4,857 templates · updated Oct 2026
Nano Banana 2 is Google's Gemini 3.1 Flash Image model (gemini-3.1-flash-image-preview). It is faster and cheaper than Nano Banana Pro, renders 1K, 2K and 4K images and accepts up to 14 reference images. Google now recommends its update, Nano Banana 2.1, for new projects.
This page lists the 4,857 library templates set up for the Nano Banana 2 family: Nano Banana 2, 2.1 and 2 Lite. On GPT Image Hub they start at 25 credits per image.
NewKeep the facial features of the person in the image. [Close-up shot] Love in the rain. The protagonist rests a hand on a window pane covered in raindrops. Wearing a dark turtleneck sweater. The face is lit by indoor light, with sharp, defined features, a beautiful and melancholy mood. 9:16 aspect ratio.
NewA vertical three-panel grid, a couple portrait collage shoot. A young couple interact in front of a simple cream studio background, and the image looks like three consecutive photo-booth shots, divided horizontally into top, middle and bottom sections. Panel 1: the woman is on the left, eyes closed and smiling, one hand supporting her face; the man on the right leans in sideways, making a kissing expression without having kissed her yet, a playful, sweet mood. Panel 2: the man kisses the woman's cheek, the woman laughs brightly and makes a peace sign at the camera, the movements natural and intimate. Panel 3: the two face the camera together and smile, the man pressing both hands against his cheeks making a heart gesture, the woman winking and making a peace sign. The overall look is a bright, clean couple portrait style, soft frontal light, light background, high-key lighting, natural skin texture, tight composition, upper-body close-ups, sweet, relaxed, youthful, cute, high-definition realistic photographic quality, vertical 9:16.
NewThree-panel storyboard collage, cinematic rainy-night emotional portrait, cool teal-blue atmosphere, 8K ultra-HD realistic photography 1. Top: a close-up of the person in the reference photo shot through a window covered in raindrops, wet hair, water droplets sliding down the glass, blurred Indian street background, glass reflections, hazy atmosphere 2. Middle: the person lying on their side on a wet, flooded street, eyes looking at the camera, the side of the face resting on the reflective water surface, the water reflecting the person's image, damp strands of hair, blurred rainy-night street background, cold, clear light and shadow 3. Bottom: the person standing in a city street in pouring rain, soaked through, eyes closed, water drops dripping from the tips of the hair, the background is blurred streetlights and neon light spots of a rainy night, strong rain-streak effect, realistic rain texture Overall: the person's expression is melancholy and sad, no smile, high-contrast light and shadow, cinematic feel, grainy texture, no watermark, no text, a gloomy rainy-night atmosphere with maximum emotional weight
NewKeep the facial features, hairstyle, face shape and facial features of the person in the reference photo unchanged. Medium shot, eye-level shot. A young man stands in a red-brick arched corridor on a campus, his body turned sideways to the camera, a few buttons at the collar undone, his right hand raised to gently adjust the collar, a black notebook held under his left arm, a handsome smile, leaning forward, his eyes looking straight into the camera; he wears a light ivory embroidered kurta shirt with fine traditional gold-thread patterns at the collar, dark blue slim-fit jeans and brown leather loafers, and a simple silver bracelet. He leans diagonally against the wall, one leg propped against the wall behind him.
NewKeep the facial features of the person in the image. Passenger-seat ultra-wide-angle view, a single woman driving a dark blue convertible sports car, dark blue suede interior, outside the window a late-night neon coastline with the sea shimmering in vivid streaming light, 4K ultra-clear realism. The person faces the camera, cool and beautiful, looking into the lens, one hand resting on the steering wheel and the other hand reaching toward the camera in an invitation, gorgeous and dashing, compliant with traffic rules, a sense of urban sophistication
NewVertical urban streetwear portrait poster in a dark street-magazine cover style. A young male streetwear blogger is the subject, a large half-length portrait placed at the top center of the frame. He looks straight into the camera, wearing black narrow-framed sunglasses, his right index finger held upright in front of his mouth, with a calm, confident expression, black fluffy curly hair, a short beard, natural skin tone, and clear, three-dimensional facial lighting. He wears a loose red hoodie with a white graffiti-style print on the chest and a silver chain necklace; the overall look is streetwear, cool, with the feel of a personal-brand poster. At the bottom of the frame appear two small-scale full-body figures of the same person, standing side by side on the street ground, wearing the same red hoodie, black baggy trousers and white sneakers, with black sunglasses, bumping fists with one hand each, in a relaxed, steady stance. The upper and lower figures form a layered main-visual composition: the large portrait above emphasizes the subject's presence, and the two full-body figures below add depth to the streetwear poster. The background is a dark gray-black urban street wall with graffiti, with torn poster paper marks in the upper-left and lower-right corners, old wall texture, handwritten graffiti scribbles, a slight smoky feel and grain. A large red spray-paint title "Red" is overlaid in the center, in a bold street graffiti font, with paint-splatter and worn-edge effects; smaller white handwritten-style English decorative words can be added above; overall it looks like a music cover or a streetwear blogger's personal promo poster. The main palette is black-gray, deep red and white, with high-contrast cinematic lighting, a faint red rim light along the figures' edges, soft side light on the face, and rich layers in the dark background areas. Dark red tone, grainy film texture, spray-paint graffiti visuals, rich layering, refined detail.
NewCreate a photorealistic wedding portrait of exactly the two adults in the reference images. Image 1 is the man and image 2 is the woman. Use these photographs as the only identity references. Preserve both recognizable facial identities, natural skin tones, face shapes, eyes, noses, mouths, hairlines, facial hair, apparent ages and body proportions. Keep the man on the left and the woman on the right. They remain the same Indian individuals, with natural skin texture and believable gentle bridal grooming; no skin lightening, face replacement, de-aging or generic model faces. Replace their casual clothing with the specific attire below. Give them natural, comfortable body language, clear unobstructed faces and anatomically plausible hands. Make a vertical 4:5 medium portrait, approximately mid-thigh or waist upward, with sufficient space above both heads and around the shoulders for later cropping. Both faces should be turned toward the camera and recognizable. Use realistic wedding photography, coherent natural light, real fabric and jewellery textures, softly separated background and lifelike expressions. One photographic image with exactly two main people, no split-screen, illustration, text, watermark or decorative photo border. Avoid a Western wedding gown, tuxedo, church or champagne props. Regional character must come from the garments, textiles, jewellery and setting, never from replacing either face with a stereotyped regional face. Preserve any original facial hair, natural body build and mature features. Keep both people individually recognizable, with comfortable asymmetrical posture rather than rigid mannequin poses. Specific wedding look and scene: An Indian varmala celebration portrait immediately after the couple has exchanged flower garlands. The bride wears a vivid magenta silk lehenga with subtle gold embroidery and a lightly draped gold-edged dupatta; the groom wears a deep turquoise sherwani with an ivory stole. Both wear fresh orange-marigold and cream-jasmine garlands. They stand close beneath an outdoor floral mandap, each lightly holding the lower part of their own garland, with no raised arms or flowers blocking their faces. Their shoulders tilt gently toward each other, both giving delighted relaxed smiles to the camera. Green garden foliage, hanging orange flower strings and a few real petals on the ground form a festive daytime scene. Preserve the man's original moustache and both reference identities; use realistic fingers and natural fabric drape.
NewTurn the man and woman in the input photo into a romantic seaside sunset couple portrait, strictly preserving both people's real facial features, hairstyles, skin tones and ages, and making it clear that they are an adult couple. The two stand side by side on the sand near the waves, with a deep blue sea, soft foam and a golden-orange sunset sky behind them. The man wears a loose white linen long-sleeved shirt with the collar casually open; the woman wears an off-white off-shoulder long dress, her long hair gently blown by the sea breeze. The two stand naturally close; the man looks down tenderly at the woman, and the woman looks up to meet his gaze, showing a genuine, restrained, sweet couple interaction. Vertical medium-shot composition, visible from the chest to the mid-thigh, the two together taking up about 68%–75% of the frame height, heads fully in frame, shoulders and bodies not cropped, the people centered, with a clear horizon and sunset setting kept behind them. Warm golden side light shapes the facial contours, with realistic skin and linen textures, soft cinematic grain, high-end lifestyle advertising photography, romantic but not overly dreamy. No text, titles, logos, watermarks or borders in the frame; no kissing, no closed eyes, no covered faces, no foreheads or faces pressed together, no extra people, do not change the people's identities, no excessive skin smoothing, no deformed fingers.
