Nano Banana 2 Prompts

4,857 templates · updated Oct 2026

Nano Banana 2 is Google's Gemini 3.1 Flash Image model (gemini-3.1-flash-image-preview). It is faster and cheaper than Nano Banana Pro, renders 1K, 2K and 4K images and accepts up to 14 reference images. Google now recommends its update, Nano Banana 2.1, for new projects.

This page lists the 4,857 library templates set up for the Nano Banana 2 family: Nano Banana 2, 2.1 and 2 Lite. On GPT Image Hub they start at 25 credits per image.

Nano Banana 2 model guide Generate with Nano Banana 2

Showing 3,961–4,020 of 4,124 Nano Banana 2 · Portrait & Photography prompts

Greek Groom

High quality, real, HDR, HD, Greek grooms usually choose to wear traditional Greek national costumes

greekgroomtraditional costume

Red Heart Balloons

The subject person is centered in the frame, in a prone on one side pose lying on a clean white ground, with their body tilted to one side, but their head is fully turned towards the camera, looking directly with a confident and alluring expression. The subject occupies a very large portion of the frame, especially the lower and central sections. She wears a vibrant red corset top paired with white voluminous lower garment material, long white gloves on both hands, and dark red lipstick. A large cluster of metallic red heart-shaped foil balloons with red ribbons hangs above her, forming a visual point in the upper frame that balances the side-lying figure. They are positioned against a clean, minimalist, high-key white studio backdrop. The scene is illuminated by bright, soft, and even commercial portrait lighting that perfectly highlights the metallic texture of the balloons, the color of the attire, and the overall romantic atmosphere. This is a romantic, vintage fashion, and visually impactful commercial portrait photography with vibrant colors, strong contrast, 8k high resolution, and the exquisite quality of fine art photography.

valentineheart balloonsstudio portrait

White Embroidered Couple

The subjects are dressed in coordinating, opulent South Asian wedding couture characterized by intricate craftsmanship. The male subject wears a structured white sherwani featuring dense silver and muted pink floral embroidery, a high mand…

weddingsouth asiancouple portrait

Gilded Ballroom Romance

Using the same adult man from reference photo 1 and the same adult woman from reference photo 2, generate a gorgeous Indian royal-style couple photo. Strictly preserve each person's original facial proportions, face shape, true skin tone, age, hairline, hairstyle, beard, glasses status and body type; do not swap or blend the faces, and do not whiten, slim or make anyone look younger. Change only the clothing, jewelry, pose and setting. The people's appearance is based only on these two original photos; the palace setting and identities are original fiction. Both faces must be clear, unobstructed, and naturally looking at the camera. Scene: a golden hall of mirrors in an Indian palace, with a huge crystal chandelier, gold-leaf column capitals, light marble floors and chestnut wooden doors; the warm chandelier light reflects realistically, and the long mirrors in the background avoid showing any full reflection of the people; the space is wide but contains no other main characters. Clothing: the man wears a long black velvet bandh-gala coat, with densely embroidered gold floral sprigs on the collar and chest, gold buttons and a pearl chest chain; the woman wears an opulent lehenga that joins deep wine-red velvet with antique-gold embroidery, a sheer gold dupatta draped over her arm, and wears a ruby polki necklace, drop earrings and gold bangles, with her hair keeping its original texture. Action and relationship: the two are slowly walking through a relaxed partner dance step, the man lightly resting one hand at the woman's waist while his other hand and hers are naturally clasped below chest level; the woman's body turns lightly and her skirt moves slightly and realistically; the two look together at the friend taking the photo, smiling and relaxed, with the arm positions clear and not crossed or confusing. Composition: a dynamic medium shot from above mid-thigh, the people slightly right of center, with the slight motion feel of a phone photo limited to the skirt; faces clear; a gold column and one complete crystal chandelier visible in the frame. The focus this time is a very opulent yet believable Indian court aesthetic: real embroidery, heavy brocade, richly layered jewelry and finely carved palace details, so that the clothing, accessories and space look luxurious at a glance. Keep the physical feel of real people and real materials; the clothes have weight and natural folds, and gems and metal show only moderate, realistic reflections. The photographic feel is that of a nice photo carefully taken by a friend with an ordinary phone: the phone's main camera perspective, on-site light, people and background mostly clear, with pores, skin tone variations, under-eye texture and fine flyaway hairs preserved, no retouching or skin smoothing, no studio-style sculpted lighting and no cinematic filter. Each set of people's poses is different, with relaxed expressions and natural smiles, not all facing the camera in stiff upright standing. Vertical 4:5; the two adults are the only main subjects. No Western wedding dress, Western crown, armor, scepter, ritual or wedding ceremony, wedding garlands, face-covering veil, exaggerated long cape, real royal emblems, brand logos, text, watermarks or interface. No extra complete faces in the background or mirror clones, no blended faces, influencer-style faces, plastic skin, excessive HDR, strong blur, strong orange-teal color grading, game rendering, illustration, AI oil-painting look, over-sharpening or fake coarse grain. Hands and poses anatomically correct, the two people's hands not mixed together, avoid extra arms, duplicated palms, deformed fingers, and fabric fusing with the body.

coupleindian royalballroom

Sakura Frontlight

Keep the facial features of the person in the reference photo. A high-resolution fashion commercial portrait photograph, medium close-up composition shot from a slightly low angle. The subject stands in front of a dense cherry blossom background, in which highly saturated pink blossoms contrast with dark tree trunks, and slightly blurred blossom branches in the foreground form a framing composition. The subject is in the center of the frame, body facing the camera with a slight turn, in an upright, restrained pose, one hand lightly touching the cuff or hanging naturally; the facial expression is calm and composed, with a firm gaze directly at the camera, carrying a refined air with a slight sense of distance. The clothing is a smart-casual outfit, with high-quality fabric and clean tailoring. The lighting is studio-simulated natural light, with a front-side key light plus soft fill light, and moderate overall contrast. The photography uses a large aperture and shallow depth of field, with a color tone balancing pink and neutral colors, visually refined and extremely attractive.

cherry blossomfashion portraitshallow depth of field

Traditional Rain

Vertical double-layer overlay composite of a rainy-night Indian traditional wedding portrait. The whole frame is filled with fine, vertically falling transparent rain streaks; the people's skin, hair and outfit fabric are covered with dense, crystal-clear water droplets with translucent specular highlights; the overall setting is a warm-toned night scene of blurred light bokeh. On the left and right sides of the frame are enlarged close-up portraits: the two people press their foreheads tightly together, both with eyes closed, their expressions gentle and serene. The woman on the left wears elaborate gold bell-shaped earrings set with gems and pearls, a multi-layered diamond-studded gold necklace and a beaded forehead ornament, with small light-colored flowers adorning the side of her hair; she wears a nude-pink sheer gauze gown covered all over in gold beaded embroidery, the wet fabric showing a soft watery sheen. The man on the right wears an off-white traditional long coat with a stand collar, covered all over in gold floral embroidery, the embroidery patterns on the garment dimensional and exquisite. The central area of the frame is a complete full-length real-scene portrait: the man and woman stand barefoot on a puddled, reflective ground, the wet ground mirroring warm yellow light spots and the figures' outlines; the two face each other with fingers tightly interlaced and foreheads resting lightly together, wearing gentle smiles. The woman's hair is pinned up and dotted with colorful small flowers; she wears a nude-pink, heavily embroidered, beaded half-length traditional gown, paired with a long thin gauze stole of the same color trimmed in gold, the hem falling naturally with fabric folds; the man wears an off-white long top embroidered with gold thread and light bean-paste-colored tapered trousers. In the distance are blurred bokeh warm yellow round light spots, with a hazy dark background in deep and light browns and pinks, and warm golden ambient soft light as the key light; the main color palette is nude pink, off-white, warm gold and dark brown; the beaded embroidery, light thin gauze, watery raindrops and puddle reflections are all realistic and finely detailed, with a strong romantic rainy-night wedding atmosphere, ultra-realistic commercial wedding portrait photography, 8K ultra-high-definition quality, no watermark, no play button, no extra decoration, natural limb structure with no deformity or distortion.

indian weddingraindouble exposure

Bollywood Hero Pose

Bollywood hero male character, keeping the facial features of the person in the reference photo. The man has a calm, resolute expression, the corners of his mouth slightly tightened, his head tilted slightly upward, his gaze looking straight into the camera; his body faces front but his head is tilted slightly to the right, with both hands pressed together in a prayer gesture. He wears a royal-blue velvet Sherwani coat with intricate gold embroidery on the collar and cuffs, and layered gold necklaces with a ruby pendant on his chest. The background is a night festival street with colored powder smoke and fluttering sheer drapes, with silhouettes of dancers and lights in the distance. The image is a medium close-up half-body shot, taken from a slightly angled side view, with intense stage lighting and golden reflections creating a Bollywood song-and-dance atmosphere. Use only the same person from the reference photo, preserving the original facial features, skin tone, age, gender, beard and glasses; do not make him younger, do not add a beard, do not replace him with someone else.

