Nano Banana 2 Prompts

4,857 templates · updated Oct 2026

Nano Banana 2 is Google's Gemini 3.1 Flash Image model (gemini-3.1-flash-image-preview). It is faster and cheaper than Nano Banana Pro, renders 1K, 2K and 4K images and accepts up to 14 reference images. Google now recommends its update, Nano Banana 2.1, for new projects.

This page lists the 4,857 library templates set up for the Nano Banana 2 family: Nano Banana 2, 2.1 and 2 Lite. On GPT Image Hub they start at 25 credits per image.

Nano Banana 2 model guide Generate with Nano Banana 2

Showing 4,681–4,740 of 4,857 Nano Banana 2 prompts

Blue Lehenga Double Exposure

Keep the head features of the person in the reference photo. A traditional Indian fashion poster on an off-white watercolor paper background, in a double-exposure style combining a realistic portrait with blue watercolor ink splashes. At the upper left of the frame is a huge semi-transparent close-up head portrait of the subject from the reference photo, placed toward the left of the upper half of the frame; the subject wears ornate silver-blue Indian drop earrings and has a sweet smile, with a clear, soft face. Around the huge portrait spread deep blue, royal blue, lake blue and gray-blue watercolor ink splashes, with natural blooming, flying ink speckles and a paper-soaked texture. At the lower right of the frame is a realistic half-length portrait of the subject from the reference photo, wearing a gorgeous, fashionable blue traditional Indian outfit, a royal blue Lehenga set, the fabric with fine gold embroidery, silver sequins, pearlescent texture and a translucent blue sheer shawl, with delicate decorative patterns on the sleeves and neckline. The subject also wears ornate earrings and bracelets, one hand gently resting on the shawl, the body turned slightly sideways, smiling at the camera, with an elegant and confident air. The background is kept clean with white space; the blue watercolor echoes the clothing, with a small amount of gray-black ink dots added in places to add depth. At the lower left, add elegant blue handwritten signature text "Elegance is an attitude". Overall premium, stylish and bright, blending tradition and modernity, with a real photographic quality, soft natural light, high-definition detail, no UI icons, no watermark, no extra interface elements.

double exposurewatercolorindian fashion

Midnight Pillow Selfie

Realistic cinematic portrait: the person in the reference photo lies prone on the bed at night, taking a selfie with an iPhone. Keep the hairstyle and clothing of the person in the reference photo unchanged. The right hand supports the chin, and the eyes gaze intently at the phone screen with a thoughtful look. The phone's cool blue light illuminates the face, forming a subtle glow on the skin. The person's arm rests on a pillow with a gray geometric pattern. The background is a bright bedroom, with beige vertical-striped curtains and a dark wall, and a shallow depth of field blurs the background to make the subject stand out. The person's face is lit by the slight cool light of the phone screen. Bright facial lighting, high detail, 8K resolution, soft facial highlights, conveying the lazy warmth of cozy cuddling deep in the night.

night selfiebedroomcinematic

Solitary Panther King

Keep the facial features of the person in the photo. Black-and-white aloof portrait style, ultra-fine 8K quality, vertical medium-shot composition, with the man and the black panther as the core of the frame. The man sits on a low step with his legs slightly apart, one hand supporting his body as he leans lightly against the seat and the other hand hanging naturally, his body leaning slightly forward and his head tilted and raised a little, his sharp gaze looking straight into the camera, with well-defined shoulder and neck lines and a lofty, commanding presence. The black panther lies prone beside the man, its body slightly curled, its tail wrapped around the man's legs, its eyes sharp and cold, the muscle lines and fur texture clear, radiating a sense of protection and wild power. The man wears a black modern, reworked Indian traditional men's formal outfit, slim and sharply tailored, with subtle tone-on-tone embroidery on the shoulders and cuffs, in a heavy, lustrous fabric, high-end and commanding overall, and wears a simple silver ring and bracelet. The background is a high-end black-and-white portrait photography studio scene, a gray-to-white gradient combined with thin mist and abstract architectural lines; the lighting alternates soft side light with slightly hard backlight, outlining the folds of the clothing, the shoulder and neck lines and the texture of the panther's fur, with clearly layered light and shadow, overall in low-saturation black, gray and dark gray; the atmosphere of the image is dark, mysterious, lofty and commanding, the clothing texture, skin texture and the panther's fur are clearly visible, strengthening the protective power and kingly aura between the man and the panther, presenting an ultimate high-end portrait blockbuster feel.

black and whiteblack pantherstudio portrait

Blush Saree Duet

Vertical outdoor double-exposure atmospheric portrait composition, soft hazy warm natural light, a faint light-pink mist drifting in the air. On the upper layer at the left of the frame, a semi-transparent, blurred close-up of a woman's face is overlaid; in the close-up she wears pearl bell earrings and a fine pearl-chain necklace. In the real scene on the lower layer, a man sits on stone steps, turned sideways and looking up at the woman beside him, wearing a wine-red long-sleeved collared shirt and black trousers; the woman stands upright to the man's right, her gaze directed to the side, wearing a sequined dusty-pink net saree, the saree's border trimmed with sparkling rhinestone decoration, the short sleeve cuffs likewise edged with crystals, with an ornate pendant necklace, bell earrings and multiple layers of metal bangles, her makeup gentle and refined. The background is an outdoor terrace with stone steps, and at the upper right a branch with pink flowers hangs down; the saree fabric is sheer and light, covered in fine glittering particles, and the whole has a gentle, dreamy film-portrait texture, 8K ultra-high-definition realistic photography, accurately reproducing the double-exposure effect, the poses of the two people, the floral background and the hazy misty atmosphere, 100% faithful reproduction of the original image

double exposuresareecouple

Butterfly Touch

Keep the facial features and hairstyle of the girl in the reference photo. A moonlit garden, close-up half-length shot. The subject wears a lehenga-style gown with blue-and-silver butterfly beadwork, her right hand reaching up to gently touch a flying butterfly, the butterfly patterns on the skirt glowing faintly, with moonlight and flower vines in the background, 9:16.

butterflylehengamoonlit garden

Leaf Frame Shades

Realistic portrait photography, face close-up. The person from the reference photo stands among leaves, hair slightly messy and fluffy, wearing narrow-frame rectangular sunglasses with thin metal temples, the lenses dark but retaining a little ambient reflection, wearing a loose white linen shirt with the collar slightly open and a thin silver chain, with a calm, restrained, slightly pensive expression, head turned slightly to the right, gaze directed to the right of the frame. The foreground has large areas of blurred leaves blocking the view, forming a natural frame on the left and at the bottom; the background is a warm golden outdoor environment, with tree shadows and sunlight passing through the leaves casting dappled light spots on the forehead, the bridge of the nose and the cheeks; the overall tone is a golden-green warm tone, full of afternoon sunlight, airiness and a slight film feel. Shallow depth of field, strongly blurred background, real skin texture, real metal-frame reflections, 85mm portrait lens effect, subject centered and slightly high in the frame, clean and refined composition, lifestyle magazine cover quality, ultra sharp, strongly restoring the temperament and atmosphere of the reference photo. Use only the same person from the reference photo, keep the original facial features, skin tone, age, gender, beard and glasses; do not make them younger, do not add a beard, do not replace them with someone else

close-upsunglassesgolden light

Fashion Studio Poise

Vertical 9:16, ultra-realistic male studio fashion portrait, a man sitting on a minimalist off-white sofa, the subject centered, composed as a full seated pose, with everything from the top of the head to the crossed legs and white shoes clearly visible, the figure taking up about 82% of the frame height; no close-up half-length shot, and do not crop the hands or shoes. He sits cross-legged on the sofa, one leg crossed over horizontally and the other bent naturally downward, both hands resting naturally near the knee and shin, the posture relaxed and elegant, the expression gentle and composed, looking straight at the camera. He wears a camel-brown / caramel-brown slim-fit suit, with a white shirt underneath, collar slightly open, no tie; on his feet, off-white loafers. A gold watch on his left wrist and a gold ring on his hand. The suit color must be warm camel, cinnamon brown, caramel brown, not dark coffee, not black, not gray. The background is strictly a clean, bright yellow studio wall, in saturated warm yellow, mango yellow, with no texture; the sofa is a light off-white long upholstered sofa with a low backrest and simple lines. The lighting is even, soft studio light, the face is clear, the sofa and background color blocks are clean, the overall tone is bright and fashionable, with the yellow background and camel suit forming a warm color pairing. 85mm portrait lens feel, realistic fabric texture, studio fashion portrait, ultra realistic, high detail.

