Banarasi Heritage Wedding

Create a photorealistic wedding portrait of exactly the two adults in the reference images. Image 1 is the man and image 2 is the woman. Use these photographs as the only identity references. Preserve both recognizable facial identities, natural skin tones, face shapes, eyes, noses, mouths, hairlines, facial hair, apparent ages and body proportions. Keep the man on the left and the woman on the right. They remain the same Indian individuals, with natural skin texture and believable gentle bridal grooming; no skin lightening, face replacement, de-aging or generic model faces. Replace their casual clothing with the specific attire below. Give them natural, comfortable body language, clear unobstructed faces and anatomically plausible hands. Make a vertical 4:5 medium portrait, approximately mid-thigh or waist upward, with sufficient space above both heads and around the shoulders for later cropping. Both faces should be turned toward the camera and recognizable. Use realistic wedding photography, coherent natural light, real fabric and jewellery textures, softly separated background and lifelike expressions. One photographic image with exactly two main people, no split-screen, illustration, text, watermark or decorative photo border. Avoid a Western wedding gown, tuxedo, church or champagne props. Regional character must come from the garments, textiles, jewellery and setting, never from replacing either face with a stereotyped regional face. Preserve any original facial hair, natural body build and mature features. Keep both people individually recognizable, with comfortable asymmetrical posture rather than rigid mannequin poses. Specific wedding look and scene: A Banarasi textile-led wedding portrait on broad old stone steps beside a heritage courtyard, with a very soft hint of the river and distant Varanasi architecture behind. The bride wears a deep wine-purple Banarasi silk sari with intricate gold brocade, a modest matching blouse and a warm pink sheer head drape kept behind the face. Add a small gold forehead ornament, gold jhumkas and a few bangles. The groom wears a rich indigo raw-silk sherwani with an ivory stole and a restrained gold brooch. They are captured in a natural walking pause, shoulders close, hands lightly joined and both turning their faces to the camera. Late warm light brings out the wine, indigo and gold textile palette. Keep the scenery authentic but secondary, with no postcard text, oversized monuments or generic replacement faces.