14,014 templates · updated Oct 2026
Nano Banana is Google's family of Gemini image models: the original Nano Banana (Gemini 2.5 Flash Image), Nano Banana 2 (Gemini 3.1 Flash Image) with its update Nano Banana 2.1 and the low-cost 2 Lite, and Nano Banana Pro (Gemini 3 Pro Image) for the most detailed work.
This page lists all 14,014 library templates set up for a Nano Banana model. On GPT Image Hub they start at 25 credits per image; copy any prompt free or open it in the generator.
Keep the facial features of the person in the image. The protagonist leans against a bright purple Lamborghini, with a night view of Mumbai's Bandra bridge in the background. Slim-fit suit, neon light and shadow.
Use the man and woman in the input photo as the only people, strictly preserving both people's facial features, hairstyles, skin tones, ages and gender traits; do not swap, blend or redesign their identities. Create a black-and-white, western-film-style fashion photograph of a couple. The man is on the right side of the frame, wearing an old denim shirt, a vintage denim jacket and a wide-brimmed black cowboy hat, his body turned toward the front right and his head turned to look into the distance, with a calm, resolute, unsmiling expression. The woman is on the left side of the frame, wearing a light-colored shirt, a vintage denim jacket and a light-colored wide-brimmed cowboy hat, her body leaning slightly toward the man, looking up directly at the camera, with a confident, captivating expression and a slight air of mystery. The background is an American western ranch: part of a dark wooden barn is visible on the left side of the frame, a blurred vintage pickup truck is parked behind them, and in the distance are a wooden fence, open fields and low hills. The environment must clearly convey a western ranch, but must not compress the proportions of the people. Following the original template, use a two-person composition from mid-thigh up. The two people take up about 72%–80% of the frame height and 75%–85% of its width, the woman slightly lower and the man slightly higher, with their shoulders partly overlapping but their two faces completely separate and clearly visible. Leave a suitable amount of sky and ranch environment above their heads; do not use a face-filling close-up, and do not shrink them into distant figures. High-contrast black-and-white tones, soft overcast light, realistic skin and denim texture, light silver-halide film grain, the atmosphere of a vintage western film, a country fashion magazine and a road movie. No text, titles, logos, borders or watermarks. Avoid a modern city background, color images, full-body figures that are too small, faces completely hidden by hat brims, exaggerated smiles, cheap-looking denim clothing, extra people, changed identities or fused facial features.
An ultra-high-resolution, unedited, high-end fashion photograph rendered in pure black and white, composed as a vertical triptych (three panels stacked vertically). The subjects of the entire series are a human figure and a highly detailed cat. The background features a soft, warm indoor setting with translucent curtains. Captured using a Leica M6 camera and an 80mm f/1.4 lens, the image possesses rich earthy tones and a natural, fine film grain texture. It is entirely free of artifacts. Top Panel: The cat sits on the left, while the human figure is positioned on the right. The cat lifts a paw to gently touch the human's nose. The human smiles, their expression radiating joy, while the cat looks upward at them. Middle Panel: The human and cat are positioned face-to-face in intimate proximity; both are facing and looking directly into the camera with calm, serene expressions. Details such as the human's simple hoop earrings and necklace appear razor-sharp. Bottom Panel: The cat and human face one another, eyes closed, sharing a tranquil moment as they engage in a gentle "nose-to-nose" greeting. Their expressions are peaceful and filled with affection. The simple pendant necklace worn around the human's neck is clearly visible.
A woman physicist in a suit, close-up portrait, looking at viewer,,analyzing complex equations on a chalkboard, surrounded by books and scientific instruments, in a lit study,
A playful, ultra-realistic candid snapshot of a fit young woman laughing in a messy kitchen. She strictly retains the facial features of the reference image (if provided). She is leaning forward over the kitchen island counter, resting her…
Cinematic portrait style with a rainy-night atmosphere. Medium close-up, shot from the side. In the frame, the person from the reference photo sits on a park bench, head lowered, sadly holding their head; behind the person stands a semi-transparent glowing figure who looks identical to the original and wears the same outfit, gently placing a hand (semi-transparent) on the person's shoulder, as if comforting them. The background is a park on a rainy night, with streetlights giving off a hazy halo; the person's face is clearly visible, there are reflective puddles on the ground and raindrops are clearly visible; the overall mood is sad yet healing, warm-toned lighting, realistic texture, 8K high-definition detail
High quality, real, HDR, HD, Italian wedding dress design pays more attention to gorgeousness and luxury. Many Italian brides choose wedding dresses that are heavily embroidered or decorated with jewelry. This design can show the bride's nobility and magnificence. Color is usually white or champagne
A cinematic film photography portrait, medium shot (waist-up) of a beautiful young woman with a serene, mysterious expression and a gentle, captivating gaze looking directly at the camera. Her hair is blowing gently in the wind. She is wearing an exquisite dark navy blue sheer dress featuring intricate floral embroidery and subtle sparkling sequins, highlighted by distinctive light blue ruffled tulle accents on the shoulders. She is standing in a vast, dense field of soft light blue and greyish flowers. The atmosphere is heavily foggy and misty, creating a profoundly ethereal, moody, and poetic vibe. The scene is dominated by a cold color palette of soft blues, muted greys, and navy. Soft, diffused overcast natural lighting. Shallow depth of field blurring the distant flowers into the mist. Masterful use of vintage film grain, subtle lens imperfections, photorealistic, highly aesthetic, 8k resolution.
The subject wears a beige felt cowboy hat adorned with fabric yellow roses and magenta blooms. A richly embroidered tapestry vest with intricate floral patterns in earth tones is layered over a ribbed burgundy long-sleeve shirt. A rust-col…
A high-contrast, dramatic black and white monochrome close-up photo. The subject (maintaining strict facial consistency with the provided reference subject) is wearing an elegantly tailored, opulent evening gown made of rich fabric like heavy silk or velvet, with the refined neckline clearly visible. The subject is vigorously taking a large bite from a massive, highly ornate multi-tiered wedding cake, with cream clinging to their lips and face. The composition is a profile close-up, using backlighting to define the form and emphasize the raw, feral expression of taking the bite. The generated image must strictly maintain the same facial architecture, facial proportions, and specific character traits as the reference individual.