studio portraitfashioncamel suit

Saree Waterplay

Keep the facial features of the person in the reference photo. Ultra-realistic portrait photography, medium close-up to half-length composition, with the subject close to the camera and filling a large part of the frame. A woman sits in front of a wet stone-step water feature, positioned in the center of the frame slightly to the right; the camera is slightly above her chest level, nearly eye-level and shooting slightly downward; the subject is in frame from the top of her head to around her knees, her face clear and centered; her right hand reaches out toward the front of the camera, palm up, catching water or gently splashing it; in the foreground there are many splashing water droplets, both sharp and blurred in alternation, creating a strong sense of depth and a dynamic moment; the woman looks at the camera with a quiet, gentle gaze and a shy smile, with a small black Indian bindi at the center of her forehead and a small gold bindi below it, a small black mole near her chin, fair skin, natural makeup, light eyeliner, pale rose lips; her hair is thick, jet-black and long, slightly damp, naturally combed back and fluffy at the crown, with the hair at the back hanging down, and messy wet strands on both sides of her cheeks clinging near her forehead and the side of her face, with real hair strand detail clearly visible; she wears a traditional Indian saree, the top being a black short-sleeved blouse with a fine gold-thread check pattern, the sleeves slightly puffed and the cuffs with wide gold embroidered borders, a vivid deep-red saree fabric draped diagonally across the chest, the red fabric with a dense fine gold weave, its edges a wide black-and-gold embroidered border with traditional Indian floral patterns and a gold brocade texture, and below it the black saree skirt visible with gold-line check pattern and dark-gold embroidery, the fabric slightly glossy and naturally creased when wet; she wears traditional gold jhumka drop earrings, a fine gold necklace with a small pendant, black bangles and a fine bracelet on her wrist, the jewelry having real metal reflections but not exaggerated; the background is wet gray-brown stone steps or a stepped fountain, with a shallow stream of water flowing slowly between the steps, the background softly blurred with a shallow depth of field, the water-surface reflections, stone-step texture and scattered water droplets visible, the overall setting resembling an Indian outdoor pool or temple steps; the lighting is bright natural daylight, noon or afternoon sunlight illuminating the face and saree, the water droplets producing crystalline highlights, soft shadows but with real contrast, the skin with a natural sheen, and the wet hair and wet fabric with obvious reflective detail; the color tone is dominated by black, gold, deep red, warm brown skin tones and gray-brown stone steps, the red saree full and rich, the gold embroidery gorgeous and clear, the background in warm gray contrasting with the cool white of the water light, the overall color real and vivid but not over-saturated; the photographic style is high-end realistic portrait photography, Indian traditional-costume water-scene portrait photography, cinematic natural-light documentary photography, 85mm portrait lens or 70mm telephoto compression, f/1.8 shallow depth of field, the subject's eyes, face, jewelry and saree embroidery sharp and clear, the foreground water droplets partly in motion blur and round bokeh, real camera-shot texture, high-definition detail, real skin texture, real wet fabric folds, real water-splash physics

sareewater splashportrait

Roadside Moto Overhead

Hyper-realistic overhead portrait. The frame is shot vertically straight down from directly above: the person from the reference photo and a vintage motorcycle lie side by side on a deep black, rough asphalt surface; the background is almost entirely black, with fine grain, cracks and a wet, reflective texture.\nThe vintage motorcycle stands on the left side of the frame, placed lengthwise, front at the top and rear at the bottom, its black body with red trim lines, with the silver metal engine, exhaust pipe, spoked wheels, round headlight and rear-view mirrors clearly visible; the person from the reference photo is on the right side of the frame, lying lengthwise, head at the top and feet at the bottom, legs naturally crossed, parallel to the motorcycle, with a narrow black gap between them.\nThe expression is calm and gentle, looking at the camera head-on. The person's clothing stays consistent with the reference photo, arms crossed over the chest, legs naturally together, bare feet showing, a quiet pose with a slight fashion-editorial feel.\nThe overall colors form a strong contrast between the deep black background, the black-and-red motorcycle and the clothing; the light is soft overhead light with a slight sideways highlight, the person's face and the motorcycle's metal structure are clear, shadows retain detail, a real photographic texture, premium magazine editorial style, overhead composition

overhead shotmotorcycleasphalt

Monsoon Train Romance

Keep the original facial features of the person in image 1 and the person in image 2. Keep both people's facial proportions, face shapes and expressions consistent with the input images. The man on the left is the person in image 1, and the woman on the right is the person in image 2. The man wears a beige kurta; the woman wears a red saree with a gold border, gold jewelry and a red bindi. The man's body faces the camera squarely, the woman rests her head on the man's left shoulder, and the woman's hands hold the man's left arm. Both faces turn toward the camera, eyes looking at the camera, the corners of their mouths lifted. The background is train seats, with a rainy-night window appearing only at the right edge. Bright frontal light illuminates both faces, eyes and upper bodies; both faces are clear and sharp, luminous and textured. Bright light, the man bright, the woman bright, close-up shot

coupletrainsaree

Purple Street Cover

Vertical urban streetwear portrait poster in a dark street-magazine cover style. A young male trend blogger is the subject, with a large half-length head-and-shoulders portrait at the upper center of the frame. He lowers his head slightly, wears narrow-framed black sunglasses, and lightly touches the edge of the sunglasses with his right hand. His expression is calm and confident, with black fluffy curly hair, a short beard, natural skin tone, and clear, dimensional facial lighting. He wears a loose purple hoodie with a white graffiti-style print on the chest and a silver chain necklace; the overall look is streetwear, cool, with the feel of a personal-brand poster. In the lower part of the frame appear two small-scale full-body figures of the same person, standing side by side on the street ground, wearing the same purple hoodie, loose black trousers and white sneakers, with black sunglasses; one has both hands in his pockets and the other has one hand in his pocket, with a casual, steady stance. The upper and lower figures form a stacked main-visual composition: the large portrait above emphasizes the subject's presence, and the two full-body figures below add depth to the streetwear poster.\n\nThe background is a dark gray-black urban street wall with graffiti, with torn poster paper marks in the upper left and lower right corners, old wall texture, handwritten graffiti strokes, a slight sense of smoke and grain texture. A large purple spray-paint title “Purple” is overlaid at the center of the frame, in a bold street graffiti typeface, with splattered paint and worn-edge effects on the lettering; smaller white handwritten-style English decorative words can be added above, so the whole piece looks like a music cover or a trend blogger's personal promotional poster. The main color palette is black-gray, deep purple and white, with high-contrast cinematic lighting, a faint purple rim light along the figure's edges, soft side light on the face, and rich layering in the dark areas of the background. Dark purple tones, grainy film texture, spray-paint graffiti visuals, rich layers and refined details.

street posterpurplegraffiti

Compass Forearm

Keep the person's features. [Daily life] The male lead wears a work shirt with rolled-up sleeves. There is a compass tattoo on his right forearm. The background is a sunlit station platform.

tattoocompasswork shirt

Punjabi Bridal Wedding

Create a photorealistic wedding portrait of exactly the two adults in the reference images. Image 1 is the man and image 2 is the woman. Use these photographs as the only identity references. Preserve both recognizable facial identities, natural skin tones, face shapes, eyes, noses, mouths, hairlines, facial hair, apparent ages and body proportions. Keep the man on the left and the woman on the right. They remain the same Indian individuals, with natural skin texture and believable gentle bridal grooming; no skin lightening, face replacement, de-aging or generic model faces. Replace their casual clothing with the specific attire below. Give them natural, comfortable body language, clear unobstructed faces and anatomically plausible hands. Make a vertical 4:5 medium portrait, approximately mid-thigh or waist upward, with sufficient space above both heads and around the shoulders for later cropping. Both faces should be turned toward the camera and recognizable. Use realistic wedding photography, coherent natural light, real fabric and jewellery textures, softly separated background and lifelike expressions. One photographic image with exactly two main people, no split-screen, illustration, text, watermark or decorative photo border. Avoid a Western wedding gown, tuxedo, church or champagne props. Regional character must come from the garments, textiles, jewellery and setting, never from replacing either face with a stereotyped regional face. Preserve any original facial hair, natural body build and mature features. Keep both people individually recognizable, with comfortable asymmetrical posture rather than rigid mannequin poses. Specific wedding look and scene: A Punjabi wedding couple in a heritage courtyard in Punjab. Retain the man's original Sikh turban wrap and his recognizable full beard; dress him in an ivory embroidered sherwani with a deep wine-coloured turban and matching stole. The bride wears a rich rose-pink Punjabi bridal salwar-kameez ensemble with a carefully embroidered dupatta covering the top/back of her head while leaving her full face visible. Include red-and-ivory chooda bangles, a few delicate kalire hanging naturally at her wrist and a modest central maang tikka. Capture a waist-up, intimate three-quarter portrait as she gently holds his forearm, both smiling toward the camera. A quiet brick-and-carved-wood Punjabi courtyard, soft pink floral strings and diffuse morning light. Keep their apparent ages and natural bodies, without de-aging or an overly fashion-model look.

weddingpunjabicouple

Boxer Soul

Keep the facial features of the person in the image. The protagonist is bare-chested, with loose sweatpants wrapped around the waist, and white boxing hand wraps on both hands. He stands sideways to the camera, abdominal muscles deeply defined, and the background is a professional boxing gym with red ambient lights, with highly dramatic light and shadow.

