Prompts for portraits and photographic scenes, from studio beauty shots to candid street and documentary images. They describe the subject, styling, lighting setup, lens, and mood in photographic terms. Swap the subject and wardrobe while keeping the lighting and camera language to produce a consistent series.
The male subject is styled in a luxurious, beige down-filled puffer jacket with a high collar, worn open to reveal a heavy-gauge charcoal turtleneck sweater underneath. The female subject exudes winter elegance in a form-fitting, cream-col…
Keep the facial features of the person in the photo. The main subject in the reference photo sits astride a deep red heavy motorcycle, wearing a leather vest, with a golden castle in the background and long hair gently moving. Image size 9:16.
Keep the person's head features consistent. Generate a hyper-realistic night-time outdoor birthday celebration portrait photograph: the person sits in the center on a park bench, the body facing the camera but the head turned slightly toward the right side of the frame, the face lit by the cake's firelight, the expression relaxed with slightly squinting eyes, as if blowing out the candles or feeling the heat of the flames. In the person's left hand is a bottle of dark green champagne, the mouth of the bottle pointing up and slightly to the left, the foam or champagne inside spraying out to form a tall vertical column of mist that shoots upward from the left side of the frame; the spray is a warm orange, semi-transparent, lit by the lights, with tiny droplets clearly visible. In the person's right hand is a round, dark chocolate birthday cake resting on a tray, at chest height on the right side of the frame. The cake has several lit birthday candles, the candle flames are very bright and form an intense orange-white beam of flame shooting horizontally toward the right side of the frame, the edges of the flame diffusing and the center slightly overexposed, like the effect of birthday candles and a spray-flower flare suddenly blown bright. The background is a city park at night; behind the person is a wooden bench running horizontally across the middle of the frame, with black metal armrests and a backrest. In the distance are silhouettes of dark tree branches, blurred building outlines, and bokeh from street lamps and car lights, forming small round bokeh light spots in white, yellow and red. There is a little snow or light-colored patches on the ground and under the bench, and the overall environment is cold and dark. The main light of the image comes from the cake candles and flames; intense warm orange firelight illuminates the person's face, hair and upper body, with clear orange-yellow highlights on the face, while the dark areas still keep their night-scene shadows. The champagne spray is lit by the firelight and street lamps, forming a glowing golden column of mist. The background overall is deep and dark, with only street-lamp bokeh and a few city light points; do not light the environment too brightly. A high-contrast night scene, with the warm firelight forming a strong contrast against the cold, dark city background, slight motion blur, and real high-ISO grain.
A professional portrait of a young woman. She looks directly at the camera with a natural expression. She wears a black blazer over a white button-down shirt. The background is a softly blurred modern office or urban setting with large windows and soft natural light.
A vertical medium-shot outdoor portrait photoshoot at golden sunset hour with a backlit setting, warm sunlight shining from behind the subject and forming a soft, bright golden rim halo along the edges of her hair; she stands gracefully, her right hand gently raised with the palm facing up, an exquisite, vividly colored blue-purple butterfly hovering above her palm, her eyes lowered tenderly toward the palm; she wears a light gray-green, translucent sheer saree, its surface scattered with a large number of golden sparkling floral embroideries, the saree border trimmed with intricate, gorgeous gold-thread beaded embroidery, with a matching V-neck short-sleeved blouse covered all over with exquisite heavy beadwork; she wears layered, stacked gold and pearl bangles, pendant bell earrings and a luxurious full-diamond short choker necklace, her left hand lightly gripping the saree fabric, with a simple slim ring on a finger; the background is a blurred outdoor garden, with branches covered in small white flowers in the upper left corner, a large hazy patch of orange-red flowers on the left, and soft warm golden bokeh light spots in the background; the sheer fabric is light and translucent, the embroidery texture delicate and three-dimensional, soft warm backlight, shallow depth of field with a blurred background, film texture, ultra-realistic high-definition photographic quality, fully recreating the figure's pose, the hovering butterfly, the complete set of jewelry and accessories, the saree embroidery details and the dusk garden atmosphere.
Using the adult woman in the input photo as the sole identity reference, generate a vertical instant-film snapshot genuinely shot with the built-in direct flash of a portable Polaroid camera. Strictly preserve her real facial features, face shape, age, skin tone, hair color and natural skin texture; do not swap the face, do not whiten the skin, do not make her look younger, do not redesign the face. Scene and styling: She wears an off-white Kerala-style kasavu saree with a thin gold border clearly visible, a simple warm-gold blouse and small gold jhumka earrings. Keep her original hair color and hair texture; her hair is tied up naturally at the back, with a small ring of real white jasmine flowers (a gajra) beside the bun, the flowers not covering her face. She stands on the porch of a traditional Kerala house with a dark wooden door, her body naturally turned slightly, her face toward the camera, with the natural smile of someone caught off guard when a friend or relative suddenly raises a Polaroid; her hands rest relaxed in front of her waist. The camera is very close to her, in a head-to-waist souvenir-snapshot composition, with the person taking up the main part of the photo, keeping the slight imperfection of a casual grab shot. Decisive Polaroid lighting: it is a dim evening after the sun has set, the ambient light on the porch is very weak, and the wooden door and courtyard behind her are noticeably dark. The only key light is the built-in flash right next to the lens, firing straight at her from the front, clearly producing a bright subject, a slightly harsh frontal flash, a crisp hard-edged shadow on the wooden door behind her head and shoulders, and the saree folds, jasmine flowers and natural skin texture lit by the flash. Facial detail is retained, but there is a clear flash exposure difference between the person and the dark background. No soft window light, daylight backlight, rim light, soft studio light or creamy background blur; do not present the soft lighting of a professional portrait or wedding photography. Genuine instant-film texture: visible but natural analog film grain, slight softening, limited dynamic range, a slightly warm look with a touch of yellow-green color cast, and slightly darkened corners. The distant courtyard is only a dim bit of green leaves and wooden-structure outlines, not a bright, transparent daylight garden, and no large round bokeh appears. The photo has both a casual, life-snapshot feel and a clear recognizability of her, not a high-definition commercial-ad-style retouch or plastic skin. Layout: The whole image is a front-facing, complete classic Polaroid print, with clean pure-white wide borders all around and a slightly wider bottom border, the photo window keeping a slight film vignette, and all four corners intact. Nothing is written on the white border, and do not add a tabletop outside the print, decorations, a hand holding the print, a second photo or a collage. Only this one woman appears; no text, date stamp, watermark, logo, interface, extra people, extra limbs or small reference-photo window.
