Ultra-realistic Indian traditional attire couple studio photography. Preserve only the respective identity, gender, age, face shape, facial feature proportions, skin tone, and personal distinctiveness of the man and woman from the uploaded photos; do not alter identities, swap faces, or blend faces; both individuals retain their hairstyles and hair colors from the reference photo without detailed description of hairstyles. The frame strictly contains only the man and the woman. The woman wears a royal blue traditional Indian lehenga choli. The cropped top is designed with a royal blue square neckline, densely adorned with red, yellow, green, and bright blue floral embroidery, mirror sequins, tiny beads, and gold thread piping; the bottom is a royal blue high-waisted ultra-wide flared skirt, evenly embellished with colorful embroidery and circular mirrors, with a multi-layered wide hem of red, yellow, blue, and green geometric embroidered borders at the bottom, finished with rows of colorful pom-pom tassels at the very edge. An off-white dupatta drapes from her right shoulder, crossing diagonally across the back and waist side, featuring colorful mirrorwork embroidery, red, green, and yellow pom-poms, and tassels along the edges. The woman wears gold dangle earrings, layered blue and gold bangles, and rings, keeping a small red bindi at the center of her forehead and a traditional red mark at the hair parting. The man wears an ivory white long-sleeved traditional kurta, layered with a sleeveless colorful embroidered short vest. The vest features predominantly red, yellow, green, and blue geometric patterns, covered with mirror sequins, floral embroidery, beads, and gold piping; the lower body features traditional ivory white dhoti pants with natural loose folds and narrow gold trims at the ankles; paired with off-white traditional pointed-toe juttis embroidered with red, green, and gold florals. The man wears a black wristwatch. Using a front eye-level dual full-body studio composition. The woman is fixed on the left side of the frame, and the man is fixed on the right side, both fully captured from head to sole, together occupying approximately 85% of the frame. The woman is positioned slightly forward, the man slightly behind, with shoulders and bodies close together but not overlapping. The man is noticeably taller than the woman, forming a natural left-lower right-higher relation.
The woman's body is positioned at a three-quarter angle, front slightly turned toward the right of the frame, left shoulder closer to the lens, waist slightly shifted toward the left of the frame. The arm on the left side of the frame hangs naturally along her body, fingers relaxed, with clear henna patterns on the back of the hand and layered bangles visible; the hand closer to the man is naturally obscured by the dupatta and body, without generating an extra hand. The woman turns her head toward the lens, looking directly into the camera with lips closed naturally in a dignified, gentle subtle smile. The man's body faces directly forward, shoulders level, feet slightly parted in a stable stance. His right arm hangs naturally by his side with a relaxed hand; the hand closer to the woman is bent in front of his waist, gently holding the edge of the off-white dupatta hanging from the woman, thumb and fingers clearly gripping the fabric, with the black wristwatch fully visible. The man's head faces the camera directly, eyes looking straight into the lens, corners of his mouth slightly turned up in a calm, gentle closed-lip smile. The off-white dupatta hangs down from the woman's right shoulder, forming a soft curve between their waists and gently lifted by the man's single hand, naturally connecting the composition between them. The dupatta must not wrap around fingers, obscure faces, or blend into bodies. The background is a clean, seamless white studio wall and light off-white floor, with no furniture, floral arrangements, or other props in the frame. Using a large front softbox to evenly illuminate their faces, hands, and garments, with soft fill lights on both left and right sides to ensure clear details of the royal blue skirt, ivory attire, colorful embroidery, and mirror sequins. Soft contact shadows are preserved beneath their feet, with the white background bright but not overexposed. The overall palette is dominated by royal blue, ivory white, vivid red, mustard yellow, dark green, and touches of gold, vibrant, clean, and transparent. Shot with a 50mm to 70mm portrait lens, eye-level angle, and moderate depth of field, keeping faces, clothing, hands, and footwear all sharp, rendering realistic skin, embroidery thickness, mirror decorations, beadwork, tassels, and fabric fold textures, achieving an exquisite Indian festive commercial studio photography look.
Must maintain the woman on the left and the man on the right, the woman in a three-quarter pose and the man standing frontally, and the relationship of the man holding the woman's dupatta with one hand. Do not swap positions; do not generate hand-holding, hugging, both hands grabbing the dupatta, or the woman standing flat facing forward; do not crop skirts or shoes; no extra people, extra arms, duplicate hands, deformed fingers, dupatta clipping through hands, face merging, text, logos, watermarks, or UI elements.
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