sherwanifestivalportrait

Studio Sculpted Light

Vertical 9:16, ultra-realistic male fashion studio portrait. A man sits on a black modern gas-lift chair with a round disc base, positioned centered and slightly toward the top of the frame, with his full body completely in frame, everything from his hair to his white leather shoes visible, and his height taking up about 82% of the frame; no half-body close-up, and do not crop the feet. He sits facing front, turned slightly to the left, with his legs naturally apart, his left foot extended toward the lower left of the frame and his right foot resting near the chair's footrest ring; his right hand hangs naturally in front of his right knee and his left hand rests on his left leg; the pose is relaxed yet formal, his expression calm and confident, looking straight into the camera. He wears a deep navy slim-fit suit jacket over a white shirt with the collar slightly open and no tie, black slim-fit trousers, and clean white leather shoes, with a gold watch on his left wrist. The tailoring is crisp, and the suit fabric has a slight texture and natural wrinkles; do not turn it into a formal tailcoat, no tie, no sneakers. The background is strictly a simple studio backdrop, a teal and gray-green gradient that is brighter at the center and slightly darker toward the edges, with a dark gray studio floor, and the chair's black disc base and metal support column clearly visible. The lighting is a soft frontal key light plus a slight side light, the face is clear, with a slight vignette on the background, and the overall tone is calm and refined, with contrast between teal-gray-green, deep blue, and black and white. An 85mm portrait lens feel, shallow depth of field but the whole figure sharp, studio portrait photography, ultra realistic, high detail.

studio portraitmalefashion

Desert Jeep

Hyper-realistic male portrait photography, cinematic sunset backlight, 8K ultra HD, photo-level realism, shallow depth of field, blurred background to make the subject stand out, subject placed in the center of the frame. [Composition and Pose] Medium close-up composition; the subject is a mature, handsome Indian man leaning sideways against the door of a matte black off-road jeep, arms crossed over his chest, one leg naturally bent and crossed over the other, with a casual, confident posture, looking straight into the camera with a steady gaze, full of mature charm and a sense of strength. [Clothing and Styling] - Top: a black slim-fit long-sleeved shirt with the top two buttons undone and the sleeves rolled up to the forearms, the fabric with natural texture and slight wrinkles, sharp and well-defined. - Bottom: khaki straight-leg casual cargo trousers. - Accessories: a black sports watch on the wrist, a neat short curly hairstyle, stubble that defines the face shape, an overall look that is rugged yet refined. [Scene and Background] The door of the matte black off-road jeep is open; the background is rolling light-brown mountains and open wilderness, with a road extending into the distance, the overall atmosphere full of a free-spirited road-trip feeling. [Lighting and Color] Cinematic warm-toned side light, soft and warm, creating fine layers of light and shadow on the person and the car body, with natural light-to-dark transitions on the person; the overall color tone is mainly warm brown, black and khaki, the light-brown mountains in the background blending into the warm-toned sky, creating a soft, premium outdoor cinematic feel. [Texture Details] The fabric texture of the shirt, the wrinkles of the cargo trousers, the traces of mud on the leather shoes, the matte sheen of the car body and the tread details of the tires are clearly visible; the image is clean and premium, with no extra elements interfering, the overall atmosphere relaxed yet full of power.

sunset portraitroad tripjeep

Bengali Red Wedding

Create a photorealistic wedding portrait of exactly the two adults in the reference images. Image 1 is the man and image 2 is the woman. Use these photographs as the only identity references. Preserve both recognizable facial identities, natural skin tones, face shapes, eyes, noses, mouths, hairlines, facial hair, apparent ages and body proportions. Keep the man on the left and the woman on the right. They remain the same Indian individuals, with natural skin texture and believable gentle bridal grooming; no skin lightening, face replacement, de-aging or generic model faces. Replace their casual clothing with the specific attire below. Give them natural, comfortable body language, clear unobstructed faces and anatomically plausible hands. Make a vertical 4:5 medium portrait, approximately mid-thigh or waist upward, with sufficient space above both heads and around the shoulders for later cropping. Both faces should be turned toward the camera and recognizable. Use realistic wedding photography, coherent natural light, real fabric and jewellery textures, softly separated background and lifelike expressions. One photographic image with exactly two main people, no split-screen, illustration, text, watermark or decorative photo border. Avoid a Western wedding gown, tuxedo, church or champagne props. Specific wedding look and scene: A traditional Bengali wedding portrait in an intimate Kolkata heritage courtyard. The bride wears a deep red Banarasi silk sari with gold woven motifs and a red veil drawn back so her complete face is visible. Add restrained gold bridal jewellery, red-and-white shakha-pola bangles, a round red bindi and delicate white chandan accents along the brow without changing facial structure. She wears a modest white sholapith bridal mukut. The groom wears an ivory kurta, a cream Bengali dhoti with a red-and-gold border, a light red-bordered shawl and a traditional white sholapith topor. Make the mukut and topor distinct, correctly placed and fully inside the frame. They stand close in a relaxed three-quarter pose, her hand resting naturally on his arm, faces turned to the camera with genuine small smiles. Warm courtyard light, softly blurred red-and-white floral garlands, old limewashed walls and a subtle alpana floor pattern visible at the very bottom. Prioritize the same two faces and authentic fabric texture; do not let forehead decoration obscure identity.

bengali weddingred saricouple

Royal Stable Morning

Use the same adult man from reference photo 1 and the same adult woman from reference photo 2 to generate a natural phone photo of an Indian couple. Strictly preserve each person's original facial proportions, face shape, true skin tone, age, hairline, hairstyle, beard, glasses status and body type; do not swap or blend the faces, and do not whiten the skin, slim the body or make anyone look younger. Change the clothing as described below. The people take their appearance only from the two original photos; the home and royal-style setting is entirely original and fictional. Scene: beside the private stable of a fictional Indian palace residence, with a low sandstone wall, a clean but well-used wooden fence, and a calm brown adult horse standing behind the two people to one side. Ordinary morning natural light; it is a moment of caring for the horse recorded on a phone by friends or family. Clothing: the man wears a moss-green jodhpuri-style short jacket, ivory trousers and brown boots; the woman wears an off-white high-neck long-sleeved cotton shirt, camel riding trousers and dark brown boots, with a small silk scarf loosely draped around her neck. This is not a competition or a riding action. Actions and relationship: the man stands on one side of the fence, a small horse brush hanging naturally at his waist; the woman leans by the railing, one hand resting flat on the railing and the other hanging relaxed. The horse is only in the background and does not overlap the people's limbs. The two have just finished simple grooming and, called over by family, look toward the phone together with relaxed expressions. Composition: eye-level two-person close-up from the waist up; the horse's head or shoulder and back appear only on one side in the background, and neither face is blocked by the fence, the animal or a hand. The overall look continues the already confirmed ordinary phone-snapshot quality: a life photo casually taken by familiar family or friends during a real activity. Both faces are clear and unobstructed, and both people look naturally at the phone taking the picture, with relaxed expressions and slightly asymmetrical smiles. The composition is not deliberately centered, and the horizon may have a very slight handheld tilt; the slight wide-angle perspective of an ordinary phone main camera, with people and background both kept reasonably sharp, no portrait mode and no creamy bokeh. Use only the natural light of the scene or everyday lamps; facial brightness may be slightly uneven, and a bright background may be a little naturally overexposed. Keep pores, small blemishes, under-eye texture, natural stray hairs, clothing wrinkles and slight phone noise-reduction grain, like an unretouched everyday album photo. The environment and clothing are refined and well textured, but the people remain in an ordinary everyday state. Vertical 4:5, medium close-up of two people. No professional lighting, wedding photography, luxury advertising, fashion editorial, cinematic color grading, strong golden backlight, excessive HDR, skin smoothing or beauty filters, internet-celebrity faces, stiff standing poses or standard symmetrical posed shots. No large brand logos, real royal emblems, lined-up staff, text overlays, watermarks or interface elements. No crowns, wedding garlands or exaggerated dramatic capes. Avoid extra main subjects, extra arms, duplicated hands, malformed fingers, and fabric fused with the body. Do not fake the phone look with heavy blur, scratches, dirt or coarse grain.

couplestablehorse

Equestrian Editorial

Fashion editorial, black-and-white high-contrast texture. The person in the frame wears narrow-frame black sunglasses, an oversized black silhouette blazer, a simple white base layer, wide-leg black trousers and matte black leather boots, and sits relaxed on a low stool with legs wide open, both hands overlapped holding black horse reins, elbows resting on the knees, lips closed, expression cold and stern, head slightly lowered, looking toward the bottom-left corner of the frame; behind the person is a solid dark brown horse, its head slightly lowered close to the person's right shoulder, the horse looking docile; the background is a desolate dark open grassland, with shallow depth of field blurring the background to highlight the person and the horse; the overall tonality is hard black and white, with light from the upper side lighting the person's outline, 8K high definition, the person's pose lazy yet commanding, with delicate skin texture, film grain texture, realistic horse hair texture, and the image full of a refined, cold fashion atmosphere.

fashion editorialblack and whitehorse

Haldi Joy

Generate a vertical, realistic Indian-life-themed Polaroid instant film photo. Use the people in the input photos as the only identity reference, preserving their real facial features, face shape, age, skin tone, hair color and natural skin texture; do not swap faces, do not blend the two people's faces, do not make the people younger or change their ethnicity. Clothing, poses and scene are adjusted according to the theme below. The image is a complete, front-facing Polaroid print with the classic pure-white wide border around the photo, the bottom border slightly wider, the border fully in frame, clean and without writing. No tabletop outside the print, no scene of a hand holding the print, no extra frame or collage. Inside the photo the people are the subject, in a close-up composition from the waist up, with faces clear and natural; a small on-camera direct flash lights the people, the background is slightly darker, keeping real flash shadows, a moderate amount of analog film grain, a slight warm color cast and a soft vignette, giving the feel of a real candid snapshot of life. Only the two adults from the input photos appear: the man in reference photo 1 and the woman in reference photo 2. Both identities must be clearly preserved, with natural body proportions. Theme: Haldi turmeric pre-wedding photo. The man wears a bright yellow cotton kurta, and the woman wears a bright yellow lehenga with a light, thin yellow dupatta and small white-and-yellow flower earrings. The two stand in a bright courtyard decorated with orange-yellow marigold flower curtains. The woman uses the fingertips of one hand to gently smear a dab of turmeric paste on the man's cheek; the man laughs happily, looking at the camera, and the woman smiles with her face toward the camera, with both faces fully visible. Only a small amount of pale yellow turmeric marks is left on their cheeks, with facial features and original skin tone clearly visible. The other hand hangs naturally, with the relationship between both arms and fingers clear. The scene is lively and intimate, the flower curtains slightly blurred, the direct flash keeping natural shadows. No title, subtitles, readable text, date stamp, logo, watermark, interface elements or reference-image thumbnails inside the final photo. No extra people, extra limbs, comic style, plastic skin or heavy beautifying.