Using the same adult man from reference image 1 and the same adult woman from reference image 2, generate a natural phone photo of an Indian couple. Strictly preserve each person's original facial feature proportions, face shape, true skin tone, age, hairline, hairstyle, beard, glasses status and body type; do not swap or blend faces, do not whiten skin, do not slim down, do not make anyone look younger. Clothing is changed as described below. The people rely only on the two original images for their appearance; the home-life and royal-style scenarios are both original fiction. Scene: beside a tennis court at a sports club in an Indian residential area, with a green court, an ordinary net, a shaded rest bench at the side and a sports bag, and the club building in the background. Ordinary daytime on-site light, like a rest-break photo after playing tennis. Clothing: the man wears a white short-sleeve sports polo shirt and navy sports shorts; the woman wears a light purple collared sports top, white loose sports trousers and ordinary sports shoes. The clothes have natural movement wrinkles and no brand logos. Action and relationship: the woman sits on the courtside bench, one hand holding an ordinary water bottle resting in front of her knees; the man stands beside her, bending his knees slightly and leaning over so that the two faces are at nearly the same height, one hand gripping the racket handle, the racket head pointing down and resting on the ground beside them. The two look at a friend's phone and smile slightly, not making a match-style swing. Composition: shot from diagonally in front of the bench, from the top of the head to above the knees, with the court and the lower end of the racket appearing naturally; the people are not over-polished or turned into a sports advertisement. Overall it continues the already-confirmed ordinary phone-snapshot texture, a casual everyday photo taken in passing by a familiar family member or friend during a real activity. Both faces are clear and unobstructed, the two naturally look at the phone that is taking the photo, with relaxed expressions and slightly asymmetric slight smiles. The composition is not deliberately centered, and the horizon may have a very slight casual tilt; ordinary phone main-camera slight wide-angle perspective, the people and background both keep basic sharpness, no portrait mode, no creamy bokeh. Use only the scene's natural light or everyday lamps; facial brightness may be slightly uneven, and a bright background may be a little naturally overexposed. Keep pores, small blemishes, texture under the eyes, natural stray hairs, clothing wrinkles and slight phone noise-reduction grain, like an unretouched everyday album photo. The environment and clothing are refined and textured, but the people are still in an ordinary-life state. Vertical 4:5, medium-close two-person shot. No professional lighting, wedding photography, luxury-brand advertising, fashion editorial, cinematic color grading, strong golden backlight, excessive HDR, skin smoothing or beautifying, influencer face, stiff standing posture or standard symmetrical posed shot. No large brand logos, real royal emblems, lined-up staff, text overlay, watermark or interface. No crown, wedding garland or exaggerated dramatic cape. Avoid extra main characters, extra arms, duplicated hands, deformed fingers, fabric fused with the body. Do not fake a phone look with heavy blur, scratches, dirt or coarse grain.
Close-up shot, Lo-fi Dusk twilight-glow atmosphere filter, low-saturation warm tones, warm golden backlight outlining the hair with a halo glow, the image has a retro film-grain feel; medium-shot portrait, wearing a dark green soft silky saree traditional gown, the body and shawl edges covered in intricate, heavily worked golden floral-vine embroidery patterns, the fabric a delicate, soft matte, soft-light gauze-like material with a fine, gentle sheen; paired with same-color trim and pearl piping, the neckline and drape covered in traditional Indian patterns; wearing matching dark green enamel and gold jewelry: carved emerald earrings, a chrysoprase necklace, slim green-patterned bangles; standing sideways, one hand raised lightly holding the saree neckline, the other hand hanging naturally, the saree fabric draping and spreading, showing a velvety soft sheen under the backlight; the background is a nighttime outdoor brick-paved road, the overall tone dark, warm backlight creating a hazy atmosphere, clear and translucent makeup, 8K ultra-high definition, masterpiece, best quality.
Use the uploaded selfie as the only identity reference. Create a highly realistic retro Bollywood cinematic portrait featuring the same person in a classic song-and-dance movie frame. Show the person in a graceful expressive pose inspired by an iconic Bollywood musical sequence. The styling should feel glamorous and performance-ready, with elegant costume details, cinematic emotion, and a vibrant classic-film atmosphere. Use realistic portrait detail, warm nostalgic color grading, subtle film grain, dynamic but elegant pose, and a frame composition that feels like a still from a beloved retro Bollywood musical moment. Style: photorealistic Bollywood musical portrait, vintage Indian film aesthetic, expressive glamour, cinematic dance-frame mood, high detail, nostalgic color.
Keep the facial features of the person in the reference photo, 9:16 composition down to the thighs, facing the camera head-on, with the face taking up a large share of the frame, photographic realistic style, male, wearing a crisp navy blue suit set with a flat white shirt underneath, the collar open without a tie for a more casual look, a calm and confident expression, hands hanging naturally at his sides, the background is the seaside of Marine Drive in Mumbai, the sea showing faint blue fine ripples, the clear architectural outline of the Gateway of India visible in the distance, the light is soft natural afternoon light, the sea breeze gently lifting the edges of the jacket and the shirt collar, the sea sparkling with fine glittering waves, the whole image full of the elegant texture of an urban elite
Using the two people in the image as the character reference, accurately preserve each person's facial features, hairstyle, skin tone and age, and naturally place them into the same real scene. Generate the man and woman from the image reuniting and kissing on a modern train station platform. The man wears a dark gray business suit, a white shirt and a dark tie; the woman wears an ivory-white blouse, a dark plaid high-waisted short skirt and black stockings. The man has just finished a business trip, and the woman has come to the platform to meet him. The woman naturally rests both hands on the man's upper arms, and the man gently wraps one hand around the woman's lower back while the other hand still holds the handle of a travel suitcase. The two lean slightly toward each other and kiss naturally in a brief reunion embrace, the movement restrained and genuine, carrying the emotion of meeting again after a long separation. The background is a realistic modern intercity railway station, including a stopped train, platform safety lines, platform number signs, metal seats, a canopy structure and passengers boarding and alighting. The station is lit by both natural daylight and canopy lighting, and the people keep normal proportions relative to the train and platform facilities. The suitcase shows only its handle and a small part of its body at the bottom of the frame. Vertical medium shot from above the thighs, with the bottom edge of the frame falling at mid-thigh, clearly showing the man's suit and the woman's blouse, skirt and part of the stockings. The two together take up about 78%–82% of the frame height. Eye-level camera, 50mm lens, natural ambient light, normal colors and real depth of field, preserving the station's actual structure and everyday flow of people, presenting an authentic reunion photo captured by a photographer during a trip, no text, no watermark.
The subject is dressed in a vintage-inspired, cream-colored garment made of soft, opaque fabric, likely a matte cotton or silk blend. The top features modest short puff sleeves with gentle gathers at the shoulders, a high round neckline, a…
Keep the facial features of the person in the image. The protagonist leans against a bright purple Lamborghini, with a night view of Mumbai's Bandra bridge in the background. Slim-fit suit, neon light and shadow.
Use the man and woman in the input photo as the only people, strictly preserving both people's facial features, hairstyles, skin tones, ages and gender traits; do not swap, blend or redesign their identities. Create a black-and-white, western-film-style fashion photograph of a couple. The man is on the right side of the frame, wearing an old denim shirt, a vintage denim jacket and a wide-brimmed black cowboy hat, his body turned toward the front right and his head turned to look into the distance, with a calm, resolute, unsmiling expression. The woman is on the left side of the frame, wearing a light-colored shirt, a vintage denim jacket and a light-colored wide-brimmed cowboy hat, her body leaning slightly toward the man, looking up directly at the camera, with a confident, captivating expression and a slight air of mystery. The background is an American western ranch: part of a dark wooden barn is visible on the left side of the frame, a blurred vintage pickup truck is parked behind them, and in the distance are a wooden fence, open fields and low hills. The environment must clearly convey a western ranch, but must not compress the proportions of the people. Following the original template, use a two-person composition from mid-thigh up. The two people take up about 72%–80% of the frame height and 75%–85% of its width, the woman slightly lower and the man slightly higher, with their shoulders partly overlapping but their two faces completely separate and clearly visible. Leave a suitable amount of sky and ranch environment above their heads; do not use a face-filling close-up, and do not shrink them into distant figures. High-contrast black-and-white tones, soft overcast light, realistic skin and denim texture, light silver-halide film grain, the atmosphere of a vintage western film, a country fashion magazine and a road movie. No text, titles, logos, borders or watermarks. Avoid a modern city background, color images, full-body figures that are too small, faces completely hidden by hat brims, exaggerated smiles, cheap-looking denim clothing, extra people, changed identities or fused facial features.