While keeping the facial features in the image, an Indian woman stands in the middle of a pedestrian overpass in a city on a rainy night. She leans slightly sideways against the wet metal railing, her other hand hanging naturally at her side. Dense, heavy rain falls from the sky, forming clear streaks of rain in the lights of the bridge. The bridge surface is completely soaked with rain, and the metal railings and the ground reflect soft orange street light. The neon lights of the distant city skyscrapers blur into hazy spots of light through the curtain of rain. Her face is clearly visible, her lips are slightly relaxed, with a faint sadness on her face, her facial muscles slack, her eyes lowered and melancholy. She wears a black fitted shirt, the fabric thoroughly soaked by the rain. Her hair is drenched, and raindrops slide down her cheeks. She stands in the rain with her head slightly lowered, as if lost in her own thoughts, a street lamp lighting her face, her skin texture fine and real, pores clearly visible, with tiny raindrops on her face and collarbone. Rendered in 4K high definition with a realistic photographic quality. The image captures the loneliness of a rainy night, with the rain streaks clearly visible. The city lights in the background form soft circular bokeh in a shallow depth of field. The distant neon lights, street lamps and building lights flicker faintly in the rain. A blue tone, with gray, orange lights and the dark city environment forming contrast. This is a portrait photograph with refined atmospheric lighting. Ambient light and rim light outline her wet silhouette, and raindrops, wind and light together create the mood of a rainy night. She is completely drenched, her wet face and hair faintly glinting under the lights. The whole image is full of realism and emotional tension, reminiscent of a film frame with a strong emotional atmosphere
Keep the facial features of the person in the reference photo, wearing a lightweight electric-blue sari with a close-fitting, flowing fabric, set on a misty mountain balcony with a wet, reflective floor, tilted composition, medium close-up shot, the person tilting their head back to feel the raindrops, a quiet atmosphere with an emotional feel, cool moonlight, retro high-saturation film style
Keep the facial features of the person in the image, a 9:16 composition down to the thighs, facing the camera head-on, with the face taking up a large share of the frame, photorealistic photography style, female, wearing a lake-blue silk saree with silver water-ripple embroidery along the edges, long black hair styled in big loose waves and falling over the shoulders, standing barefoot at the edge of a shallow pool with a mirror-like surface, the calm water reflecting her upper body, both hands lightly lifting the saree skirt, fingertips lightly touching the water and setting off fine ripples, the background a minimalist dark gray with no extra decoration, the lighting a low-saturation soft light from the side, the water reflection clear with slight blur, symmetrical composition, the overall color a clash of lake blue and gray tones, a serene and beautiful atmosphere, full of the creative artistry of mirror reflections
The subject is dressed in an elegant, traditional white Hanfu robe crafted from soft, textured linen, featuring a classic cross-collar neckline and voluminous wide sleeves that drape heavily around the forearms, with the skirt fabric gathe…
Keep only the identity and facial features of the person in the uploaded photo as reference, accurately preserving the person's face shape, facial feature proportions, skin tone, hairstyle, age characteristics and personal recognizability, without changing the person's identity. There is strictly only one person in the frame. The person wears a light ice-blue and cream-white thin shirt with the collar naturally open, the wet fabric clinging to the shoulders and chest, forming soft underwater folds with a moderate degree of translucency; the collar, shoulders and cuffs are gently lifted by the water current, retaining realistic fabric texture, with no patterns, text or logos. The person wears small, delicate earrings. A hyper-realistic underwater female portrait, using an extreme close-up from the face to the chest. The person floats on her back in the water, the body arranged vertically, the face positioned in the upper center of the frame, with the shoulders, neck, collarbones and chest extending to the bottom of the frame; the face takes up the main area of the frame, and no full-body or distant shots are used. The hair spreads out naturally in the water, with strands floating toward the left and bottom of the frame. The head tilts slightly toward the right side of the frame and leans back a little, the face turned toward the camera, the bridge of the nose, jaw and neck connecting naturally. The eyes are fully closed, the eyelashes clear, the eyebrows relaxed, the lips slightly parted, moist and carrying soft highlights; the expression is quiet, soft, immersed and relaxed, as if sleeping or meditating in the water, showing no pain, fear or crying. The shoulders sink naturally, the arms are below the frame or at the sides of the body, with no hands raised to cover the face. An underwater frontal camera position slightly above is used, the lens shooting from close range above the person's face, with a 50mm to 85mm portrait lens and shallow depth of field. The focus is concentrated on the person's closed eyes, eyelashes, bridge of the nose, lips and the water patterns on the face, with the chest and shirt kept sharp, and the distant water and bubbles softly blurred, forming a quiet, immersive underwater look. The background is deep blue, transparent water, with bubbles of varying sizes floating around, concentrated around the person's head, shoulders and strands of hair and rising naturally upward. Light from the water surface penetrates the water from the upper right of the frame, forming clear, fine golden-white caustic light patterns that continuously fall across the person's forehead, brow bone, eyelids, bridge of the nose, cheeks, lips, neck, collarbones and chest; the water-ripple texture must be clearly visible, not appearing only in the background. The main light is golden-white volumetric light refracted from the water surface, the beams slanting from the upper right onto the person's face, forming flowing wave-like light spots; the person's face is lit by soft warm-white light, with delicate highlights appearing on the eyelids, tip of the nose, cupid's bow and the edge of the jaw. The ambient light of the water stays deep-sea blue, cyan-blue and indigo, with blue-gray shadows on the person's left side and in the background, the cold blue of the water forming a clear contrast with the warm golden light patterns, with no harsh flash, overexposure or overly dark face. The overall palette is deep-sea blue, lake blue, cyan-blue, ice blue, cream white and a small amount of warm gold; the image is transparent, cool and dreamy. Retain realistic skin pores, moist lips, water droplets, floating strands of hair, shirt fabric and bubble reflections; add soft haze, delicate highlight bloom, slight film grain and a cinematic underwater photography feel, the image hyper-realistic, serene and hazy. The person must remain floating on her back, with the face toward the camera, the head tilted slightly toward the right of the frame, the eyes closed, the lips slightly parted, the arms not covering the face, and the extreme close-up composition from the face to the chest. Do not generate open eyes, a toothy smile, crying, terror, an overly wide-open mouth, a side profile, a swimming pose, a standing pose or a distant full-body shot; no second person, extra arms, deformed fingers, hair completely covering the face, body sinking, or severely transparent clothing; no text, watermarks, logos, black borders, play buttons, progress bars, arrows, dots or other interface elements.
A seamless vertical triptych composition, featuring three distinct compositional zones stacked without borders on a continuous canvas. The image follows a cinematic winter narrative featuring the same subject in the same outfit throughout.…
Create a softly resolved 1980s nighttime portrait at an old roadside petrol station. Give the entire image the appearance of a slightly faded color photograph: warm, dim lighting, muted colors, softly merged fine details, and deep brown-black shadows. Keep the atmosphere intimate and casually rebellious. Use the person in the uploaded portrait as the sole identity reference. Preserve their recognizable facial features, face shape, skin tone, age, hair color, natural body proportions, and gender presentation. Preserve any existing facial hair. Give their original hairstyle a little relaxed, tousled 1980s volume without forcing a different hair length. The person sits casually sideways on a parked black motorcycle, with their torso turned toward the camera. Their posture is relaxed and slightly asymmetrical. On the left side of the image, one forearm rests across a black motorcycle helmet positioned securely on the motorcycle's fuel tank. The elbow bends naturally, and the hand hangs loosely over the helmet's near side with relaxed fingers. Their other hand rests near the thigh. They look toward the camera with a small, confident half-smile. The helmet is glossy black with two narrow red horizontal stripes wrapping around its lower section. It catches a few subdued reflections from the station lights. Show enough of the motorcycle below and beside the person to establish the seat, dark tank, and a little chrome hardware, while keeping the portrait dominant. Dress the person in a worn black leather biker jacket with broad lapels, silver snap fasteners, an off-center metal zipper, and naturally creased sleeves pushed slightly up the forearms. The jacket is open over a faded charcoal rock-band T-shirt. The shirt has an aged red graphic heading and a muted multicolored illustration, with the lettering indistinct rather than clearly readable. Pair it with high-waisted gray acid-wash jeans, a wide black belt with a rectangular silver buckle, and a black leather wristband with small metal studs on the wrist near the helmet. Adapt the clothing to the person's original build. Place the scene beneath the canopy of a modest, older petrol station after dark. A beige rectangular support column stands behind the person on the right. In the upper-right background, a partly cropped illuminated petrol-station sign gives off muted cream-yellow light. Farther back on the right, the front corner of an older beige or silver sedan is visible, including a square headlamp, part of the grille, and the hood. Keep the car softly resolved and secondary. In the left background, place a silver-and-black portable cassette boombox on a low shelf or counter. Above it, a faded rock poster hangs at a slight angle, with dark illustrated figures and aged paper edges. The interior beyond these objects is mostly dark. Keep the location compact, ordinary, and believable, with a few worn metal surfaces and no busy crowd. Light the person with soft, warm illumination from the station canopy and a small amount of near-camera fill. The face is gently visible, with natural shadows beneath the chin and around the hair. Warm highlights catch the hair, jacket folds, helmet, and belt buckle. Preserve substantial darkness in the background. The station sign and distant headlamp provide small points of light without overpowering the portrait. Use the color and exposure of an older nighttime color print. Whites lean toward aged cream, denim shifts toward muted gray-blue, red graphics look worn, and black leather falls into warm brown or olive-tinted shadows. Keep skin tones warm but subdued. Highlights on the leather and helmet are irregular and softly spread, with limited detail in the darkest areas. Apply moderate optical softness across the face, clothing, motorcycle, and environment. Individual hair strands, skin pores, printed graphics, and denim weave merge gently. Add fine irregular grain, slightly uneven exposure, and mild glow around the background lights. The photograph feels softly printed, a little murky, and visibly dated while retaining the person's facial likeness. Avoid modern digital sharpening, glossy beauty retouching, HDR, vivid neon lighting, heavy fog, scratches, and VHS interference. Adapt the composition naturally to the selected output aspect ratio. Frame the person from the complete head to approximately mid-thigh. Keep the resting forearm, helmet, belt, and part of the motorcycle visible. Retain the boombox and poster at the left and the station column and car at the right. Keep the person prominent without requiring a full view of the motorcycle. Fill every canvas edge with the actual scene. No template title, readable lettering, logo, watermark, camera interface, reserved text area, outer graphic frame, rounded card, white margins, or black bars.