polaroidhaldicouple

South African Bride

High quality, real, HDR, HD, South African wedding dresses are usually white. In terms of design, wedding dresses decorated with African totems are usually made of cotton or linen

weddingbrideafrican

Cherry Blossom Dream

Keep the facial features of the person in the reference photo. A high-resolution dreamy portrait photograph in a close-up composition at eye level, with the subject surrounded by extremely dense cherry blossoms, the background almost entirely filled with a sea of pink flowers and plenty of blurred petals in the foreground forming an enveloping composition. The person is close to the camera, the face takes up most of the frame, and one hand gently supports the cheek. The expression is soothing, with a slightly shy smile and soft, clear eyes. The light is high-key soft light with almost no shadows, making the whole image translucent and glowing. The photography uses an ultra-wide aperture to create very strong foreground and background blur, giving a creamy bokeh effect, in a dreamy pink-and-white color palette.

cherry blossomdreamyclose-up

Alpine Voyage

A realistic, romantic double-exposure portrait that blends two intimate moments of a couple. The lower half of the frame shows the couple standing on the bow deck of a ship, with a sweet atmosphere. Close-up shot from a low angle: the two are on the bow deck in daylight, with the people and the bow both on the right side of the frame and the bow pointing toward the left of the frame; the white railings and the black hull structure are clearly visible; the man stands behind the woman, and both face the right side of the frame. The woman wears a classic Indian traditional lehenga choli (lehenga long skirt + choli short top + dupatta shawl) in sea blue, and the man wears traditional Indian clothing. The man and woman stand on the bow facing each other in an embrace, the woman's dupatta fluttering in the wind. The upper half of the frame overlays semi-transparent side-face close-ups of the woman from reference photo 1 and the man from reference photo 2. The background is snow-capped mountains and a deep blue sea in daytime, a pure and majestic atmosphere, reflected on the calm dark sea surface, a romantic and free mood, 8K resolution, photorealistic Use only the same people from the reference photos, preserving the original facial features, skin tone, age, gender, hairstyle, beard and glasses; where the original text explicitly asks for sunglasses, only replace the lens style. Do not make anyone look younger, do not add or remove beards, do not replace anyone with another person Identity constraints for each person: The woman in reference photo 1 keeps the original's eye shape, nose shape, face shape, mouth shape and short-hair silhouette. The man in reference photo 2 keeps the original's close-cropped hair length and the existing small mustache on the upper lip, with the cheeks, chin and jawline kept as in the original without a heavy beard; do not add sideburn-style beards, chin beards or long chin beards, and do not change short hair into long hair. In both the upper and lower images, each person's face and hairstyle match their own reference photo.

double exposurecoupleship

Red Party Saree

Keep the original appearance, facial features, skin tone, hairstyle and age of the person in the reference photo; the generated person is at exactly the same age stage as in the reference photo, with the facial age impression, height and body proportions all consistent with the reference photo. The person in the reference photo stands facing the camera, looking directly at the viewer with a natural smile, in a half-length portrait, with a soft and serene expression, wearing an age-appropriate red sequined Indian festive saree. The person is at a lively party in an Indian palace hall, with the guests in the background slightly blurred, warm lighting, a realistic photographic texture, and a clear, natural face.

sareeindian festivalpalace party

Portrait Echo

A warm, artistic portrait photograph in a vertical composition. The image uses a two-layer design: a realistic foreground figure plus a black-and-white portrait in the background. In the foreground, a model sits on a wooden floor, body turned slightly to the side, legs naturally bent, hands resting lightly on the legs, looking up to the upper right with a smile. The camera angle is a medium-low, front-side viewpoint, shot slightly from below, making the subject look more lively and endearing. The background is a clean, light-colored space, and on the wall hangs a huge black-and-white side-profile photographic portrait of the same person; the background portrait has a quiet, gentle expression that contrasts with the foreground. The overall look is a blend of color realistic photography and black-and-white photography, with restrained color and soft light, emphasizing emotional expression and a sense of story; the image is clean, refined, and full of commemorative meaning.

double portraitblack and whitestudio

Minimal Birthday

Keep the facial features of the person in the input image unchanged. Hyper-realistic 8K cinematic look. One person. A man wearing a black high-neck knit sweater with an off-white suit sits elegantly in a brown leather swivel chair, against a minimalist dark gray stone wall, on which floats the artistic lettering "HAPPY BIRTHDAY" made of silver metallic-look balloons. Beside him are three silver balloons, and on the black marble table in front of him sits a dark chocolate cake with burning silver candles. Realistic details: the suit fabric texture is clear, and the balloon surfaces reflect the high-end cool-toned indoor lighting.

birthdaysilver balloonsminimalist

Elegant Evening

The scene features a couple in high-end formal evening wear posing on a staircase, radiating a vintage 'old money' aesthetic. The male subject is dressed in a sophisticated white dinner jacket with peaked lapels, worn over a crisp white pl…

old moneycoupleformal wear

Epic Strength

Hyper-realistic close-up portrait of a man, cinematic natural light, 8K ultra HD, photo-level realism, shallow depth of field, blurred background to make the subject stand out. 【Composition and Pose】 Close-up of the face and upper chest of an epic-looking Indian man looking straight into the camera, with deep, resolute eyes and a regal, majestic aura. 【Styling and Details】 - Hair: thick, dark brown long curly hair, fluffy and natural, partly damp, with a natural sheen, abundant volume, full of wildness and divinity. - Face: dark brown skin tone, strong, sharply defined features, a thick mustache and short stubble, and a red bindi (tilak) on the forehead accented with gold powder, sacred and eye-catching. - Clothing and accessories: wearing a teal-green traditional long robe with ornate gold embroidery and beadwork on the edges and collar, the fabric silky and draping, half open to reveal a strong chest; around the neck, multiple layers of necklaces, including a natural-stone beaded necklace, a gold pendant, and a tasseled gold chain, rich in detail and full of royal nobility. 【Scene and Background】 The background is a soft, blurred light tone, creating a hazy, dreamlike atmosphere that highlights the main subject, as if in an ancient palace or a sacred ritual scene. 【Lighting and Color】 Cinematic soft natural light falls evenly on the face from the front, forming delicate highlights on the hair strands, embroidery, and gold jewelry; the overall palette is dominated by teal-green, gold, and warm brown, vivid yet harmonious, with a very strong atmosphere. 【Texture Details】 The strand texture of the curly hair, the skin texture, the sheen of the embroidery, and the details of the beads are all clearly visible; the image is clean and refined, with a charm interweaving epic grandeur and divinity. Use only the same person from the reference photo; preserve the original facial features, skin tone, age, gender, beard, and glasses; do not make them younger, do not add a beard, and do not replace them with someone else.

close-upindian royalcurly hair

Royal Lotus Barge

Using the same adult man from reference photo 1 and the same adult woman from reference photo 2, generate a couple's photo in a lavish Indian royal style. Strictly preserve each person's original facial feature proportions, face shape, true skin tone, age, hairline, hairstyle, beard, glasses status, and body type; do not swap or blend the faces, and do not whiten the skin, slim the body, or make anyone look younger. Change only the clothing, jewelry, pose, and environment. Each person's appearance must be based only on these two original photos; the palace setting and identities are original fiction. Both faces must be clear, unobstructed, and looking naturally at the camera. Scene: a Rajasthan-style royal pleasure boat on a lake, with a low carved gilded gunwale, a small coral-pink silk canopy, and two embroidered cushions; a few lotus leaves on the calm lake water, the outline of a white palace in the distance, soft daylight that is still bright in the early evening; the scale and structure of the boat are believable. Clothing: the man wears a long coat of finely woven brocade in copper-gold and light champagne, with cream trousers, and wears a pearl strand necklace and a gold brooch; the woman wears a silk sari in coral pink and warm gold embroidered all over with tiny lotus flowers, with a gold-trimmed blouse, and wears a pearl kundan necklace, matching earrings, and gold bangles. The fabrics drape naturally, and the embroidery remains rich and eye-catching. Action and relationship: the two sit side by side at an angle on the soft seat at the edge of the boat; the man rests one hand on the low gunwale while the other hand gently holds the woman's hand between them; the woman turns her upper body slightly toward the camera, her shoulder lightly touching the man's; their bodies do not strike exaggerated poses, and the two look at the phone taking the photo, with close, affectionate expressions. Composition: a medium shot down to the knees, taken from the opposite side inside the boat at the same height, keeping the carved edge of the canopy, the low gunwale, and a stretch of the lotus lake; faces and clothing dominate, and it must not look like a sofa floating on the water. The focus this time is a very lavish yet believable Indian royal aesthetic: real embroidery, heavy brocade, richly layered jewelry, and finely carved palaces, so that the clothing, accessories, and space look luxurious at a glance. Keep the physical texture of real people and actual materials; the clothes have weight and natural folds, and gems and metals show only moderate, realistic reflections. The photographic quality is like a nice photo a friend carefully took with an ordinary phone: the phone's main-camera perspective, available light, people and background mostly clear, retaining pores, skin-tone variation, texture under the eyes, and small stray hairs, with no retouching or skin smoothing, no studio-style sculpted lighting, and no cinematic filter. The poses differ from set to set, with relaxed expressions and natural smiles, not all facing the camera stiffly upright. Vertical 4:5; the two adults are the only main subjects. No Western wedding dress, Western crown, armor, scepter, sacrificial or wedding ceremony, wedding garlands, face-covering veil, exaggerated long cape, real royal emblems, brand logos, text, watermarks, or interface. No extra full faces in the background or mirror clones, no face blending, influencer-face look, plastic skin, excessive HDR, strong background blur, strong orange-teal color grading, game rendering, illustration, AI oil-painting texture, over-sharpening, or fake coarse grain. Hands and poses must be anatomically correct, and the two people's hands must not blend together; avoid extra arms, duplicate palms, deformed fingers, and fabric merging with the body.