NewUsing the same adult man from reference photo 1 and the same adult woman from reference photo 2, generate a lavish Indian royal-style couple photo. Strictly preserve each person's original facial feature proportions, face shape, true skin tone, age, hairline, hairstyle, beard, glasses status and body type; do not swap or blend faces, and do not whiten, slim or make anyone look younger. Change only the clothing, jewelry, pose and setting. The people's appearance is based only on these two original photos; the court scene and identities are original fiction. Both faces must be clear, unobstructed, and look naturally at the camera. Scene: wide steps and arches of a white marble palace in a lake, in the style of Udaipur, India. In the background are white stone pillars close by, blue-green lake water and a faint line of distant mountains; a few white flowers and silverware are placed on the stone steps; bright overcast daylight, with realistic white-stone texture and water surface. Clothing: the man wears a lake-blue achkan in finely woven silver-thread floral brocade, ivory trousers, silver buttons, a pearl chest chain and a sapphire brooch; the woman wears a pinkish lilac-gray silk sari with a wide, finely embroidered silver border and a silver-thread short-sleeved blouse, with a diamond-style polki necklace, sapphire earrings and thin bangles, her long hair arranged naturally in her original hairstyle, and the sari drape not covering her face. Action and relationship: the woman steps toward the man from a higher wide step, while the man stands one step lower and reaches out his hand to her; their palms are naturally clasped, and the woman's other hand gently gathers the pleats of her sari, with a real shift of body weight. At a paused moment in the movement, the two look back toward the camera together with a slight smile. Composition: from the mid-thigh up, slightly from the side at eye level, keeping a section of the steps, the white marble arches and the nearby lake water, with the faces large enough, avoiding a distant full-length view with tiny figures. The focus this time is a very lavish yet believable Indian court aesthetic: real embroidery, heavy brocade, richly layered jewelry and finely carved palace architecture, so that the clothing, accessories and space look luxurious at a glance. Keep the physical feel of real people and real materials; clothes have weight and natural folds, and gems and metal show only moderate, realistic reflections. The photographic look is like a nice photo carefully taken by a friend with an ordinary phone, from the phone's main-camera perspective, in on-site light, with the people and background basically clear, keeping pores, skin tone variation, texture under the eyes and fine flyaway hairs, with no retouching or skin smoothing, no studio-style sculpted lighting and no cinematic filter. The people's poses differ from one outfit set to another, with relaxed expressions and natural smiles, not all standing stiffly facing the camera in the same way. Vertical 4:5; the two adults are the only protagonists. No Western wedding dress, Western crown, armor, scepter, sacrificial or wedding ceremony, wedding garland, face-covering veil, exaggerated long cape, real royal emblem, brand logo, text, watermark or interface. No extra complete faces in the background or mirror clones, no face blending, influencer-style face, plastic skin, excessive HDR, strong blur, strong orange-teal color grading, game rendering, illustration, AI oil-painting look, over-sharpening or fake coarse grain. Hand and pose anatomy must be correct, the two people's hands must not merge together, and avoid extra arms, duplicate palms, malformed fingers, and fabric fused with the body.
NewHyper-realistic close-up portrait of a man, cinematic warm backlighting, 8K ultra HD, photographic realism, shallow depth of field, blurred background that makes the subject stand out. [Subject and Pose] A close-up of the face and upper chest of a powerful Indian man looking straight into the camera, his gaze sharp and resolute, his expression calm and steady, carrying an aura that is both sacred and wild. [Styling and Details] - Hair: thick, wet black hair, strands tousled and clinging to his face and neck, with water droplets that gleam in the sunlight. - Face: deep brown skin, glossy and reflective from water and sweat, a conspicuous red bindi (tilak) on the forehead, a thick mustache and short stubble, with hard, well-defined contours. - Clothing and accessories: a translucent, wet off-white gauze top, half open to reveal a solid chest, with layered natural-stone bead necklaces around the neck, the strings richly detailed and full of religious and tribal character. [Scene and Background] The background is the water of a seaside/riverside, in a soft blue tone, blurred by the backlight to highlight the main subject and create the atmosphere of a sacred bathing ritual. [Light and Color] Strong warm dusk backlight pours down from behind the man, forming golden rim light and highlights on the hair strands, water droplets and skin; the overall palette is dominated by warm brown and off-white, contrasting with the cool tones of the water in the background, for a very strong atmosphere. [Texture Details] The water droplets in the wet hair, the sheen of the skin, the folds of the gauze shirt and the texture of the beads are all clearly visible; the image is clean and refined, full of a strength where wildness and sanctity intertwine.
NewUsing the content from this photo as reference, create a meticulously crafted and adorably cute 3D rendered collectible display piece, housed in a soft pastel-toned, warm and romantic display box. The display box features a light cream color paired with soft golden decorations, resembling an exquisite portable jewelry box. Upon opening the lid, a warm and romantic scene is revealed: two Q-version (chibi) characters gazing sweetly at each other. The box lid is engraved with 'FOREVER TOGETHER', surrounded by delicate stars and heart patterns. Inside the box stands the female from the photo, holding a small white bouquet in her hands. Beside her is her partner, the male from the photo, kneeling on one knee holding a wedding ring in a proposal gesture. Both characters have large, sparkling, expressive eyes and soft, warm smiles, conveying deep love and charming charisma. Behind them is a circular window, through which you can see a sunny classical town skyline and gently floating clouds. The interior of the box is illuminated with warm, soft lighting, with flower petals floating in the background to enhance the atmosphere. The entire display box and characters feature elegant and harmonious color tones, creating a luxurious and dreamy miniature souvenir scene.
NewHigh quality, real, HDR, HD, Mexican grooms often choose to wear a traditional charillo suit, a design that showcases the tradition and enthusiasm of Mexican men. The material is usually cotton or linen
NewVertical outdoor fashion portrait, strictly keeping the facial features of the person in the reference photo unchanged. The person sits beside a wooden fence; on the left side of the frame is a tall old wooden post with horizontal wooden rails; the person sits leaning against the post, body facing the camera, hands resting naturally between the legs, in a relaxed pose, with a smile. Wearing a black zip-up jacket whose sleeves and shoulders have a white-background, black luxury-brand-style pattern, including a Greek key border, classical head portraits and baroque line motifs, with a white T-shirt underneath, black slim trousers and white sneakers. Wearing dark round sunglasses, a gold pendant on the neck, a black smartwatch and a bracelet on the wrist, and a black backpack placed on the right. The background is a dense green forest, sunlight passing through the leaves to form round bokeh, the background strongly blurred and the person sharp, with colors leaning toward vivid green and black-and-white contrast, an influencer-style retouched look, soft daylight, outdoor fashion portrait, luxury streetwear, 85mm, f1.8, ultra detailed.
NewThe subject is dressed in a sharp, tailored grey three-piece suit featuring a jacket with notch lapels, a matching buttoned vest, and a crisp white dress shirt. A silver satin tie is knotted neatly at the collar, complemented by a white fl…
NewPhotorealistic and romantic double-exposure portrait, blending two intimate moments of a couple. The lower half of the frame shows the couple standing on the bow deck of a ship, with a sweet atmosphere. Close-up shot, low-angle view; the two are on the bow deck in daytime, with both the figures and the bow on the left side of the frame, the white railings and the black hull structure clearly visible; the man stands behind the woman, and both face the right side of the frame. The woman wears a classic traditional Indian lehenga choli (lehenga skirt + choli short top + dupatta shawl) in sea blue, and the man wears white traditional Indian clothing; the woman stands on the bow with her arms fully outstretched, her eyes gently closed to feel the sea breeze, her dupatta fluttering in the wind. The man wraps his arms around her waist from behind. The upper half of the frame overlays semi-transparent close-up side profiles of the man and woman from Image 1 and Image 2 gazing at each other. The background is daytime snow-capped mountains and a deep blue sea, a pure and majestic atmosphere, reflected on the calm dark sea surface, a romantic and free atmosphere, 8K resolution, photorealistic.