Keep the character's pose unchanged.Completely change the character's hairstyle.Change hairstyle to a sleek chin-length blunt bob with straight ends. Must keep original hair color and facial details consistent.
Vertical double-layer overlay composite composition of a traditional wedding photo on a rainy night, the whole frame filled with dense, vertically falling transparent raindrops; the people's skin, hair strands and clothing surfaces are covered with plump, translucent water droplets with specular highlight refraction; the overall background is plain, dark, minimalist pure black. The left and right sides of the frame are enlarged close-up face shots of the two people, foreheads pressed tightly together, both with eyes closed and a gentle, peaceful expression; the woman wears a gorgeous crystal and gilded headdress, gold gemstone carved earrings by her ears, a white strand-style floral garland wrapped around her neck and shoulders, and a light apricot, richly crafted lace-embroidered traditional top; the man wears a black-based head wrap with orange-gold retro patterns, and a black traditional stand-collar top with gold-trimmed embroidery; the center of the frame is a full-body real-scene portrait of the couple, standing barefoot on a bright, wet, water-covered ground, the water surface reflecting fine fragments of light and shadow, the two facing each other with hands tightly clasped and heads leaning slightly together; the woman's hair is in an updo with gold flowers and red accent flowers and the same gilded headdress, wearing an off-white sheer lace long-sleeved top, paired with a wide red-and-gold waist sash and a black-and-orange retro-print long traditional skirt; the man wears a head wrap of the same pattern, a black-and-gold trimmed embroidered top and an orange-and-black wrap-style lower garment with the same pattern; the overall approach uses directional soft light to selectively brighten the people, the dark background maximizing the warm brown, off-white and red-gold clothing tones of the people, with the lace cut-out textures, brocade print patterns, translucent raindrops and puddle reflections all rendered in realistic, fine detail, a solemn, tranquil rainy-night traditional wedding atmosphere, hyper-realistic wedding portrait photography, 8K high-definition sharp image quality, no watermark, no play icon, no extra clutter, the people's limb structures natural and free of deformities.
The subject is dressed in a sophisticated, heavy-texture winter ensemble, featuring a rust-red chunky knit coat with wide, contrasting beige shearling-textured lapels and visible button details. Beneath the outer layer, a black ribbed turt…
Keep the facial features of the person in the image. The person sits in a luxury convertible sports car, looking at the camera with a handsome air, both hands on the steering wheel. The background is a coastal road and blue sea. He wears metallic-textured jewelry and dark sunglasses, with a thin necklace around his neck, and high-end fashion clothing; the overall atmosphere is confident and calm, with clean light and shadow. Side shot, the background is the sea.
Using the same adult man from reference photo 1 and the same adult woman from reference photo 2, generate a natural phone photo of an Indian couple. Strictly preserve each person's original facial feature proportions, face shape, true skin tone, age, hairline, hairstyle, facial hair, glasses status and body build; do not swap or blend faces, do not whiten the skin, slim the body or make anyone look younger. Change the clothing as described below. The people take their appearance only from the two original photos; the home and royal-style settings are entirely original fiction. Scene: during ordinary opening hours at a contemporary art gallery in an Indian city, with light-colored walls, a wooden bench, a few original abstract paintings by no particular artist and small sculptures, and only a few visitors in the distance. A mix of ordinary indoor ceiling lights and window light. Clothing: the man wears a simple dark navy bandhgala jacket and light gray trousers, with no exaggerated accessories; the woman wears a terracotta-orange silk-cotton blend kurta and cream wide-leg trousers, with a thin beige dupatta draped loosely, and holds a small fabric handbag. Action and relationship: the two have just stepped away from a painting; the man, half turned to the side, holds a folded exhibition leaflet, and the woman leans lightly against one end of the wooden bench, gripping the handbag in one hand while the other rests casually on the edge of the bench. They hear a friend calling, turn their heads and look at the phone, with natural, relaxed expressions. Composition: a close vertical shot of the two from the thighs up, the artworks in the background serving only as setting, faces clear, composition not laid out like an album. Overall, continue the already-confirmed ordinary phone-snapshot look, a casual everyday photo taken in passing by a familiar family member or friend during a real activity. Both faces are clear and unobstructed, both people look naturally at the phone taking the picture, with relaxed expressions and slightly asymmetric faint smiles. The composition is not deliberately centered, and the horizon may have a very slight handheld tilt; a slight wide-angle perspective from an ordinary phone main camera, with both people and background keeping basic sharpness, no portrait mode, no creamy bokeh. Use only the scene's natural light or everyday lamps; facial brightness may be slightly uneven, and bright backgrounds may be a little naturally overexposed. Keep pores, small blemishes, texture under the eyes, natural stray hairs, clothing wrinkles and slight phone noise-reduction grain, like an unretouched everyday album photo. The environment and clothing are refined and textured, but the people remain in an ordinary-life state. Vertical 4:5, two-person medium close-up. No professional lighting, wedding photography, luxury advertising, fashion editorial, cinematic color grading, strong golden backlight, excessive HDR, skin-smoothing beauty filters, internet-celebrity faces, stiff standing poses or standard symmetrical posed shots. No large brand logos, real royal emblems, lines of staff, text overlays, watermarks or interfaces. No crowns, wedding garlands or exaggerated dramatic capes. Avoid extra main subjects, extra arms, duplicated palms, deformed fingers, fabric fusing with bodies. Do not fake a phone look with heavy blur, scratches, dirt or coarse grain.
Indoor, upscale venue, elegant environment, noble environment, formal venue, white detailed embroidery suit, this is a white suit specially designed for the groom, elegant and formal, suitable for wedding occasions
A fashion portrait of a person lying flat on bright snow. Wearing a white beanie, sunglasses, a cropped white cable-knit sweater with furry cuffs, and white shorts. A pair of skis and a ski pole rest on the snow beside them. Bright overhead sunlight creating sharp shadows. High-key, winter resort chic aesthetic.
Hyper-realistic outdoor fashion portrait photography, 9:16 vertical, strictly keep the protagonist's gender, head and facial features, facial proportions, skin tone, recognizability and natural body proportions from the reference photo unchanged, and reproduce the original photo's composition, pose, clothing, flower wall position, lighting and shallow depth of field. The protagonist is in the center-right of the frame, in a half-body to above-the-thighs composition, body fully turned toward the right side of the frame, head turned back to face the camera, looking directly at the camera through red-brown sunglasses, lips closed or with a very faint smile, expression calm, confident and natural; both hands fully inserted into trouser pockets, pose relaxed and neat. The protagonist wears a red-and-white gradient long-sleeve shirt, the upper part bright red or brick red, transitioning naturally downward to white, the fabric with fine vertical stripes, the collar open, the cuffs rolled up to show a white inner layer, with white or light-colored trousers below, a black bead bracelet may be worn on the wrist, and the clothing keeps real texture and natural wrinkles. A dense flower wall is arranged at the upper left and left of the frame, hanging diagonally from the upper-left corner toward the center, with rose-pink, bright yellow and sapphire-blue flowers and a few green leaves forming vivid color blocks, some flowers sharp and some softened, and out-of-focus green leaves at the lower left forming a hazy foreground frame; the person is close to the flower wall but the face and body are not blocked. The background on the right is a bright, soft outdoor road or garden path, highly blurred in cream white, light yellow-green and soft bright light. Natural soft daylight evenly illuminates the face and clothing, the tone slightly warm but not yellowish, the white clothing not overexposed, the image clear and bright. 85mm portrait lens, f/1.8 large aperture, the person sharp and crisp, the flower wall richly layered, the background in soft round bokeh with a slight airy feel, real skin and fabric details, a fresh outdoor portrait quality that is vivid but not over-saturated, no text, watermark, interface buttons or screenshot borders.