boxerboxing gymhand wraps

Leopard Sunset

A nostalgic, retro illustration-style double-exposure image with fine grain and warm tones. The upper half of the image is a warm close-up of **a handsome Indian man with deep-set features and a neat beard (on the left) and an Indian woman wearing exquisite drop earrings, with delicate, soft features (on the right)**. Their facial features strictly match the reference photos provided by the user and have been maximally beautified; they sit side by side, gently looking at the camera with happy smiles on their faces, and the man and the woman have clearly distinct gender-specific features. Their faces blend semi-transparently into snowy mountains dyed golden and orange-red by the dusk sunset. The lower half of the image shows the couple from behind, sitting on a rock in the snow; the man wears a long brown tweed coat with a traditional Indian brocade pattern, and the woman wears a magnificent deep red velvet traditional coat (Pheran style) with intricate gold-thread embroidery. Behind them on the snow, a thick-furred snow leopard lies quietly, snowflakes drift slowly down through the golden light, a line of footprints trails behind, and the overall atmosphere is harmonious, warm and poetic.

coupledouble exposuresnow leopard

Seaside Lace Dress Portrait

Transform the person in the original photo into an elegant romantic seaside wedding fashion portrait. Preserve the person's face, identity, body shape, natural proportions, pose, camera angle, lighting direction, and overall photo realism. Dress her in a light blue lace dress with a refined floral lace overlay, smooth opaque lining, a tailored bodice, and a layered wave-shaped skirt. The skirt should flow naturally like soft ocean waves, with airy fabric layers, realistic lace texture, graceful movement, and elegant wedding-inspired styling. Add silver pendant earrings and one simple delicate necklace. The jewelry should sparkle subtly and remain refined. Apply elegant makeup with natural glowing skin, soft eye makeup, rosy blush, and refined pink lips. Style the hair softly and romantically, keeping the face clearly visible. Place her in a peaceful seaside wedding background with calm ocean water, a romantic floral wedding arch, white chairs, pale blue sky, soft beach light, and gentle coastal atmosphere. The final image should feel romantic, fresh, elegant, and suitable for professional bridal fashion photography.

weddingseasidelace dress

Couple Photo Reverie

Keep the facial features of the people in the images. This is a medium shot, and the faces of both the female lead and the male lead must appear clearly and completely in the frame. In an epic fantasy desert photography style, on rolling golden sand dunes, the female lead stands before a beautiful gradient sky, in which a clear half-length portrait of the male lead is displayed. The female lead tilts her head back to look at the projection, and her face and the giant phantom face of the male lead form an extreme size contrast within the same frame. Under the blazing sun, the golden yellow of the sand and the cool blue tones of the mirage create a strong color clash. Output size 9:16.

double exposuredesertcouple

Gujarati Panetar Wedding

Create a photorealistic wedding portrait of exactly the two adults in the reference images. Image 1 is the man and image 2 is the woman. Use these photographs as the only identity references. Preserve both recognizable facial identities, natural skin tones, face shapes, eyes, noses, mouths, hairlines, facial hair, apparent ages and body proportions. Keep the man on the left and the woman on the right. They remain the same Indian individuals, with natural skin texture and believable gentle bridal grooming; no skin lightening, face replacement, de-aging or generic model faces. Replace their casual clothing with the specific attire below. Give them natural, comfortable body language, clear unobstructed faces and anatomically plausible hands. Make a vertical 4:5 medium portrait, approximately mid-thigh or waist upward, with sufficient space above both heads and around the shoulders for later cropping. Both faces should be turned toward the camera and recognizable. Use realistic wedding photography, coherent natural light, real fabric and jewellery textures, softly separated background and lifelike expressions. One photographic image with exactly two main people, no split-screen, illustration, text, watermark or decorative photo border. Avoid a Western wedding gown, tuxedo, church or champagne props. Regional character must come from the garments, textiles, jewellery and setting, never from replacing either face with a stereotyped regional face. Preserve any original facial hair, natural body build and mature features. Keep both people individually recognizable, with comfortable asymmetrical posture rather than rigid mannequin poses. Specific wedding look and scene: A Gujarati wedding portrait centred on a red-and-ivory panetar sari. The bride wears an ivory silk sari with a broad red border, a red blouse and a red gharchola-style ceremonial drape with a clear woven gold grid pattern. Add refined gold earrings, a small maang tikka and red-gold bangles; the drape must not cover her face. The groom wears a cream embroidered sherwani, a red bandhani safa and an ivory stole. They pause while walking side by side through a sunlit carved Gujarati courtyard, hands loosely joined low between them and both glancing toward the camera with happy, natural expressions. Ivory-and-red floral mandap decorations and a traditional carved doorway provide context, without filling the frame with unrelated religious props. Make the sari folds and the gharchola grid visibly different from a generic lehenga.

weddinggujaratipanetar sari

Garba Night

Generate a realistic, vertical, Indian-life-themed Polaroid instant-film snapshot. Use the person in the input photo as the only identity reference, keeping their real facial features, face shape, age, skin tone depth, hair color and natural skin texture; do not swap faces, do not blend two people's faces, do not make the person look younger, do not whiten the skin or change ethnicity. Adjust only the clothing, natural pose and environment according to the theme. The lighting must have the true look of a portable Polaroid's built-in direct flash: a frontal, close-range flash beside the lens lights the person, so the person is bright and the background slightly darker, with a clear natural flash shadow, and real skin texture is preserved. Present visible but moderate analog film grain, slight softening, limited dynamic range, a slight warm color cast and vignetting, like a casual keepsake snapshot taken by a friend. No professional studio soft light, no cinematic rim light, no soft natural-light portrait look, no excessive creamy bokeh, no plastic skin, no heavy retouching. The whole frame is a complete, front-facing classic Polaroid print, with clean pure-white wide borders all around and the bottom border slightly wider; the border is intact and carries no writing. Do not add a tabletop outside the print, a hand-held-print scene, a second photo or a collage. The person is the main subject of the photo with a clear face, and the composition range is chosen according to the specific theme. Theme: Garba Night, a Gujarati festival dance night. Only one adult woman from the reference photo appears; strictly keep her own face shape, skin tone, age and original short-hair silhouette. She wears a Gujarati-style chaniya choli in a royal blue and magenta color scheme, the fabric with fine small mirror-work pieces, embroidery and geometric patterns, paired with an odhni in the same colors with a decorative border and a long skirt falling naturally. She wears small traditional earrings and a few bangles, with the accessories not covering the face. She is doing a light, quick turning-and-clapping step of Garba, her body slightly turned, her hands gently clapping together naturally at the side of her chest, with the gesture clear and not covering the face, looking at the camera with a happy smile. Use a three-quarter-length composition from head to mid-calf, so that the outline of the spinning long skirt is clearly in the frame. Only the hem of the skirt and the edge of the odhni have slight motion blur, while the face and upper body are frozen by the direct flash; the skirt does not float in an exaggerated way, and the relationship between the limbs is natural. Do not draw Garba as the stick-holding Dandiya dance, and do not hold dance sticks. The background is a night festival courtyard, with a few warm string lights, flower garlands and a small patch of colorful rangoli decoration on the ground; the background is fairly dark, with no other clearly visible people. The frontal, close-range direct flash casts a natural shadow behind her, the mirror embroidery reflects slightly, and the real grain and festive candid-snapshot feel are preserved; do not make it a stage promotional poster. Neither the final photo nor the white borders should have titles, captions, readable text, date stamps, logos, watermarks, app interfaces or reference-photo thumbnails; no extra people, extra arms or fingers, wrong joints, or comic or 3D-rendering look.

polaroidgarbachaniya choli

Saree Spotlight

Keep the facial features of the person in the reference photo. The protagonist wears a peacock-green silk saree, body turned slightly to the side, right hand gently supporting the chin, gazing softly at the camera. The scene is a fashion runway; a clear round spotlight lights the protagonist from the front side and at the same time falls on the mirrored wall in the background, projecting a bright round halo, forming a spotlight effect, forming a spotlight effect. The silk fabric shows premium refracted highlights, with hyper-realistic skin texture.

sareerunwayspotlight

Sea of Roses

The subject is a confident male centered in the frame, whose facial structure, features, and overall demeanor must match the reference image exactly to ensure exceptional character consistency. He looks directly into the camera, displaying a serious, confident, and powerful expression. The person presents a cross-legged full-body pose, fully seated in a modern beige armchair, with hands elegantly resting on the top of the armrests. The perspective is a dramatic high-angle full-body shot from above. He wears a structured black single-breasted suit jacket paired with black trousers, and on his feet, he wears a pair of exquisite black couture leather shoes. He is positioned within a modern beige stone terrace environment (with marble flooring and limestone walls). The core and most overwhelming visual feature is that he is surrounded by gigantic, densely packed bouquets of deep red roses, distributed behind and on both sides of the armchair, nearly filling the entire terrace space, creating a sea of red effect. The lighting is bright, soft, and even daylight. This is a highly impactful cinematic photo, with vibrant colors (for the roses), strong contrast, 8k high resolution, and the exquisite quality of fine art photography.