NewGenerate a vertical, realistic Indian-life-themed Polaroid instant film photo. Use the people in the input photos as the only identity references, preserving their real facial features, face shape, age, skin tone, hair color and natural skin texture; do not swap faces, do not blend the two faces, do not make the people younger or change their ethnicity. Clothing, poses and scene are adjusted per the theme below. The image is a complete, front-facing Polaroid print, with classic pure white wide borders around the photo, the bottom border slightly wider, the frame fully in shot, clean and with no writing. No tabletop outside the print, no scene of a hand holding the print, no extra frame or collage. Inside the photo the people are the main subject, in a close, above-the-waist composition, with faces clear and natural; a small built-in direct flash lights the people, the background is slightly darker, keeping real flash shadows, an appropriate amount of analog film grain, a slight warm cast and a soft vignette, giving the feel of a real candid snapshot from life. Only the two adults from the input photos appear: the man from reference image 1 and the woman from reference image 2. The identity of both must be clearly preserved, with natural body proportions. Theme: Diwali balcony of lights. The man wears an ivory textured kurta, the woman wears a deep teal saree with a thin gold border and small gold earrings. The two stand close together on the balcony of an Indian home, shoulders gently leaning together, smiling naturally at the camera. Several small clay diya oil lamps are lined up on the low balcony wall, behind them the door frame has warm string lights, in the distance are soft night city lights, and a few marigold garlands in the corner. The direct flash makes the people clear and bright, while the warm lights behind them keep a soft glow. Only a relaxed festive snapshot is shown, with no fireworks, complicated gestures or extra people. No titles, captions, readable text, date stamps, trademarks, watermarks, interface elements or reference-image thumbnails inside the final photo. No extra people, extra limbs, comic style, plastic skin or heavy beautification.
NewThe female subject is dressed in an elegant cream-colored dress featuring delicate spaghetti straps, a plunging neckline, and a subtle ribbed fabric texture, accessorized with a thin silver necklace holding a single pearl pendant and long…
NewMinimalist studio portrait style, a young Indian woman sits facing the camera, body squarely toward the lens, back straight, knees together, hands stacked on her knees, with a calm expression. She wears a low-saturation teal-green sari. The background is a low-saturation teal-green gradient in Morandi tones with a matte texture. Directly behind her, in the center, appears an enlarged half-length portrait of the same person, perfectly aligned with the foreground figure to create a double-exposure effect; the overlaid head is about 2 times the size of the foreground figure's head, about 30% opacity, slightly blurred. Soft studio lighting, diffused light, no strong highlights, restrained overall color tone, clean and refined image, subject centered in the composition.
NewStrictly preserve the person's head features, facial structure, face shape and facial bone proportions, with the hairstyle matching the reference photo; an ultra-realistic cinematic composite portrait. The protagonist sits in the center of the lower half of the frame on a cream-white European Baroque single-seat sofa with a gilded carved frame, scrolled armrests, rivet decorations and a diamond-tufted upholstered backrest. The protagonist wears a black long-sleeved shirt, black trousers and black leather shoes with metal buckles, legs crossed; the hand on the left side of the frame rests naturally on the sofa armrest, while the other hand lightly supports the side of the face, and a slender red vertical forehead mark is kept at the center of the forehead. The upper half of the frame uses a poster-style composite background in black and blazing orange: at the upper left is a huge close-up of a male lion, mouth open in a roar, its golden-brown mane lit by firelight, with fangs and mouth details clearly visible; at the upper right is a large black-and-white half-length portrait of the same protagonist, strictly preserving the person's head features, facial structure, face shape and facial bone proportions, with the hairstyle matching the reference photo; the red vertical forehead mark is likewise kept, and the portrait extends to the edge of the frame. The central background shows bursting orange-gold flame textures, smoke, sparks and ember particles; the lion is fixed at the upper left, the black-and-white portrait is fixed at the upper right, and the sofa and protagonist in the central foreground remain complete and unobstructed. A low-key black tone forms a strong contrast with the gold carving and orange-red firelight; the image has rich layers and a premium texture.
NewKeep the real person's face, hairstyle and body proportions; generate a life-size blue-and-white glowing double with exactly the same face as the real person. At the edge of a festival street scene, the real person stands alone with a dejected expression; the glowing double stands beside the real person, its left hand gently resting on the real person's arm and its right hand placed on the shoulder to offer comfort. Photorealistic style, 9:16.
NewUsing the two people in the image as character references, preserve each person's clearly recognizable facial features, hairstyle, skin tone and age, and blend them naturally into one complete scene. Generate the man and the woman in the image embracing and kissing in a snowy winter forest. The man wears a dark gray wool coat and a black turtleneck sweater, his hands wrapped around the woman's waist. The woman wears a cream-white wool coat and a soft knit scarf, her gloved hand resting lightly on the man's chest and shoulder. The two stand close together in the quiet falling snow, their breath turning into faint white mist, the kiss tender and deeply affectionate. The background is a pine forest covered in thick snow, hazy snowy mountains in the distance, and a small log cabin with warm yellow lights. Large snowflakes fall slowly, and a little snow rests on the two people's hair and shoulders. The cold blue dusk sky contrasts sharply with the warm glow of the cabin, and the surroundings are so quiet it feels as if only the two of them remain. Vertical medium shot, showing head to mid-thigh, the two occupying about 75% of the frame height. Soft cinematic lighting, delicate wool and knit textures, the warm quality of a romantic film within a cold snowy scene, no text, no watermark.
NewMedium-to-close seated portrait. A young adult man sits in an outdoor meadow, positioned in the center of the frame slightly to the right, with his head in the upper half of the frame near the middle, and his body in frame from the head down to the thighs and part of the calves. He sits among tall grass, with blurred grass blades in the foreground blocking part of the lower frame, and the background is a large area of blurred woods and golden sunset bokeh. Pose to be reproduced strictly: the man sits on the grass, his body leaning slightly forward, shoulders relaxed, facing the camera from the front with a very slight turn to the left. His left leg is bent and raised at the lower left of the frame, the knee close to the camera forming a foreground element; the other leg is naturally bent and crossed toward the lower right of the frame. His left hand rests on the raised knee or shin, the wrist hanging naturally, the fingers relaxed and curled; his right hand hangs naturally in front of his body near the grass, the fingers lightly touching or hovering above the grass. The overall sitting posture is natural, casual and quiet, not stiff. Expression to be reproduced with emphasis: the man looks straight into the camera, his gaze calm and focused, his expression steady and confident, lips naturally closed with the corners of the mouth very slightly relaxed, not laughing broadly, not showing teeth in a smile, with a quiet, mature, slightly tender cinematic feel. His head is slightly raised, his face toward the camera, his neck naturally extended, his features clear, his skin real. Appearance: he wears a black, white and gray plaid long-sleeved shirt with the collar slightly open and the cuffs fitting naturally at the wrists; below, dark long trousers. The clothing has real fabric texture, wrinkles and natural shadows. The setting is an outdoor meadow at dusk, the man sitting among tall wild grass and reed-like plants. In the foreground are soft-focus grass blades, some close to the camera forming a hazy obstruction; behind him orange-yellow grass spikes and slender plants stand upright. The background is woods or shrubs, rendered by a wide aperture into dark green, black-green and golden-orange circular bokeh. At the upper left is a warm sunset or backlight source, forming a golden halo and soft rim light, with a faint warm outline light on his hair and shoulders. Photographic style: real outdoor portrait photography, cinematic warm tones, golden dusk light, shallow depth of field, a heavily blurred background, the face clear and sharp. The light is soft and translucent, with clear layering between foreground and background, rich grass detail, real skin texture, clear hair texture, clear plaid shirt texture. Use an 85mm portrait lens effect, a wide aperture, slight spatial compression, HD 4K, real photographic quality.
