Manzara Fotoğrafından Minimalist Sulu Boyaya Dönüşüm

A vertical split before-and-after comparison in a 4:5 aspect ratio, divided horizontally into two equal borderless panels showing a landscape photograph transformed into art. Top panel: A realistic landscape photograph of [Mount Fuji] centered in the background under a [clear vivid blue] sky with wispy clouds. The snow-capped mountain peak overlooks a low mountain ridge, a series of white arched bridges spanning the midground, dry tan riverbank grasses, and a calm deep-blue river in the foreground with clear reflections. Crisp photographic detail and natural daylight. Bottom panel: The exact same composition reimagined as a [delicate minimalist watercolor and ink] illustration on [warm ivory] watercolor paper. The scenery is simplified into a centered motif with a blue mountain silhouette, snowy peak, white arched bridges, tan ochre riverbank, and soft watery blue reflections surrounded by generous negative space. Features light translucent washes, gentle bleeding edges, sparse fine ink line work, and an elegant Japanese travel sketchbook aesthetic. Includes a single tiny, unreadable handwritten artist mark centered beneath the motif. Constraints: No borders or frames between panels, no extra text, no people, no vehicles, no heavy outlines or clutter.