An ultra-high-resolution, hyper-realistic portrait of extreme surfing, captured from an extremely low, dynamic angle—specifically a nose-of-the-board perspective—freezing a split-second moment of extreme athletic intensity. Centered in the frame, the subject stands firmly in a classic surfing crouch atop a white surfboard, facing directly toward the camera. A silver necklace with a cross pendant adorns the neck, while a black sports watch on the left wrist—peeking in and out amidst the splashing water—adds a touch of athletic detail. The subject is clad in a solid black, form-fitting, long-sleeved rash guard and black surf shorts. Due to the extreme low-angle perspective, the subject's outstretched hands and bare feet appear visually elongated and thrust into the immediate foreground, occupying a prominent position at the bottom of the frame. The left hand extends toward the front-left to maintain balance and convey a sense of motion, while the right hand reaches downward and backward to serve as a counterweight. The white surfboard dominates the very bottom of the frame and the core foreground. The background features a massive, curling "barrel wave"—a perfect tubular wave. The semi-transparent seawater glows with mesmerizing shades of aquamarine and turquoise, as the wave arches overhead to form an immersive, dome-like canopy of water. The edges and foreground of the image are filled with violently splashing white foam and crystal-clear, high-velocity water droplets, dramatically emphasizing the speed of the surf and the raw power of nature. Bright natural sunlight refracts through the clear water, infusing the entire interior of the wave with a shimmering, luminous transparency. The intense sunlight creates sharp highlights and deep shadows across the wet black surf gear, the surfboard, and the myriad water droplets suspended in the air. The composition cleverly utilizes the extreme low angle and the natural circular tunnel formed by the barrel wave (employing a "framing" technique) to generate a powerful visual impact and a profound sense of depth, pulling the viewer directly into the heart of the thrilling action. The subject is positioned at the center of the frame, with their outstretched limbs acting as visual leading lines that firmly anchor the viewer's gaze to the dynamic core of the image. The entire scene radiates intense vitality, capturing with extraordinary detail the liberating moment of riding the waves; every splashing droplet, the wet texture of the wetsuit, and the fluid patterns of the water's surface are rendered with crystal-clear realism.
The female subject is dressed in a sophisticated, minimalist white bridal gown crafted from smooth, matte fabric with short cap sleeves and a tailored V-neckline. She wears a delicate jeweled headband atop the head, securing a sheer tulle…
Cinematic rainy-day park portrait, 8K ultra HD, soft rainy-night light. 【Composition and Subject】 The person in the reference photo appears from the waist up, holding a transparent umbrella covered in raindrops, standing naturally in the rain and looking off-camera; the whole image is full of a cool, gentle sense of story. 【Clothing and Styling】 A dark blue plaid shirt over a white T-shirt, with a thin necklace and a watch; the look is clean and fresh. 【Scene and Background】 A city park scene; the background is blurred green trees and street lamps, and the ground is wet with rain; the overall atmosphere is fresh and languid. 【Light and Color】 Soft street-lamp light on a rainy night, with warm yellow light spots blurred in the background and an overall cool tone; the raindrops on the transparent umbrella and the reflections on the wet ground push the atmosphere to the max. 【Texture Details】 The plaid texture of the shirt, the raindrops on the umbrella, the sheen of the hair strands and the blurred light spots in the background are all clearly visible; the overall image has a cool, moody atmosphere.
The subject is a confident, overbearing, powerful, and coolly beautiful female centered in the frame, whose facial structure, features, and overall demeanor (serious, authoritative, confident, powerful) must match the features of the subject in the reference image exactly, ensuring exceptional character consistency. She looks directly into the camera with a sharp, piercing gaze. The person presents a cross-legged full-body pose, fully seated in a modern cream armchair, with hands elegantly resting on the top of the armrests. The perspective is a dramatic high-angle full-body shot from above. She wears a well-tailored, structured black female suit jacket paired with a fitted black professional pencil skirt, and on her feet, she wears a pair of exquisite, sharp black patent leather pointed-toe stilettos. She is positioned within a modern cream stone terrace environment (with marble flooring and limestone walls). The core and most overwhelming visual feature is that she is surrounded by gigantic, densely packed bouquets of deep red roses, distributed behind and on both sides of the armchair, nearly filling the entire terrace space, creating a sea of red effect. The lighting is bright, soft, and even daylight. This is a highly impactful cinematic photo, precisely showcasing the powerful aura of an overbearing female CEO, with vibrant colors (for the roses), strong contrast, 8k high resolution, and the exquisite quality of fine art photography.
Create a photorealistic wedding portrait of exactly the two adults in the reference images. Image 1 is the man and image 2 is the woman. Use these photographs as the only identity references. Preserve both recognizable facial identities, natural skin tones, face shapes, eyes, noses, mouths, hairlines, facial hair, apparent ages and body proportions. Keep the man on the left and the woman on the right. They remain the same Indian individuals, with natural skin texture and believable gentle bridal grooming; no skin lightening, face replacement, de-aging or generic model faces. Replace their casual clothing with the specific attire below. Give them natural, comfortable body language, clear unobstructed faces and anatomically plausible hands. Make a vertical 4:5 medium portrait, approximately mid-thigh or waist upward, with sufficient space above both heads and around the shoulders for later cropping. Both faces should be turned toward the camera and recognizable. Use realistic wedding photography, coherent natural light, real fabric and jewellery textures, softly separated background and lifelike expressions. One photographic image with exactly two main people, no split-screen, illustration, text, watermark or decorative photo border. Avoid a Western wedding gown, tuxedo, church or champagne props. Regional character must come from the garments, textiles, jewellery and setting, never from replacing either face with a stereotyped regional face. Preserve any original facial hair, natural body build and mature features. Keep both people individually recognizable, with comfortable asymmetrical posture rather than rigid mannequin poses. Specific wedding look and scene: A joyful Sangeet pre-wedding dance-night portrait with distinctly Indian festive clothing. The bride wears a rich plum-purple lehenga with fine silver mirror-work and a flowing lavender dupatta; the groom wears a deep teal embroidered bandhgala-kurta ensemble with cream trousers. Capture a small comfortable dance step, her skirt and dupatta moving subtly, one hand lightly joined between them below chest height while their other arms remain relaxed. Both faces are turned to the camera with spontaneous friendly smiles. A courtyard stage with colourful textiles and strings of warm lights gives the evening a celebratory feel. Keep facial detail crisp while only the lower fabric shows a touch of natural motion. Preserve their original age, facial hair and body proportions; no disco nightclub props or extreme dance poses.
Based on a photograph of a person, a winter-themed cinematic narrative portrait is generated, formatted as a three-screen collage. The overall scene depicts a desolate, cold, and lonely winter day with heavy snowfall. Delicate snowflakes fall, the image features a cool blue tone and realistic 35mm film grain texture. Snowflakes adorn the scene, eyelashes are clearly defined, and skin is sharp. The person in the image matches the reference figure, wearing a stylish black short down jacket and a black scarf, standing with a pure black umbrella. The top image is a close-up, the person's gaze is melancholic and unfocused, looking to the left. The middle image is a full-body shot, the person standing in an open snowy field, looking to the left, with a snow-covered forest in the background. The bottom image is a close-up of the face, head bowed, with a snowflake adorning the tip of the nose, and eyes conveying a story (only appearing in the bottom image). A strong, warm light illuminates part of the face and hair from the left. The overall effect is melancholic, serene, and beautiful.