An ultra-high-resolution, unedited, high-end fashion photograph rendered in pure black and white, composed as a vertical triptych (three panels stacked vertically). The subjects of the entire series are a human figure and a highly detailed cat. The background features a soft, warm indoor setting with translucent curtains. Captured using a Leica M6 camera and an 80mm f/1.4 lens, the image possesses rich earthy tones and a natural, fine film grain texture. It is entirely free of artifacts. Top Panel: The cat sits on the left, while the human figure is positioned on the right. The cat lifts a paw to gently touch the human's nose. The human smiles, their expression radiating joy, while the cat looks upward at them. Middle Panel: The human and cat are positioned face-to-face in intimate proximity; both are facing and looking directly into the camera with calm, serene expressions. Details such as the human's simple hoop earrings and necklace appear razor-sharp. Bottom Panel: The cat and human face one another, eyes closed, sharing a tranquil moment as they engage in a gentle "nose-to-nose" greeting. Their expressions are peaceful and filled with affection. The simple pendant necklace worn around the human's neck is clearly visible.
A woman physicist in a suit, close-up portrait, looking at viewer,,analyzing complex equations on a chalkboard, surrounded by books and scientific instruments, in a lit study,
A playful, ultra-realistic candid snapshot of a fit young woman laughing in a messy kitchen. She strictly retains the facial features of the reference image (if provided). She is leaning forward over the kitchen island counter, resting her…
Transform the person in the photo into a wealthy young man, with a meticulously styled haircut, bespoke suit, wearing a wristwatch, leaning against a red supercar, city skyline and ocean background, focus on the person, sharp and clear facial features, eyes naturally looking at the camera, photorealistic style.
Cinematic portrait style with a rainy-night atmosphere. Medium close-up, shot from the side. In the frame, the person from the reference photo sits on a park bench, head lowered, sadly holding their head; behind the person stands a semi-transparent glowing figure who looks identical to the original and wears the same outfit, gently placing a hand (semi-transparent) on the person's shoulder, as if comforting them. The background is a park on a rainy night, with streetlights giving off a hazy halo; the person's face is clearly visible, there are reflective puddles on the ground and raindrops are clearly visible; the overall mood is sad yet healing, warm-toned lighting, realistic texture, 8K high-definition detail
High quality, real, HDR, HD, Italian wedding dress design pays more attention to gorgeousness and luxury. Many Italian brides choose wedding dresses that are heavily embroidered or decorated with jewelry. This design can show the bride's nobility and magnificence. Color is usually white or champagne
A cinematic film photography portrait, medium shot (waist-up) of a beautiful young woman with a serene, mysterious expression and a gentle, captivating gaze looking directly at the camera. Her hair is blowing gently in the wind. She is wearing an exquisite dark navy blue sheer dress featuring intricate floral embroidery and subtle sparkling sequins, highlighted by distinctive light blue ruffled tulle accents on the shoulders. She is standing in a vast, dense field of soft light blue and greyish flowers. The atmosphere is heavily foggy and misty, creating a profoundly ethereal, moody, and poetic vibe. The scene is dominated by a cold color palette of soft blues, muted greys, and navy. Soft, diffused overcast natural lighting. Shallow depth of field blurring the distant flowers into the mist. Masterful use of vintage film grain, subtle lens imperfections, photorealistic, highly aesthetic, 8k resolution.
The subject wears a beige felt cowboy hat adorned with fabric yellow roses and magenta blooms. A richly embroidered tapestry vest with intricate floral patterns in earth tones is layered over a ribbed burgundy long-sleeve shirt. A rust-col…
A high-contrast, dramatic black and white monochrome close-up photo. The subject (maintaining strict facial consistency with the provided reference subject) is wearing an elegantly tailored, opulent evening gown made of rich fabric like heavy silk or velvet, with the refined neckline clearly visible. The subject is vigorously taking a large bite from a massive, highly ornate multi-tiered wedding cake, with cream clinging to their lips and face. The composition is a profile close-up, using backlighting to define the form and emphasize the raw, feral expression of taking the bite. The generated image must strictly maintain the same facial architecture, facial proportions, and specific character traits as the reference individual.
While keeping the facial features in the image, an Indian woman stands in the middle of a pedestrian overpass in a city on a rainy night. She leans slightly sideways against the wet metal railing, her other hand hanging naturally at her side. Dense, heavy rain falls from the sky, forming clear streaks of rain in the lights of the bridge. The bridge surface is completely soaked with rain, and the metal railings and the ground reflect soft orange street light. The neon lights of the distant city skyscrapers blur into hazy spots of light through the curtain of rain. Her face is clearly visible, her lips are slightly relaxed, with a faint sadness on her face, her facial muscles slack, her eyes lowered and melancholy. She wears a black fitted shirt, the fabric thoroughly soaked by the rain. Her hair is drenched, and raindrops slide down her cheeks. She stands in the rain with her head slightly lowered, as if lost in her own thoughts, a street lamp lighting her face, her skin texture fine and real, pores clearly visible, with tiny raindrops on her face and collarbone. Rendered in 4K high definition with a realistic photographic quality. The image captures the loneliness of a rainy night, with the rain streaks clearly visible. The city lights in the background form soft circular bokeh in a shallow depth of field. The distant neon lights, street lamps and building lights flicker faintly in the rain. A blue tone, with gray, orange lights and the dark city environment forming contrast. This is a portrait photograph with refined atmospheric lighting. Ambient light and rim light outline her wet silhouette, and raindrops, wind and light together create the mood of a rainy night. She is completely drenched, her wet face and hair faintly glinting under the lights. The whole image is full of realism and emotional tension, reminiscent of a film frame with a strong emotional atmosphere
Keep the facial features of the person in the reference photo, wearing a lightweight electric-blue sari with a close-fitting, flowing fabric, set on a misty mountain balcony with a wet, reflective floor, tilted composition, medium close-up shot, the person tilting their head back to feel the raindrops, a quiet atmosphere with an emotional feel, cool moonlight, retro high-saturation film style
Keep the facial features of the person in the image, a 9:16 composition down to the thighs, facing the camera head-on, with the face taking up a large share of the frame, photorealistic photography style, female, wearing a lake-blue silk saree with silver water-ripple embroidery along the edges, long black hair styled in big loose waves and falling over the shoulders, standing barefoot at the edge of a shallow pool with a mirror-like surface, the calm water reflecting her upper body, both hands lightly lifting the saree skirt, fingertips lightly touching the water and setting off fine ripples, the background a minimalist dark gray with no extra decoration, the lighting a low-saturation soft light from the side, the water reflection clear with slight blur, symmetrical composition, the overall color a clash of lake blue and gray tones, a serene and beautiful atmosphere, full of the creative artistry of mirror reflections
The subject is dressed in an elegant, traditional white Hanfu robe crafted from soft, textured linen, featuring a classic cross-collar neckline and voluminous wide sleeves that drape heavily around the forearms, with the skirt fabric gathe…