NewKeep the facial features of the person in the image. The man stands on the street beneath the Hawa Mahal (Palace of Winds) in Jaipur. He wears a minimalist plain white slim-fit short-sleeved T-shirt with a pair of metal-framed sunglasses hanging from the collar, and dark blue slim straight-leg jeans below. On his feet is a pair of retro sneakers with contrasting color panels. He leans against the side of a motorcycle, hands in his pockets, his right leg crossed in front of his left with his toes touching the ground, his body forming an extremely deliberate "zigzag" stance, his gaze deep as he looks off to the side. The pink palace in the background is blurred with a shallow depth of field, and the image has a strong kitschy retro filter, warm yellow tones, high color saturation, influencer travel-photo style, an eye-catching composition, the person filling the main part of the frame, 8K HD.
NewKeep the facial and hairstyle features of the reference photo unchanged The photo is full of a distinctive film grain texture, with the color tendency characteristic of an instant (Polaroid) camera. Pitch-black night, retro film style, film grain, grain noise, the frame covered in fine grain noise, heavy noise, close-up of one eye, partial close-up, glowing, dreamy, dreamcore, soft glowing edges, white soft glow, hair-strand light, backlight, snowy ground, extreme close-up of the eye, close shot, long black hair, white scarf, black trench coat, model portrait, film photography, Polaroid filter, moody atmospheric photography, sad, lonely, indifferent, dark environmental atmosphere, exposure blur, glowing, bloom, rim light, cool tones, subject set far apart from the background, distant view, the background is dark and blurred, with a blurred, defocused snowy scene, contrast of light and shadow, local light and shadow, dreamcore, hazy, film texture, dreamlike lens, darkening the colors of the surrounding environment, presenting the distinctive look of a Fujifilm camera. The whole image is full of a festive atmosphere and a sense of surprise. Slight light leaks, shallow depth of field, retro filter, with a film grain feel, warm tones leaning vintage, creating a nostalgic and intimate atmosphere, high detail, 8K resolution.
NewHigh quality, real, HDR, HD, Chinese wedding dresses are usually red because red represents happiness and good luck in Chinese culture. In terms of design, many Chinese brides will choose cheongsam-style wedding dresses. This design can show off the bride’s figure and oriental charm. The material is usually silk or satin
NewUsing the two people in the image as character references, accurately preserve each one's facial features, hairstyle, skin tone and age, and naturally place them into the same real scene. Generate the man and woman in the image kissing by the lake in a real city park. The man wears a tailored dark blue suit and a white shirt, and the woman wears a white shirt, a black high-waisted short skirt and black stockings. The two sit side by side on an ordinary wooden bench, their shoulders naturally close, both bodies turned slightly toward each other. The woman has one hand on the bench seat to support herself and the other resting lightly on the man's arm; the man naturally holds the woman's hand. They tilt their heads slightly and share a relaxed, natural kiss, the pose like a moment that really happens on an everyday date. The scene is a real city park. The background includes the lake surface, a paved walkway, lawn, shrubs, naturally growing trees and residential buildings across the lake. The time is evening, the sky still holds some natural afterglow, the park street lamps have just come on, the lake shows plain, soft ambient reflections, and a few people are strolling in the distance. Vertical medium shot from the thighs up, with the bottom edge of the frame falling at mid-thigh, fully showing the heads, upper bodies, the woman's short skirt and part of the stockings. The two together take up about 78%–82% of the frame height, and only the backrest and part of the seat of the bench are visible. Eye-level camera, 50mm lens, natural perspective, real depth of field and normal ambient exposure, with skin, clothing and park details looking real and natural, giving a candid documentary photography feel, no text, no watermark.
NewThe person keeps the facial features and hairstyle from the reference photo, changes into a white cotton-linen top, light khaki casual trousers and a simple bracelet, and stands in a medium close-up in front of sunlit courtyard greenery, gently adjusting the cuff, eyes looking at the camera. The background has naturally growing vines, small pale yellow flowers and softly blurred greenery. Overall bright and fresh, 9:16.
NewCreate a photorealistic wedding portrait of exactly the two adults in the reference images. Image 1 is the man and image 2 is the woman. Use these photographs as the only identity references. Preserve both recognizable facial identities, natural skin tones, face shapes, eyes, noses, mouths, hairlines, facial hair, apparent ages and body proportions. Keep the man on the left and the woman on the right. They remain the same Indian individuals, with natural skin texture and believable gentle bridal grooming; no skin lightening, face replacement, de-aging or generic model faces. Replace their casual clothing with the specific attire below. Give them natural, comfortable body language, clear unobstructed faces and anatomically plausible hands. Make a vertical 4:5 medium portrait, approximately mid-thigh or waist upward, with sufficient space above both heads and around the shoulders for later cropping. Both faces should be turned toward the camera and recognizable. Use realistic wedding photography, coherent natural light, real fabric and jewellery textures, softly separated background and lifelike expressions. One photographic image with exactly two main people, no split-screen, illustration, text, watermark or decorative photo border. Avoid a Western wedding gown, tuxedo, church or champagne props. Regional character must come from the garments, textiles, jewellery and setting, never from replacing either face with a stereotyped regional face. Preserve any original facial hair, natural body build and mature features. Keep both people individually recognizable, with comfortable asymmetrical posture rather than rigid mannequin poses. Specific wedding look and scene: A Rajasthan-inspired royal wedding portrait on the carved sandstone steps of a haveli. The bride wears a deep rust-red Rajput-style poshak with fine gold gota work, a fitted modest blouse and a red bandhani odhni edged in gold, loosely draped behind her head so her face stays unobstructed. Add restrained traditional gold jewellery, small forehead ornament and red-gold bangles. The groom wears an antique-gold achkan with an ivory stole and a saffron-red safa. They sit close on a broad sandstone step, her hand resting lightly on his forearm while both turn toward the camera with relaxed warm smiles. Jharokha windows, a carved doorway, restrained marigold strands and late-afternoon desert light establish the place. Make silk, embroidery and stone look tactile and real; keep accessories proportionate to the same two faces.
NewA Polaroid-style group photo, a high-angle overhead close-up shot, with a classic pure white wide border. Keep the characters' clothing unchanged. The two people in the photo are intimately standing side-by-side inside an elevator car, with cool facial expressions and eyes looking directly into the camera.
NewA realistic, romantic double-exposure portrait that blends two intimate moments of a couple together. The lower half of the image shows the couple nestled close together. The woman wears a light blue lace saree and stands on a mountain road; the light, airy texture of the saree complements her flowing black hair. The man wears an off-white vintage long kurta with white trousers, with a gentlemanly bearing, one hand gently around the woman's waist and shoulder, the two gazing into each other's eyes full of love. The background is majestic snow-capped mountains and lush green meadows, with distinct layers and fresh colors. The upper half of the image overlays close-up side profiles of the woman and the man from image 1 and image 2, semi-transparent, their foreheads touching, smiling. In terms of composition, the figures are centered, and the lines of the road lead the eye into the distance, creating a sense of depth. The eye-level camera angle lets the figures blend harmoniously with the magnificent natural landscape, and the overall atmosphere is peaceful and poetic. The woman has one hand slightly bent, pinching the edge of the saree, and the saree flutters in the wind.
NewKeep the person's face consistent, the person facing front, medium close-up, a wet flagstone road, the background is European-style Indian architecture with a faint blue glow. A light cobalt-blue saree with silver thread trim along the edges. The person slowly turns, letting the saree's hem float up in the blue rain mist. In the sky in the background is a double exposure of a close-up of the person's face. Keep the person's face clear and increase the person's proportion in the frame.
NewKeep the head features of the person in the reference photo. A vertical full-body portrait on a park bench; the main subject sits on a wooden bench, shot from a low angle looking slightly upward, with the person positioned from the right of the frame to the center. The subject has a calm expression, the body leaning back against the bench backrest. One leg is naturally bent and crossed over the other, the hands rest near the legs, a silver watch on the wrist, and the overall posture is relaxed and confident. The bench has a wooden-slat seat and black vintage wrought-iron armrests, and sits on green grass. The background is park trees and softly blurred scenery, with dark green leaves at the top and pink petals scattered on the ground. The distant environment is blurred by shallow depth of field, while the person and the bench are sharp and prominent. The light is warm natural light, and the overall color palette is brown, off-white, green and soft gold. The image has a quiet, refined lifestyle-portrait feel of a young, mature subject, a low-angle full-body composition, obvious background blur, high-definition and realistic, no text, no watermark.
