Lake Palace Reverie

Using the same adult man from reference photo 1 and the same adult woman from reference photo 2, generate a lavish Indian royal-style couple photo. Strictly preserve each person's original facial feature proportions, face shape, true skin tone, age, hairline, hairstyle, beard, glasses status and body type; do not swap or blend faces, and do not whiten, slim or make anyone look younger. Change only the clothing, jewelry, pose and setting. The people's appearance is based only on these two original photos; the court scene and identities are original fiction. Both faces must be clear, unobstructed, and look naturally at the camera. Scene: wide steps and arches of a white marble palace in a lake, in the style of Udaipur, India. In the background are white stone pillars close by, blue-green lake water and a faint line of distant mountains; a few white flowers and silverware are placed on the stone steps; bright overcast daylight, with realistic white-stone texture and water surface. Clothing: the man wears a lake-blue achkan in finely woven silver-thread floral brocade, ivory trousers, silver buttons, a pearl chest chain and a sapphire brooch; the woman wears a pinkish lilac-gray silk sari with a wide, finely embroidered silver border and a silver-thread short-sleeved blouse, with a diamond-style polki necklace, sapphire earrings and thin bangles, her long hair arranged naturally in her original hairstyle, and the sari drape not covering her face. Action and relationship: the woman steps toward the man from a higher wide step, while the man stands one step lower and reaches out his hand to her; their palms are naturally clasped, and the woman's other hand gently gathers the pleats of her sari, with a real shift of body weight. At a paused moment in the movement, the two look back toward the camera together with a slight smile. Composition: from the mid-thigh up, slightly from the side at eye level, keeping a section of the steps, the white marble arches and the nearby lake water, with the faces large enough, avoiding a distant full-length view with tiny figures. The focus this time is a very lavish yet believable Indian court aesthetic: real embroidery, heavy brocade, richly layered jewelry and finely carved palace architecture, so that the clothing, accessories and space look luxurious at a glance. Keep the physical feel of real people and real materials; clothes have weight and natural folds, and gems and metal show only moderate, realistic reflections. The photographic look is like a nice photo carefully taken by a friend with an ordinary phone, from the phone's main-camera perspective, in on-site light, with the people and background basically clear, keeping pores, skin tone variation, texture under the eyes and fine flyaway hairs, with no retouching or skin smoothing, no studio-style sculpted lighting and no cinematic filter. The people's poses differ from one outfit set to another, with relaxed expressions and natural smiles, not all standing stiffly facing the camera in the same way. Vertical 4:5; the two adults are the only protagonists. No Western wedding dress, Western crown, armor, scepter, sacrificial or wedding ceremony, wedding garland, face-covering veil, exaggerated long cape, real royal emblem, brand logo, text, watermark or interface. No extra complete faces in the background or mirror clones, no face blending, influencer-style face, plastic skin, excessive HDR, strong blur, strong orange-teal color grading, game rendering, illustration, AI oil-painting look, over-sharpening or fake coarse grain. Hand and pose anatomy must be correct, the two people's hands must not merge together, and avoid extra arms, duplicate palms, malformed fingers, and fabric fused with the body.