Keep only the identity and facial features of the person in the uploaded photo as reference, accurately preserving the person's face shape, facial feature proportions, skin tone, hairstyle, age characteristics and personal recognizability, without changing the person's identity. There is strictly only one person in the frame. The person wears a light ice-blue and cream-white thin shirt with the collar naturally open, the wet fabric clinging to the shoulders and chest, forming soft underwater folds with a moderate degree of translucency; the collar, shoulders and cuffs are gently lifted by the water current, retaining realistic fabric texture, with no patterns, text or logos. The person wears small, delicate earrings. A hyper-realistic underwater female portrait, using an extreme close-up from the face to the chest. The person floats on her back in the water, the body arranged vertically, the face positioned in the upper center of the frame, with the shoulders, neck, collarbones and chest extending to the bottom of the frame; the face takes up the main area of the frame, and no full-body or distant shots are used. The hair spreads out naturally in the water, with strands floating toward the left and bottom of the frame. The head tilts slightly toward the right side of the frame and leans back a little, the face turned toward the camera, the bridge of the nose, jaw and neck connecting naturally. The eyes are fully closed, the eyelashes clear, the eyebrows relaxed, the lips slightly parted, moist and carrying soft highlights; the expression is quiet, soft, immersed and relaxed, as if sleeping or meditating in the water, showing no pain, fear or crying. The shoulders sink naturally, the arms are below the frame or at the sides of the body, with no hands raised to cover the face. An underwater frontal camera position slightly above is used, the lens shooting from close range above the person's face, with a 50mm to 85mm portrait lens and shallow depth of field. The focus is concentrated on the person's closed eyes, eyelashes, bridge of the nose, lips and the water patterns on the face, with the chest and shirt kept sharp, and the distant water and bubbles softly blurred, forming a quiet, immersive underwater look. The background is deep blue, transparent water, with bubbles of varying sizes floating around, concentrated around the person's head, shoulders and strands of hair and rising naturally upward. Light from the water surface penetrates the water from the upper right of the frame, forming clear, fine golden-white caustic light patterns that continuously fall across the person's forehead, brow bone, eyelids, bridge of the nose, cheeks, lips, neck, collarbones and chest; the water-ripple texture must be clearly visible, not appearing only in the background. The main light is golden-white volumetric light refracted from the water surface, the beams slanting from the upper right onto the person's face, forming flowing wave-like light spots; the person's face is lit by soft warm-white light, with delicate highlights appearing on the eyelids, tip of the nose, cupid's bow and the edge of the jaw. The ambient light of the water stays deep-sea blue, cyan-blue and indigo, with blue-gray shadows on the person's left side and in the background, the cold blue of the water forming a clear contrast with the warm golden light patterns, with no harsh flash, overexposure or overly dark face. The overall palette is deep-sea blue, lake blue, cyan-blue, ice blue, cream white and a small amount of warm gold; the image is transparent, cool and dreamy. Retain realistic skin pores, moist lips, water droplets, floating strands of hair, shirt fabric and bubble reflections; add soft haze, delicate highlight bloom, slight film grain and a cinematic underwater photography feel, the image hyper-realistic, serene and hazy. The person must remain floating on her back, with the face toward the camera, the head tilted slightly toward the right of the frame, the eyes closed, the lips slightly parted, the arms not covering the face, and the extreme close-up composition from the face to the chest. Do not generate open eyes, a toothy smile, crying, terror, an overly wide-open mouth, a side profile, a swimming pose, a standing pose or a distant full-body shot; no second person, extra arms, deformed fingers, hair completely covering the face, body sinking, or severely transparent clothing; no text, watermarks, logos, black borders, play buttons, progress bars, arrows, dots or other interface elements.
A seamless vertical triptych composition, featuring three distinct compositional zones stacked without borders on a continuous canvas. The image follows a cinematic winter narrative featuring the same subject in the same outfit throughout.…
Create a softly resolved 1980s nighttime portrait at an old roadside petrol station. Give the entire image the appearance of a slightly faded color photograph: warm, dim lighting, muted colors, softly merged fine details, and deep brown-black shadows. Keep the atmosphere intimate and casually rebellious. Use the person in the uploaded portrait as the sole identity reference. Preserve their recognizable facial features, face shape, skin tone, age, hair color, natural body proportions, and gender presentation. Preserve any existing facial hair. Give their original hairstyle a little relaxed, tousled 1980s volume without forcing a different hair length. The person sits casually sideways on a parked black motorcycle, with their torso turned toward the camera. Their posture is relaxed and slightly asymmetrical. On the left side of the image, one forearm rests across a black motorcycle helmet positioned securely on the motorcycle's fuel tank. The elbow bends naturally, and the hand hangs loosely over the helmet's near side with relaxed fingers. Their other hand rests near the thigh. They look toward the camera with a small, confident half-smile. The helmet is glossy black with two narrow red horizontal stripes wrapping around its lower section. It catches a few subdued reflections from the station lights. Show enough of the motorcycle below and beside the person to establish the seat, dark tank, and a little chrome hardware, while keeping the portrait dominant. Dress the person in a worn black leather biker jacket with broad lapels, silver snap fasteners, an off-center metal zipper, and naturally creased sleeves pushed slightly up the forearms. The jacket is open over a faded charcoal rock-band T-shirt. The shirt has an aged red graphic heading and a muted multicolored illustration, with the lettering indistinct rather than clearly readable. Pair it with high-waisted gray acid-wash jeans, a wide black belt with a rectangular silver buckle, and a black leather wristband with small metal studs on the wrist near the helmet. Adapt the clothing to the person's original build. Place the scene beneath the canopy of a modest, older petrol station after dark. A beige rectangular support column stands behind the person on the right. In the upper-right background, a partly cropped illuminated petrol-station sign gives off muted cream-yellow light. Farther back on the right, the front corner of an older beige or silver sedan is visible, including a square headlamp, part of the grille, and the hood. Keep the car softly resolved and secondary. In the left background, place a silver-and-black portable cassette boombox on a low shelf or counter. Above it, a faded rock poster hangs at a slight angle, with dark illustrated figures and aged paper edges. The interior beyond these objects is mostly dark. Keep the location compact, ordinary, and believable, with a few worn metal surfaces and no busy crowd. Light the person with soft, warm illumination from the station canopy and a small amount of near-camera fill. The face is gently visible, with natural shadows beneath the chin and around the hair. Warm highlights catch the hair, jacket folds, helmet, and belt buckle. Preserve substantial darkness in the background. The station sign and distant headlamp provide small points of light without overpowering the portrait. Use the color and exposure of an older nighttime color print. Whites lean toward aged cream, denim shifts toward muted gray-blue, red graphics look worn, and black leather falls into warm brown or olive-tinted shadows. Keep skin tones warm but subdued. Highlights on the leather and helmet are irregular and softly spread, with limited detail in the darkest areas. Apply moderate optical softness across the face, clothing, motorcycle, and environment. Individual hair strands, skin pores, printed graphics, and denim weave merge gently. Add fine irregular grain, slightly uneven exposure, and mild glow around the background lights. The photograph feels softly printed, a little murky, and visibly dated while retaining the person's facial likeness. Avoid modern digital sharpening, glossy beauty retouching, HDR, vivid neon lighting, heavy fog, scratches, and VHS interference. Adapt the composition naturally to the selected output aspect ratio. Frame the person from the complete head to approximately mid-thigh. Keep the resting forearm, helmet, belt, and part of the motorcycle visible. Retain the boombox and poster at the left and the station column and car at the right. Keep the person prominent without requiring a full view of the motorcycle. Fill every canvas edge with the actual scene. No template title, readable lettering, logo, watermark, camera interface, reserved text area, outer graphic frame, rounded card, white margins, or black bars.