NewUsing the same adult man from reference photo 1 and the same adult woman from reference photo 2, generate a very ordinary, natural phone snapshot of an Indian couple. Accurately preserve each person's face shape, facial features, skin tone, age, hairstyle, beard, glasses status and natural body type; do not swap or blend identities, do not slim them, do not make them younger, and do not turn them into airbrushed models. The only subjects of the image are these two people. Scene: an ordinary bus stop in an Indian city residential area, light drizzle, an old blue bus stop sign, wet concrete road, green-and-yellow auto-rickshaws by the roadside, and an ordinary green-and-white bus in the distance. Overcast, flat, natural light. Clothing: the man wears a gray-olive thin jacket over an old white T-shirt, with dark blue jeans; the woman wears a gray-rose-pink plain cotton kurta and smoke-gray trousers, with a thin checked light shawl draped loosely behind her shoulders. Action and relationship: the two are waiting for the bus together. The man leans against a low railing, one foot resting naturally on the curb, his right hand holding an ordinary dark folding umbrella; the woman stands on his inner side, her shoulder naturally touching his upper arm, her left hand holding a phone in front of her waist, the other hand lightly holding her backpack strap. The umbrella is big enough to cover both of them, with the umbrella shaft at the side not blocking their faces. They have been called over by a friend beside the platform and smile naturally at the camera, with no kissing gesture. Shooting composition: a slightly right-of-center two-person composition from above the thighs, eye level, the top edge of the umbrella naturally cropped at the top of the frame, both faces and the actual bus stop clearly visible. This is an everyday moment casually captured by a familiar friend or family member with the main rear camera of an ordinary phone. Both faces are natural, clear and unobstructed, eyes looking at the shooting phone; the smiles are slight, genuine and unforced. The composition has the slight imperfection of a casual snapshot, not strictly centered or symmetrical; the slight wide-angle perspective of an ordinary phone main camera, with the people and the everyday background both basically sharp, no portrait mode, no creamy bokeh. Ordinary on-site lighting, slightly uneven brightness on the faces, with a little natural overexposure allowed in distant bright areas. Keep pores, small blemishes, under-eye texture, stray hairs, clothing wrinkles and slight phone noise-reduction grain, with ordinary colors, presenting an unretouched, un-beautified album photo. Vertical 4:5. Do not use studio lighting, cinematic color grading, golden-hour backlight, exaggerated HDR, skin smoothing beauty filters, influencer faces, polished makeup and hair, wedding outfits, romantic posters, or stiff lined-up posing. No exaggerated laughter, forced head tilting with faces pressed together, repeated symmetrical gestures, extra arms, extra fingers, or props fused with bodies. Do not fake realism with heavy blur, stains or scratches. No text overlays, watermarks or interfaces.
NewKeep the facial features of the person in the reference photo. [Shooting angle: side view, framing: medium close-up] The subject sits inside an extremely bright SUV cabin. He wears a well-tailored pure white linen shirt, slightly open at the chest, revealing healthy bronzed skin. He leans back in the seat, hands on the steering wheel, with a faint sadness in his eyes. Strong sunlight pours through the wide windshield and fully lights his face, creating a high-contrast yet absolutely sharp hard-light effect. The car interior in the background is tidy and upscale, and the scenery outside the car is blurred into bright, clean spots of light. Shot with a 100mm macro-grade portrait lens, the fine skin texture of the face and the linen texture of the shirt are clearly visible, giving the image great tension and a strong commercial masculine allure.
NewThe core of the image is a person standing in dense rain, eyes lightly closed, face relaxed, letting the rain wash over them. Rain slides down from the forehead and cheeks, forming water trails on the skin; the person's own clothing, soaked by the rain, clings to the body, and with the original clothing style and colors unchanged, the clothes take on a wet texture. In the background, fine lines of rain hang like a curtain and water droplets splash through the air, reinforcing the realistic feeling of "being in the rain". The overall atmosphere combines calm with a sense of release; the person is turned slightly sideways, eyes closed, head tilted slightly up and back. Cool cyan-blue background, with backlighting that makes the raindrops clear and transparent. A slight frown, torrential rain, plenty of plump raindrops. A faint cyan light behind the dark rainy night. Close-up from the shoulders up, with clearly visible pores on the face and flowing raindrops. Dim background, melancholic expression, mouth corners flat. The person still wears their own clothing.
NewCreate a photorealistic wedding portrait of exactly the two adults in the reference images. Image 1 is the man and image 2 is the woman. Use these photographs as the only identity references. Preserve both recognizable facial identities, natural skin tones, face shapes, eyes, noses, mouths, hairlines, facial hair, apparent ages and body proportions. Keep the man on the left and the woman on the right. They remain the same Indian individuals, with natural skin texture and believable gentle bridal grooming; no skin lightening, face replacement, de-aging or generic model faces. Replace their casual clothing with the specific attire below. Give them natural, comfortable body language, clear unobstructed faces and anatomically plausible hands. Make a vertical 4:5 medium portrait, approximately mid-thigh or waist upward, with sufficient space above both heads and around the shoulders for later cropping. Both faces should be turned toward the camera and recognizable. Use realistic wedding photography, coherent natural light, real fabric and jewellery textures, softly separated background and lifelike expressions. One photographic image with exactly two main people, no split-screen, illustration, text, watermark or decorative photo border. Avoid a Western wedding gown, tuxedo, church or champagne props. Specific wedding look and scene: A refined Indian Muslim nikah wedding portrait in the shaded arched veranda of an old Hyderabad haveli. The bride wears an emerald-green silk sharara ensemble with an embroidered long kurta and detailed restrained gold zardozi borders. A sheer emerald dupatta with a gold edge rests over her head and shoulders while leaving her entire face visible. Add a delicate side passa near the hairline, gold-and-pearl earrings and a refined necklace; preserve her natural face and complexion. The groom wears a cream silk sherwani with subtle gold embroidery, a simple cream stole and a small matching embroidered cap, retaining his original facial hair. They sit side by side on a low carved bench, leaning very slightly toward each other, hands resting naturally in their laps and eyes looking at the camera with calm affectionate smiles. Background: real pale stone arches and geometric jali screens, a few cream-and-green floral arrangements and soft afternoon light. Make this an intimate elegant wedding portrait; no religious text, staged ritual objects, Hindu mandap, sindoor or Western wedding styling.
NewKeep the facial features of the person in the image, 3:4 half-body photo, facing the camera head-on, large face proportion, photorealistic photographic style, an Indian man wearing a simple white cotton-linen textured shirt with the sleeves casually rolled up to the forearms, with a hearty, smiling expression, one hand naturally resting on the vintage wooden spice stall counter with natural wood grain, while the fingertips of the other hand lightly pinch a small pinch of vividly colored red saffron, the background is a spice stall in a traditional Indian market, with various transparent glass spice jars neatly and unevenly arranged on the counter, the jars holding turmeric, cumin, cardamom and other spices of different colors, the lighting is soft diffused natural afternoon light, the picture is rich in color with moderate saturation, the transparent glass texture of the spice jars clearly visible, and the market background softly blurred with a faint everyday bustle of street life
NewKeep the facial features of the person in the image. The man stands directly beneath the huge arch of India Gate in New Delhi. He wears an extremely slim-fit red-and-black plaid shirt with the sleeves rolled up to the elbows, paired below with skin-tight, ultra-skinny dark jeans. On his feet are glossy patent red loafers. He takes a low crouching pose, kneeling slightly on his right knee with his left leg kicked out straight to the side, his right hand clenched in a fist against the ground and his left hand resting on his knee, eyes fixed on the camera like a hawk's, with a slight smile, striking an exaggerated “superhero landing” pose. The India Gate in the background is blurred, and the image has a strong, kitschy retro filter, warm yellow tone, high saturation, influencer travel-photo style, an eye-catching composition with the person as the main subject of the frame, 8K HD.
NewA young Indian man in a dark casual suit stands on a busy city street, with skyscrapers and a bustling commercial street behind him. The man has a strong, fit build, a cold yet confident gaze, and an imposing yet natural stance that shows command of the city. Around him are passing pedestrians, streams of cars and neon lights, and the environment is full of motion and modern urban atmosphere. The person fills about 85% of the frame, in a medium close-up focused on the upper body and facial expression, with the face clear and sharp; the man's facial features must strictly match the reference photo uploaded by the user; overall high-resolution photographic quality, naturally flattering light and shadow, no religious elements.
