene, with the warm firelight forming a strong contrast against the cold, dark city background, slight motion blur, and real high-ISO grain.
A vertical medium-shot outdoor portrait photoshoot at golden sunset hour with a backlit setting, warm sunlight shining from behind the subject and forming a soft, bright golden rim halo along the edges of her hair; she stands gracefully, her right hand gently raised with the palm facing up, an exquisite, vividly colored blue-purple butterfly hovering above her palm, her eyes lowered tenderly toward the palm; she wears a light gray-green, translucent sheer saree, its surface scattered with a large number of golden sparkling floral embroideries, the saree border trimmed with intricate, gorgeous gold-thread beaded embroidery, with a matching V-neck short-sleeved blouse covered all over with exquisite heavy beadwork; she wears layered, stacked gold and pearl bangles, pendant bell earrings and a luxurious full-diamond short choker necklace, her left hand lightly gripping the saree fabric, with a simple slim ring on a finger; the background is a blurred outdoor garden, with branches covered in small white flowers in the upper left corner, a large hazy patch of orange-red flowers on the left, and soft warm golden bokeh light spots in the background; the sheer fabric is light and translucent, the embroidery texture delicate and three-dimensional, soft warm backlight, shallow depth of field with a blurred background, film texture, ultra-realistic high-definition photographic quality, fully recreating the figure's pose, the hovering butterfly, the complete set of jewelry and accessories, the saree embroidery details and the dusk garden atmosphere.
Using the adult woman in the input photo as the sole identity reference, generate a vertical instant-film snapshot genuinely shot with the built-in direct flash of a portable Polaroid camera. Strictly preserve her real facial features, face shape, age, skin tone, hair color and natural skin texture; do not swap the face, do not whiten the skin, do not make her look younger, do not redesign the face. Scene and styling: She wears an off-white Kerala-style kasavu saree with a thin gold border clearly visible, a simple warm-gold blouse and small gold jhumka earrings. Keep her original hair color and hair texture; her hair is tied up naturally at the back, with a small ring of real white jasmine flowers (a gajra) beside the bun, the flowers not covering her face. She stands on the porch of a traditional Kerala house with a dark wooden door, her body naturally turned slightly, her face toward the camera, with the natural smile of someone caught off guard when a friend or relative suddenly raises a Polaroid; her hands rest relaxed in front of her waist. The camera is very close to her, in a head-to-waist souvenir-snapshot composition, with the person taking up the main part of the photo, keeping the slight imperfection of a casual grab shot. Decisive Polaroid lighting: it is a dim evening after the sun has set, the ambient light on the porch is very weak, and the wooden door and courtyard behind her are noticeably dark. The only key light is the built-in flash right next to the lens, firing straight at her from the front, clearly producing a bright subject, a slightly harsh frontal flash, a crisp hard-edged shadow on the wooden door behind her head and shoulders, and the saree folds, jasmine flowers and natural skin texture lit by the flash. Facial detail is retained, but there is a clear flash exposure difference between the person and the dark background. No soft window light, daylight backlight, rim light, soft studio light or creamy background blur; do not present the soft lighting of a professional portrait or wedding photography. Genuine instant-film texture: visible but natural analog film grain, slight softening, limited dynamic range, a slightly warm look with a touch of yellow-green color cast, and slightly darkened corners. The distant courtyard is only a dim bit of green leaves and wooden-structure outlines, not a bright, transparent daylight garden, and no large round bokeh appears. The photo has both a casual, life-snapshot feel and a clear recognizability of her, not a high-definition commercial-ad-style retouch or plastic skin. Layout: The whole image is a front-facing, complete classic Polaroid print, with clean pure-white wide borders all around and a slightly wider bottom border, the photo window keeping a slight film vignette, and all four corners intact. Nothing is written on the white border, and do not add a tabletop outside the print, decorations, a hand holding the print, a second photo or a collage. Only this one woman appears; no text, date stamp, watermark, logo, interface, extra people, extra limbs or small reference-photo window.
Using the same adult man from reference image 1 and the same adult woman from reference image 2, generate a natural phone photo of an Indian couple. Strictly preserve each person's original facial feature proportions, face shape, true skin tone, age, hairline, hairstyle, beard, glasses status and body type; do not swap or blend faces, do not whiten skin, do not slim down, do not make anyone look younger. Clothing is changed as described below. The people rely only on the two original images for their appearance; the home-life and royal-style scenarios are both original fiction. Scene: beside a tennis court at a sports club in an Indian residential area, with a green court, an ordinary net, a shaded rest bench at the side and a sports bag, and the club building in the background. Ordinary daytime on-site light, like a rest-break photo after playing tennis. Clothing: the man wears a white short-sleeve sports polo shirt and navy sports shorts; the woman wears a light purple collared sports top, white loose sports trousers and ordinary sports shoes. The clothes have natural movement wrinkles and no brand logos. Action and relationship: the woman sits on the courtside bench, one hand holding an ordinary water bottle resting in front of her knees; the man stands beside her, bending his knees slightly and leaning over so that the two faces are at nearly the same height, one hand gripping the racket handle, the racket head pointing down and resting on the ground beside them. The two look at a friend's phone and smile slightly, not making a match-style swing. Composition: shot from diagonally in front of the bench, from the top of the head to above the knees, with the court and the lower end of the racket appearing naturally; the people are not over-polished or turned into a sports advertisement. Overall it continues the already-confirmed ordinary phone-snapshot texture, a casual everyday photo taken in passing by a familiar family member or friend during a real activity. Both faces are clear and unobstructed, the two naturally look at the phone that is taking the photo, with relaxed expressions and slightly asymmetric slight smiles. The composition is not deliberately centered, and the horizon may have a very slight casual tilt; ordinary phone main-camera slight wide-angle perspective, the people and background both keep basic sharpness, no portrait mode, no creamy bokeh. Use only the scene's natural light or everyday lamps; facial brightness may be slightly uneven, and a bright background may be a little naturally overexposed. Keep pores, small blemishes, texture under the eyes, natural stray hairs, clothing wrinkles and slight phone noise-reduction grain, like an unretouched everyday album photo. The environment and clothing are refined and textured, but the people are still in an ordinary-life state. Vertical 4:5, medium-close two-person shot. No professional lighting, wedding photography, luxury-brand advertising, fashion editorial, cinematic color grading, strong golden backlight, excessive HDR, skin smoothing or beautifying, influencer face, stiff standing posture or standard symmetrical posed shot. No large brand logos, real royal emblems, lined-up staff, text overlay, watermark or interface. No crown, wedding garland or exaggerated dramatic cape. Avoid extra main characters, extra arms, duplicated hands, deformed fingers, fabric fused with the body. Do not fake a phone look with heavy blur, scratches, dirt or coarse grain.