rosesmale portraitblack suit

Quiet Reading Solitude

[Camera angle: eye level, shot size: medium shot] In a corner of a modern minimalist living room that is sunny yet carries a cool, quiet air, the subject, wearing an off-white chunky-knit sweater, sits alone in a comfortable single-seat sofa. He holds a book in his hands, his gaze directed far off-frame. His expression is extremely calm, the corners of his mouth flat, his eyes carrying a faint, lingering sadness and loneliness, as if in a silent conversation with the forlorn self in the mirror, full of literary air and quiet self-admiration. Soft sunlight lights his sharply defined profile with great clarity, his skin texture real and flawless, creating a strong, refined, cool and realistic quality. 50mm standard prime commercial lens, aperture f/1.8, the indoor plants in the background softly and completely blurred. The image is quiet, harmonious, rich in light, and full of melancholic aesthetics.

readingcozy sweaterminimalist interior

Midnight Blue Portrait

Preserve the facial features of the main subject in the input image. Realistic live-action photography style. The foreground subject is a color close-up portrait, seated with a slight sideways turn, hands naturally overlapped in front of the knees, wearing a midnight blue saree inspired long dress set, face clear; the entire background is a plain gray-black studio backdrop, with no visible seams or splits in the frame; behind the subject, overlay an enlarged black, white and gray portrait of the same subject as a double-exposure background, placed above the subject, face clear but with soft transparency; the whole image keeps only two visual colors, midnight blue and black-white-gray, with no other vivid colors, premium soft studio lighting, minimalist magazine cover quality, 3:4.

double exposurestudio portraitmidnight blue

Panther Guardian

Keep the facial features of the person in the reference photo. Dark yet gentle portrait style, ultra-detailed 8K quality, vertical close-up composition, with the person and the black panther as the core of the frame. The panther's two front paws rest on the man's shoulder, its body slightly curled, head slightly raised, gaze sharp and steady, with fur and muscle texture clearly visible. The man crouches slightly in the center of the frame, body leaning slightly forward, hands resting naturally on his knees, head slightly raised and looking straight at the camera, with defined shoulder and neck lines, a cold, aloof presence, and a steady, noble posture. The man wears a grayish-white long garment: a slim-fitting robe on the upper body with delicate tone-on-tone embroidery, the hem falling naturally, discreetly gathered at the waist, a shawl stirring slightly in the wind, and he wears a simple silver ring and bracelet that enhance the refined cold aura. The background is high-end studio style, with a gray gradient matte haze filling the whole frame; a soft light source combined with slightly harder backlight creates layering and dimensionality, reinforcing the cool, distant mood, with no clutter in the frame, highlighting the interaction between the person and the panther. Soft side light and slightly hard backlight outline the person's clothing folds, the lines of motion and the texture of the panther's fur; the dark blue and black clothing forms a subtle contrast with the gray matte background; the overall palette is low-saturation and cool-toned, black-gray and deep blue, the atmosphere dark yet gentle, mysterious, cold and aloof; the lace embroidery, skin texture and the panther's coat are clearly visible, reinforcing the contrast of strength between the person and the panther and the refined cold aesthetic

black pantherdark portraitstudio

Scenic Devotion

Double exposure. The upper part is a large close-up portrait of the same couple: the man is at the upper left, wearing a bright orange collared shirt, his eyes looking upward and slightly to the left; the woman is at the upper right, with a red bindi between her eyebrows and small gold earrings, wearing an orange traditional Indian outfit / saree / lehenga with clearly visible gold embroidered borders and sequin details, her right hand resting lightly on the man's chest or shoulder, her expression gentle and smiling, looking straight at the camera. The middle transitions naturally, and the lower part shows the same couple in a dynamic lifting-and-carrying pose: the man wears a bright orange shirt and white trousers, the woman wears an orange long dress / saree with clearly visible gold embroidered edges and a flowing dupatta, and the man carries the woman in a princess carry. The background is a bright but slightly blurred sky and open countryside ground, teal-green at the upper left and a gradient from golden yellow to orange at the upper right, with blurred, bokeh orange flowering branches / flowering trees in all four corners, especially noticeable in the upper right and lower right corners. At the bottom is brownish-black rocky ground and a dirt road, and the whole image has a rustic, earthy, retro wedding-poster feel. The overall color is bright and highly saturated, dominated by warm yellow-orange, with a touch of teal-green sky for contrast

double exposurecoupleindian wedding

Church Wedding Portrait

A couple is taking wedding photos. The man is wearing a black suit on the left side of the picture, and the woman is wearing a gorgeous white wedding dress with a veil on her head on the right side of the picture. The two are standing on the grass with a white church in the background. They look directly at the camera with happy smiles on their faces.

weddingchurchcouple

Coastal Red Supercar

Keep the facial features of the person in the image. The background is the sea, with sunlight shining down and a natural atmosphere. The person sits in the driver's seat, facing front, looking at the camera with a handsome, roguish swagger. Close-up shot, driving a luxury-edition red sports car, wearing a famous-brand watch on the wrist, with the watch-wearing hand resting on the edge of the car door. The person looks tall, rich and handsome, high definition

sports carseasideluxury watch

Inner Thunder

Keep the facial features of the person in the photo; moody double exposure. The background is a huge, semi-transparent facial silhouette of the main subject with a downcast, pensive expression, and at the center a sharp, frontal half-length portrait of the same subject with arms crossed over the chest is superimposed. Purple thunderstorm cloud textures with lightning weave between the two layers, strong contrasting colors. The background is deep purple. Size 9:16.

double exposurepurple stormlightning

Emerald Sunset

Keep the head features of the person in the reference photo consistent. Indian-style dreamy portrait. The person in the reference photo stands on a beach by the sea, a full-length figure in the foreground, placed in the lower middle of the frame. The person wears a vivid green traditional Indian saree, a sheer mesh dark-green saree covered with fine glittering crystals and trimmed with delicate gold embroidery; the saree fabric flows to the right and to the front in the sea breeze, forming a soft wavy veil of fabric; the upper body wears a green short-sleeved blouse, with the waist and arms naturally bare. The person wears a green necklace, bangles, small earrings and a nose stud, with a red rose tucked in on one side of the hair and a white jasmine garland hanging from the hair. The person has a gentle, calm expression, body turned slightly to the side, facing the camera, eyes looking into the camera, with a light smile at the corners of the mouth. The background is a sunset beach, the sun close to the horizon, golden sunlight forming strong reflections on the sea and the wet sand, soft waves in the distance, the sky a gradient from teal-green to warm yellow, with thin mist and backlit halo in the air. A huge close-up portrait of a woman is overlaid on the background, like a dreamy double-exposure poster: an oversized half-length head of the same person floats in the sky and sea background, showing only the head, shoulders, neck and the fluttering green saree, the face much larger than the foreground figure, with soft, delicate features, and the forehead bindi, nose stud and red rose hair ornament all visible. The composition keeps the layering of the original image: the full-length figure in the green saree stands in the center of the beach in the foreground, the giant head in the background takes up the upper half of the frame, a large expanse of fluttering green sheer fabric is on the right, and a flock of distant bird silhouettes is in the sky on the left. The overall color palette is dominated by vivid green, golden sunset and teal sky, romantic, soft focus, with a cinematic poster feel. A blend of real photography and digitally composited poster texture, cinematic Indian portrait, green saree, sunset beach, double exposure giant portrait, flowing translucent fabric, golden backlight, soft focus, high detail, realistic skin texture, dreamy editorial poster style.

double exposuregreen sareesunset beach

Monsoon Balcony

Realistic South Asian portrait photography, a rainy-day scene on the balcony of an old building: an Indian woman leans against an old windowsill / balcony railing, smiling and reaching out a hand to catch raindrops. The image has a warm, dark, cinematic tone; the background is mottled old walls, a wooden door, a narrow corridor and arched window frames, with shallow depth of field, and the setting has a damp, retro, quiet monsoon-season atmosphere.\nThe female subject is in the center-right of the frame, with a small red bindi on her forehead, wearing small gold earrings, a delicate necklace and bangles. She wears red sari or salwar-style traditional clothing, with a dark green shawl / dupatta over it, one side of the dark green fabric draped beside her hair and shoulder; the red-and-black palette is vivid but not garish. Her body leans forward, her left hand resting naturally on the old wooden railing, her right hand extended toward the upper right of the frame, palm up, catching the falling raindrops, her eyes looking at the rain above her palm, her expression bright and gentle with a natural smile.\nIn the foreground is an old wooden balcony railing, its surface worn, dusty and marked by dampness, with vertical balusters below. At the upper left is the edge of an arched window, and the wall is mottled with a plaster texture. On the right side of the frame, clear raindrops hang in the air, some near the camera forming crystalline highlights, with rain streaks falling from above. The background is in warm brown, gray-brown and dark red tones; her face is lit by soft natural light, and the clothing and skin keep a realistic texture.\nImage requirements: the figure is fully visible from the head down to the waist / railing; the right hand's rain-catching gesture is clear, the fingers natural; the raindrops, water beads, old wooden railing, arched-window wall and the details of the red-and-black traditional clothing are all clear; realistic photography, shallow depth of field, warm soft light, cinematic monsoon portrait, South Asian woman, old balcony, rain drops, natural smile, high detail, realistic skin texture.