NewA cinematic portrait of an Indian woman on a city road on a rainy night: a young South Asian/Indian woman in a wet black saree kicks through the water on a flooded road. Vertical composition, full body down to the feet, the person centered and filling the main part of the frame. She faces the camera with a radiant, confident smile, her eyes looking into the camera, her expression happy, passionate and full of vitality. Her long black hair is soaked by the rain, clinging to her shoulders and the sides of her face, some strands naturally curled and hanging down, with a small round black dot between her brows, and she wears long silver Indian-style earrings. \n \nThe outfit is a black Indian saree, wet and clinging, with obvious watery reflections and fold textures. The saree is draped diagonally over one shoulder, exposing one shoulder and arm, and a thin black sheer shawl hangs from the right shoulder, forming a long, draping length of fabric along the right side of her body. The saree fabric at the waist and legs clings because of the water, showing a deep black glossy texture. On her hands she wears layered black bangles; her right hand swings naturally low at her side, and her left hand lightly grips the saree fabric at the front of her waist. \n \nAction focus: she takes a big step toward the camera, the front foot lifted and kicking into the standing water, the sole facing the camera, with water splashing violently at the lower left of the frame, forming bright white droplets and an arc-shaped curtain of water, with droplets scattered around her legs. The other foot supports from behind, the pose full of dynamism and a cinematic slow-motion feel. \n \nThe background is a rainy-night city road with strong shallow depth of field; distant tree silhouettes and streetlights blur into a gray-blue background, with a white round bokeh light on the right. Rain falls from above, rain streaks are obvious on both sides of the frame, the road surface is wet and reflective, and the standing water on the ground is a cold blue-gray. The person is lit by soft warm light, with bright highlights on her face, arms and the wet black saree, while the background leans cool blue-gray, forming a warm-cool contrast. Overall it is high-definition realistic photography, in the style of an Indian film poster, a romantic rain scene, a dynamic candid shot, shallow depth of field, slight film grain, high contrast, high saturation, and clear water-splash detail.
NewStrictly preserve the person's facial feature structure, face shape outline and facial bone proportions; the hairstyle stays consistent with the reference photo. A high-quality, realistic, emotional poster-style composite portrait, vertical composition, double-exposure layout. The upper half is a greatly enlarged close-up portrait of a man, occupying the upper area of the frame and the mid-ground background; the person faces forward, turned slightly toward the left of the frame, wearing black thick-framed square sunglasses with dark lenses and soft reflections, with a naturally relaxed smile at the corners of his mouth and a bright, confident, easygoing expression, with a neatly groomed beard outline around the lips and jaw; the makeup keeps a realistic, natural texture, with a thin, even base, clean skin and soft light-to-shadow transitions. The lower half is a full-body seated pose of the same person, located in the central area of the frame and occupying 1/2 of the frame, covering part of the portrait behind; he sits on an outdoor bench, leaning back slightly, one arm resting naturally along the back of the bench and the other hand casually placed beside his leg, legs crossed in a relaxed, stretched-out posture, one leg across the other, toe tips pointing toward the right of the frame, a posture that is loose yet a little dashing, head turned slightly, gazing into the distance; the clothing is a black long-sleeved shirt with light grey slim-fit trousers, the shirt fabric soft and slightly matte, the collar naturally slightly open, the cuffs fitting naturally along the arm, the trousers with clean, flat lines, black loafers or low-top casual shoes on his feet, and the overall look is simple and mature; the background is an open outdoor dusk rooftop or open-air terrace scene, with low buildings and a blurred city edge in the distance; the bench is a structure of dark metal and wooden slats, located in the left of the foreground, with the person seated at the center-left of the bench; at the right rear near the horizon there is an intense golden sunset glow, and the sky transitions from sapphire blue-violet and pale purple-pink at the top, through orange-pink and honey peach in the middle, to golden yellow and warm white near the horizon, with rich, dreamy colors; the lighting combines sunset backlight with front-side fill light, the edges of the large portrait are outlined in warm gold by the setting sun, and the shoulders, side of the face, trouser surfaces and shoe tops of the seated figure below all carry soft warm highlights, while the bench and ground keep clear shadows and layering; the material emphasis is on the smooth reflections of the sunglasses lenses, the soft drape of the black shirt, the flat texture of the trousers, the slight reflections of the bench's metal armrests and the sunset haze diffused in the air; the overall effect is like a beautiful, romantic, clean and refined sunset portrait poster with a youthful feel and a sense of story, with no text, no watermark and no extra people.
NewThe female subject is adorned in an exquisite off-the-shoulder white lace gown featuring detached, sheer floral lace sleeves and a delicate veil trailing softly behind the head. The male subject is dressed in a sharp, tailored black suit p…
NewA warm, artistic portrait photograph in vertical composition. The image uses a two-layer design: a realistic foreground figure plus a shoulder-up portrait in the background. In the foreground, a model rides a motorcycle, facing the camera head-on, with a large depth of field; some rural houses in the Indian desert can also be seen in the distance. The camera angle is a medium-low camera position; the camera angle is a medium-low camera position, a normal eye-level view, with the background parallel to the lens. The background is a daytime sky. In the sky appears a giant portrait of the same person; the background portrait has a calm, gentle expression, in contrast to the foreground. The overall style is a blend of color realistic photography and a color portrait, with restrained colors and soft light, emphasizing emotional expression and a sense of story; the image is clean, refined and commemorative.
NewStrictly maintain the person's head features, facial structure, face-shape contour and facial bone proportions, with the hairstyle consistent with the reference image; also maintain the person's original skin tone, body type, skeleton, body measurements, natural proportions and recognizability, Generate a vertical 9:16, ultra-realistic high-end fashion studio shoot. The subject stands in front of a solid dark brown-black background, body facing the camera, positioned slightly right of center in the frame. The subject wears black wide-frame sunglasses and a mint-green slim-fit suit set over a plain black crew-neck T-shirt, with a black belt. The subject's right hand is naturally tucked into a trouser pocket; the subject's left hand firmly grips a bouquet of long-stemmed red roses and black roses at the waist side, fingers wrapped around the stems, with the bouquet in the lower left of the frame. The top of the bouquet burns with bright orange-yellow flames, rising from above the flowers toward the upper left, with only a little gray smoke around; the rose petals, green leaves and long stems remain intact and clear, and the flames do not touch the subject's hands or clothing. Vertical knee-up composition, warm golden side-backlight outlining the suit, the firelight partially illuminating the fabric and hands, and the background kept dark. Black, mint green, bright red and orange-gold form a strong contrast. 85mm lens, shallow depth of field, real fabric, petals, flames and smoke, high-end fashion magazine quality. Avoid deformed fingers, a floating bouquet, flames covering the whole bouquet, burning clothes and distorted sunglasses. No other people, text, watermarks, logos or interface elements.
NewUse the man and woman in the input photo as the only people. Strictly preserve both people's facial features, hairstyle, skin tone, age and gender characteristics; do not swap, blend or redesign their identities. Create a black-and-white road-movie-style fashion photograph of a young couple. The scene is a rural American highway at dusk, with a vintage dark coupe or convertible parked at the roadside. In the background, a road stretching into the distance, wilderness, low shrubs and a twilight sky are visible; the environment is empty, free and slightly rebellious. The woman is on the left of the frame, her body leaning naturally against the side of the car, wearing a white fitted tank top, dark high-waisted jeans and short boots. Her hair is naturally fluffy or in long curls. Her body is turned sideways to the camera, shoulders pulled back, chin slightly raised, her gaze directed into the distance; her expression is cool, charming, and not deliberately smiling. The man is on the right of the frame, standing half a step in front of the woman, wearing a white fitted tank top, dark jeans and boots, his hands resting naturally in his pockets, his body relaxed and facing the camera. He has defined shoulder and arm lines, and a confident, handsome expression with a slight but not overly bright smile. The two have their shoulders close and their bodies slightly offset, conveying a couple's relationship through distance, posture and rapport; they must not look like two unrelated models. Following the original template, use a two-person composition from above the knees or close to full length. The two people occupy about 72%–82% of the frame height and 70%–80% of the width, the car occupies the lower left of the frame and stands behind the people, and the road stretches into the distance between the two. The environment must be kept, but the people must not end up looking too small. High-contrast black-and-white tonality, backlight outlining the hair and body contours, realistic skin, denim and car-metal textures, slight film grain, the feel of a retro youth road movie and a fashion magazine. No text, titles, logos, borders or watermarks. Avoid face close-ups, people that are too small, modern luxury sports cars, color images, exaggerated bodybuilder physiques, cheap posing, a lack of interaction between the two, the car blocking the people, faces fully in shadow, extra people, or changed identities.