indian royalcouplelake boat

Silk Kimono Bride

High quality, real, HDR, HD, Japanese wedding dresses are usually white, kimono wedding dresses with exquisite embroidery, traditional and elegant. The material is usually silk or cotton and linen Negative prompt: Low quality, watermark, mosaic, nudity

kimonojapanese weddingbride

Market Morning Errand

Using the same adult man from reference photo 1 and the same adult woman from reference photo 2, generate a very ordinary, natural phone snapshot of an Indian couple. Accurately preserve each person's face shape, facial features, skin tone, age, hairstyle, beard, glasses status and natural body type; do not swap or blend identities, do not slim them down, do not make them look younger, and do not turn them into retouched models. The only subjects of the frame are these two people. Scene: an ordinary open-air vegetable morning market in an Indian residential area, a stall of okra, tomatoes and green beans under a green shade canopy, with old plastic crates, a weighing pan and a parked bicycle beside it. Ordinary diffused morning light. Clothing: the man wears a mustard-brown short-sleeved cotton-linen shirt and light khaki trousers; the woman wears an indigo small-floral-print cotton kurta and off-white salwar, with a thin off-white dupatta casually draped around her neck. The clothes are ordinary and slightly wrinkled. Action and relationship: the two stand beside the vegetable stall, busy buying vegetables. The woman bends forward slightly, picking up a small bunch of green beans from the stall with her right hand and holding a cloth shopping bag in her left hand; the man leans in sideways next to her, holding a paper bag of tomatoes in one hand. Their bodies do not face quite the same direction; hearing a friend traveling with them call out, they look up at the camera together, smiling lightly and easily. Shot composition: a close two-person composition from the top of the head to below the waist, with a corner of the vegetable stall naturally blocking the bottom edge of the frame; both bodies and both faces are unobstructed. This is an everyday moment casually snapped by a familiar friend or family member with the rear main camera of an ordinary phone. Both faces are natural, clear and unobstructed, with eyes looking at the phone; the smiles are slight, genuine and unforced. The composition has the slight imperfection of a casual snap, not strictly centered or symmetrical; the slight wide-angle perspective of an ordinary phone main camera, with basic sharpness on both the people and the everyday background, no portrait mode and no creamy bokeh. Ordinary on-site lighting, with slightly uneven brightness on the faces, and a little natural overexposure allowed in the distant bright areas. Keep pores, small blemishes, under-eye texture, flyaway hairs, clothing wrinkles and slight phone noise-reduction grain; ordinary colors, presenting an unretouched, un-beautified album photo. Vertical 4:5. No studio lighting, cinematic color grading, golden-hour backlight, exaggerated HDR, skin smoothing or beauty filters, influencer faces, elaborate hair and makeup, wedding attire, romantic posters, or stiff lined-up posing. No exaggerated big laughs, forced head tilts with cheeks pressed together, repeated symmetrical gestures, extra arms, extra fingers, or props fused with bodies. Do not use heavy blur, stains or scratches to fake realism. No text overlay, watermark or interface.

indian couplephone snapshotvegetable market

Sapphire Echo

A composite of two semi-transparent layers dissolved over each other, one above the other. The upper layer is a semi-transparent ghosted close-up of the person's head and shoulders seen from the front; the lower layer is a side-view medium half-body shot of the person. The hairstyle, makeup, clothing, jewelry and accessories of the person in the two layers are completely identical. The person in the lower layer is in the lower half of the frame, body turned sideways toward the left of the frame, head looking back at the camera, with a gentle smile, hands resting naturally in front of the body, wearing a royal blue pearlescent satin traditional saree outfit, with delicate white floral embroidery accents on the body of the garment, and heavily worked silver lace trim embroidered patterns along the edge of the shawl and the edges of the sleeves; the fabric is a fine, smooth, glossy satin. The upper layer is a semi-transparent dissolved mirror image of the same person, with the head facing the camera and the right hand gently brushing back strands of hair, in an elegant and gentle pose; the person wears a full set of sapphire and silver jewelry, including sapphire teardrop dangling earrings, a sapphire full-diamond collarbone necklace and a sapphire diamond-set bracelet, with clear, delicate, refined light makeup. The overall background is a city street at night, with distant soft, warm yellow and warm red round light spots of neon bokeh lights, a soft warm night atmosphere with soft side lighting, delicate, translucent, glossy skin texture, the royal blue satin clothing with refined, fine pearlescent reflections, and the overall color tone rich, premium royal blue, silver and gold. Strictly reproduce the upper-and-lower double-layer dissolved transparent structure, the person's pose and position, the clothing embroidery details, the full set of sapphire jewelry accessories, the night-scene light-spot blurred background, the lighting and colors, and the 8K ultra-HD realistic night portrait photography texture, with no distortion, no missing elements, fully replicating every detail of the original image.

double exposuresareesapphire jewelry

Noir Spotlight

Keep the facial features of the person in the reference photo. The protagonist wears a black turtleneck knit sweater, one hand resting on the forehead in a pensive pose, with a melancholy expression. The background is a minimalist black signature wall. A circular spotlight from the front side of the protagonist illuminates them, creating a spotlight effect, and while lighting the protagonist it forms a sharply contrasting circular bright halo on the poster wall behind. Extreme black-and-white tonality, high dynamic range, grainy cinematic texture.

black and whitespotlightturtleneck

Campus Weekend Walk

Using the same adult man in reference photo 1 and the same adult woman in reference photo 2, generate a natural phone photo of an Indian couple. Strictly preserve each person's original facial feature proportions, face shape, real skin tone, age, hairline, hairstyle, beard, glasses status and body type; do not swap or blend the faces; do not whiten, slim down or make them look younger. Change the clothing as described below. The people take their appearance only from the two original photos; the home and royal-style scenarios are all original fiction. Scene: A shaded pedestrian path on an Indian university campus, beside a stone-built corridor, a courtyard lawn, an old wooden notice board and a few ordinary bicycles. Ordinary natural afternoon daylight, with real signs of campus use. Clothing: The man wears a light blue Oxford cotton shirt and light khaki trousers, with an ordinary unbranded laptop bag on his back; the woman wears a light sage-green linen shirt and off-white wide-leg trousers, with a small dark brown leather shoulder bag, and holds a thin notebook in her hand. Action and relationship: The two adults walk slowly across the campus, one half a step ahead of the other; the man holds his bag strap with one hand, and the woman naturally tucks the notebook under one arm; they have been called over by friends walking with them, their steps have just stopped, and they turn to look at the phone with relaxed shoulders and ordinary everyday smiles. Composition: The photographer approaches from the front-side and takes a single shot, showing both people from above the thighs, with bodies slightly offset and a sense of movement, faces clear, without excessive motion blur. The overall look continues the already confirmed ordinary phone snapshot quality, a casual everyday photo taken in passing by a familiar family member or friend during a real activity. Both faces are clear and unobstructed, and both naturally look at the phone taking the picture, with relaxed expressions and slightly asymmetric faint smiles. The composition is not deliberately centered, and the horizon may have a very slight casual tilt; the slight wide-angle perspective of an ordinary phone main camera, with both people and the background retaining basic sharpness, no portrait mode, no creamy bokeh. Use only the scene's natural light or everyday lamps; facial brightness may be slightly uneven, and bright backgrounds may be a little naturally overexposed. Keep pores, small blemishes, under-eye texture, natural flyaway hair, clothing wrinkles and slight phone noise-reduction grain, like an unretouched everyday album photo. The environment and clothing are refined and textured, but the people are still in an ordinary-life state. Vertical 4:5, medium-close shot of two people. No professional lighting, wedding photography, luxury advertising, fashion editorial, cinematic color grading, strong golden backlight, excessive HDR, skin-smoothing beauty filter, influencer face, stiff standing pose or standard symmetrical posed shot. No large brand logos, real royal emblems, staff lined up, text overlay, watermark or interface. No crown, wedding garland or exaggerated dramatic cape. Avoid extra main subjects, extra arms, duplicated hands, deformed fingers, fabric fused with the body. Do not fake the phone look with heavy blur, scratches, dirt or coarse grain.