monsoonrainsari

Night Rail Flash

Keep the face, hairstyle and original clothing of the person in the reference photo. A close-range three-quarter-length shot of a young man standing in front of a railing at night, one hand in his pocket and the other resting on the rail. The background is mostly black but keeps the railing and the night space; backlight comes through the strands of his hair and from behind his shoulders, while a direct on-camera flash lights up his face, arms and clothes. The pose is natural with a sense of movement, 9:16.

night portraitdirect flashbacklight

Midnight Rain

Use the two people in the image as the character reference. Keep each person's clearly recognizable facial features, hairstyle, skin tone and age, and naturally blend them into one complete scene. Generate the man and the woman from the image sharing a black umbrella on a rainy-night city street and kissing deeply. The man wears a long black coat and a slightly open white shirt; one hand holds the umbrella and the other holds the woman tightly around the waist. The woman wears a black coat with a fine sheen; one hand grips the man's collar and the other gently strokes the side of his neck. The two lean toward each other, lost in the moment in the curtain of rain, the image full of emotional tension that suddenly erupts after restraint. Dense raindrops fall on the umbrella and on both their shoulders; the wet street reflects blurred lights, and distant cars and street lamps become soft blobs of light. Rain runs down from the ends of their hair and along the contours of their faces, with a deep, hazy background. Vertical frame, medium shot from the waist up, cinematic camera position from the front side, the two taking up about 78% of the image height. High-contrast black-and-white photography, deep black shadows, silver rain light and soft facial rim light, a classic film noir romance look, no text, no watermark.

couplerainy nightblack and white

Cloud Cabin

Keep the facial features of the person in the reference photo. The subject sits in a leather swivel chair on a private jet, holding champagne. Outside the window is a golden sea of clouds.

private jetchampagnegolden clouds

Cricket Besties

Generate a realistic, vertical Indian-lifestyle-themed Polaroid instant-film snapshot. Use the people in the input photos as the only identity reference, preserving their real facial features, face shapes, ages, skin-tone depth, hair colors and natural skin texture; do not swap faces, do not blend the two people's faces, do not make anyone look younger, do not lighten skin or change ethnicity. Only adjust the clothing, natural poses and setting according to the theme. The lighting must have the true look of a portable Polaroid's built-in direct flash: a close, frontal flash next to the lens lights the people, who are bright while the background is slightly darker, with clear natural flash shadows, and real skin texture is kept. Show visible but moderate analog film grain, slight softening, limited dynamic range, a slight warm color cast and vignetting, like a casual keepsake snapshot taken by a friend. No professional studio soft light, cinematic rim light, soft natural-light portrait look, excessive creamy bokeh, plastic skin or heavy retouching. The whole image is one complete, front-facing classic Polaroid print with clean pure-white wide borders all around, the bottom border slightly wider, the frame intact and with no writing; do not add a tabletop outside the print, a scene of a hand holding the print, a second photo or a collage. The people take up the main part of the photo with clear faces; the framing range is chosen according to the specific theme. Theme: Cricket Besties. Only the two adult men from reference photo 1 and reference photo 2 appear, each keeping their own face shape, hairstyle, skin tone and personal identity; do not turn either of them into a woman and do not mix the two faces. The two wear simple navy-blue and sky-blue cricket sports shirts with no text, numbers or logos, standing shoulder to shoulder just after practice, slightly sweaty with natural hair, both looking at the camera with happy smiles. The man from photo 1 casually holds the handle of a real cricket bat in one hand; the bat is a wide, flat, light-colored willow cricket bat, blade pointing down and extending to the bottom of the frame, not blocking the face. The man from photo 2 has one hand resting naturally on his companion's shoulder, and with the other hand at his waist holds a small red stitched cricket ball. The relationship between their arms is clear, the fingers are natural, and the body proportions stay as their own, with no exaggerated muscles. Use a close-up from the waist up. The background of the night practice ground is slightly dark, showing a bit of green grass, practice nets and the outline of distant stumps. The in-camera direct flash is the key light on the people, giving the authentic feel of friends snapping a post-match Polaroid, without professional sports-advertising lighting or exaggerated athletic poses. No baseball bat, football, cricket helmet, spectator faces, team logos or any readable text. Neither the final photo nor the white borders should contain a title, caption, readable text, date stamp, trademark, watermark, app interface or reference-image thumbnail; no extra people, extra arms or fingers, wrong joints, or comic or 3D-render look.

polaroidfriendscricket

Royal Mirror

Keep the facial features of the person in the image; opulent double exposure. On the left side of the frame is a huge side-profile silhouette of the subject, and on the right is overlaid a half-length portrait of the subject in a gorgeous saree, one hand resting on the edge of the whole frame and the other hand on the hip. A strong color clash of deep red and gold, a minimalist dark background.

double exposuresareered and gold

Handsome Motorcyclist

Keep the head features and hairstyle of the person in the image. A vertical cinematic composite full of modern urban atmosphere and biker-trend flair, creating a tense modern Bollywood urban action-film mood. The subject wears a highly designed, modified slim-fit printed kurta shirt with a subtle abstract Indian geometric pattern, layered under a premium-textured black leather jacket, and wears a chunky silver necklace and bracelet. The entire background is occupied by a huge close-up portrait of the subject, turned two-thirds toward the right from a front view, with a cool, restrained expression, wearing aviator sunglasses. The lower half of the image is the foreground figure layer: the same subject (with a cut-out look; the person's head should slightly overlap the upper layer), looking straight into the camera with both eyes, sitting confidently in a half-body pose on a retro-styled modern cruiser motorcycle, body leaning slightly forward, one hand resting casually on the handlebar, against a blurred, bustling Mumbai street at night dotted with mottled car taillights and streetlight bokeh; the whole image is quiet yet powerful.

double exposuremotorcyclebollywood

Desert Ranch

A man wearing a long black wool coat, a white crew-neck inner top, straight-leg dark jeans and chunky-soled Chelsea boots sits on a folding metal chair, both hands overlapped and holding a horse's reins, legs naturally apart, body leaning slightly forward, gaze directed to the side of the camera; the camera uses an eye-level, slightly upward angle, with the man occupying 60% of the frame, and a horse peeking out half its body from behind him to create layers; the scene is an open desert grassland, the ground dry cracked earth with sparse withered grass, the background leaving the sky blank, and the overall look is a high-contrast black-and-white texture.

black and whitehorsedesert

Dark Punk

Do not change the person's position or pose; change only the person's clothing, hairstyle and background. Realistic portrait, a man with a strikingly styled black hairstyle, wearing a black motorcycle leather jacket with silver studs and patchwork details, with accessories including layered silver necklaces, studded wristbands and a trouser chain. The background is a mist-filled dark forest with gnarled dead trees, the overall look dark and monochrome-toned, dramatic cinematic lighting, high contrast, sharp focus, 8K resolution, punk rock style, dark fantasy atmosphere

punkdark fantasyleather jacket

Golden Embrace

Using the user's uploaded image as the sole identity basis, strictly preserve the lead's original facial features, hairstyle, skin tone, age impression, build and natural proportions. Generate a 9:16 vertical, hyper-realistic cinematic city night portrait after rain. A tight close-up from the chest up, the man in the center wearing a black hooded sweatshirt, body facing forward, head turned slightly to the right, quietly gazing at the phantom behind him with a restrained expression.\nThe female phantom is at the right rear, leaning her head out beside the man's right shoulder and intimately embracing him from behind: one glowing arm crosses the man's chest, the palm resting lightly on his left shoulder and chest; the other arm wraps around the right shoulder and holds a full bouquet of deep-red roses in front of his chest. The phantom is made of a warm golden outline, translucent threads of light and particles, faintly showing the form of a sari, with the outline of her hair drifting lightly backward; the body is transparent yet structurally complete, and the roses keep a real petal texture. The man's profile, the phantom's outline, the embracing hands and the bouquet are clearly visible.\nThe background is an empty, wet city road, warm light from tall streetlamps and soft-focus city lights, with the asphalt reflecting a golden glow; the deep-blue night, black clothing, warm-gold phantom and deep-red roses form a romantic surreal cinematic color scheme. 50–70mm lens, shallow depth of field, light rain mist and film grain. Avoid the phantom turning into a real person, arms passing through the body, hands or figures merging, deformed fingers, roses changing color and extra people; no text, logo, watermark or interface elements.