Keep the character's pose unchanged.Completely change the character's hairstyle.Change hairstyle to a sleek chin-length blunt bob with straight ends. Must keep original hair color and facial details consistent.
Vertical double-layer overlay composite composition of a traditional wedding photo on a rainy night, the whole frame filled with dense, vertically falling transparent raindrops; the people's skin, hair strands and clothing surfaces are covered with plump, translucent water droplets with specular highlight refraction; the overall background is plain, dark, minimalist pure black. The left and right sides of the frame are enlarged close-up face shots of the two people, foreheads pressed tightly together, both with eyes closed and a gentle, peaceful expression; the woman wears a gorgeous crystal and gilded headdress, gold gemstone carved earrings by her ears, a white strand-style floral garland wrapped around her neck and shoulders, and a light apricot, richly crafted lace-embroidered traditional top; the man wears a black-based head wrap with orange-gold retro patterns, and a black traditional stand-collar top with gold-trimmed embroidery; the center of the frame is a full-body real-scene portrait of the couple, standing barefoot on a bright, wet, water-covered ground, the water surface reflecting fine fragments of light and shadow, the two facing each other with hands tightly clasped and heads leaning slightly together; the woman's hair is in an updo with gold flowers and red accent flowers and the same gilded headdress, wearing an off-white sheer lace long-sleeved top, paired with a wide red-and-gold waist sash and a black-and-orange retro-print long traditional skirt; the man wears a head wrap of the same pattern, a black-and-gold trimmed embroidered top and an orange-and-black wrap-style lower garment with the same pattern; the overall approach uses directional soft light to selectively brighten the people, the dark background maximizing the warm brown, off-white and red-gold clothing tones of the people, with the lace cut-out textures, brocade print patterns, translucent raindrops and puddle reflections all rendered in realistic, fine detail, a solemn, tranquil rainy-night traditional wedding atmosphere, hyper-realistic wedding portrait photography, 8K high-definition sharp image quality, no watermark, no play icon, no extra clutter, the people's limb structures natural and free of deformities.
This is a close-up photograph taken in a lavishly decorated living room, evoking a strong birthday party atmosphere. Maintaining character consistency, with hair color and hairstyles unchanged, the two figures from the reference image are standing intimately in the living room. They are wearing stylish, modest party outfits designed to cover skin, particularly ensuring the chest area is fully concealed with high necklines or layered clothing. They are looking directly at the camera with smiles on their faces. The background behind them is a party scene filled with many gifts, and the walls are adorned with birthday decorations such as streamers and balloons. Hanging above is a banner clearly displaying the text "Happy Birthday". Beside them is a large cluster of colorful balloons and a pile of wrapped birthday gifts. The entire scene is filled with warmth, romance, and celebratory joy.
The subject is dressed in a sophisticated, heavy-texture winter ensemble, featuring a rust-red chunky knit coat with wide, contrasting beige shearling-textured lapels and visible button details. Beneath the outer layer, a black ribbed turt…
Keep the facial features of the person in the image. The person sits in a luxury convertible sports car, looking at the camera with a handsome air, both hands on the steering wheel. The background is a coastal road and blue sea. He wears metallic-textured jewelry and dark sunglasses, with a thin necklace around his neck, and high-end fashion clothing; the overall atmosphere is confident and calm, with clean light and shadow. Side shot, the background is the sea.
Using the same adult man from reference photo 1 and the same adult woman from reference photo 2, generate a natural phone photo of an Indian couple. Strictly preserve each person's original facial feature proportions, face shape, true skin tone, age, hairline, hairstyle, facial hair, glasses status and body build; do not swap or blend faces, do not whiten the skin, slim the body or make anyone look younger. Change the clothing as described below. The people take their appearance only from the two original photos; the home and royal-style settings are entirely original fiction. Scene: during ordinary opening hours at a contemporary art gallery in an Indian city, with light-colored walls, a wooden bench, a few original abstract paintings by no particular artist and small sculptures, and only a few visitors in the distance. A mix of ordinary indoor ceiling lights and window light. Clothing: the man wears a simple dark navy bandhgala jacket and light gray trousers, with no exaggerated accessories; the woman wears a terracotta-orange silk-cotton blend kurta and cream wide-leg trousers, with a thin beige dupatta draped loosely, and holds a small fabric handbag. Action and relationship: the two have just stepped away from a painting; the man, half turned to the side, holds a folded exhibition leaflet, and the woman leans lightly against one end of the wooden bench, gripping the handbag in one hand while the other rests casually on the edge of the bench. They hear a friend calling, turn their heads and look at the phone, with natural, relaxed expressions. Composition: a close vertical shot of the two from the thighs up, the artworks in the background serving only as setting, faces clear, composition not laid out like an album. Overall, continue the already-confirmed ordinary phone-snapshot look, a casual everyday photo taken in passing by a familiar family member or friend during a real activity. Both faces are clear and unobstructed, both people look naturally at the phone taking the picture, with relaxed expressions and slightly asymmetric faint smiles. The composition is not deliberately centered, and the horizon may have a very slight handheld tilt; a slight wide-angle perspective from an ordinary phone main camera, with both people and background keeping basic sharpness, no portrait mode, no creamy bokeh. Use only the scene's natural light or everyday lamps; facial brightness may be slightly uneven, and bright backgrounds may be a little naturally overexposed. Keep pores, small blemishes, texture under the eyes, natural stray hairs, clothing wrinkles and slight phone noise-reduction grain, like an unretouched everyday album photo. The environment and clothing are refined and textured, but the people remain in an ordinary-life state. Vertical 4:5, two-person medium close-up. No professional lighting, wedding photography, luxury advertising, fashion editorial, cinematic color grading, strong golden backlight, excessive HDR, skin-smoothing beauty filters, internet-celebrity faces, stiff standing poses or standard symmetrical posed shots. No large brand logos, real royal emblems, lines of staff, text overlays, watermarks or interfaces. No crowns, wedding garlands or exaggerated dramatic capes. Avoid extra main subjects, extra arms, duplicated palms, deformed fingers, fabric fusing with bodies. Do not fake a phone look with heavy blur, scratches, dirt or coarse grain.
Indoor, upscale venue, elegant environment, noble environment, formal venue, white detailed embroidery suit, this is a white suit specially designed for the groom, elegant and formal, suitable for wedding occasions
Maintaining consistency with the figure's pose and face, add makeup to the woman in the picture. Use a light foundation to reduce freckles and blemishes, a sophisticated evening makeup look, a high-end burgundy lipstick, matte contouring to accentuate her features, meticulously groomed eyebrows, and sharp, winged eyeliner. Add delicate false eyelashes. Her hair is adorned with geometric silver hair clips and tiny diamond details.
A fashion portrait of a person lying flat on bright snow. Wearing a white beanie, sunglasses, a cropped white cable-knit sweater with furry cuffs, and white shorts. A pair of skis and a ski pole rest on the snow beside them. Bright overhead sunlight creating sharp shadows. High-key, winter resort chic aesthetic.
