提示詞
以傳統中國連環畫（lianhuanhua / xiaorenshu）風格繪製《西遊記》中的「大鬧天宮」。使用經典的墨線插畫技法，搭配黑色輪廓與傳統上色，描繪孫悟空與天兵天將戰鬥的動態姿勢。保留道地的復古中國連環畫美學與連續敘事分鏡。
範例圖片
使用內建圖像工具生成，供構圖與風格參考。
使用說明
這份使用說明目前提供英文版本。
A sequential Chinese comic-book interpretation of Journey to the West, using ink outlines and restrained vintage color. Character consistency and panel-to-panel action are the core constraints.
When to use
Classic-literature illustration concepts, exhibition storyboards, and retro comic mood boards. A four-panel page gives a short action sequence enough room to read.
What the existing example shows
The existing illustration uses a two-by-two panel layout, warm aged-paper tones, repeated Monkey King imagery, and narrow caption areas beneath the action.
Suggested setup
- Aspect ratio
- 4:3 · A landscape page can hold four panels with consistent gutters. Describe the reading order and one main action per panel.
- Reference images
- Optional character sheets help preserve costume, staff, and facial markings across panels. A specific modern adaptation is not needed for this original interpretation.
What to customize
- EpisodeThe Monkey King encounters a mountain gate
- Break the episode into four visible beats rather than compressing an entire chapter into one picture.
- Character designRed scarf, golden headband, dark boots, and one staff
- Repeat the same distinguishing features in every panel and keep the cast small.
- NarrationShort captions added after image generation
- Reserve a consistent caption strip; long generated paragraphs can distract from the sequence.
View a complete adaptation
Four-panel mountain-gate adventure
An original short episode with an explicit reading order and a stable character design.
This adaptation has not been generated. The existing image belongs to the original illustration record.
Create one 4:3 landscape page in a vintage Chinese lianhuanhua-inspired illustration style, with four equal panels in a two-by-two grid. The reading order is top left, top right, bottom left, bottom right. Depict an original Monkey King mountain-gate adventure: first he reaches a misty stone gate; second he notices a small traveler trapped behind fallen branches; third he lifts the branches with his staff; fourth they walk through the open gate together. Keep his red scarf, golden headband, dark boots, and single staff consistent in every panel. Use fine black ink outlines, restrained ochre and red color, and warm aged-paper texture. Show one clear action in each panel. Leave a narrow blank caption strip below each image; do not generate long text.
Troubleshooting
- The character changes between panels
- Repeat a short identity description and reduce costume detail. A separate character reference can help hold the design together.
- The story reads as four unrelated pictures
- Specify the reading order, keep the location consistent, and assign one action and outcome to each panel.
Editorial notes and generation record
AI-assisted editorial analysis of the source prompt and existing illustration. Settings are starting suggestions; the new adaptation is not a model test.
The existing illustration was generated with the built-in image tool. Its provider model is not disclosed. Actual image size: 1448 × 1086.
Original illustration input
Create one finished image illustrating this image prompt. Aspect ratio: 4:3. Illustrate "Havoc in Heaven" from Journey to the West in the style of traditional Chinese comic books (lianhuanhua / xiaorenshu). Use classic ink-line illustration technique with black outlines and traditional coloring, depicting the Monkey King battling celestial warriors in dynamic action poses. Maintain the authentic vintage Chinese comic book aesthetic with sequential storytelling panels.
提示詞資訊
- 分類
- 動漫 / 漫畫
- 模型
- GPT IMAGE 2
- 每張圖消耗
- 1K：43 點數 · 2K：86 點數 · 4K：143 點數
- 畫幅比例
- 4:3
- 收錄時間
- 更新時間