NewWide shot, the person is surrounded by purple lightning energy effects, electric arcs coil around the limbs, the ground glows with a purple halo, the image is bright and full of superpower and a sense of strength, highly saturated, clear and sharp.
NewKeep the facial features and hairstyle of the person in the image. A high-resolution, surrealist double-exposure art photograph with soft lavender and light-blue light and shadow in the background, with the man from the reference image as the subject. The entire background is filled by a giant, dreamlike close-up left-side profile portrait of a handsome man, smiling confidently, wearing a blue Indian cricket jersey with the word “INDIA” on it, which transitions smoothly into the lower foreground. In the center of the foreground, a smaller man (that is, the specific man mentioned above) (cutout look, his head should slightly overlap the upper layer) looks at the camera at a three-quarter profile angle, in a dignified pose with a serious, cool, handsome expression. He wears white-and-blue cricket gloves on both hands, holds a cricket bat upright, and rests the bat against his shoulder. The upper and lower background layers blend and transition naturally.
NewUsing the same adult man from reference photo 1 and the same adult woman from reference photo 2, generate a very ordinary, natural phone snapshot of an Indian couple. Accurately preserve each person's face shape, facial features, skin tone, age, hairstyle, beard, glasses status and natural body type; do not swap or blend identities, do not slim them down, do not make them look younger, do not turn them into retouched models. The only subjects of the image are these two people. Scene: a narrow lane in an ordinary Indian residential neighborhood. A well-worn everyday bicycle leans against a light green wall, next to an ordinary plastic bucket, some steps and a neighbor's iron gate, in ordinary natural morning light. Clothing: the man wears a purple-brown small-check cotton shirt and light khaki everyday trousers; the woman wears a plain light gray short-sleeved T-shirt, navy blue loose trousers and ordinary canvas shoes, with small stud earrings. Action and relationship: the two are dealing with the bicycle's loose chain together. The man kneels on one knee beside the rear wheel, his hands lightly holding an old rag and a small wrench at the side of the wheel, the motion paused for a moment; the woman stands next to him, leaning slightly forward, one hand steadying the handlebar and the other resting naturally on her own thigh. The man's fingers have a little realistic grease on them, but his face is clean. The two look toward a friend who is crouching diagonally in front of them holding a phone, and laugh naturally, not striking a bicycle-repair-ad pose. Shooting composition: the friend also crouches down and shoots a close-up vertical frame from the front side, the two faces in the upper middle of the frame, capturing both the man's crouching posture and the woman bending over, as well as part of the rear wheel, with the spokes not blocking any face. This is an everyday moment casually captured by a familiar friend or family member with an ordinary phone's rear main camera. Both faces are natural, clear and unobstructed, eyes looking at the shooting phone; the smiles are slight, genuine and not forced. The composition has the slight imperfection of a casual snapshot, not strictly centered or symmetrical; the slight wide-angle perspective of an ordinary phone main camera, with the people and the everyday background both reasonably sharp, no portrait mode, no creamy bokeh. Ordinary on-site lighting, with slightly uneven brightness on the faces, and a little natural overexposure allowed in the bright areas far away. Keep pores, small blemishes, under-eye texture, stray hairs, clothing wrinkles and slight phone-denoising grain, with ordinary colors, presenting an unretouched, no-beauty-filter album photo. Vertical 4:5. Do not use studio lighting, cinematic color grading, golden-hour backlight, exaggerated HDR, skin smoothing or beauty filters, influencer faces, polished makeup and hair, wedding attire, romantic posters or stiff lined-up posing. No exaggerated big laughs, no forced head tilts or cheek-to-cheek poses, no repeated symmetrical gestures, no extra arms, extra fingers, or props fused with bodies. Do not use heavy blur, stains or scratches to fake realism. No text overlays, watermarks or interface elements.
NewCinematic portrait poster, multiple-exposure creative collage, 8K ultra HD, soft-focus dreamy texture, warm and healing atmosphere. 【Composition and Subject】 Multiple-exposure creative collage, with an Indian woman in a green and yellow saree at the center, surrounded by close-ups of her other looks and angles, watercolor style: - Orange saree, green dress, white printed skirt, champagne long dress, denim jacket looks, the whole image full of a gentle, soft temperament. 【Clothing and Styling】 A variety of traditional and modern Indian outfits: - Center: green and yellow contrast saree with a fine necklace - Others: orange embroidered saree, green dress, white printed skirt, gentle champagne long dress, denim jacket, dark long curly hair, paired with refined accessories such as earrings and bangles, with a gentle smile. 【Scene and Background】 Watercolor-textured floral background, mainly rapeseed flowers, green bellflowers and green foliage branches, the whole in a hazy light-green tone with watercolor bleeding and light-spot effects, romantic and gentle. 【Lighting and Color】 Soft warm natural light, overall color tone mainly green, yellow, blue and white, with soft focus and a watercolor filter effect, an extremely strong atmosphere. 【Texture Details】 The fabric texture of the sarees, the bleeding texture of the watercolor flowers, the characters' makeup and accessories, and the soft-focus effect of the collage are all clearly visible; the image is full of romantic, beautiful South Indian charm.
NewKeep the person's likeness consistent, with the person as the main subject. The person wears a short-sleeved floral shirt (simple floral pattern), standing side-on and smiling at the camera, with a strong sense of atmosphere. The background is a summer mountain stream with lush vegetation and babbling water, and herds of black panthers and elephants keep company beside the stream. The image has a clear, fresh summer forest-style filter, with fresh tones that highlight a cool summer vibe. Medium close-up of the person
NewKeep the person's features. [Casual] The male lead wears a sleeveless khaki utility vest that shows off his strong arms. There is an imposing Bengal tiger totem tattoo on his right shoulder and upper arm. The background is a high-end industrial style.
NewLo-fi Dusk twilight atmosphere, a low-saturation warm-toned base, the person slightly brighter with even, clear and luminous facial lighting that forms a sharp light-dark contrast with the dark background, with a retro film grain texture applied across the whole frame, warm golden backlight rendering a soft, gentle halo, with slight lens flare as an accent, typical dark-toned night-scene lighting; close-up portrait composition, the person wears a richly worked beige Indian saree with intricate light-gold thread embroidery and silk fabric with naturally dimensional folds; wears pearl earrings and a matching necklace, the accessories gentle and refined; the person tilts the head slightly, one hand raised with the fingertips lightly touching the jaw area and the other hand tucked at the side, with a quiet, gentle demeanor; the background is a night-time outdoor brick-paved road, the environment dim in tone, the backlight outlining and brightening the strands of hair and the saree, color transitions soft and not harsh; the makeup is light and clean, the overall atmosphere tranquil and gentle, the lighting delicate and layered, 8K ultra HD, masterpiece, best quality.