rainy nightphantomred roses

Sophisticated Coffee Date

The male subject wears an impeccably tailored dark navy three-piece suit featuring a structured jacket, matching vest, crisp white dress shirt, and a dark silk tie, radiating formal elegance. The female subject is dressed in a refined, sle…

couple portraitquiet luxurycafe

Classic Wedding

The male subject wears a refined cream three-piece suit featuring wide peaked lapels, a textured waistcoat, and a pleated white tuxedo shirt accented by a crisp black bow tie and a white rose boutonniere. The female subject is dressed in a…

weddingcoupleold money

Ivory Wedding Rose

Strictly preserve the subject's head features, facial structure, face-shape contour and facial bone proportions, and keep the hairstyle consistent with the reference photo; also preserve the subject's original skin tone, body type, skeleton, body measurements, natural proportions and recognizability. Generate a vertical 9:16, ultra-realistic cinematic fashion portrait. The subject stands in front of a minimalist black indoor background, in the center of the frame, body turned slightly to one side. The subject wears an ivory-white slim-fit suit jacket and matching trousers, with no shirt under the jacket, the collar naturally open, and a thin-chain pendant on the chest; the subject's right hand is naturally tucked into the trouser pocket, with a dark watch on the right wrist. The subject's left hand hangs in front of the body, firmly holding a long-stemmed bouquet of a dozen or so deep red roses, with the green leaves and stems clear and intact. The subject looks at the camera with a calm, natural expression.\nVertical composition from above the thighs up. Strong golden sunset light slants in from the right of the frame, creating sharp-edged light and shadow zones on the ivory suit, the deep red roses and the background wall, and the wall keeps the subject's natural cast shadow; local highlights are warm and bright, while the remaining areas stay deep black. A three-color palette of black, ivory white and deep red, 85mm lens, shallow depth of field, low-key cinematic lighting, realistic suit fibers and petal textures. Avoid an overexposed white suit, an uncontrolled number of bouquet flowers, a wrong shadow direction, malformed hands and a misplaced pendant. No other people, text, brand logos, watermarks or interface elements.

ivory suitred rosesfashion portrait

Fireside Love

Using the two people in the reference photo as the character reference, keep each person's clearly recognizable facial features, hairstyle, skin tone and age, and naturally blend them into one complete scene. Generate the man and woman from the photo embracing and kissing in a warm, cozy living room. The man wears a soft dark brown knit sweater and casual trousers; the woman wears a loose cream knit top and a relaxed home-style long skirt. The two sit on the edge of the sofa, the man's arm around the woman's waist, the woman gently stroking the side of the man's face with one hand, their bodies naturally close, sharing a sweet kiss in a quiet, warm home atmosphere. The background is a fireplace with burning logs, a soft sofa, blankets, a warm yellow floor lamp and a wooden coffee table with hot drinks. A light rain falls outside the window, with hazy droplets on the glass, and the indoor light is soft and warm. Vertical medium shot from the waist up, the two people taking up about 76% of the frame height. Amber lighting, natural skin tones, fine knit texture and shallow depth of field, cozy and refined lifestyle cinematography, no text, no watermark.

couplefireplacecozy

Signature Portrait

A Bollywood film-textured composite portrait poster of a man, using a montage overlay composition. The image combines three different shot sizes of the same person: the foreground is a full-body look, with the person wearing a distressed black leather jacket whose metal snaps, diagonal zipper and leather texture are clearly visible, a white V-neck T-shirt underneath, dark blue slim-fit jeans and white sneakers, both hands in his pockets, with a tough, handsome posture; the background overlays two oversized close-ups, the left one a frontal close-up in which the person looks calm and resolute, the right one a side-profile close-up with a strong, angular contour, also wearing a black leather jacket and a white inner layer; the overall background is a warm golden-brown gradient, like the afterglow of a sunset, filled with floating golden particles and light spots, creating a hazy yet powerful atmosphere; strong side backlight outlines the figure and forms golden highlights along the edges of the leather jacket, coating the skin and clothing in a layer of warm, soft sunset light, with rich layers of light and shadow and a delicate, realistic texture; the image is full of the tough-guy tension of a Bollywood action film, with a rich, heavy overall color tone and a maxed-out atmosphere, 8K ultra HD, cinematic lighting texture, masterpiece, best quality

bollywoodpostermontage

Ember Grace

Generate a 9:16 vertical, highly saturated, hyper-realistic double-exposure Indian portrait poster. The same protagonist appears in two layers, with identity, facial features, hairstyle, skin tone and apparent age completely identical in both. The upper half is an oversized three-quarter close-up head portrait filling the background, with the face turned toward the front right and a calm, confident expression; the subject wears round thin-framed metal dark sunglasses, a black round Bindi and small earrings. The edges of the head portrait blend deeply with orange-red flames, thick smoke, golden bokeh and flying sparks, and strong warm orange backlight creates a bright golden rim light. Embedded in the lower center of the frame is a full-length figure of the same person, walking steadily toward the camera head-on, arms hanging naturally, one leg stepping forward; the top of the head, both hands, both legs and the shoes are fully in frame. The subject wears a bright turmeric or mustard yellow long Kurta with sparse small prints and embroidery on the body, paired with black slim-fit trousers and white sneakers. The full-length figure emerges naturally from the flames and smoke below the giant head portrait, with clear layering. The background is a surreal composite of a burning street scene and a city road after rain: a blazing orange-red sky, thick smoke, flames, golden particles, blurred trees, street lamps and a few vehicles; the wet ground reflects orange-gold firelight. Avoid identity drift between the two layers, the head portrait turning fully frontal or fully profile, facial features merging, a third person appearing, the full-length figure being cropped, flames covering the face, and deformed hands or feet; no text, logos, watermarks or interface elements.

double exposureflamesIndian portrait

Business Warmth

Keep the person's looks and clothing consistent. Premium warm-brown native filter | keep the original clothes, pure white background, upright standing posture, a firm gaze looking straight at the camera, a blurred upscale business meeting room, natural and luminous, clear eyebrows, lively eyes, simple business style, high-definition faithful reproduction of the face, high-end elite temperament

business portraitheadshotwarm tone

Sakura Trunk Lean

Keep the facial features of the person in the reference photo. A high-resolution, strongly structured portrait photograph with a medium-shot composition and a side-on, eye-level angle. The subject leans against a thick cherry blossom trunk; the background is dense but layered cherry blossom branches crossing to form a geometric structure, and blurred branches in the foreground add a pressing, enclosing frame. The subject is placed in the right third of the frame, weight shifted to one side against the support, shoulders slightly tilted to create an asymmetrical posture, arms crossed over the chest. The facial expression is calm and restrained, the corners of the mouth slightly drawn in, the eyes looking straight into the camera with a slight sense of distance. Fill light illuminates the face; the facial features are clear, the skin tone is bright and the skin is fair. The overall color tone is a contrast of pink and neutral colors.

cherry blossomspring portraittree trunk

Telugu Silk Wedding

Create a photorealistic wedding portrait of exactly the two adults in the reference images. Image 1 is the man and image 2 is the woman. Use these photographs as the only identity references. Preserve both recognizable facial identities, natural skin tones, face shapes, eyes, noses, mouths, hairlines, facial hair, apparent ages and body proportions. Keep the man on the left and the woman on the right. They remain the same Indian individuals, with natural skin texture and believable gentle bridal grooming; no skin lightening, face replacement, de-aging or generic model faces. Replace their casual clothing with the specific attire below. Give them natural, comfortable body language, clear unobstructed faces and anatomically plausible hands. Make a vertical 4:5 medium portrait, approximately mid-thigh or waist upward, with sufficient space above both heads and around the shoulders for later cropping. Both faces should be turned toward the camera and recognizable. Use realistic wedding photography, coherent natural light, real fabric and jewellery textures, softly separated background and lifelike expressions. One photographic image with exactly two main people, no split-screen, illustration, text, watermark or decorative photo border. Avoid a Western wedding gown, tuxedo, church or champagne props. Regional character must come from the garments, textiles, jewellery and setting, never from replacing either face with a stereotyped regional face. Preserve any original facial hair, natural body build and mature features. Keep both people individually recognizable, with comfortable asymmetrical posture rather than rigid mannequin poses. Specific wedding look and scene: A Telugu wedding couple in a flower-decorated mandap courtyard. The bride wears an ivory pattu silk sari with a broad vermilion-red and gold border, a red blouse, refined layered gold wedding jewellery and a jasmine-adorned low bun. The groom wears a cream silk shirt, cream dhoti with red-gold border and a matching angavastram. Both wear fresh jasmine-and-red-flower wedding garlands. They pause just beside the mandap, bodies angled slightly together, one of her hands naturally resting on his arm, both looking at the camera with relaxed smiles. Banana stems, jasmine strands, brass lamps and warm daylight give the scene a South Indian ceremonial atmosphere. Keep cloth folds, garlands and hands plausible; no face whitening, changed face shapes or overly heavy makeup.