couplecampuscandid

Sandstone Royal Pavilion

Using the same adult man from reference photo 1 and the same adult woman from reference photo 2, generate a couple's photo in a lavish Indian royal style. Strictly preserve each person's original facial feature proportions, face shape, true skin tone, age, hairline, hairstyle, beard, glasses status and body type; do not swap or blend faces, and do not whiten, slim or make anyone look younger. Change only the clothing, jewelry, pose and environment. The people's appearance is based only on these two original photos; the palace scene and identities are original fiction. Both faces must be clear, unobstructed, and naturally looking at the camera. Scene: a sandstone palace chhatri pavilion on the edge of the Rajasthan desert in India, honey-colored carved stone pillars, fine geometric lattice windows, part of a scalloped dome, layered palace walls and dry hills in the distance, a deep red gold-thread brocade spread over the stone bench, clear bright late-afternoon daylight, avoiding strong yellowish sunset tones. Clothing: the man wears a deep chestnut-maroon sherwani covered in gold-thread medallion motifs and ivory trousers, a Rajasthani-style wine-red turban with an emerald sarpech brooch-style ornament and a short feather plume, with forehead and facial features unobstructed, and a pearl necklace; the woman wears a richly worked deep teal-green and antique-gold Gota Patti lehenga, with a gold-bordered dupatta draped naturally over her shoulders without covering her head, and wears emerald and polki necklaces, jhumka earrings and stacked gold bangles. Pose and relationship: the man sits on one side of the brocade stone bench with his upper body leaning naturally slightly; the woman stands close beside him and leans lightly against the edge of the bench, with one hand resting lightly on his shoulder, while the man gently holds the underside of her wrist and rests his other hand on his own knee; both look at the camera with close, gentle smiles, without regal sternness. Composition: medium shot from mid-thigh up, one seated and one standing for a natural height difference, shot with a phone at eye level and slightly from the side, keeping the carved stone pillars and a small stretch of distant hills; the headdress is fully included and the faces are large enough. The focus this time is a very lavish yet believable Indian court aesthetic: real embroidery, heavy brocade, richly layered jewelry and a finely carved palace, so that the clothing, accessories and space look luxurious at a glance. Keep the physical texture of real people and actual materials; clothes have weight and natural folds, and gems and metal show only moderate, realistic reflections. The shooting quality is like a nice photo that a friend carefully took with an ordinary phone, from the phone's main camera perspective, with on-site light, people and background mostly clear, keeping pores, skin tone variation, texture under the eyes and fine flyaway hairs, with no retouching or skin smoothing, no studio-style sculpted lighting and no cinematic filter. The poses differ from set to set; expressions are relaxed with natural smiles, not uniformly facing the camera in a stiff upright stance. Vertical 4:5, the two adults are the only subjects. No Western wedding dress, Western crown, armor, scepter, sacrificial or wedding ceremony, wedding garlands, face-covering veil, exaggerated long cape, real royal emblems, brand logos, text, watermarks or interface. No extra full faces in the background or mirror clones, no blended faces, influencer-style faces, plastic skin, excessive HDR, strong background blur, strong orange-teal color grading, game rendering, illustration, AI oil-painting look, over-sharpening or fake coarse grain. Hands and poses must be anatomically correct, the two people's hands must not merge together, and avoid extra arms, duplicated palms, malformed fingers, and fabric fusing with bodies.

royal couplerajasthanipalace

Java Rain

A vertical double-layer overlay composition of a traditional-style rainy-night wedding photo. The overall environment is a dark night scene, with fine raindrops covering the entire frame; crystal-clear water droplets cling to the people's skin and clothing fabric with moist, glossy reflective highlights, and warm candlelight ambient light sets the mood. On the left and right sides of the frame are enlarged close-up faces of the two people, their foreheads pressed tightly together and their eyes lightly closed, with a gentle, serene expression. The woman on the left has a hair bun adorned with an ornate gold openwork headpiece and pink-and-white flower accessories, wears heavily crafted gold gemstone earrings and a multi-layered diamond-studded necklace, and is dressed in a light pink-champagne lace embroidered gown, its body covered in exquisite three-dimensional beaded embroidery patterns; the man on the right wears a black-and-gold floral-wrapped head cloth and a dark brown stand-collar traditional top with gold-trimmed embroidery, with a round gold ornament at the collar. In the center of the frame is a complete full-body portrait: the man and woman stand barefoot on a shiny, water-covered stone floor that reflects warm yellow lamplight, facing each other, both raising their hands and joining their fingertips at chest level to form a heart shape. The woman wears her hair in an updo with the same gold and pink flower accessories, a light pink lace long-sleeved top, a wide gold waist belt, and below it a traditional long skirt with intricate gold botanical patterns on a black base; the man wears the same black-and-gold patterned head cloth, a dark brown embroidered top, and a wrap-style black-and-gold bottom with the same pattern. In the background is an ancient stone temple building, with retro openwork lanterns lit with warm light placed on both sides of the stone steps, the warm yellow lamplight blurred and hazy in the dark rainy night. The overall lighting is local warm fill light in a dark ambient setting, with a main color palette of champagne pink, dark brown, black-gold and warm orange candlelight; the lace, beading and brocade fabric textures are fine and realistic, the raindrops are translucent and three-dimensional, and the retro atmosphere is romantic and solemn. Ultra-realistic wedding portrait photography, 8K high-definition quality, no watermark, no play icon, no extra clutter, natural limbs without deformity.

weddingraindouble exposure

Tiger Shoulder Selfie

Keep the person's appearance and clothing consistent. First-person POV selfie, close-up (phone not visible). The person looks straight at the camera with an expression full of calm and surprise. A fierce tiger docilely rests its huge head on his shoulder, its mouth slightly open, showing a pink tongue, as if greeting the camera. The background is a heavily misty Borneo rainforest, with towering emergent trees and tangled vines looming in the fog. Cool-toned early morning light, a faint Tyndall effect, extremely high detail, the image having the real randomness of a handheld selfie.

selfietigerrainforest

Boss Sofa Portrait

Keep the person's appearance consistent. Close-up, the person's face clear in frontal view, body leaning forward, wearing sunglasses, with a commanding presence, in a denim shirt, sitting on a black leather sofa, the background a diamond-quilted sofa, cinematic lighting, high contrast, gangster boss aura, 8K ultra-realistic, rich layers of light and shadow on the face, cold and oppressive intimidation turned up to the max. Use only the same person from the reference photo, keeping the original facial features, skin tone, age, gender, beard and glasses; do not make them younger, do not add a beard, do not replace them with someone else.

sunglassesleather sofacinematic

Midnight Pillow Selfie

Realistic cinematic portrait: the person in the reference photo lies prone on the bed at night, taking a selfie with an iPhone. Keep the hairstyle and clothing of the person in the reference photo unchanged. The right hand supports the chin, and the eyes gaze intently at the phone screen with a thoughtful look. The phone's cool blue light illuminates the face, forming a subtle glow on the skin. The person's arm rests on a pillow with a gray geometric pattern. The background is a bright bedroom, with beige vertical-striped curtains and a dark wall, and a shallow depth of field blurs the background to make the subject stand out. The person's face is lit by the slight cool light of the phone screen. Bright facial lighting, high detail, 8K resolution, soft facial highlights, conveying the lazy warmth of cozy cuddling deep in the night.

night selfiebedroomcinematic

Solitary Panther King

Keep the facial features of the person in the photo. Black-and-white aloof portrait style, ultra-fine 8K quality, vertical medium-shot composition, with the man and the black panther as the core of the frame. The man sits on a low step with his legs slightly apart, one hand supporting his body as he leans lightly against the seat and the other hand hanging naturally, his body leaning slightly forward and his head tilted and raised a little, his sharp gaze looking straight into the camera, with well-defined shoulder and neck lines and a lofty, commanding presence. The black panther lies prone beside the man, its body slightly curled, its tail wrapped around the man's legs, its eyes sharp and cold, the muscle lines and fur texture clear, radiating a sense of protection and wild power. The man wears a black modern, reworked Indian traditional men's formal outfit, slim and sharply tailored, with subtle tone-on-tone embroidery on the shoulders and cuffs, in a heavy, lustrous fabric, high-end and commanding overall, and wears a simple silver ring and bracelet. The background is a high-end black-and-white portrait photography studio scene, a gray-to-white gradient combined with thin mist and abstract architectural lines; the lighting alternates soft side light with slightly hard backlight, outlining the folds of the clothing, the shoulder and neck lines and the texture of the panther's fur, with clearly layered light and shadow, overall in low-saturation black, gray and dark gray; the atmosphere of the image is dark, mysterious, lofty and commanding, the clothing texture, skin texture and the panther's fur are clearly visible, strengthening the protective power and kingly aura between the man and the panther, presenting an ultimate high-end portrait blockbuster feel.

black and whiteblack pantherstudio portrait

Butterfly Touch

Keep the facial features and hairstyle of the girl in the reference photo. A moonlit garden, close-up half-length shot. The subject wears a lehenga-style gown with blue-and-silver butterfly beadwork, her right hand reaching up to gently touch a flying butterfly, the butterfly patterns on the skirt glowing faintly, with moonlight and flower vines in the background, 9:16.