NewUltra-realistic cinematic double-exposure portrait poster, vertical format, with the same person overlaid at two scales, one above the other, in a misty cloud valley; the lower figure is a sharp, solid figure occupying the largest area of the frame, strictly preserving the person's facial features, face shape and facial bone proportions, with the hairstyle matching the reference photo; positioned on the vertical central axis of the frame, body facing the camera and walking slowly toward it, wearing on the upper body a distressed, faded misty rose-pink leaning toward lotus-pink long-sleeved shirt, in a thin cotton-linen texture, with soft fabric showing natural creases and a slight washed-out worn look, a loose straight-cut fit, a regular lapel collar left naturally open with the top 2 to 3 buttons undone, a single-breasted front button placket, the hem hanging naturally untucked from the waistband, sleeves casually rolled up to the forearms, giving an overall relaxed, easygoing casual feel; on the lower body, pure white high-waisted straight-leg trousers, clean and sharp in cut, slightly loose, with the legs hanging naturally and stacking slightly; on the feet, pure white minimalist low-top sneakers; both hands naturally in the pockets, shoulders relaxed, the body leaning slightly to one side, one leg stepping forward and the other supporting from behind, with the feet tangent to the bottom edge of the frame, the head turned slightly to the left looking toward the front left of the frame, with a gentle, calm expression and a slight natural smile; the lower figure covers the entire upper chest of the giant upper portrait, with the head tangent to the position of the giant portrait's chin, and the lower figure's solid outline kept clear and sharp; in the bottom fifth of the frame, beneath the lower figure's feet is a vertical wooden boardwalk extending a short way from the bottom of the frame, not extending too far, with tan-brown planks neatly arranged; the upper part is a giant head-and-shoulders portrait, occupying about two thirds of the space from the top of the frame to the lower middle, the head turned slightly toward the right of the frame and tilted slightly upward, the jaw lightly raised, the expression calm and confident, the corners of the lips with a very slight composed smile, wearing a pair of black round sunglasses, the lenses deep matte black with faint sky reflections, and the thin metal frames clearly visible; the giant portrait's shoulders and chest gradually lower in opacity and blend into the clouds and mist, the edges of the outline softened by pale pink-gray thin mist, presenting a true double-exposure, translucent overprint and air-dissolving effect; the background is layered, rugged, dark gray-brown rocky peaks, with ridges on the left and right sides rising from the bottom toward the middle and an open canyon forming in the center, milky white, gray-pink and warm beige clouds and mist rolling between the peaks, with distant mountains fading layer by layer and vanishing into the haze; the sky is full of soft, heavy gray-pink clouds, in a low-saturation palette of gray-brown, misty pink, off-white and warm gray, with soft diffused light from the upper right piercing through the clouds, forming delicate warm highlights on the upper portrait's outline, the edges of the sunglasses and the lower solid figure's shoulders, with soft shadows and no hard edges; the whole has a cinematic-poster-style centered composition, a dreamlike feel, and a real-photography and digital-composite texture, with translucent layers of cloud and mist, rough rock texture, wood-plank texture and clear double-exposure edges, no logo, no text at the bottom, no emoji icons, no watermark, no interface elements, no extra people, no duplicated limbs, no deformed fingers.
NewUsing the same adult man from reference photo 1 and the same adult woman from reference photo 2, generate a couple's photo in a lavish Indian royal style. Strictly preserve each person's original facial feature proportions, face shape, true skin tone, age, hairline, hairstyle, beard, glasses status and body type; do not swap or blend faces; do not whiten skin, slim the body or make anyone look younger. Change only the clothing, jewelry, pose and environment. The people's appearance is based only on these two original photos; the palace scene and identities are original fiction. Both faces must be clear, unobstructed, and naturally looking at the camera. Scene: the inner hall of a Rajasthan-style Indian Mirror Palace, with walls densely inlaid with mirrors, colored-glass flowers and fine golden arched niches; a deep red carved velvet sofa takes up the lower part of the frame, and the mirrors show only tiny scattered points of light and produce no additional complete figures. Natural light from a side window in the room illuminates the faces, and the mirrors and real gold thread give fine, scattered reflections. Clothing: the man wears an ivory long sherwani embroidered with gold-thread vines, a deep wine-red velvet shawl over his shoulders, a three-strand small pearl necklace and a ruby brooch; the woman wears a pomegranate-red gold-thread zardozi-embroidered lehenga with a short-sleeved top, a heavily worked sheer dupatta draped over one shoulder without covering her face, and a ruby kundan necklace, earrings and bangles. The splendor is clearly visible, with light makeup on the face. Pose and relationship: the two sit diagonally on the velvet sofa, shoulders close together. The man naturally rests his hand on the woman's far shoulder and back; the woman rests one hand on her own knee and lightly holds the man's forearm with the other. The two turn their heads to look at a phone, smiling casually, not sitting upright and stiff. Composition: a two-person three-quarter shot from the knees up, phone at eye level, the people taking up about two-thirds of the frame, the mirror-palace arched niches recognizable behind their shoulders, jewelry and fabric textures clear. This time the focus is a very lavish yet believable Indian court aesthetic: real embroidery, heavy brocade, richly layered jewelry, finely carved palace, making the clothing, accessories and space look luxurious at a glance. Keep the physical feel of real people and actual materials; clothes have weight and natural folds, and gems and metal show only moderate, realistic reflections. The shot looks like a nice photo carefully taken by a friend on an ordinary phone, with the phone's main-camera perspective, available light, people and background largely clear, preserving pores, skin tone variation, texture under the eyes and fine stray hairs, with no retouching or skin smoothing, no studio-style sculpted lighting and no cinematic filter. Poses differ from set to set, expressions are relaxed with natural smiles, and the people do not all stand stiffly facing the camera. Vertical 4:5, the two adults are the only protagonists. No Western wedding dress, Western crown, armor, scepter, sacrificial or wedding ceremony, wedding garlands, face-covering veil, exaggerated long cape, real royal emblems, brand logos, text, watermarks or interface. No extra complete faces in the background or mirror clones; no face blending, influencer face, plastic skin, excessive HDR, strong background blur, strong orange-teal color grading, game rendering, illustration, AI oil-painting texture, over-sharpening or fake coarse grain. Hands and poses must be anatomically correct, the two people's hands must not blend together; avoid extra arms, duplicated palms, deformed fingers, and fabric fused with the body.
NewThe subject person (clear, looking directly into the camera) in the center of the frame, with their facial structure, features, and overall demeanor exactly matching the features of the subject in the reference image, ensuring exceptional character consistency. They look directly into the camera, displaying a mysterious and confident expression with a sharp, piercing gaze, and make a clear "shush" or "be quiet" pose with their index finger placed against their lips. This hand is also elegantly placed on the shoulder of a supporting character (back to camera, blurred). This supporting character is a male (back to camera, blurred), wearing a dark (black) suit, with his head and shoulders on the right side of the frame, positioned between the main subject and the lens. The subjects are positioned against a clean, minimalist dark (black or deep grey) studio background. The lighting is dramatic, cyberpunk-style dual-color gel lighting, featuring a cool-warm contrast: the subject's left side (frame right) is illuminated by bright blue/cyan neon light, while the right side (frame left) is illuminated by red/orange light, creating an intense cinematic and mysterious atmosphere. The main subject wears sparkling pendant earrings. The composition is a medium shot cinematic portrait, with the main subject clearly in focus, and the supporting male character back to the camera positioned between the main subject and the lens. Exhibiting avant-garde fashion, dramatic cinematic lighting, high contrast, 8k high resolution, and the exquisite quality of fine art photography.
NewSurreal double-exposure cinematic portrait of two people. Person A comes from the first person photo uploaded by the user, and person B comes from the second person photo uploaded by the user; fully preserve each person's original looks, facial features, skin tone, hairstyle, age, body proportions, gender presentation and overall appearance. Person A and person B keep the same identities in both the upper and lower parts of the image. The upper half is an oversized half-profile close-up of the two faces, taking up about half the height of the image; their wet hair clings naturally to their cheeks, eyes closed with a slight smile, foreheads gently touching, with clear raindrops on their faces. The lower half is a full-body view of the same two people, standing barefoot on wet, reflective ground; person A wears in full the original outfit from the first person photo, and person B wears in full the original outfit from the second person photo, the clothes soaked by the rain; the two stand close side by side, each extending one hand so that together they form a heart, foreheads gently close. The background is a pitch-black rainy night, with clear streaks of rain running through the whole image, and a warm rim light illuminates their faces, the wet clothing and the reflections on the ground. The upper and lower layers blend naturally; dreamy and romantic, with a cinematic poster quality, rich detail, dramatic low-key lighting.
NewKeep the person's features. [Noble] The male lead wears a black-and-gold embroidered leather vest, with the front open to reveal his chest muscles and the skin down the center. There is a shield tattoo in the center of the chest. Background: a palace studio.