telugu weddingpattu silkjasmine garland

Brazilian Wedding

High quality, real, HDR, HD, Brazilian wedding dresses are white. In terms of design, wedding dresses with deep V designs are usually made of lace or chiffon

weddingbridelace gown

Tender Rainy Night

In Figure 1, a man stands at a 70-degree angle on a dark street, getting rained on under a dim streetlamp. His expression is melancholic, his head slightly tilted back at a 45-degree angle, his back slightly hunched, his eyes closed, and his eyelashes thick. His lips are relaxed, his face etched with sadness, and his facial muscles are relaxed. He wears a military green fitted T-shirt. The image has been sharpened and contrast enhanced. Skin texture has been improved, with clear pores, raindrops on his face, and a 4K high-definition rendering. The image captures the melancholic mood, with clear rain lines, raindrops on his face, and his wet hair. His military green short-sleeved shirt is completely soaked and clings to his body. The background clearly shows the heavy rain. A melancholic Indian man in the rain. His eyes are closed in melancholy, and he has thick eyebrows. The image exudes realism. The cool color palette, blue streetlamp, downturned lips, and sad expression are all present. The hairstyle and facial features retain the appearance of the man in Figure 1. A portrait photograph with sophisticated atmospheric lighting. He's completely soaked in the rain, his face turned to the side, eyes closed, facing the raindrops. His wet face, flowing hair, the rain, the wind, the raindrops wetting his face, hair, and clothes—low light, white clothes, blue tones, rim lighting—his expression conveys a sense of melancholy. A rainy day, reminiscent of a Wong Kar-wai film. A hunched back, letting the rain fall. The various lights in the alleyway in the background are out of focus as circular halos.

rainnight portraitmelancholic

Opera Night

Using the two people in the picture as character references, accurately preserve their facial features, hairstyles, skin tones and ages, and naturally place them into the same real scene. Generate the man and woman in the picture kissing during the intermission in a private box at an opera house. The man wears a formal black suit, a white shirt and a black bow tie, and the woman wears a dark green silk blouse, a short black skirt, black stockings and refined earrings. The two stand side by side next to the box railing; the woman rests one hand on the railing, her body naturally turned toward the man; the man gently holds her other hand, and the two lean in close and kiss tenderly. The background is a real classical opera house, where red velvet seats, golden railings, the box structure, the stage curtain and audience members returning to their seats are visible. The lighting comes from the theater chandeliers, wall sconces and residual stage light. Vertical medium shot from above the thighs, three-quarter camera angle from the front side, with the two occupying about 78% of the image height. 50mm lens, realistic indoor exposure, fine clothing texture and natural skin tones, presenting an elegant, formal social-occasion atmosphere, no text, no watermark.

coupleopera houseromantic

Tamil Silk Wedding

Create a photorealistic wedding portrait of exactly the two adults in the reference images. Image 1 is the man and image 2 is the woman. Use these photographs as the only identity references. Preserve both recognizable facial identities, natural skin tones, face shapes, eyes, noses, mouths, hairlines, facial hair, apparent ages and body proportions. Keep the man on the left and the woman on the right. They remain the same Indian individuals, with natural skin texture and believable gentle bridal grooming; no skin lightening, face replacement, de-aging or generic model faces. Replace their casual clothing with the specific attire below. Give them natural, comfortable body language, clear unobstructed faces and anatomically plausible hands. Make a vertical 4:5 medium portrait, approximately mid-thigh or waist upward, with sufficient space above both heads and around the shoulders for later cropping. Both faces should be turned toward the camera and recognizable. Use realistic wedding photography, coherent natural light, real fabric and jewellery textures, softly separated background and lifelike expressions. One photographic image with exactly two main people, no split-screen, illustration, text, watermark or decorative photo border. Avoid a Western wedding gown, tuxedo, church or champagne props. Specific wedding look and scene: A Tamil wedding couple on a shaded South Indian heritage-house veranda. The bride wears a rich coral-red Kanjeevaram silk sari with broad woven gold borders, a matching short-sleeved blouse, traditional layered gold necklaces, gold jhumkas, a neat central forehead ornament and a small bindi. Her hair is arranged in a low bun encircled with fresh jasmine flowers, leaving her face unobstructed. The groom wears a cream silk shirt with a gold-bordered white veshti and an angavastram over one shoulder. Both wear modest fresh jasmine-and-red-rose wedding garlands. Capture a natural pause as they walk side by side: he gently holds her hand low between them, shoulders relaxed, both looking toward the camera with quiet happy smiles. Include carved wooden pillars, banana-leaf decoration and jasmine garlands in the softly blurred background. Soft morning daylight emphasizes the lustrous silk weave and warm natural brown skin. The sari, jasmine, gold jewellery and veshti establish the regional look without adding elements from other regional wedding traditions.

weddingtamilsilk sari

Assamese Muga Wedding

Create a photorealistic wedding portrait of exactly the two adults in the reference images. Image 1 is the man and image 2 is the woman. Use these photographs as the only identity references. Preserve both recognizable facial identities, natural skin tones, face shapes, eyes, noses, mouths, hairlines, facial hair, apparent ages and body proportions. Keep the man on the left and the woman on the right. They remain the same Indian individuals, with natural skin texture and believable gentle bridal grooming; no skin lightening, face replacement, de-aging or generic model faces. Replace their casual clothing with the specific attire below. Give them natural, comfortable body language, clear unobstructed faces and anatomically plausible hands. Make a vertical 4:5 medium portrait, approximately mid-thigh or waist upward, with sufficient space above both heads and around the shoulders for later cropping. Both faces should be turned toward the camera and recognizable. Use realistic wedding photography, coherent natural light, real fabric and jewellery textures, softly separated background and lifelike expressions. One photographic image with exactly two main people, no split-screen, illustration, text, watermark or decorative photo border. Avoid a Western wedding gown, tuxedo, church or champagne props. Regional character must come from the garments, textiles, jewellery and setting, never from replacing either face with a stereotyped regional face. Preserve any original facial hair, natural body build and mature features. Keep both people individually recognizable, with comfortable asymmetrical posture rather than rigid mannequin poses. Specific wedding look and scene: An Assam-inspired wedding portrait in a quiet bamboo-and-wood veranda near lush green trees. The bride wears a warm champagne-gold muga-silk mekhela chador with restrained red woven motifs, a matching modest blouse and a few elegant Assamese-inspired gold ornaments. Preserve her natural hair texture and face; use a neat low hair arrangement and a small bindi. The groom wears an ivory silk kurta with dhoti-style trousers and a cream handwoven cheleng chadar with red woven accents. They sit close on a simple cane bench, leaning gently toward each other, hands relaxed on their own laps and faces turned toward the camera. The warm lustre of muga silk, handwoven texture and soft greenery are central. Do not change their facial features or skin tones to imitate a regional stereotype.

weddingassamesemuga silk

Urban Legend

A Bollywood-film-textured composite male portrait poster, using a montage overlay composition, made up of three different shot scales of the same person: the foreground is a full-body look, with the man wearing a black waxed leather jacket over a white V-neck T-shirt, paired with slim-fit dark blue jeans and white sneakers, one hand in his pocket while the other hand is raised to adjust the jacket collar, standing tall with a commanding presence; the background overlays two oversized close-ups, a frontal close-up on the left with a resolute, piercing gaze, and on the right a close-up of him looking back from the side and rear, full of storytelling feel; the overall background is a warm gold-brown gradient tone, like the afterglow of a sunset, filled with floating golden particles and light spots, creating a hazy yet powerful atmosphere; strong side backlight outlines the figure, forming golden highlights on the edges of the leather jacket and on the strands of hair, with a layer of warm, soft sunset glow cast over the skin and clothing, rich layers of light and shadow, fine and lifelike textures, the image full of the tough-guy tension of a Bollywood action film, the overall color tone rich and heavy, atmosphere maxed out, 8K ultra HD, cinematic lighting texture, masterpiece, best quality

postermontageleather jacket

Biker Queen

Keep the facial features of the person in the photo. The main subject in the reference photo sits astride a deep red heavy motorcycle, wearing a leather vest, with a golden castle in the background and long hair gently moving. Image size 9:16.