butterflylehengamoonlit garden

Leaf Frame Shades

Realistic portrait photography, face close-up. The person from the reference photo stands among leaves, hair slightly messy and fluffy, wearing narrow-frame rectangular sunglasses with thin metal temples, the lenses dark but retaining a little ambient reflection, wearing a loose white linen shirt with the collar slightly open and a thin silver chain, with a calm, restrained, slightly pensive expression, head turned slightly to the right, gaze directed to the right of the frame. The foreground has large areas of blurred leaves blocking the view, forming a natural frame on the left and at the bottom; the background is a warm golden outdoor environment, with tree shadows and sunlight passing through the leaves casting dappled light spots on the forehead, the bridge of the nose and the cheeks; the overall tone is a golden-green warm tone, full of afternoon sunlight, airiness and a slight film feel. Shallow depth of field, strongly blurred background, real skin texture, real metal-frame reflections, 85mm portrait lens effect, subject centered and slightly high in the frame, clean and refined composition, lifestyle magazine cover quality, ultra sharp, strongly restoring the temperament and atmosphere of the reference photo. Use only the same person from the reference photo, keep the original facial features, skin tone, age, gender, beard and glasses; do not make them younger, do not add a beard, do not replace them with someone else

close-upsunglassesgolden light

Fashion Studio Poise

Vertical 9:16, ultra-realistic male studio fashion portrait, a man sitting on a minimalist off-white sofa, the subject centered, composed as a full seated pose, with everything from the top of the head to the crossed legs and white shoes clearly visible, the figure taking up about 82% of the frame height; no close-up half-length shot, and do not crop the hands or shoes. He sits cross-legged on the sofa, one leg crossed over horizontally and the other bent naturally downward, both hands resting naturally near the knee and shin, the posture relaxed and elegant, the expression gentle and composed, looking straight at the camera. He wears a camel-brown / caramel-brown slim-fit suit, with a white shirt underneath, collar slightly open, no tie; on his feet, off-white loafers. A gold watch on his left wrist and a gold ring on his hand. The suit color must be warm camel, cinnamon brown, caramel brown, not dark coffee, not black, not gray. The background is strictly a clean, bright yellow studio wall, in saturated warm yellow, mango yellow, with no texture; the sofa is a light off-white long upholstered sofa with a low backrest and simple lines. The lighting is even, soft studio light, the face is clear, the sofa and background color blocks are clean, the overall tone is bright and fashionable, with the yellow background and camel suit forming a warm color pairing. 85mm portrait lens feel, realistic fabric texture, studio fashion portrait, ultra realistic, high detail.

studio portraitfashioncamel suit

Saree Waterplay

Keep the facial features of the person in the reference photo. Ultra-realistic portrait photography, medium close-up to half-length composition, with the subject close to the camera and filling a large part of the frame. A woman sits in front of a wet stone-step water feature, positioned in the center of the frame slightly to the right; the camera is slightly above her chest level, nearly eye-level and shooting slightly downward; the subject is in frame from the top of her head to around her knees, her face clear and centered; her right hand reaches out toward the front of the camera, palm up, catching water or gently splashing it; in the foreground there are many splashing water droplets, both sharp and blurred in alternation, creating a strong sense of depth and a dynamic moment; the woman looks at the camera with a quiet, gentle gaze and a shy smile, with a small black Indian bindi at the center of her forehead and a small gold bindi below it, a small black mole near her chin, fair skin, natural makeup, light eyeliner, pale rose lips; her hair is thick, jet-black and long, slightly damp, naturally combed back and fluffy at the crown, with the hair at the back hanging down, and messy wet strands on both sides of her cheeks clinging near her forehead and the side of her face, with real hair strand detail clearly visible; she wears a traditional Indian saree, the top being a black short-sleeved blouse with a fine gold-thread check pattern, the sleeves slightly puffed and the cuffs with wide gold embroidered borders, a vivid deep-red saree fabric draped diagonally across the chest, the red fabric with a dense fine gold weave, its edges a wide black-and-gold embroidered border with traditional Indian floral patterns and a gold brocade texture, and below it the black saree skirt visible with gold-line check pattern and dark-gold embroidery, the fabric slightly glossy and naturally creased when wet; she wears traditional gold jhumka drop earrings, a fine gold necklace with a small pendant, black bangles and a fine bracelet on her wrist, the jewelry having real metal reflections but not exaggerated; the background is wet gray-brown stone steps or a stepped fountain, with a shallow stream of water flowing slowly between the steps, the background softly blurred with a shallow depth of field, the water-surface reflections, stone-step texture and scattered water droplets visible, the overall setting resembling an Indian outdoor pool or temple steps; the lighting is bright natural daylight, noon or afternoon sunlight illuminating the face and saree, the water droplets producing crystalline highlights, soft shadows but with real contrast, the skin with a natural sheen, and the wet hair and wet fabric with obvious reflective detail; the color tone is dominated by black, gold, deep red, warm brown skin tones and gray-brown stone steps, the red saree full and rich, the gold embroidery gorgeous and clear, the background in warm gray contrasting with the cool white of the water light, the overall color real and vivid but not over-saturated; the photographic style is high-end realistic portrait photography, Indian traditional-costume water-scene portrait photography, cinematic natural-light documentary photography, 85mm portrait lens or 70mm telephoto compression, f/1.8 shallow depth of field, the subject's eyes, face, jewelry and saree embroidery sharp and clear, the foreground water droplets partly in motion blur and round bokeh, real camera-shot texture, high-definition detail, real skin texture, real wet fabric folds, real water-splash physics

sareewater splashportrait

Roadside Moto Overhead

Hyper-realistic overhead portrait. The frame is shot vertically straight down from directly above: the person from the reference photo and a vintage motorcycle lie side by side on a deep black, rough asphalt surface; the background is almost entirely black, with fine grain, cracks and a wet, reflective texture.\nThe vintage motorcycle stands on the left side of the frame, placed lengthwise, front at the top and rear at the bottom, its black body with red trim lines, with the silver metal engine, exhaust pipe, spoked wheels, round headlight and rear-view mirrors clearly visible; the person from the reference photo is on the right side of the frame, lying lengthwise, head at the top and feet at the bottom, legs naturally crossed, parallel to the motorcycle, with a narrow black gap between them.\nThe expression is calm and gentle, looking at the camera head-on. The person's clothing stays consistent with the reference photo, arms crossed over the chest, legs naturally together, bare feet showing, a quiet pose with a slight fashion-editorial feel.\nThe overall colors form a strong contrast between the deep black background, the black-and-red motorcycle and the clothing; the light is soft overhead light with a slight sideways highlight, the person's face and the motorcycle's metal structure are clear, shadows retain detail, a real photographic texture, premium magazine editorial style, overhead composition

overhead shotmotorcycleasphalt

Monsoon Train Romance

Keep the original facial features of the person in image 1 and the person in image 2. Keep both people's facial proportions, face shapes and expressions consistent with the input images. The man on the left is the person in image 1, and the woman on the right is the person in image 2. The man wears a beige kurta; the woman wears a red saree with a gold border, gold jewelry and a red bindi. The man's body faces the camera squarely, the woman rests her head on the man's left shoulder, and the woman's hands hold the man's left arm. Both faces turn toward the camera, eyes looking at the camera, the corners of their mouths lifted. The background is train seats, with a rainy-night window appearing only at the right edge. Bright frontal light illuminates both faces, eyes and upper bodies; both faces are clear and sharp, luminous and textured. Bright light, the man bright, the woman bright, close-up shot

coupletrainsaree

Compass Forearm

Keep the person's features. [Daily life] The male lead wears a work shirt with rolled-up sleeves. There is a compass tattoo on his right forearm. The background is a sunlit station platform.

tattoocompasswork shirt

Punjabi Bridal Wedding

Create a photorealistic wedding portrait of exactly the two adults in the reference images. Image 1 is the man and image 2 is the woman. Use these photographs as the only identity references. Preserve both recognizable facial identities, natural skin tones, face shapes, eyes, noses, mouths, hairlines, facial hair, apparent ages and body proportions. Keep the man on the left and the woman on the right. They remain the same Indian individuals, with natural skin texture and believable gentle bridal grooming; no skin lightening, face replacement, de-aging or generic model faces. Replace their casual clothing with the specific attire below. Give them natural, comfortable body language, clear unobstructed faces and anatomically plausible hands. Make a vertical 4:5 medium portrait, approximately mid-thigh or waist upward, with sufficient space above both heads and around the shoulders for later cropping. Both faces should be turned toward the camera and recognizable. Use realistic wedding photography, coherent natural light, real fabric and jewellery textures, softly separated background and lifelike expressions. One photographic image with exactly two main people, no split-screen, illustration, text, watermark or decorative photo border. Avoid a Western wedding gown, tuxedo, church or champagne props. Regional character must come from the garments, textiles, jewellery and setting, never from replacing either face with a stereotyped regional face. Preserve any original facial hair, natural body build and mature features. Keep both people individually recognizable, with comfortable asymmetrical posture rather than rigid mannequin poses. Specific wedding look and scene: A Punjabi wedding couple in a heritage courtyard in Punjab. Retain the man's original Sikh turban wrap and his recognizable full beard; dress him in an ivory embroidered sherwani with a deep wine-coloured turban and matching stole. The bride wears a rich rose-pink Punjabi bridal salwar-kameez ensemble with a carefully embroidered dupatta covering the top/back of her head while leaving her full face visible. Include red-and-ivory chooda bangles, a few delicate kalire hanging naturally at her wrist and a modest central maang tikka. Capture a waist-up, intimate three-quarter portrait as she gently holds his forearm, both smiling toward the camera. A quiet brick-and-carved-wood Punjabi courtyard, soft pink floral strings and diffuse morning light. Keep their apparent ages and natural bodies, without de-aging or an overly fashion-model look.

weddingpunjabicouple

Boxer Soul

Keep the facial features of the person in the image. The protagonist is bare-chested, with loose sweatpants wrapped around the waist, and white boxing hand wraps on both hands. He stands sideways to the camera, abdominal muscles deeply defined, and the background is a professional boxing gym with red ambient lights, with highly dramatic light and shadow.

boxerboxing gymhand wraps

Seaside Lace Dress Portrait

Transform the person in the original photo into an elegant romantic seaside wedding fashion portrait. Preserve the person's face, identity, body shape, natural proportions, pose, camera angle, lighting direction, and overall photo realism. Dress her in a light blue lace dress with a refined floral lace overlay, smooth opaque lining, a tailored bodice, and a layered wave-shaped skirt. The skirt should flow naturally like soft ocean waves, with airy fabric layers, realistic lace texture, graceful movement, and elegant wedding-inspired styling. Add silver pendant earrings and one simple delicate necklace. The jewelry should sparkle subtly and remain refined. Apply elegant makeup with natural glowing skin, soft eye makeup, rosy blush, and refined pink lips. Style the hair softly and romantically, keeping the face clearly visible. Place her in a peaceful seaside wedding background with calm ocean water, a romantic floral wedding arch, white chairs, pale blue sky, soft beach light, and gentle coastal atmosphere. The final image should feel romantic, fresh, elegant, and suitable for professional bridal fashion photography.