The subject is dressed in an immaculate powder blue two-piece suit, featuring a single-breasted jacket with notch lapels, structured shoulders, and a single white button fastened at the midsection. A cream-colored silk tie is knotted neatl…
Use the uploaded selfie as the only identity reference. Create a highly realistic portrait of the same person wearing a graceful traditional Anarkali outfit. The person should wear a flowing Anarkali dress with elegant embroidery, a matching dupatta, refined jewelry, and a poised portrait pose. The outfit should feel graceful, festive, and timeless. Use a beautiful cultural background such as an old haveli, palace archway, decorated courtyard, or warm festive interior. Preserve the person’s recognizable facial identity and overall appearance from the uploaded selfie. Do not specify or change hair color, skin tone, ethnicity, or race. Emphasize flowing fabric, elegant movement, detailed embroidery, soft lighting, natural facial detail, and premium fashion photography quality. Style: photorealistic Anarkali fashion portrait, Indian traditional elegance, flowing fabric, festive heritage background, soft cinematic lighting, high detail.
This is a black-and-white photograph, a close-up of the left half of a person's face. Delicate pores, beads of sweat on the face, wet hair, a cold expression, looking straight ahead. High contrast, a pure black, white and gray composition. The frame shows only half of the person's face, and the half face fills the entire screen. Black background, thick eyebrows and eyelashes, wet strands of hair. Delicate facial pores. Dark gray lips with a reflective sheen, a strand of hair stuck to the forehead.
Using the same adult man from reference photo 1 and the same adult woman from reference photo 2, generate a natural phone photo of an Indian couple. Strictly preserve each person's original facial feature proportions, face shape, true skin tone, age, hairline, hairstyle, beard, glasses status and body type; do not swap or blend faces; do not whiten, slim or make them look younger. Clothing is changed as described below. The people are based on the two original images only for their appearance; the home and royal-style settings are original fiction. Scene: a stretch of light-colored carved-stone corridor in a fictional Indian palace-family mansion, with repeating arches, fine stone windows and a few old wooden benches, and slight real signs of wear on the floor. Daytime light in ordinary shade, no stage lighting or golden beams. Clothing: the man wears a dark navy bandhgala with a fine tonal pattern and light jodhpur trousers, with discreet metal buttons; the woman wears a lotus-root pink anarkali dress with a narrow gold-thread border, a sheer dupatta and small pearl earrings, no wedding veil or garland. Action and relationship: the two walk slowly out of the corridor, the woman half a step ahead, casually adjusting the edge of her dupatta with one hand; the man lightly rests one hand on a wooden bench at the edge of the corridor, the other hand hanging naturally. They look at a family member's phone positioned at a diagonal front, as if called to stop mid-walk, with natural asymmetric smiles. Composition: a vertical close shot of the two from the thighs up, with slightly different strides and body orientations; the arches are only the background, with no centered, axially symmetric composition. Overall, continue the already-confirmed ordinary phone-snapshot look: a casual everyday photo taken in passing by a familiar family member or friend during a real activity. Both faces are clear and unobstructed, and both look naturally at the phone taking the picture, with relaxed expressions and slightly asymmetric smiles. The composition is not deliberately centered, and the horizon may have a very slight handheld tilt; ordinary phone main-camera slight wide-angle perspective, with basic sharpness kept in both the people and the background, no portrait mode, no creamy bokeh. Use only the scene's natural light or everyday lamps; facial brightness may be slightly uneven and a bright background may be a little naturally overexposed. Keep pores, small blemishes, texture under the eyes, natural flyaway hairs, clothing wrinkles and slight phone noise-reduction grain, like an unretouched everyday album photo. The environment and clothing are refined and textured, but the people are still in an ordinary-life state. Vertical 4:5, two-person medium-close shot. No professional lighting, wedding photography, luxury advertising, fashion editorial, cinematic color grading, strong golden backlight, excessive HDR, skin-smoothing beauty filter, influencer face, stiff posture or standard symmetrical posed shot. No large brand logos, real royal emblems, staff lined up, text overlays, watermarks or interfaces. No crown, wedding garland or exaggerated dramatic cape. Avoid extra main subjects, extra arms, duplicate hands, deformed fingers, fabric fusing with the body. Do not fake the phone look with heavy blur, scratches, dirt or coarse grain.
Generation priority: first, keep both people's facial identity; second, complete the specified outfit change; third, accurately complete the specified body poses; fourth, complete the studio background and lighting. There are only two adults in the image. Reference photo 1 corresponds only to the man himself. Keep the recognizable head features of the man in reference photo 1, including his original face shape, eyes and brows, nose shape, lips, jaw contour, skin tone, apparent age, hairline and beard state, while also keeping his natural shoulder width, torso thickness, waist and belly volume and overall build. Reference photo 2 corresponds only to the woman herself. Keep the recognizable head features of the woman in reference photo 2, including her original face shape, eyes and brows, nose shape, lips, cheekbones, jaw contour, skin tone, apparent age, hairline and smile characteristics, while also keeping her natural shoulder width, arm thickness, waist and belly volume, bust-waist-hip proportions and overall build. Each face corresponds to its own reference photo: do not swap them, do not blend them, do not beautify or reshape them. The man is fully changed into traditional South Indian white clothing: a pure white fitted long-sleeve shirt, with both sleeves kept long and extending to the wrists, not rolled up; below, a pure white dhoti, with the waist wrap structure and front pleats clearly visible, the white fabric falling naturally to the ankles. Only the white long-sleeve shirt and white dhoti appear on the man. The woman is fully changed into an orange, green and gold South Indian Kanchipuram silk saree. The upper body is an emerald-green pure silk short-sleeve choli; the outer layer is an orange silk saree with a wide emerald-green border and gold zari weaving. The saree fully wraps the waist and both legs, forming clear vertical pleats at the front of the waist and falling to the ankles, with the pallu, which has a green and gold patterned border, draped diagonally across the chest, over the left shoulder and falling down behind the shoulder. The woman wears only this green choli and orange, green and gold saree; the original clothing in reference photo 2 does not appear at all. She wears gold temple jewelry and a traditional South Indian bun hairstyle decorated with white jasmine flowers, and the hair, jewelry and pallu do not cover the face. Fixed poses: the man sits in the exact center of a carved solid-wood armchair on the left side of the frame, facing the camera, his back naturally straight. The man's left hand rests palm-down on his left thigh and his right hand rests lightly on top of the left hand, the two hands only overlapping on his knee, arms not crossed, hands not touching the woman. The man's expression is calm, looking directly at the camera. The woman stands on the right side of the frame, half a step behind the chair, her body facing the camera. The woman's right arm is bent, and her right hand alone rests lightly on the man's left shoulder; her left arm extends naturally straight down from the shoulder along the left side of her body, her left hand hanging beside her own left thigh. Her left hand does not touch the man, does not touch her right hand, and does not rest on the chair back. The only physical contact between the two is her right hand on the man's left shoulder. The woman smiles warmly and looks directly at the camera. Use an eye-level vertical full-body composition, with the man, the armchair and the woman all fully in frame. The frame runs from above the heads of the two people down to their feet, with the woman's feet, the man's full dhoti and the bottom of the chair clearly visible, not cropping the knees, ankles or feet. The background is a formal studio backdrop with a warm-brown fabric texture, lit with large-area soft light from the front and slightly to the side plus slight fill light, clearly lighting both faces, the new clothing, the silk weave and the gold jewelry, preserving true skin tones and natural skin texture. The final result keeps: the man's facial identity from reference photo 1, the woman's facial identity from reference photo 2; the man's white long-sleeve shirt and white dhoti; the woman's complete orange, green and gold saree; the man's hands overlapping on his knees; the woman with only her right hand on the man's left shoulder and her left arm hanging naturally along her body. Avoid both hands placed beside the man's shoulders, the woman's arms crossed, the man's rolled-up sleeves, remnants of the original clothing, faces crossed between the two people, and a cropped lower body.
Keep the facial features of the person in the image. The protagonist leans elegantly against a holographic transparent wall, one hand in a trouser pocket. The outfit features traditional prints in a holographic gold hot-stamping technique. The background is a cyberpunk street with a strong futuristic feel. The portrait is centered, with even fill light on the face and nothing blocking it.
