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İstem2.029 / 1.000

A 20-panel animation storyboard contact sheet displayed as a clean 5-column by 4-row grid with thin white gutters on a square canvas. Each panel is a vertical frame featuring a small black label box in the upper-left corner showing sequential white two-digit frame numbers from "01" to "20".

Subject: A tiny [black-and-tan Chihuahua] with oversized pointed ears, glossy dark eyes, tan eyebrows, muzzle, and paws, and a sleek black coat. In every frame, the dog stands upright on its hind legs facing forward or semi-profile, displaying a confident, joyful expression with realistic anatomy mid-dance.

Setting: Consistent luxury marble bathroom in all panels. Pale gray marble walls and floor, a centered vanity sink counter with a rectangular mirror behind, warm recessed ceiling lights, neatly folded beige towels on both sides, and two amber-brown pump bottles on the counter. Shallow depth of field.

Poses by frame:
- 01: Side-facing upright with paws neatly tucked
- 02: Stepping left with one front paw extended
- 03: Centered with legs crossed and one paw forward
- 04: Mid-hop with one paw raised high
- 05: Side profile pause
- 06: Forward bounce with both paws curled
- 07: Both paws spread wide, playful open grin
- 08: One paw raised near ear, other paw tucked
- 09: Dramatic crossed-paw body lean
- 10: One paw waving at camera
- 11: Low grounded stance, paws close to chest
- 12: Bouncy hop with both paws lifted
- 13: Both paws flexed outward in a bodybuilder pose
- 14: Symmetrical arms-up dance move
- 15: Upright stance, paws clenched near shoulders
- 16: Sideways shuffle with paws pointed forward
- 17: Wide-legged stance with both paws overhead
- 18: Centered upright pose with both paws high
- 19: Arms raised with head tilted playfully
- 20: Side-facing finish pose with paws crossed

Style & Lighting: Photorealistic rendering, natural fur texture, warm indoor illumination, identical camera perspective and focal length across all frames. No text other than the frame numbers, no humans, no watermarks.

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