weddingseasidelace dress

Gujarati Panetar Wedding

Create a photorealistic wedding portrait of exactly the two adults in the reference images. Image 1 is the man and image 2 is the woman. Use these photographs as the only identity references. Preserve both recognizable facial identities, natural skin tones, face shapes, eyes, noses, mouths, hairlines, facial hair, apparent ages and body proportions. Keep the man on the left and the woman on the right. They remain the same Indian individuals, with natural skin texture and believable gentle bridal grooming; no skin lightening, face replacement, de-aging or generic model faces. Replace their casual clothing with the specific attire below. Give them natural, comfortable body language, clear unobstructed faces and anatomically plausible hands. Make a vertical 4:5 medium portrait, approximately mid-thigh or waist upward, with sufficient space above both heads and around the shoulders for later cropping. Both faces should be turned toward the camera and recognizable. Use realistic wedding photography, coherent natural light, real fabric and jewellery textures, softly separated background and lifelike expressions. One photographic image with exactly two main people, no split-screen, illustration, text, watermark or decorative photo border. Avoid a Western wedding gown, tuxedo, church or champagne props. Regional character must come from the garments, textiles, jewellery and setting, never from replacing either face with a stereotyped regional face. Preserve any original facial hair, natural body build and mature features. Keep both people individually recognizable, with comfortable asymmetrical posture rather than rigid mannequin poses. Specific wedding look and scene: A Gujarati wedding portrait centred on a red-and-ivory panetar sari. The bride wears an ivory silk sari with a broad red border, a red blouse and a red gharchola-style ceremonial drape with a clear woven gold grid pattern. Add refined gold earrings, a small maang tikka and red-gold bangles; the drape must not cover her face. The groom wears a cream embroidered sherwani, a red bandhani safa and an ivory stole. They pause while walking side by side through a sunlit carved Gujarati courtyard, hands loosely joined low between them and both glancing toward the camera with happy, natural expressions. Ivory-and-red floral mandap decorations and a traditional carved doorway provide context, without filling the frame with unrelated religious props. Make the sari folds and the gharchola grid visibly different from a generic lehenga.

weddinggujaratipanetar sari

Garba Night

Generate a realistic, vertical, Indian-life-themed Polaroid instant-film snapshot. Use the person in the input photo as the only identity reference, keeping their real facial features, face shape, age, skin tone depth, hair color and natural skin texture; do not swap faces, do not blend two people's faces, do not make the person look younger, do not whiten the skin or change ethnicity. Adjust only the clothing, natural pose and environment according to the theme. The lighting must have the true look of a portable Polaroid's built-in direct flash: a frontal, close-range flash beside the lens lights the person, so the person is bright and the background slightly darker, with a clear natural flash shadow, and real skin texture is preserved. Present visible but moderate analog film grain, slight softening, limited dynamic range, a slight warm color cast and vignetting, like a casual keepsake snapshot taken by a friend. No professional studio soft light, no cinematic rim light, no soft natural-light portrait look, no excessive creamy bokeh, no plastic skin, no heavy retouching. The whole frame is a complete, front-facing classic Polaroid print, with clean pure-white wide borders all around and the bottom border slightly wider; the border is intact and carries no writing. Do not add a tabletop outside the print, a hand-held-print scene, a second photo or a collage. The person is the main subject of the photo with a clear face, and the composition range is chosen according to the specific theme. Theme: Garba Night, a Gujarati festival dance night. Only one adult woman from the reference photo appears; strictly keep her own face shape, skin tone, age and original short-hair silhouette. She wears a Gujarati-style chaniya choli in a royal blue and magenta color scheme, the fabric with fine small mirror-work pieces, embroidery and geometric patterns, paired with an odhni in the same colors with a decorative border and a long skirt falling naturally. She wears small traditional earrings and a few bangles, with the accessories not covering the face. She is doing a light, quick turning-and-clapping step of Garba, her body slightly turned, her hands gently clapping together naturally at the side of her chest, with the gesture clear and not covering the face, looking at the camera with a happy smile. Use a three-quarter-length composition from head to mid-calf, so that the outline of the spinning long skirt is clearly in the frame. Only the hem of the skirt and the edge of the odhni have slight motion blur, while the face and upper body are frozen by the direct flash; the skirt does not float in an exaggerated way, and the relationship between the limbs is natural. Do not draw Garba as the stick-holding Dandiya dance, and do not hold dance sticks. The background is a night festival courtyard, with a few warm string lights, flower garlands and a small patch of colorful rangoli decoration on the ground; the background is fairly dark, with no other clearly visible people. The frontal, close-range direct flash casts a natural shadow behind her, the mirror embroidery reflects slightly, and the real grain and festive candid-snapshot feel are preserved; do not make it a stage promotional poster. Neither the final photo nor the white borders should have titles, captions, readable text, date stamps, logos, watermarks, app interfaces or reference-photo thumbnails; no extra people, extra arms or fingers, wrong joints, or comic or 3D-rendering look.

polaroidgarbachaniya choli

Saree Spotlight

Keep the facial features of the person in the reference photo. The protagonist wears a peacock-green silk saree, body turned slightly to the side, right hand gently supporting the chin, gazing softly at the camera. The scene is a fashion runway; a clear round spotlight lights the protagonist from the front side and at the same time falls on the mirrored wall in the background, projecting a bright round halo, forming a spotlight effect, forming a spotlight effect. The silk fabric shows premium refracted highlights, with hyper-realistic skin texture.

sareerunwayspotlight

Sea of Roses

The subject is a confident male centered in the frame, whose facial structure, features, and overall demeanor must match the reference image exactly to ensure exceptional character consistency. He looks directly into the camera, displaying a serious, confident, and powerful expression. The person presents a cross-legged full-body pose, fully seated in a modern beige armchair, with hands elegantly resting on the top of the armrests. The perspective is a dramatic high-angle full-body shot from above. He wears a structured black single-breasted suit jacket paired with black trousers, and on his feet, he wears a pair of exquisite black couture leather shoes. He is positioned within a modern beige stone terrace environment (with marble flooring and limestone walls). The core and most overwhelming visual feature is that he is surrounded by gigantic, densely packed bouquets of deep red roses, distributed behind and on both sides of the armchair, nearly filling the entire terrace space, creating a sea of red effect. The lighting is bright, soft, and even daylight. This is a highly impactful cinematic photo, with vibrant colors (for the roses), strong contrast, 8k high resolution, and the exquisite quality of fine art photography.

rosesmale portraitblack suit

Quiet Reading Solitude

[Camera angle: eye level, shot size: medium shot] In a corner of a modern minimalist living room that is sunny yet carries a cool, quiet air, the subject, wearing an off-white chunky-knit sweater, sits alone in a comfortable single-seat sofa. He holds a book in his hands, his gaze directed far off-frame. His expression is extremely calm, the corners of his mouth flat, his eyes carrying a faint, lingering sadness and loneliness, as if in a silent conversation with the forlorn self in the mirror, full of literary air and quiet self-admiration. Soft sunlight lights his sharply defined profile with great clarity, his skin texture real and flawless, creating a strong, refined, cool and realistic quality. 50mm standard prime commercial lens, aperture f/1.8, the indoor plants in the background softly and completely blurred. The image is quiet, harmonious, rich in light, and full of melancholic aesthetics.

readingcozy sweaterminimalist interior

Midnight Blue Portrait

Preserve the facial features of the main subject in the input image. Realistic live-action photography style. The foreground subject is a color close-up portrait, seated with a slight sideways turn, hands naturally overlapped in front of the knees, wearing a midnight blue saree inspired long dress set, face clear; the entire background is a plain gray-black studio backdrop, with no visible seams or splits in the frame; behind the subject, overlay an enlarged black, white and gray portrait of the same subject as a double-exposure background, placed above the subject, face clear but with soft transparency; the whole image keeps only two visual colors, midnight blue and black-white-gray, with no other vivid colors, premium soft studio lighting, minimalist magazine cover quality, 3:4.

double exposurestudio portraitmidnight blue

Panther Guardian

Keep the facial features of the person in the reference photo. Dark yet gentle portrait style, ultra-detailed 8K quality, vertical close-up composition, with the person and the black panther as the core of the frame. The panther's two front paws rest on the man's shoulder, its body slightly curled, head slightly raised, gaze sharp and steady, with fur and muscle texture clearly visible. The man crouches slightly in the center of the frame, body leaning slightly forward, hands resting naturally on his knees, head slightly raised and looking straight at the camera, with defined shoulder and neck lines, a cold, aloof presence, and a steady, noble posture. The man wears a grayish-white long garment: a slim-fitting robe on the upper body with delicate tone-on-tone embroidery, the hem falling naturally, discreetly gathered at the waist, a shawl stirring slightly in the wind, and he wears a simple silver ring and bracelet that enhance the refined cold aura. The background is high-end studio style, with a gray gradient matte haze filling the whole frame; a soft light source combined with slightly harder backlight creates layering and dimensionality, reinforcing the cool, distant mood, with no clutter in the frame, highlighting the interaction between the person and the panther. Soft side light and slightly hard backlight outline the person's clothing folds, the lines of motion and the texture of the panther's fur; the dark blue and black clothing forms a subtle contrast with the gray matte background; the overall palette is low-saturation and cool-toned, black-gray and deep blue, the atmosphere dark yet gentle, mysterious, cold and aloof; the lace embroidery, skin texture and the panther's coat are clearly visible, reinforcing the contrast of strength between the person and the panther and the refined cold aesthetic

black pantherdark portraitstudio

Church Wedding Portrait

A couple is taking wedding photos. The man is wearing a black suit on the left side of the picture, and the woman is wearing a gorgeous white wedding dress with a veil on her head on the right side of the picture. The two are standing on the grass with a white church in the background. They look directly at the camera with happy smiles on their faces.