Keep the facial features of the person in the reference photo unchanged. Vertical realistic portrait composition of a beautiful full-figured Indian woman with long dark-brown big wavy curls, a small round bindi at the center of the forehead, refined bold eye makeup and pink lipstick, looking straight at the camera with a soft expression; she wears a pale lilac lace sequin spaghetti-strap saree blouse with thin straps, paired with a light purple sheer organza saree; she wears gold jhumka bell earrings, a thick gold chain necklace and gold bangles; seated, with her hands resting lightly on her lap; clean, minimalist white wall background, soft diffused indoor studio lighting, realistic and delicate skin texture, high-definition 8K, DSLR portrait photography, sharp focus, shallow depth of field, soft pale lavender color palette, premium quality, rich in detail
The subject wears a fitted black ribbed turtleneck sweater tucked into a leopard-print midi skirt, accessorized with a black felt beret and gold hoop earrings. The head tilts slightly to the right while the face remains forward. The gaze i…
High quality, real, HDR, HD, German grooms usually choose to wear traditional German national costumes, such as Leder shorts suits. This design shows the tradition and pride of German men. The material is usually leather or cotton blend
Use the uploaded image as the primary identity reference. Create a vertical 3-panel college photo strip based on the uploaded photo while strictly preserving the person's identity. Maintain the same facial features, face shape, eye shape, nose and mouth proportions, skin tone, hairstyle foundation, body proportions, and overall personal characteristics from the reference image. All three panels must clearly show the same person with strong identity consistency. Do not change the face or create a different identity. Create a nostalgic early-2000s campus photo aesthetic inspired by casual phone-camera snapshots. The image should have a slightly low-resolution digital camera texture, warm color tint, harsh direct flash, subtle grain, imperfect exposure, and a natural candid feeling. The composition should be a vertical three-panel photo strip showing different everyday college moments. The first panel features a close-up portrait with the person resting their chin on a school desk, showing a relaxed and slightly bored expression. The second panel shows the person standing against a simple classroom wall while holding a book, with a slight natural motion blur to create a casual snapshot feeling. The third panel shows the person sitting on a wooden floor while adjusting their shoelaces, creating an authentic everyday campus moment. The styling should include a casual academic outfit with a beige knit vest layered over a simple top, creating a youthful campus fashion aesthetic. Keep the overall look natural, effortless, and realistic. Add subtle handwritten doodle overlays throughout the photo strip, similar to personal scrapbook notes from a vintage phone camera album. Keep the doodles minimal and charming without covering important facial details. The final result should feel like a collection of real personal college memories captured on an early-2000s mobile phone camera, with authentic imperfections, nostalgic atmosphere, casual poses, and realistic photography texture. Negative Prompt: identity change, different person, face swap, altered facial features, unrealistic face, artificial beauty filter, plastic skin, excessive retouching, modern luxury fashion, studio portrait, professional photography look, CGI, cartoon style, low quality artifacts, distorted anatomy, bad hands, extra fingers, unnatural pose, blurry face, messy composition, excessive doodles covering face, incorrect panel layout, text errors, watermark.
A highly cinematic portrait, focused on the subject with consistent facial features and sharp clarity. She is a magnificent and graceful bride, wearing an incredibly opulent white lace wedding gown featuring a high, structured neckline and long, fitted sleeves that fully cover her arms and chest. The gown is heavily encrusted with intricate pearl beading, Swarovski crystals, and elaborate floral silk embroidery. She wears a cathedral-length tulle veil trimmed with lavish lace and statement diamond and pearl jewelry worn over the high collar. Her pose is majestic yet natural, standing gently in a blooming garden with soft petals and greenery around. She casts a warm, friendly gaze directly at the camera. The scene is bathed in soft, natural daylight, creating a realistic and high-quality atmosphere with photorealistic details of the luxurious fabric textures.
Keep the facial features of the person in the reference photo. Low-angle composition. The protagonist, wearing pink-purple traditional clothing, walks through lush flowers; the edge of her scarf is decorated with small pompoms and brushes past dewy petals. In the distance, the surface of the Ganges has a tranquil texture.
Keep the person's head features consistent with the reference photo. Close-up from the shoulders up, eye-level close-up shot. The person extends one hand upright to cover one side of the face, wearing a red sari head covering draped over the shoulders with gold embroidered decoration, a gold ornamental pendant on the forehead, and a luxurious red Indian bridal sari; the hand covering half of the face is covered in henna designs and wears gold rings. The person looks straight at the camera with a bright smile. Luxurious gold necklace, earrings and headpiece.
A double-layer semi-transparent gradient cross-dissolve composite image: the upper layer is a semi-transparent ghosted close-up of a person's head and shoulders facing the camera, and the lower layer is a medium half-body shot of the person from the side; the hairstyle, makeup, clothing and jewelry of the person in both layers are completely identical. The lower-layer person is in the lower half of the frame, body turned sideways with her back to the camera and her head turned toward the right side of the frame, hands naturally overlapped, with a gentle faint smile, wearing a wine-red pearlescent satin traditional sari outfit; the body of the garment is dotted with delicate small golden floral embroidery, and the edges of the garment, the edge of the shawl and the short-sleeve cuffs have richly worked golden three-dimensional embroidered trim patterns; the fabric is a fine, smooth, high-grade pearlescent satin with a soft, warm sheen. The upper cross-dissolved semi-transparent layer is a mirrored image of the same person, her head facing the camera with a gentle smile, her right hand lightly raised to touch the golden earring at her ear, her pose elegant and gentle. The person wears a full set of traditional South Asian golden jewelry, including a multi-layered teardrop-shaped golden collar necklace and dangling golden Jhumka earrings, with a translucent, refined, high-end, atmospheric matte light makeup. The overall background is a night city street scene, with soft, blurred warm yellow and warm red round light spots of neon bokeh lights in the distance, a soft warm-toned night atmosphere with soft side lighting, delicate, translucent and glossy skin texture, and wine-red satin clothing with fine, high-grade pearlescent reflections; the overall color tone is rich, high-end wine red and warm gold. Strictly reproduce the upper-and-lower double-layer cross-dissolve transparent structure, the person's pose and position, the clothing embroidery details, the full set of golden jewelry accessories, the night-scene bokeh light-spot background, the lighting and colors, 8K ultra-HD realistic night-scene portrait photography texture, no distortion, no missing elements, fully replicating every detail of the original image.
A split-screen composition capturing a whimsical, romantic winter scene bathed in soft, diffused overcast daylight. The atmosphere is serene, cold, and minimalist. In the top frame, a male subject is viewed from behind, wearing a textured…
The male subject is dressed in a sharp, vintage 1940s suit featuring a wide-lapel blazer, a vest with a visible pocket watch chain, a patterned tie, and a dark, wide-brimmed fedora. The female subject wears a vintage tea-length dress with…
An ultra-high-resolution, hyper-realistic, cinematic-quality poster—resembling an authentic photograph—captured from a dramatic low-angle perspective. Centered within the frame, the subject looks downward, gazing directly into the lens. Their smile is one of proud confidence—assured yet tinged with a subtle air of authority—and with eyes slightly lowered, they exude a quiet yet powerful aura. The subject wears a pleated white top and gently cradles two small animals against their chest. Resting in their right arm is a soft, floppy-eared gray rabbit; with its paws tucked in, it gazes forward with an expression of innocent relaxation. Nestled in their left arm lies a fluffy tabby cat; appearing utterly content, it tilts its head back proudly, eyes slightly narrowed—a look of profound satisfaction, perhaps even a touch of feline haughtiness. Flanking the subject on either side stand two large animals, serving as majestic guardians. To the left, a magnificent Golden Retriever stands tall, gazing downward with a noble, serious, and fiercely protective gaze. To the right, a brown bear cub leans slightly inward, its expression calm and gentle, tinged with a hint of drowsiness. Together, this ensemble forms a powerful tableau; the subject and all the animals look directly into the camera, set against a backdrop of heavy, brooding storm clouds. A beam of intense, almost divine light pierces through the clouds directly above them. The image features cinematic-grade lighting and shadows, with impeccable depth of field.