motorcycleleather vestgolden castle

Birthday Firelight

Keep the person's head features consistent. Generate a hyper-realistic night-time outdoor birthday celebration portrait photograph: the person sits in the center on a park bench, the body facing the camera but the head turned slightly toward the right side of the frame, the face lit by the cake's firelight, the expression relaxed with slightly squinting eyes, as if blowing out the candles or feeling the heat of the flames. In the person's left hand is a bottle of dark green champagne, the mouth of the bottle pointing up and slightly to the left, the foam or champagne inside spraying out to form a tall vertical column of mist that shoots upward from the left side of the frame; the spray is a warm orange, semi-transparent, lit by the lights, with tiny droplets clearly visible. In the person's right hand is a round, dark chocolate birthday cake resting on a tray, at chest height on the right side of the frame. The cake has several lit birthday candles, the candle flames are very bright and form an intense orange-white beam of flame shooting horizontally toward the right side of the frame, the edges of the flame diffusing and the center slightly overexposed, like the effect of birthday candles and a spray-flower flare suddenly blown bright. The background is a city park at night; behind the person is a wooden bench running horizontally across the middle of the frame, with black metal armrests and a backrest. In the distance are silhouettes of dark tree branches, blurred building outlines, and bokeh from street lamps and car lights, forming small round bokeh light spots in white, yellow and red. There is a little snow or light-colored patches on the ground and under the bench, and the overall environment is cold and dark. The main light of the image comes from the cake candles and flames; intense warm orange firelight illuminates the person's face, hair and upper body, with clear orange-yellow highlights on the face, while the dark areas still keep their night-scene shadows. The champagne spray is lit by the firelight and street lamps, forming a glowing golden column of mist. The background overall is deep and dark, with only street-lamp bokeh and a few city light points; do not light the environment too brightly. A high-contrast night scene, with the warm firelight forming a strong contrast against the cold, dark city background, slight motion blur, and real high-ISO grain.

birthdaynight portraitchampagne

Sunset Butterfly

A vertical medium-shot outdoor portrait photoshoot at golden sunset hour with a backlit setting, warm sunlight shining from behind the subject and forming a soft, bright golden rim halo along the edges of her hair; she stands gracefully, her right hand gently raised with the palm facing up, an exquisite, vividly colored blue-purple butterfly hovering above her palm, her eyes lowered tenderly toward the palm; she wears a light gray-green, translucent sheer saree, its surface scattered with a large number of golden sparkling floral embroideries, the saree border trimmed with intricate, gorgeous gold-thread beaded embroidery, with a matching V-neck short-sleeved blouse covered all over with exquisite heavy beadwork; she wears layered, stacked gold and pearl bangles, pendant bell earrings and a luxurious full-diamond short choker necklace, her left hand lightly gripping the saree fabric, with a simple slim ring on a finger; the background is a blurred outdoor garden, with branches covered in small white flowers in the upper left corner, a large hazy patch of orange-red flowers on the left, and soft warm golden bokeh light spots in the background; the sheer fabric is light and translucent, the embroidery texture delicate and three-dimensional, soft warm backlight, shallow depth of field with a blurred background, film texture, ultra-realistic high-definition photographic quality, fully recreating the figure's pose, the hovering butterfly, the complete set of jewelry and accessories, the saree embroidery details and the dusk garden atmosphere.

sareegolden hourbutterfly

Jasmine Grace

Using the adult woman in the input photo as the sole identity reference, generate a vertical instant-film snapshot genuinely shot with the built-in direct flash of a portable Polaroid camera. Strictly preserve her real facial features, face shape, age, skin tone, hair color and natural skin texture; do not swap the face, do not whiten the skin, do not make her look younger, do not redesign the face. Scene and styling: She wears an off-white Kerala-style kasavu saree with a thin gold border clearly visible, a simple warm-gold blouse and small gold jhumka earrings. Keep her original hair color and hair texture; her hair is tied up naturally at the back, with a small ring of real white jasmine flowers (a gajra) beside the bun, the flowers not covering her face. She stands on the porch of a traditional Kerala house with a dark wooden door, her body naturally turned slightly, her face toward the camera, with the natural smile of someone caught off guard when a friend or relative suddenly raises a Polaroid; her hands rest relaxed in front of her waist. The camera is very close to her, in a head-to-waist souvenir-snapshot composition, with the person taking up the main part of the photo, keeping the slight imperfection of a casual grab shot. Decisive Polaroid lighting: it is a dim evening after the sun has set, the ambient light on the porch is very weak, and the wooden door and courtyard behind her are noticeably dark. The only key light is the built-in flash right next to the lens, firing straight at her from the front, clearly producing a bright subject, a slightly harsh frontal flash, a crisp hard-edged shadow on the wooden door behind her head and shoulders, and the saree folds, jasmine flowers and natural skin texture lit by the flash. Facial detail is retained, but there is a clear flash exposure difference between the person and the dark background. No soft window light, daylight backlight, rim light, soft studio light or creamy background blur; do not present the soft lighting of a professional portrait or wedding photography. Genuine instant-film texture: visible but natural analog film grain, slight softening, limited dynamic range, a slightly warm look with a touch of yellow-green color cast, and slightly darkened corners. The distant courtyard is only a dim bit of green leaves and wooden-structure outlines, not a bright, transparent daylight garden, and no large round bokeh appears. The photo has both a casual, life-snapshot feel and a clear recognizability of her, not a high-definition commercial-ad-style retouch or plastic skin. Layout: The whole image is a front-facing, complete classic Polaroid print, with clean pure-white wide borders all around and a slightly wider bottom border, the photo window keeping a slight film vignette, and all four corners intact. Nothing is written on the white border, and do not add a tabletop outside the print, decorations, a hand holding the print, a second photo or a collage. Only this one woman appears; no text, date stamp, watermark, logo, interface, extra people, extra limbs or small reference-photo window.

polaroidinstant filmkerala saree

Rose Soul

A creative double-exposure portrait of the same person. The color figure wears a modern pink Indian saree with a V-neck and short sleeves, in matte satin fabric with a flowing shoulder drape, refined and understated in texture. She sits turned to the left, elegant and composed, her right hand resting on her thigh and her left hand holding her right wrist, her face turned thirty degrees to the side, smiling with teeth showing as she looks at the camera, in a close-up. The background is a huge black-and-white half-length portrait of the same person (no other colors, a close-up photo, a close-up of the face) on a dark gray background that fills the main part of the frame. The black-and-white portrait and the color portrait are the same person, wearing a modern pink Indian saree, with the same hairstyle, body turned slightly to the left. The color figure occupies the middle and lower two thirds of the frame, and the head of the black-and-white portrait occupies the upper third; she does not look at the camera but gazes out of the frame, her eyes gentle and calm. Cinematic quality. Shoulders are level and the back is straight. Her expression is gentle and soft. Her temperament is graceful and delicate. Natural and realistic, high-definition detail.

double exposuresareeportrait

Tennis Club Pause

Using the same adult man from reference image 1 and the same adult woman from reference image 2, generate a natural phone photo of an Indian couple. Strictly preserve each person's original facial feature proportions, face shape, true skin tone, age, hairline, hairstyle, beard, glasses status and body type; do not swap or blend faces, do not whiten skin, do not slim down, do not make anyone look younger. Clothing is changed as described below. The people rely only on the two original images for their appearance; the home-life and royal-style scenarios are both original fiction. Scene: beside a tennis court at a sports club in an Indian residential area, with a green court, an ordinary net, a shaded rest bench at the side and a sports bag, and the club building in the background. Ordinary daytime on-site light, like a rest-break photo after playing tennis. Clothing: the man wears a white short-sleeve sports polo shirt and navy sports shorts; the woman wears a light purple collared sports top, white loose sports trousers and ordinary sports shoes. The clothes have natural movement wrinkles and no brand logos. Action and relationship: the woman sits on the courtside bench, one hand holding an ordinary water bottle resting in front of her knees; the man stands beside her, bending his knees slightly and leaning over so that the two faces are at nearly the same height, one hand gripping the racket handle, the racket head pointing down and resting on the ground beside them. The two look at a friend's phone and smile slightly, not making a match-style swing. Composition: shot from diagonally in front of the bench, from the top of the head to above the knees, with the court and the lower end of the racket appearing naturally; the people are not over-polished or turned into a sports advertisement. Overall it continues the already-confirmed ordinary phone-snapshot texture, a casual everyday photo taken in passing by a familiar family member or friend during a real activity. Both faces are clear and unobstructed, the two naturally look at the phone that is taking the photo, with relaxed expressions and slightly asymmetric slight smiles. The composition is not deliberately centered, and the horizon may have a very slight casual tilt; ordinary phone main-camera slight wide-angle perspective, the people and background both keep basic sharpness, no portrait mode, no creamy bokeh. Use only the scene's natural light or everyday lamps; facial brightness may be slightly uneven, and a bright background may be a little naturally overexposed. Keep pores, small blemishes, texture under the eyes, natural stray hairs, clothing wrinkles and slight phone noise-reduction grain, like an unretouched everyday album photo. The environment and clothing are refined and textured, but the people are still in an ordinary-life state. Vertical 4:5, medium-close two-person shot. No professional lighting, wedding photography, luxury-brand advertising, fashion editorial, cinematic color grading, strong golden backlight, excessive HDR, skin smoothing or beautifying, influencer face, stiff standing posture or standard symmetrical posed shot. No large brand logos, real royal emblems, lined-up staff, text overlay, watermark or interface. No crown, wedding garland or exaggerated dramatic cape. Avoid extra main characters, extra arms, duplicated hands, deformed fingers, fabric fused with the body. Do not fake a phone look with heavy blur, scratches, dirt or coarse grain.

coupletennis courtphone snapshot