weddingchurchcouple

Coastal Red Supercar

Keep the facial features of the person in the image. The background is the sea, with sunlight shining down and a natural atmosphere. The person sits in the driver's seat, facing front, looking at the camera with a handsome, roguish swagger. Close-up shot, driving a luxury-edition red sports car, wearing a famous-brand watch on the wrist, with the watch-wearing hand resting on the edge of the car door. The person looks tall, rich and handsome, high definition

sports carseasideluxury watch

Monsoon Balcony

Realistic South Asian portrait photography, a rainy-day scene on the balcony of an old building: an Indian woman leans against an old windowsill / balcony railing, smiling and reaching out a hand to catch raindrops. The image has a warm, dark, cinematic tone; the background is mottled old walls, a wooden door, a narrow corridor and arched window frames, with shallow depth of field, and the setting has a damp, retro, quiet monsoon-season atmosphere.\nThe female subject is in the center-right of the frame, with a small red bindi on her forehead, wearing small gold earrings, a delicate necklace and bangles. She wears red sari or salwar-style traditional clothing, with a dark green shawl / dupatta over it, one side of the dark green fabric draped beside her hair and shoulder; the red-and-black palette is vivid but not garish. Her body leans forward, her left hand resting naturally on the old wooden railing, her right hand extended toward the upper right of the frame, palm up, catching the falling raindrops, her eyes looking at the rain above her palm, her expression bright and gentle with a natural smile.\nIn the foreground is an old wooden balcony railing, its surface worn, dusty and marked by dampness, with vertical balusters below. At the upper left is the edge of an arched window, and the wall is mottled with a plaster texture. On the right side of the frame, clear raindrops hang in the air, some near the camera forming crystalline highlights, with rain streaks falling from above. The background is in warm brown, gray-brown and dark red tones; her face is lit by soft natural light, and the clothing and skin keep a realistic texture.\nImage requirements: the figure is fully visible from the head down to the waist / railing; the right hand's rain-catching gesture is clear, the fingers natural; the raindrops, water beads, old wooden railing, arched-window wall and the details of the red-and-black traditional clothing are all clear; realistic photography, shallow depth of field, warm soft light, cinematic monsoon portrait, South Asian woman, old balcony, rain drops, natural smile, high detail, realistic skin texture.

monsoonrainsari

Night Rail Flash

Keep the face, hairstyle and original clothing of the person in the reference photo. A close-range three-quarter-length shot of a young man standing in front of a railing at night, one hand in his pocket and the other resting on the rail. The background is mostly black but keeps the railing and the night space; backlight comes through the strands of his hair and from behind his shoulders, while a direct on-camera flash lights up his face, arms and clothes. The pose is natural with a sense of movement, 9:16.

night portraitdirect flashbacklight

Midnight Rain

Use the two people in the image as the character reference. Keep each person's clearly recognizable facial features, hairstyle, skin tone and age, and naturally blend them into one complete scene. Generate the man and the woman from the image sharing a black umbrella on a rainy-night city street and kissing deeply. The man wears a long black coat and a slightly open white shirt; one hand holds the umbrella and the other holds the woman tightly around the waist. The woman wears a black coat with a fine sheen; one hand grips the man's collar and the other gently strokes the side of his neck. The two lean toward each other, lost in the moment in the curtain of rain, the image full of emotional tension that suddenly erupts after restraint. Dense raindrops fall on the umbrella and on both their shoulders; the wet street reflects blurred lights, and distant cars and street lamps become soft blobs of light. Rain runs down from the ends of their hair and along the contours of their faces, with a deep, hazy background. Vertical frame, medium shot from the waist up, cinematic camera position from the front side, the two taking up about 78% of the image height. High-contrast black-and-white photography, deep black shadows, silver rain light and soft facial rim light, a classic film noir romance look, no text, no watermark.

couplerainy nightblack and white

Cloud Cabin

Keep the facial features of the person in the reference photo. The subject sits in a leather swivel chair on a private jet, holding champagne. Outside the window is a golden sea of clouds.

private jetchampagnegolden clouds

Cricket Besties

Generate a realistic, vertical Indian-lifestyle-themed Polaroid instant-film snapshot. Use the people in the input photos as the only identity reference, preserving their real facial features, face shapes, ages, skin-tone depth, hair colors and natural skin texture; do not swap faces, do not blend the two people's faces, do not make anyone look younger, do not lighten skin or change ethnicity. Only adjust the clothing, natural poses and setting according to the theme. The lighting must have the true look of a portable Polaroid's built-in direct flash: a close, frontal flash next to the lens lights the people, who are bright while the background is slightly darker, with clear natural flash shadows, and real skin texture is kept. Show visible but moderate analog film grain, slight softening, limited dynamic range, a slight warm color cast and vignetting, like a casual keepsake snapshot taken by a friend. No professional studio soft light, cinematic rim light, soft natural-light portrait look, excessive creamy bokeh, plastic skin or heavy retouching. The whole image is one complete, front-facing classic Polaroid print with clean pure-white wide borders all around, the bottom border slightly wider, the frame intact and with no writing; do not add a tabletop outside the print, a scene of a hand holding the print, a second photo or a collage. The people take up the main part of the photo with clear faces; the framing range is chosen according to the specific theme. Theme: Cricket Besties. Only the two adult men from reference photo 1 and reference photo 2 appear, each keeping their own face shape, hairstyle, skin tone and personal identity; do not turn either of them into a woman and do not mix the two faces. The two wear simple navy-blue and sky-blue cricket sports shirts with no text, numbers or logos, standing shoulder to shoulder just after practice, slightly sweaty with natural hair, both looking at the camera with happy smiles. The man from photo 1 casually holds the handle of a real cricket bat in one hand; the bat is a wide, flat, light-colored willow cricket bat, blade pointing down and extending to the bottom of the frame, not blocking the face. The man from photo 2 has one hand resting naturally on his companion's shoulder, and with the other hand at his waist holds a small red stitched cricket ball. The relationship between their arms is clear, the fingers are natural, and the body proportions stay as their own, with no exaggerated muscles. Use a close-up from the waist up. The background of the night practice ground is slightly dark, showing a bit of green grass, practice nets and the outline of distant stumps. The in-camera direct flash is the key light on the people, giving the authentic feel of friends snapping a post-match Polaroid, without professional sports-advertising lighting or exaggerated athletic poses. No baseball bat, football, cricket helmet, spectator faces, team logos or any readable text. Neither the final photo nor the white borders should contain a title, caption, readable text, date stamp, trademark, watermark, app interface or reference-image thumbnail; no extra people, extra arms or fingers, wrong joints, or comic or 3D-render look.

polaroidfriendscricket

Desert Ranch

A man wearing a long black wool coat, a white crew-neck inner top, straight-leg dark jeans and chunky-soled Chelsea boots sits on a folding metal chair, both hands overlapped and holding a horse's reins, legs naturally apart, body leaning slightly forward, gaze directed to the side of the camera; the camera uses an eye-level, slightly upward angle, with the man occupying 60% of the frame, and a horse peeking out half its body from behind him to create layers; the scene is an open desert grassland, the ground dry cracked earth with sparse withered grass, the background leaving the sky blank, and the overall look is a high-contrast black-and-white texture.

black and whitehorsedesert

Dark Punk

Do not change the person's position or pose; change only the person's clothing, hairstyle and background. Realistic portrait, a man with a strikingly styled black hairstyle, wearing a black motorcycle leather jacket with silver studs and patchwork details, with accessories including layered silver necklaces, studded wristbands and a trouser chain. The background is a mist-filled dark forest with gnarled dead trees, the overall look dark and monochrome-toned, dramatic cinematic lighting, high contrast, sharp focus, 8K resolution, punk rock style, dark fantasy atmosphere

punkdark fantasyleather jacket

Golden Embrace

Using the user's uploaded image as the sole identity basis, strictly preserve the lead's original facial features, hairstyle, skin tone, age impression, build and natural proportions. Generate a 9:16 vertical, hyper-realistic cinematic city night portrait after rain. A tight close-up from the chest up, the man in the center wearing a black hooded sweatshirt, body facing forward, head turned slightly to the right, quietly gazing at the phantom behind him with a restrained expression.\nThe female phantom is at the right rear, leaning her head out beside the man's right shoulder and intimately embracing him from behind: one glowing arm crosses the man's chest, the palm resting lightly on his left shoulder and chest; the other arm wraps around the right shoulder and holds a full bouquet of deep-red roses in front of his chest. The phantom is made of a warm golden outline, translucent threads of light and particles, faintly showing the form of a sari, with the outline of her hair drifting lightly backward; the body is transparent yet structurally complete, and the roses keep a real petal texture. The man's profile, the phantom's outline, the embracing hands and the bouquet are clearly visible.\nThe background is an empty, wet city road, warm light from tall streetlamps and soft-focus city lights, with the asphalt reflecting a golden glow; the deep-blue night, black clothing, warm-gold phantom and deep-red roses form a romantic surreal cinematic color scheme. 50–70mm lens, shallow depth of field, light rain mist and film grain. Avoid the phantom turning into a real person, arms passing through the body, hands or figures merging, deformed fingers, roses changing color and extra people; no text, logo, watermark or interface elements.

rainy nightphantomred roses