A high-quality Christmas photograph. Two snowflakes adorn the foreground. The subject seamlessly blends into the interior of a giant crystal snowball, which rests on a magnificent Christmas-themed base. The subject should be dressed in festive Christmas attire, such as a shimmering red off-the-shoulder Christmas dress with white fur trim, elegantly seated atop a pile of gifts, holding a gift box, and smiling at the camera. The snowball should contain snow, a twinkling mini Christmas tree, a cute bunny doll, and floating, shimmering snowflakes. The background should be a blurred, dreamy blue-purple starry sky. The snowball is placed in the snow, surrounded by a large grove of Christmas trees, each adorned with decorative lights. The light should be concentrated inside the snowball to create a warm, crystalline, and magical atmosphere.
Using the same adult man from reference photo 1 and the same adult woman from reference photo 2, generate a natural phone photo of an Indian couple. Strictly preserve each person's original facial proportions, face shape, true skin tone, age, hairline, hairstyle, beard, glasses status and body type; do not swap or blend the faces, do not whiten the skin, slim the body or make anyone look younger. Change the clothing as described below. The people take their appearance only from the two original photos; the home and royal-style settings are entirely original and fictional. Scene: the private carved-stone terrace of a fictional Indian royal family, with a low carved balustrade, a few plain cushions, an ordinary small side table, and the quiet rooftops of the palace courtyard visible in the distance. Blue-gray dusk sky light mixes with the everyday warm wall lamps on the terrace, with the slight grain of a low-light phone shot. Clothing: the man wears a dark wine-red silk embroidered long kurta and cream long trousers; the woman wears a pale gold-peach silk saree with a thin blue border and a matching choli, with modest green gemstone earrings and a thin necklace. No crown, wedding garland or exaggerated cape. Action and relationship: the two sit side by side on a low cushioned seat on the terrace, their bodies naturally staggered a little; the man holds a glass of ordinary drinking water in one hand in front of his own knee; the woman adjusts the pleats of the saree on her knee with one hand and casually rests the other hand on the edge of the seat. They have just stopped chatting and look up at a friend's or relative's phone, with gentle, slight smiles, not performing a solemn royal pose. Composition: an eye-level waist-up close shot from an ordinary phone main camera; the faces are lit slightly unevenly by the wall lamp but stay clear, and the terrace is not rendered with dreamy blur. Overall, continue the already-confirmed ordinary phone-snapshot look, a casual life photo taken in passing by a familiar family member or friend during a real activity. Both faces are clear and unobstructed, and the two naturally look at the phone taking the picture with relaxed expressions and slightly asymmetric smiles. The composition is not deliberately centered, and the horizon may have a very slight handheld tilt; use the slight wide-angle perspective of an ordinary phone main camera, keeping basic sharpness on both the people and the background, with no portrait mode and no creamy bokeh. Use only the scene's natural light or everyday lamps; facial brightness may be slightly uneven and the bright background may be a little naturally overexposed. Keep pores, small blemishes, under-eye texture, natural flyaway hairs, clothing creases and slight phone noise-reduction grain, like an unretouched everyday album photo. The environment and clothing are refined and textured, but the people remain in an ordinary, everyday state. Vertical 4:5, two-person medium close-up. No professional lighting, wedding photography, luxury advertising, fashion editorial, cinematic color grading, strong golden backlight, excessive HDR, skin-smoothing beauty filter, influencer face, stiff standing pose or standard symmetrical posed shot. No large brand logos, real royal emblems, lined-up staff, text overlays, watermarks or interfaces. No crown, wedding garland or exaggerated dramatic cape. Avoid extra main subjects, extra arms, duplicated hands, malformed fingers, and fabric fused with the body. Do not fake a phone look with heavy blur, scratches, dirt or coarse grain.
Use the uploaded selfie as the only identity reference. Create a highly realistic retro Bollywood portrait featuring the same person as a glamorous classic Indian film star. Dress the person in an elegant saree with refined draping, classic jewelry, and a graceful pose. The person should face the camera with a soft confident expression, like a celebrated Bollywood actress in a vintage film magazine photoshoot. Use a clean cinematic background or a softly blurred studio backdrop. The image should feel like a premium retro Bollywood publicity portrait from the 1990s or early 2000s, with warm tones, soft studio lighting, subtle analog film grain, slightly faded colors, and polished glamorous realism. Style: photorealistic retro Bollywood saree portrait, classic Indian cinema glamour, elegant studio photography, warm nostalgic mood, soft lighting, high detail, sharp focus.
Using the two people in the reference photo as the person reference, accurately preserve each person's facial features, hairstyle, skin tone and age, and naturally blend them into the same real scene. Generate the man and woman in the photo kissing in a first-class VIP lounge at an international airport. The man wears a dark business suit and a white shirt, and the woman wears a light pink silk blouse, a short black skirt and black stockings. The two sit side by side on a wide leather sofa; the woman holds two boarding passes in her hand, her body naturally leaning close to the man, and the man gently holds the hand in which she holds the boarding passes. The two share a brief, relaxed kiss before the announcement sounds. The background shows only part of the floor-to-ceiling window behind the sofa, the distant airport apron, a reading lamp and a small suitcase beside them. Only part of an aircraft's fuselage is visible outside the window, a few travelers in the lounge are naturally blurred, and the environment is quiet and tidy but consistent with the real condition of an airport in use. Use a full-frame camera with a 50mm prime lens, aperture f/2.8, the camera about 2.5 meters from the subjects, an eye-level camera position, and a vertical 2:3 composition. The bottom edge of the frame falls at mid-thigh, and the two people together take up about 80% of the frame height. Both faces are on the same focal plane, the natural daylight from outside the window and the warm light of the reading lamp are balanced, and the background is moderately blurred, keeping realistic airport proportions and natural skin tones, with no text and no watermark.
The subject wears a steampunk ensemble featuring a weathered dark leather tricorn hat adorned with large, intricate brass goggles. A white Victorian blouse with a high ruffled collar, puffed sleeves, and button details sits beneath a struc…
Use the two adults in the uploaded image as identity references. Preserve each person's recognizable facial features, face shape, skin tone, age, hair color, and natural body proportions. Person A corresponds to the person on the left of the input image; Person B corresponds to the person on the right. Keep their identities distinct. Add relaxed 1980s volume to their existing hairstyles while respecting the original hair length and any facial hair. Create a candid late-1980s nightlife photograph of the couple outside a lively nightclub entrance. They stand close together on the pavement at the bottom of a short flight of entrance steps, with Person A on the left and Person B on the right. Their shoulders touch, and both smile naturally toward the camera. Person A angles slightly toward Person B, with one hand in a front jeans pocket and the other arm resting casually behind their companion. Person B stands with a relaxed hip shift, one hand in a front jeans pocket and the other holding the thin strap of a small black evening bag beside the thigh. Their posture feels spontaneous and comfortable. Person A wears a loose black leather biker jacket, open over a faded black graphic crew-neck T-shirt. The jacket has broad lapels, metal zippers, and naturally creased sleeves. Pair it with high-waisted gray-blue acid-wash jeans, a black belt with a silver rectangular buckle, and dark boots. The leather catches irregular white reflections from the camera flash. Person B wears a vivid fuchsia-pink oversized blazer with pronounced padded shoulders, long lapels, and a hem reaching below the hips. Push the sleeves up toward the elbows. Underneath is a simple black square-neck top tucked into high-waisted gray-blue acid-wash jeans. Add a black belt with a small metallic buckle, gold-tone hoop earrings, several slim bracelets, and dark shoes. Keep the blazer richly pink, with a matte fabric finish. Both pairs of jeans have distinctly mottled, uneven acid washing. Behind the couple, a short set of dark stone steps leads to an open nightclub doorway. Gold-colored stanchions with burgundy velvet ropes flank the entrance. Several guests in short evening dresses and dark party clothes wait around the doorway, with an attendant farther back. Keep them smaller and dimmer than the main couple. The building facade has warm peach-brown stone columns and a dark entrance canopy. A physical neon sign above the entrance reads “CLUB” in pink block capitals and “Miami” beneath it in turquoise cursive. The sign belongs to the building and casts a little colored light onto the entrance. Include a narrow dark poster panel beside the doorway, with indistinct graphic shapes rather than additional readable text. A glossy black late-1980s convertible occupies the right foreground, parked close beside the couple. Show only part of the car: the side bodywork, chrome trim, part of the open cabin, and one partially visible wheel. Crop the car naturally at the right edge so it supports the scene without obscuring either person. The dark, slightly wet pavement reflects broken patches of pink neon and warm entrance light. Use direct on-camera flash from a compact film camera. Illuminate both faces, the pink blazer, and the acid-wash jeans clearly, while allowing the doorway, guests, and street to remain substantially darker. Preserve the abrupt falloff of flash into the background. Small bright reflections appear on the leather jacket, jewelry, gold stanchions, and black car paint. Skin tones are gently warm, with natural shadows beneath the chin and within the hair. Give the photograph an older color-print appearance: moderately soft detail, fine irregular grain, slightly warm color reproduction, softened highlight edges, and a little halation around neon tubes. Keep the pink blazer and turquoise sign vivid against deep brown-black surroundings. Fine skin texture and individual hair strands remain softly resolved. The image should feel like a personal nightlife snapshot, with imperfect exposure and natural flash reflections. Avoid modern fashion-campaign lighting, HDR, excessive sharpness, a uniform fog overlay, heavy scratches, or VHS interference. Adapt the composition naturally to the selected output aspect ratio. Keep both people prominent and show their complete heads, outfits, hands, and shoes. Retain the entrance steps and neon sign behind them and the cropped black car on the right. Adjust camera distance and surrounding space without stretching the people. Fill every canvas edge with the actual scene. No template title, poster-style lettering across the photograph, watermark, date stamp, camera interface, app icon, reserved text area, rounded card, outer frame, white margins, or black bars. The nightclub's physical neon sign is the only readable text.
