Gujarati Panetar Wedding

Create a photorealistic wedding portrait of exactly the two adults in the reference images. Image 1 is the man and image 2 is the woman. Use these photographs as the only identity references. Preserve both recognizable facial identities, natural skin tones, face shapes, eyes, noses, mouths, hairlines, facial hair, apparent ages and body proportions. Keep the man on the left and the woman on the right. They remain the same Indian individuals, with natural skin texture and believable gentle bridal grooming; no skin lightening, face replacement, de-aging or generic model faces. Replace their casual clothing with the specific attire below. Give them natural, comfortable body language, clear unobstructed faces and anatomically plausible hands. Make a vertical 4:5 medium portrait, approximately mid-thigh or waist upward, with sufficient space above both heads and around the shoulders for later cropping. Both faces should be turned toward the camera and recognizable. Use realistic wedding photography, coherent natural light, real fabric and jewellery textures, softly separated background and lifelike expressions. One photographic image with exactly two main people, no split-screen, illustration, text, watermark or decorative photo border. Avoid a Western wedding gown, tuxedo, church or champagne props. Regional character must come from the garments, textiles, jewellery and setting, never from replacing either face with a stereotyped regional face. Preserve any original facial hair, natural body build and mature features. Keep both people individually recognizable, with comfortable asymmetrical posture rather than rigid mannequin poses. Specific wedding look and scene: A Gujarati wedding portrait centred on a red-and-ivory panetar sari. The bride wears an ivory silk sari with a broad red border, a red blouse and a red gharchola-style ceremonial drape with a clear woven gold grid pattern. Add refined gold earrings, a small maang tikka and red-gold bangles; the drape must not cover her face. The groom wears a cream embroidered sherwani, a red bandhani safa and an ivory stole. They pause while walking side by side through a sunlit carved Gujarati courtyard, hands loosely joined low between them and both glancing toward the camera with happy, natural expressions. Ivory-and-red floral mandap decorations and a traditional carved doorway provide context, without filling the frame with unrelated religious props. Make the sari folds and the gharchola grid visibly different from a generic lehenga.