Close-up shot, Lo-fi Dusk twilight-glow atmosphere filter, low-saturation warm tones, warm golden backlight outlining the hair with a halo glow, the image has a retro film-grain feel; medium-shot portrait, wearing a dark green soft silky saree traditional gown, the body and shawl edges covered in intricate, heavily worked golden floral-vine embroidery patterns, the fabric a delicate, soft matte, soft-light gauze-like material with a fine, gentle sheen; paired with same-color trim and pearl piping, the neckline and drape covered in traditional Indian patterns; wearing matching dark green enamel and gold jewelry: carved emerald earrings, a chrysoprase necklace, slim green-patterned bangles; standing sideways, one hand raised lightly holding the saree neckline, the other hand hanging naturally, the saree fabric draping and spreading, showing a velvety soft sheen under the backlight; the background is a nighttime outdoor brick-paved road, the overall tone dark, warm backlight creating a hazy atmosphere, clear and translucent makeup, 8K ultra-high definition, masterpiece, best quality.
Use the uploaded selfie as the only identity reference. Create a highly realistic retro Bollywood cinematic portrait featuring the same person in a classic song-and-dance movie frame. Show the person in a graceful expressive pose inspired by an iconic Bollywood musical sequence. The styling should feel glamorous and performance-ready, with elegant costume details, cinematic emotion, and a vibrant classic-film atmosphere. Use realistic portrait detail, warm nostalgic color grading, subtle film grain, dynamic but elegant pose, and a frame composition that feels like a still from a beloved retro Bollywood musical moment. Style: photorealistic Bollywood musical portrait, vintage Indian film aesthetic, expressive glamour, cinematic dance-frame mood, high detail, nostalgic color.
Keep the facial features of the person in the reference photo, 9:16 composition down to the thighs, facing the camera head-on, with the face taking up a large share of the frame, photographic realistic style, male, wearing a crisp navy blue suit set with a flat white shirt underneath, the collar open without a tie for a more casual look, a calm and confident expression, hands hanging naturally at his sides, the background is the seaside of Marine Drive in Mumbai, the sea showing faint blue fine ripples, the clear architectural outline of the Gateway of India visible in the distance, the light is soft natural afternoon light, the sea breeze gently lifting the edges of the jacket and the shirt collar, the sea sparkling with fine glittering waves, the whole image full of the elegant texture of an urban elite
Using the two people in the image as the character reference, accurately preserve each person's facial features, hairstyle, skin tone and age, and naturally place them into the same real scene. Generate the man and woman from the image reuniting and kissing on a modern train station platform. The man wears a dark gray business suit, a white shirt and a dark tie; the woman wears an ivory-white blouse, a dark plaid high-waisted short skirt and black stockings. The man has just finished a business trip, and the woman has come to the platform to meet him. The woman naturally rests both hands on the man's upper arms, and the man gently wraps one hand around the woman's lower back while the other hand still holds the handle of a travel suitcase. The two lean slightly toward each other and kiss naturally in a brief reunion embrace, the movement restrained and genuine, carrying the emotion of meeting again after a long separation. The background is a realistic modern intercity railway station, including a stopped train, platform safety lines, platform number signs, metal seats, a canopy structure and passengers boarding and alighting. The station is lit by both natural daylight and canopy lighting, and the people keep normal proportions relative to the train and platform facilities. The suitcase shows only its handle and a small part of its body at the bottom of the frame. Vertical medium shot from above the thighs, with the bottom edge of the frame falling at mid-thigh, clearly showing the man's suit and the woman's blouse, skirt and part of the stockings. The two together take up about 78%–82% of the frame height. Eye-level camera, 50mm lens, natural ambient light, normal colors and real depth of field, preserving the station's actual structure and everyday flow of people, presenting an authentic reunion photo captured by a photographer during a trip, no text, no watermark.
The subject is dressed in a vintage-inspired, cream-colored garment made of soft, opaque fabric, likely a matte cotton or silk blend. The top features modest short puff sleeves with gentle gathers at the shoulders, a high round neckline, a…