Sinematik Şehir Patlaması Kovalamacası
Uçuşan enkazlar ve hurdaya dönmüş arabalarla devasa bir şehir patlamasından kaçan bir kişinin sinematik aksiyon karesini oluşturun; film afişleri ve tanıtım görselleri için idealdir.
İstem
Yağmurlu bir şehir merkezi cadde kanyonunda sinematik ve fotogerçekçi bir aksiyon sahnesi; {argument name="main subject" default="30'lu yaşlarında koyu saçlı bir adam"} merkez ön planda, gergin bir hayatta kalma ifadesiyle, sırılsıklam koyu renk bir ceket, koyu renk gömlek ve koyu renk pantolon giymiş, bir kolu ileri doğru savrulan koşu anında doğrudan kameraya doğru depar atıyor. Arkasında, devasa bir kentsel patlama caddeyi ve yüksek bir binanın alt cephesini yarıp geçerek her yöne devasa bir duman, ateş, toz, parçalanmış beton, cam ve metal enkaz bulutu saçıyor. Sahnede tam olarak 3 adet görünür hasarlı araç bulunuyor: sol ön planda farları açık, kaputu çökmüş ve yağmur suyunu sıçratan 1 koyu renk sedan; sağ orta planda ön tarafı ağır hasar görmüş 1 hurda koyu renk araba; ve onun arkasında sağ tarafta yukarı doğru eğilmiş 1 devrilmiş veya havada uçan siyah SUV. Islak asfalt farları, ateş ışığını ve gri gökdelenleri yansıtıyor. Yoğun enkaz havayı dolduruyor, moloz parçaları hareket halinde donmuş durumda. Kapalı fırtınalı gün ışığı, turuncu ateş vurgularıyla doygunluğu azaltılmış mavi-gri renk paleti, uçuşan enkazda dramatik hareket bulanıklığı ancak koşan figür üzerinde keskin odak, alçak açı geniş lens kompozisyonu, gişe rekortmeni felaket filmi gerçekçiliği, ultra detaylı dokular, yüksek kontrast, dinamik derinlik, hacimsel duman, yağmur serpintisi, sinematik aydınlatma. Sağ üst köşeye beyaz bir {argument name="watermark text" default="Pollo.ai"} logosu ekleyin.
Kullanım rehberi
Bu kullanım rehberi şu anda İngilizce olarak sunulmaktadır.
A photoreal disaster-movie frame: a soaked runner charging at the camera while a building facade detonates behind him, with three wrecked vehicles arranged around the street. It is strongest as a thumbnail or key art where one figure must stay sharp inside total chaos.
When to use
Action-film poster mockups, video thumbnails, game-trailer storyboards and cinematic lighting studies. Keep the runner alone in the center foreground with the explosion behind and above him so the debris frames the face instead of covering it.
What the existing cover image shows
The existing cover illustration shows a dark-haired man in a drenched dark jacket mid-stride at center with a bent pumping arm, a dark sedan on the left with lit headlights and a crumpled hood throwing spray, a crushed dark car in the right midground and a black pickup-style vehicle tilted nose-up behind it. The facade shatters top-left around an orange fire core, debris hangs frozen in the air, and wet asphalt reflects the headlights. His gaze is turned to the side rather than at the lens, a fourth car with headlights appears at the far right edge despite the request for exactly three vehicles, the debris is sharp rather than motion-blurred, and a white wordmark-style watermark occupies the top-right corner.
Suggested setup
- Aspect ratio
- 3:2 · The cover is 3:2 and holds the three vehicles and the facade; switch to 16:9 only for a widescreen banner, and expect the explosion to be pushed higher out of frame. Ask for a low wide-angle camera, the runner's full body with feet in frame, and the fire kept behind his shoulder line.
- Reference images
- None needed for a fictional runner. If the runner is a real person or the vehicles must be a specific make, use only a likeness or product reference you have permission for, and do not request recognizable badges or logos.
What to customize
- Main subjectA woman in her 40s in a torn gray raincoat carrying a small dog
- This is a built-in argument. Keep one figure in dark, wet clothing so face and hands separate from the gray street; a bright outfit pulls attention away from the explosion.
- Vehicles1 yellow taxi, 1 overturned delivery van, 1 burning motorcycle
- Keep the count at three and assign each a position (left foreground, right midground, right background); vehicles you do not list get added to fill empty street.
- Watermark textYour own studio name in plain white type, or delete the sentence
- This is a built-in argument whose default is a third-party brand; never leave it in place. If you want no mark, replace the sentence with a request for no text or logos anywhere in the frame.
View a complete adaptation
Night port explosion with a running dock worker
Moves the chase to a container port at night, makes the runner a woman in a raincoat, shifts the palette to deep teal and black with magenta harbor lamps and orange fire, swaps the three vehicles for a forklift, a container truck and a patrol car, and drops the watermark.
This adaptation has not been generated. The existing cover image comes from the original prompt collection and is not a result of this adaptation.
Cinematic photorealistic action scene at a container port at night: a woman in her 40s in a torn gray raincoat and work boots sprints straight at the camera in the center foreground, tense expression, hair soaked by sea spray, one arm pumping forward. Behind her a fuel tank ruptures beside stacked containers, hurling fire, steam, torn steel and gravel outward. Exactly 3 damaged vehicles: 1 yellow forklift on its side in the left foreground, work light still on; 1 jackknifed container truck with a crushed cab in the right midground; 1 small white patrol car flung upward behind it on the right. Wet concrete reflects crane floodlights and fire; concrete chunks hang frozen in the air. Deep teal and black night palette with magenta harbor lamps and orange fire accents, motion blur on flying debris but sharp focus on the runner, low-angle wide-lens composition, disaster-movie realism, high contrast, volumetric steam, sea spray, cinematic lighting. No text or logos anywhere in the frame.
Troubleshooting
- The runner's face is lost in debris or turned away from the camera
- Specify eyes locked on the lens, face fully lit by the headlights and no debris crossing the face, and keep the explosion behind the shoulder line; otherwise the model points the gaze at the blast.
- Extra vehicles and extra fires creep into the background
- After listing the three vehicles, add that there are no other vehicles, people or fire sources, and describe what fills the far background instead, such as empty wet road and dark towers.
Editorial notes and generation record
AI-assisted editorial analysis of the source prompt and existing illustration. Settings are starting suggestions; the new adaptation is not a model test.
No new illustration was generated for this guide. The observations refer to the prompt's existing cover image from its source collection; its generation details are not recorded.
İstem ayrıntıları
- Kategori
- Sinematik / Film karesi
- Model
- GPT IMAGE 2
- Görsel başına maliyet
- 1K: 43 kredi · 2K: 86 kredi · 4K: 143 kredi
- En boy oranı
- 1:1
- Oluşturan
- @GugoXAi
- Lisans
- CC BY 4.0
- Eklenme
- Güncellenme