Hyper-realistic outdoor fashion portrait photography, 9:16 vertical, strictly keep the protagonist's gender, head and facial features, facial proportions, skin tone, recognizability and natural body proportions from the reference photo unchanged, and reproduce the original photo's composition, pose, clothing, flower wall position, lighting and shallow depth of field. The protagonist is in the center-right of the frame, in a half-body to above-the-thighs composition, body fully turned toward the right side of the frame, head turned back to face the camera, looking directly at the camera through red-brown sunglasses, lips closed or with a very faint smile, expression calm, confident and natural; both hands fully inserted into trouser pockets, pose relaxed and neat. The protagonist wears a red-and-white gradient long-sleeve shirt, the upper part bright red or brick red, transitioning naturally downward to white, the fabric with fine vertical stripes, the collar open, the cuffs rolled up to show a white inner layer, with white or light-colored trousers below, a black bead bracelet may be worn on the wrist, and the clothing keeps real texture and natural wrinkles. A dense flower wall is arranged at the upper left and left of the frame, hanging diagonally from the upper-left corner toward the center, with rose-pink, bright yellow and sapphire-blue flowers and a few green leaves forming vivid color blocks, some flowers sharp and some softened, and out-of-focus green leaves at the lower left forming a hazy foreground frame; the person is close to the flower wall but the face and body are not blocked. The background on the right is a bright, soft outdoor road or garden path, highly blurred in cream white, light yellow-green and soft bright light. Natural soft daylight evenly illuminates the face and clothing, the tone slightly warm but not yellowish, the white clothing not overexposed, the image clear and bright. 85mm portrait lens, f/1.8 large aperture, the person sharp and crisp, the flower wall richly layered, the background in soft round bokeh with a slight airy feel, real skin and fabric details, a fresh outdoor portrait quality that is vivid but not over-saturated, no text, watermark, interface buttons or screenshot borders.
An ultra-high-resolution, hyper-realistic portrait of extreme surfing, captured from an extremely low, dynamic angle—specifically a nose-of-the-board perspective—freezing a split-second moment of extreme athletic intensity. Centered in the frame, the subject stands firmly in a classic surfing crouch atop a white surfboard, facing directly toward the camera. A silver necklace with a cross pendant adorns the neck, while a black sports watch on the left wrist—peeking in and out amidst the splashing water—adds a touch of athletic detail. The subject is clad in a solid black, form-fitting, long-sleeved rash guard and black surf shorts. Due to the extreme low-angle perspective, the subject's outstretched hands and bare feet appear visually elongated and thrust into the immediate foreground, occupying a prominent position at the bottom of the frame. The left hand extends toward the front-left to maintain balance and convey a sense of motion, while the right hand reaches downward and backward to serve as a counterweight. The white surfboard dominates the very bottom of the frame and the core foreground. The background features a massive, curling "barrel wave"—a perfect tubular wave. The semi-transparent seawater glows with mesmerizing shades of aquamarine and turquoise, as the wave arches overhead to form an immersive, dome-like canopy of water. The edges and foreground of the image are filled with violently splashing white foam and crystal-clear, high-velocity water droplets, dramatically emphasizing the speed of the surf and the raw power of nature. Bright natural sunlight refracts through the clear water, infusing the entire interior of the wave with a shimmering, luminous transparency. The intense sunlight creates sharp highlights and deep shadows across the wet black surf gear, the surfboard, and the myriad water droplets suspended in the air. The composition cleverly utilizes the extreme low angle and the natural circular tunnel formed by the barrel wave (employing a "framing" technique) to generate a powerful visual impact and a profound sense of depth, pulling the viewer directly into the heart of the thrilling action. The subject is positioned at the center of the frame, with their outstretched limbs acting as visual leading lines that firmly anchor the viewer's gaze to the dynamic core of the image. The entire scene radiates intense vitality, capturing with extraordinary detail the liberating moment of riding the waves; every splashing droplet, the wet texture of the wetsuit, and the fluid patterns of the water's surface are rendered with crystal-clear realism.
The female subject is dressed in a sophisticated, minimalist white bridal gown crafted from smooth, matte fabric with short cap sleeves and a tailored V-neckline. She wears a delicate jeweled headband atop the head, securing a sheer tulle…
This is a medium shot photograph taken in a lavishly decorated living room, evoking a strong festive Christmas atmosphere. The two figures from the reference image are seated intimately on a beige velvet sofa, wearing Christmas outfits: the male is wearing a red sweater with Christmas patterns, while the female is wearing a modest, full-coverage sparkling red Christmas dress made of solid, heavy, opaque fabric. The dress features a thick turtleneck collar that completely conceals her neck, and long, fitted sleeves that extend down to her wrists. Her entire upper body, including her chest, neck, and arms, is fully covered with absolutely no skin visible. It has a knee-length skirt trimmed with thick white fur. There is absolutely no sheer or transparent material on her dress. They are looking directly at the camera with smiles on their faces. Behind them is a warm fireplace with Christmas decorations on the mantel. Above the fireplace hangs a banner clearly displaying the text "Merry Christmas". Next to it stands a tall Christmas tree illuminated with colorful lights and ornaments. The entire scene is filled with warmth, romance, and festive joy.
Cinematic rainy-day park portrait, 8K ultra HD, soft rainy-night light. 【Composition and Subject】 The person in the reference photo appears from the waist up, holding a transparent umbrella covered in raindrops, standing naturally in the rain and looking off-camera; the whole image is full of a cool, gentle sense of story. 【Clothing and Styling】 A dark blue plaid shirt over a white T-shirt, with a thin necklace and a watch; the look is clean and fresh. 【Scene and Background】 A city park scene; the background is blurred green trees and street lamps, and the ground is wet with rain; the overall atmosphere is fresh and languid. 【Light and Color】 Soft street-lamp light on a rainy night, with warm yellow light spots blurred in the background and an overall cool tone; the raindrops on the transparent umbrella and the reflections on the wet ground push the atmosphere to the max. 【Texture Details】 The plaid texture of the shirt, the raindrops on the umbrella, the sheen of the hair strands and the blurred light spots in the background are all clearly visible; the overall image has a cool, moody atmosphere.
The subject is a confident, overbearing, powerful, and coolly beautiful female centered in the frame, whose facial structure, features, and overall demeanor (serious, authoritative, confident, powerful) must match the features of the subject in the reference image exactly, ensuring exceptional character consistency. She looks directly into the camera with a sharp, piercing gaze. The person presents a cross-legged full-body pose, fully seated in a modern cream armchair, with hands elegantly resting on the top of the armrests. The perspective is a dramatic high-angle full-body shot from above. She wears a well-tailored, structured black female suit jacket paired with a fitted black professional pencil skirt, and on her feet, she wears a pair of exquisite, sharp black patent leather pointed-toe stilettos. She is positioned within a modern cream stone terrace environment (with marble flooring and limestone walls). The core and most overwhelming visual feature is that she is surrounded by gigantic, densely packed bouquets of deep red roses, distributed behind and on both sides of the armchair, nearly filling the entire terrace space, creating a sea of red effect. The lighting is bright, soft, and even daylight. This is a highly impactful cinematic photo, precisely showcasing the powerful aura of an overbearing female CEO, with vibrant colors (for the roses), strong contrast, 8k high resolution, and the exquisite quality of fine art photography.