A high-contrast, dramatic black and white monochrome close-up shot capturing a gentleman in a black tuxedo, white shirt, and black bow tie. He is vigorously taking a large bite out of a massive, ornate, multi-tiered wedding cake, with cream clinging to his lips and face. The composition is a profile close-up, emphasizing his expression and action. The generated image must maintain a high level of resemblance to the face and physical features of the subject in the reference image. The style is monochrome fashion photography, using backlighting to define the profile.
Keep the facial features of the person in the reference photo. A highly dreamy surreal portrait photograph, with a top-down view and close-up composition, the subject lying quietly in a boundless sea of cherry blossoms, the body surrounded by layers of soft, delicate pink petals, hands naturally crossed behind the head as a pillow, the pose relaxed and immersive, the face turned slightly toward the camera, the gaze gentle and slightly ethereal, with a faint hint of a smile at the corners of the mouth; cherry blossom petals float lightly in the air, forming dynamic foreground layers, with some petals blurred as they sweep past the lens to enhance the sense of space; the overall color tone is mainly soft pink-white and light purple, with a faint highlight bloom effect, creating a hazy, dreamlike visual atmosphere; the lighting is diffused soft light, forming a delicate halo on the face and along the contours, and the skin has a translucent, fine texture; the image has slight depth of field and film grain, in a style leaning toward romanticism and Japanese aesthetic photography, with an overall atmosphere that is quiet, healing and poetic, with strong visual appeal and emotional impact.\n
A cinematic, dilapidated-style portrait of a young, handsome man. He sports a messy, layered hairstyle and reclines languidly on a vintage, dusty-pink sofa, crossing his legs with one arm resting on the armrest while holding a pink cocktail. He is dressed in a vintage dark-green corduroy blazer, a red V-neck sweater, a white dress shirt, a plaid tie, and light-gray trousers. The background features wild outdoor foliage juxtaposed against a solid dark-gray wall, creating an environment imbued with a sense of decay. The overall color palette is muted and gray-leaning, evoking a somber atmosphere characterized by soft, diffused lighting, a Gothic aesthetic, and rich visual detail.
Generate a vertical, realistic Indian-lifestyle-themed Polaroid instant film photograph. Use the people in the input photos as the sole identity reference, preserving their real facial features, face shape, age, skin tone, hair color and natural skin texture; do not swap faces, do not blend the two people's faces, do not make the people younger or change their ethnicity. Clothing, pose and scene are adjusted according to the theme below. The image is a complete, front-facing Polaroid photo print, with classic pure white wide borders around the photo and the bottom border slightly wider; the border is fully in frame, clean and without any writing. No tabletop outside the photo print, no scene of a hand holding the print, no extra frame or collage. Inside the photo, the people are the subject, in a close-range, above-the-waist composition, with clear and natural faces; a small on-camera direct flash lights the people, the background is slightly darker, keeping realistic flash shadows, a moderate amount of analog film grain, a slight warm color cast and a soft vignette, giving the texture of a real-life candid snapshot. Only the two adults from the input photos appear: the man from reference photo 1 and the woman from reference photo 2. The identities of both must be clearly preserved, with natural body proportions. Theme: Chai street tea. The two keep the everyday clothes, hairstyles and their own skin tones from their respective reference photos, and stand shoulder to shoulder in front of an Indian roadside chai stall, looking at the camera and smiling in a relaxed way. Each naturally holds a small transparent thick glass tea cup in one hand, with light brown milk tea inside; the cups are below chest level and do not block the faces; the other arms are relaxed, and the relationship between the cups and fingers is clear. Behind them can be seen a metal teapot, a bit of rising steam and the stall's warm small lights, with the background blurred and not overly crowded. The warm lived-in feel of an evening street, close-range direct flash, real skin texture and slight film grain. No brands, clear signboards or extra passersby. No titles, captions, readable text, date stamps, trademarks, watermarks, interface elements or reference-photo thumbnails inside the final photo. No extra people, extra limbs, comic style, plastic skin or heavy beautification.
Use the user's uploaded image as the sole identity reference, strictly preserving the main subject's original facial features, hairstyle, skin tone, apparent age, build and natural proportions. Generate a 9:16 vertical, hyper-realistic cinematic portrait of a city at night after rain. Close-up from the chest up, the man on the left, wearing a black hoodie, head turned slightly as he gazes at the phantom on the right, his expression quiet and restrained; his right hand reaches toward the bottom of the frame and truly holds the phantom's left hand, the palms and fingers of both clearly in contact. The female phantom is on the right, formed only of delicate warm-gold glowing outlines, translucent light threads and particles, faintly suggesting the form of a sari, with the outline of her hair lifting gently backward; her other hand holds a bouquet of full deep-red roses in her arms, the petals keeping their real texture and color. The two walk slowly side by side, the man a real physical presence, the phantom translucent and glowing but with a complete body structure. The background is an empty wet city road, warm light from tall street lamps and soft-focus city lights, the asphalt reflecting golden halos; the deep blue night, black clothing, warm-gold phantom and deep-red roses create cinematic contrast. 50–70mm lens, shallow depth of field, light rain mist and film grain. Avoid: the phantom turning into a real person, the clasped hands floating in the air or merging, deformed fingers, roses changing color, light blocking the man's face, and extra people; no text, logo, watermark or interface elements
Using the two people in the image as the character reference, accurately preserve both people's facial features, hairstyles, skin tones and ages, and naturally place them into the same realistic scene. Generate the man and woman from the image kissing on a dinner date at a Michelin-starred restaurant. The man wears a navy suit, white shirt and dark tie; the woman wears a champagne silk blouse, a black short skirt and sheer black stockings. The two sit side by side on a curved upholstered booth, the woman turning naturally toward the man with one hand resting on the back of his hand; the man leans in slightly sideways, and the two share a brief kiss in the middle of conversation. The table is covered with a crisp white tablecloth, set with refined tableware, wine glasses, a candle holder and a few beautifully plated dishes. The background includes dark wood paneling, understated artwork, soft wall sconces and guests dining normally. Vertical, mid-thigh-up medium shot, keeping both people's upper bodies, the short skirt, part of the stockings and part of the dining table in frame. Use a 50mm lens and the restaurant's available lighting, with natural skin tones and a refined, realistic space, presenting an intimate moment casually captured in a high-end restaurant, no text, no watermark.