Maharashtrian Paithani Wedding

Create a photorealistic wedding portrait of exactly the two adults in the reference images. Image 1 is the man and image 2 is the woman. Use these photographs as the only identity references. Preserve both recognizable facial identities, natural skin tones, face shapes, eyes, noses, mouths, hairlines, facial hair, apparent ages and body proportions. Keep the man on the left and the woman on the right. They remain the same Indian individuals, with natural skin texture and believable gentle bridal grooming; no skin lightening, face replacement, de-aging or generic model faces. Replace their casual clothing with the specific attire below. Give them natural, comfortable body language, clear unobstructed faces and anatomically plausible hands. Make a vertical 4:5 medium portrait, approximately mid-thigh or waist upward, with sufficient space above both heads and around the shoulders for later cropping. Both faces should be turned toward the camera and recognizable. Use realistic wedding photography, coherent natural light, real fabric and jewellery textures, softly separated background and lifelike expressions. One photographic image with exactly two main people, no split-screen, illustration, text, watermark or decorative photo border. Avoid a Western wedding gown, tuxedo, church or champagne props. Regional character must come from the garments, textiles, jewellery and setting, never from replacing either face with a stereotyped regional face. Preserve any original facial hair, natural body build and mature features. Keep both people individually recognizable, with comfortable asymmetrical posture rather than rigid mannequin poses. Specific wedding look and scene: A Maharashtrian wedding portrait with a distinctive green-and-purple Paithani silk sari. The bride's sari has a rich woven gold border and a visible peacock-motif pallu, paired with a purple blouse, a delicate traditional nath and restrained gold jewellery. A fine pearl mundavalya crosses her forehead and falls beside her face without covering her eyes. The groom wears a cream kurta-dhoti ensemble with a saffron pheta and a simple mundavalya. They sit naturally on a carved wooden swing bench in a courtyard, shoulders angled slightly together, with one of her hands resting on his forearm and both looking at the camera. Fresh jasmine, mango-leaf doorway decoration and warm wooden pillars in soft focus. Preserve his original moustache and both people's original age and facial identity.