Create a photorealistic wedding portrait of exactly the two adults in the reference images. Image 1 is the man and image 2 is the woman. Use these photographs as the only identity references. Preserve both recognizable facial identities, natural skin tones, face shapes, eyes, noses, mouths, hairlines, facial hair, apparent ages and body proportions. Keep the man on the left and the woman on the right. They remain the same Indian individuals, with natural skin texture and believable gentle bridal grooming; no skin lightening, face replacement, de-aging or generic model faces. Replace their casual clothing with the specific attire below. Give them natural, comfortable body language, clear unobstructed faces and anatomically plausible hands. Make a vertical 4:5 medium portrait, approximately mid-thigh or waist upward, with sufficient space above both heads and around the shoulders for later cropping. Both faces should be turned toward the camera and recognizable. Use realistic wedding photography, coherent natural light, real fabric and jewellery textures, softly separated background and lifelike expressions. One photographic image with exactly two main people, no split-screen, illustration, text, watermark or decorative photo border. Avoid a Western wedding gown, tuxedo, church or champagne props. Regional character must come from the garments, textiles, jewellery and setting, never from replacing either face with a stereotyped regional face. Preserve any original facial hair, natural body build and mature features. Keep both people individually recognizable, with comfortable asymmetrical posture rather than rigid mannequin poses. Specific wedding look and scene: A joyful Sangeet pre-wedding dance-night portrait with distinctly Indian festive clothing. The bride wears a rich plum-purple lehenga with fine silver mirror-work and a flowing lavender dupatta; the groom wears a deep teal embroidered bandhgala-kurta ensemble with cream trousers. Capture a small comfortable dance step, her skirt and dupatta moving subtly, one hand lightly joined between them below chest height while their other arms remain relaxed. Both faces are turned to the camera with spontaneous friendly smiles. A courtyard stage with colourful textiles and strings of warm lights gives the evening a celebratory feel. Keep facial detail crisp while only the lower fabric shows a touch of natural motion. Preserve their original age, facial hair and body proportions; no disco nightclub props or extreme dance poses.
Based on a photograph of a person, a winter-themed cinematic narrative portrait is generated, formatted as a three-screen collage. The overall scene depicts a desolate, cold, and lonely winter day with heavy snowfall. Delicate snowflakes fall, the image features a cool blue tone and realistic 35mm film grain texture. Snowflakes adorn the scene, eyelashes are clearly defined, and skin is sharp. The person in the image matches the reference figure, wearing a stylish black short down jacket and a black scarf, standing with a pure black umbrella. The top image is a close-up, the person's gaze is melancholic and unfocused, looking to the left. The middle image is a full-body shot, the person standing in an open snowy field, looking to the left, with a snow-covered forest in the background. The bottom image is a close-up of the face, head bowed, with a snowflake adorning the tip of the nose, and eyes conveying a story (only appearing in the bottom image). A strong, warm light illuminates part of the face and hair from the left. The overall effect is melancholic, serene, and beautiful.
The subject is dressed in an immaculate powder blue two-piece suit, featuring a single-breasted jacket with notch lapels, structured shoulders, and a single white button fastened at the midsection. A cream-colored silk tie is knotted neatl…
Use the uploaded selfie as the only identity reference. Create a highly realistic portrait of the same person wearing a graceful traditional Anarkali outfit. The person should wear a flowing Anarkali dress with elegant embroidery, a matching dupatta, refined jewelry, and a poised portrait pose. The outfit should feel graceful, festive, and timeless. Use a beautiful cultural background such as an old haveli, palace archway, decorated courtyard, or warm festive interior. Preserve the person’s recognizable facial identity and overall appearance from the uploaded selfie. Do not specify or change hair color, skin tone, ethnicity, or race. Emphasize flowing fabric, elegant movement, detailed embroidery, soft lighting, natural facial detail, and premium fashion photography quality. Style: photorealistic Anarkali fashion portrait, Indian traditional elegance, flowing fabric, festive heritage background, soft cinematic lighting, high detail.
This is a black-and-white photograph, a close-up of the left half of a person's face. Delicate pores, beads of sweat on the face, wet hair, a cold expression, looking straight ahead. High contrast, a pure black, white and gray composition. The frame shows only half of the person's face, and the half face fills the entire screen. Black background, thick eyebrows and eyelashes, wet strands of hair. Delicate facial pores. Dark gray lips with a reflective sheen, a strand of hair stuck to the forehead.
Using the same adult man from reference photo 1 and the same adult woman from reference photo 2, generate a natural phone photo of an Indian couple. Strictly preserve each person's original facial feature proportions, face shape, true skin tone, age, hairline, hairstyle, beard, glasses status and body type; do not swap or blend faces; do not whiten, slim or make them look younger. Clothing is changed as described below. The people are based on the two original images only for their appearance; the home and royal-style settings are original fiction. Scene: a stretch of light-colored carved-stone corridor in a fictional Indian palace-family mansion, with repeating arches, fine stone windows and a few old wooden benches, and slight real signs of wear on the floor. Daytime light in ordinary shade, no stage lighting or golden beams. Clothing: the man wears a dark navy bandhgala with a fine tonal pattern and light jodhpur trousers, with discreet metal buttons; the woman wears a lotus-root pink anarkali dress with a narrow gold-thread border, a sheer dupatta and small pearl earrings, no wedding veil or garland. Action and relationship: the two walk slowly out of the corridor, the woman half a step ahead, casually adjusting the edge of her dupatta with one hand; the man lightly rests one hand on a wooden bench at the edge of the corridor, the other hand hanging naturally. They look at a family member's phone positioned at a diagonal front, as if called to stop mid-walk, with natural asymmetric smiles. Composition: a vertical close shot of the two from the thighs up, with slightly different strides and body orientations; the arches are only the background, with no centered, axially symmetric composition. Overall, continue the already-confirmed ordinary phone-snapshot look: a casual everyday photo taken in passing by a familiar family member or friend during a real activity. Both faces are clear and unobstructed, and both look naturally at the phone taking the picture, with relaxed expressions and slightly asymmetric smiles. The composition is not deliberately centered, and the horizon may have a very slight handheld tilt; ordinary phone main-camera slight wide-angle perspective, with basic sharpness kept in both the people and the background, no portrait mode, no creamy bokeh. Use only the scene's natural light or everyday lamps; facial brightness may be slightly uneven and a bright background may be a little naturally overexposed. Keep pores, small blemishes, texture under the eyes, natural flyaway hairs, clothing wrinkles and slight phone noise-reduction grain, like an unretouched everyday album photo. The environment and clothing are refined and textured, but the people are still in an ordinary-life state. Vertical 4:5, two-person medium-close shot. No professional lighting, wedding photography, luxury advertising, fashion editorial, cinematic color grading, strong golden backlight, excessive HDR, skin-smoothing beauty filter, influencer face, stiff posture or standard symmetrical posed shot. No large brand logos, real royal emblems, staff lined up, text overlays, watermarks or interfaces. No crown, wedding garland or exaggerated dramatic cape. Avoid extra main subjects, extra arms, duplicate hands, deformed fingers, fabric fusing with the body. Do not fake the phone look with heavy blur, scratches, dirt or coarse grain.
Generation priority: first, keep both people's facial identity; second, complete the specified outfit change; third, accurately complete the specified body poses; fourth, complete the studio background and lighting. There are only two adults in the image. Reference photo 1 corresponds only to the man himself. Keep the recognizable head features of the man in reference photo 1, including his original face shape, eyes and brows, nose shape, lips, jaw contour, skin tone, apparent age, hairline and beard state, while also keeping his natural shoulder width, torso thickness, waist and belly volume and overall build. Reference photo 2 corresponds only to the woman herself. Keep the recognizable head features of the woman in reference photo 2, including her original face shape, eyes and brows, nose shape, lips, cheekbones, jaw contour, skin tone, apparent age, hairline and smile characteristics, while also keeping her natural shoulder width, arm thickness, waist and belly volume, bust-waist-hip proportions and overall build. Each face corresponds to its own reference photo: do not swap them, do not blend them, do not beautify or reshape them. The man is fully changed into traditional South Indian white clothing: a pure white fitted long-sleeve shirt, with both sleeves kept long and extending to the wrists, not rolled up; below, a pure white dhoti, with the waist wrap structure and front pleats clearly visible, the white fabric falling naturally to the ankles. Only the white long-sleeve shirt and white dhoti appear on the man. The woman is fully changed into an orange, green and gold South Indian Kanchipuram silk saree. The upper body is an emerald-green pure silk short-sleeve choli; the outer layer is an orange silk saree with a wide emerald-green border and gold zari weaving. The saree fully wraps the waist and both legs, forming clear vertical pleats at the front of the waist and falling to the ankles, with the pallu, which has a green and gold patterned border, draped diagonally across the chest, over the left shoulder and falling down behind the shoulder. The woman wears only this green choli and orange, green and gold saree; the original clothing in reference photo 2 does not appear at all. She wears gold temple jewelry and a traditional South Indian bun hairstyle decorated with white jasmine flowers, and the hair, jewelry and pallu do not cover the face. Fixed poses: the man sits in the exact center of a carved solid-wood armchair on the left side of the frame, facing the camera, his back naturally straight. The man's left hand rests palm-down on his left thigh and his right hand rests lightly on top of the left hand, the two hands only overlapping on his knee, arms not crossed, hands not touching the woman. The man's expression is calm, looking directly at the camera. The woman stands on the right side of the frame, half a step behind the chair, her body facing the camera. The woman's right arm is bent, and her right hand alone rests lightly on the man's left shoulder; her left arm extends naturally straight down from the shoulder along the left side of her body, her left hand hanging beside her own left thigh. Her left hand does not touch the man, does not touch her right hand, and does not rest on the chair back. The only physical contact between the two is her right hand on the man's left shoulder. The woman smiles warmly and looks directly at the camera. Use an eye-level vertical full-body composition, with the man, the armchair and the woman all fully in frame. The frame runs from above the heads of the two people down to their feet, with the woman's feet, the man's full dhoti and the bottom of the chair clearly visible, not cropping the knees, ankles or feet. The background is a formal studio backdrop with a warm-brown fabric texture, lit with large-area soft light from the front and slightly to the side plus slight fill light, clearly lighting both faces, the new clothing, the silk weave and the gold jewelry, preserving true skin tones and natural skin texture. The final result keeps: the man's facial identity from reference photo 1, the woman's facial identity from reference photo 2; the man's white long-sleeve shirt and white dhoti; the woman's complete orange, green and gold saree; the man's hands overlapping on his knees; the woman with only her right hand on the man's left shoulder and her left arm hanging naturally along her body. Avoid both hands placed beside the man's shoulders, the woman's arms crossed, the man's rolled-up sleeves, remnants of the original clothing, faces crossed between the two people, and a cropped lower body.
Keep the facial features of the person in the image. The protagonist leans elegantly against a holographic transparent wall, one hand in a trouser pocket. The outfit features traditional prints in a holographic gold hot-stamping technique. The background is a cyberpunk street with a strong futuristic feel. The portrait is centered, with even fill light on the face and nothing blocking it.
Keep the facial features of the person in the reference photo unchanged. Vertical realistic portrait composition of a beautiful full-figured Indian woman with long dark-brown big wavy curls, a small round bindi at the center of the forehead, refined bold eye makeup and pink lipstick, looking straight at the camera with a soft expression; she wears a pale lilac lace sequin spaghetti-strap saree blouse with thin straps, paired with a light purple sheer organza saree; she wears gold jhumka bell earrings, a thick gold chain necklace and gold bangles; seated, with her hands resting lightly on her lap; clean, minimalist white wall background, soft diffused indoor studio lighting, realistic and delicate skin texture, high-definition 8K, DSLR portrait photography, sharp focus, shallow depth of field, soft pale lavender color palette, premium quality, rich in detail
The subject wears a fitted black ribbed turtleneck sweater tucked into a leopard-print midi skirt, accessorized with a black felt beret and gold hoop earrings. The head tilts slightly to the right while the face remains forward. The gaze i…
High quality, real, HDR, HD, German grooms usually choose to wear traditional German national costumes, such as Leder shorts suits. This design shows the tradition and pride of German men. The material is usually leather or cotton blend
Use the uploaded image as the primary identity reference. Create a vertical 3-panel college photo strip based on the uploaded photo while strictly preserving the person's identity. Maintain the same facial features, face shape, eye shape, nose and mouth proportions, skin tone, hairstyle foundation, body proportions, and overall personal characteristics from the reference image. All three panels must clearly show the same person with strong identity consistency. Do not change the face or create a different identity. Create a nostalgic early-2000s campus photo aesthetic inspired by casual phone-camera snapshots. The image should have a slightly low-resolution digital camera texture, warm color tint, harsh direct flash, subtle grain, imperfect exposure, and a natural candid feeling. The composition should be a vertical three-panel photo strip showing different everyday college moments. The first panel features a close-up portrait with the person resting their chin on a school desk, showing a relaxed and slightly bored expression. The second panel shows the person standing against a simple classroom wall while holding a book, with a slight natural motion blur to create a casual snapshot feeling. The third panel shows the person sitting on a wooden floor while adjusting their shoelaces, creating an authentic everyday campus moment. The styling should include a casual academic outfit with a beige knit vest layered over a simple top, creating a youthful campus fashion aesthetic. Keep the overall look natural, effortless, and realistic. Add subtle handwritten doodle overlays throughout the photo strip, similar to personal scrapbook notes from a vintage phone camera album. Keep the doodles minimal and charming without covering important facial details. The final result should feel like a collection of real personal college memories captured on an early-2000s mobile phone camera, with authentic imperfections, nostalgic atmosphere, casual poses, and realistic photography texture. Negative Prompt: identity change, different person, face swap, altered facial features, unrealistic face, artificial beauty filter, plastic skin, excessive retouching, modern luxury fashion, studio portrait, professional photography look, CGI, cartoon style, low quality artifacts, distorted anatomy, bad hands, extra fingers, unnatural pose, blurry face, messy composition, excessive doodles covering face, incorrect panel layout, text errors, watermark.
A highly cinematic portrait, focused on the subject with consistent facial features and sharp clarity. She is a magnificent and graceful bride, wearing an incredibly opulent white lace wedding gown featuring a high, structured neckline and long, fitted sleeves that fully cover her arms and chest. The gown is heavily encrusted with intricate pearl beading, Swarovski crystals, and elaborate floral silk embroidery. She wears a cathedral-length tulle veil trimmed with lavish lace and statement diamond and pearl jewelry worn over the high collar. Her pose is majestic yet natural, standing gently in a blooming garden with soft petals and greenery around. She casts a warm, friendly gaze directly at the camera. The scene is bathed in soft, natural daylight, creating a realistic and high-quality atmosphere with photorealistic details of the luxurious fabric textures.
Keep the facial features of the person in the reference photo. Low-angle composition. The protagonist, wearing pink-purple traditional clothing, walks through lush flowers; the edge of her scarf is decorated with small pompoms and brushes past dewy petals. In the distance, the surface of the Ganges has a tranquil texture.
Keep the person's head features consistent with the reference photo. Close-up from the shoulders up, eye-level close-up shot. The person extends one hand upright to cover one side of the face, wearing a red sari head covering draped over the shoulders with gold embroidered decoration, a gold ornamental pendant on the forehead, and a luxurious red Indian bridal sari; the hand covering half of the face is covered in henna designs and wears gold rings. The person looks straight at the camera with a bright smile. Luxurious gold necklace, earrings and headpiece.
