4,857 templates · updated Oct 2026
Nano Banana 2 is Google's Gemini 3.1 Flash Image model (gemini-3.1-flash-image-preview). It is faster and cheaper than Nano Banana Pro, renders 1K, 2K and 4K images and accepts up to 14 reference images. Google now recommends its update, Nano Banana 2.1, for new projects.
This page lists the 4,857 library templates set up for the Nano Banana 2 family: Nano Banana 2, 2.1 and 2 Lite. On GPT Image Hub they start at 25 credits per image.
The male subject wears an impeccably tailored dark navy three-piece suit featuring a structured jacket, matching vest, crisp white dress shirt, and a dark silk tie, radiating formal elegance. The female subject is dressed in a refined, sle…
The male subject wears a refined cream three-piece suit featuring wide peaked lapels, a textured waistcoat, and a pleated white tuxedo shirt accented by a crisp black bow tie and a white rose boutonniere. The female subject is dressed in a…
Strictly preserve the subject's head features, facial structure, face-shape contour and facial bone proportions, and keep the hairstyle consistent with the reference photo; also preserve the subject's original skin tone, body type, skeleton, body measurements, natural proportions and recognizability. Generate a vertical 9:16, ultra-realistic cinematic fashion portrait. The subject stands in front of a minimalist black indoor background, in the center of the frame, body turned slightly to one side. The subject wears an ivory-white slim-fit suit jacket and matching trousers, with no shirt under the jacket, the collar naturally open, and a thin-chain pendant on the chest; the subject's right hand is naturally tucked into the trouser pocket, with a dark watch on the right wrist. The subject's left hand hangs in front of the body, firmly holding a long-stemmed bouquet of a dozen or so deep red roses, with the green leaves and stems clear and intact. The subject looks at the camera with a calm, natural expression.\nVertical composition from above the thighs up. Strong golden sunset light slants in from the right of the frame, creating sharp-edged light and shadow zones on the ivory suit, the deep red roses and the background wall, and the wall keeps the subject's natural cast shadow; local highlights are warm and bright, while the remaining areas stay deep black. A three-color palette of black, ivory white and deep red, 85mm lens, shallow depth of field, low-key cinematic lighting, realistic suit fibers and petal textures. Avoid an overexposed white suit, an uncontrolled number of bouquet flowers, a wrong shadow direction, malformed hands and a misplaced pendant. No other people, text, brand logos, watermarks or interface elements.
Using the two people in the reference photo as the character reference, keep each person's clearly recognizable facial features, hairstyle, skin tone and age, and naturally blend them into one complete scene. Generate the man and woman from the photo embracing and kissing in a warm, cozy living room. The man wears a soft dark brown knit sweater and casual trousers; the woman wears a loose cream knit top and a relaxed home-style long skirt. The two sit on the edge of the sofa, the man's arm around the woman's waist, the woman gently stroking the side of the man's face with one hand, their bodies naturally close, sharing a sweet kiss in a quiet, warm home atmosphere. The background is a fireplace with burning logs, a soft sofa, blankets, a warm yellow floor lamp and a wooden coffee table with hot drinks. A light rain falls outside the window, with hazy droplets on the glass, and the indoor light is soft and warm. Vertical medium shot from the waist up, the two people taking up about 76% of the frame height. Amber lighting, natural skin tones, fine knit texture and shallow depth of field, cozy and refined lifestyle cinematography, no text, no watermark.
Keep the person's looks and clothing consistent. Premium warm-brown native filter | keep the original clothes, pure white background, upright standing posture, a firm gaze looking straight at the camera, a blurred upscale business meeting room, natural and luminous, clear eyebrows, lively eyes, simple business style, high-definition faithful reproduction of the face, high-end elite temperament
Keep the facial features of the person in the reference photo. A high-resolution, strongly structured portrait photograph with a medium-shot composition and a side-on, eye-level angle. The subject leans against a thick cherry blossom trunk; the background is dense but layered cherry blossom branches crossing to form a geometric structure, and blurred branches in the foreground add a pressing, enclosing frame. The subject is placed in the right third of the frame, weight shifted to one side against the support, shoulders slightly tilted to create an asymmetrical posture, arms crossed over the chest. The facial expression is calm and restrained, the corners of the mouth slightly drawn in, the eyes looking straight into the camera with a slight sense of distance. Fill light illuminates the face; the facial features are clear, the skin tone is bright and the skin is fair. The overall color tone is a contrast of pink and neutral colors.
Create a photorealistic wedding portrait of exactly the two adults in the reference images. Image 1 is the man and image 2 is the woman. Use these photographs as the only identity references. Preserve both recognizable facial identities, natural skin tones, face shapes, eyes, noses, mouths, hairlines, facial hair, apparent ages and body proportions. Keep the man on the left and the woman on the right. They remain the same Indian individuals, with natural skin texture and believable gentle bridal grooming; no skin lightening, face replacement, de-aging or generic model faces. Replace their casual clothing with the specific attire below. Give them natural, comfortable body language, clear unobstructed faces and anatomically plausible hands. Make a vertical 4:5 medium portrait, approximately mid-thigh or waist upward, with sufficient space above both heads and around the shoulders for later cropping. Both faces should be turned toward the camera and recognizable. Use realistic wedding photography, coherent natural light, real fabric and jewellery textures, softly separated background and lifelike expressions. One photographic image with exactly two main people, no split-screen, illustration, text, watermark or decorative photo border. Avoid a Western wedding gown, tuxedo, church or champagne props. Regional character must come from the garments, textiles, jewellery and setting, never from replacing either face with a stereotyped regional face. Preserve any original facial hair, natural body build and mature features. Keep both people individually recognizable, with comfortable asymmetrical posture rather than rigid mannequin poses. Specific wedding look and scene: A Telugu wedding couple in a flower-decorated mandap courtyard. The bride wears an ivory pattu silk sari with a broad vermilion-red and gold border, a red blouse, refined layered gold wedding jewellery and a jasmine-adorned low bun. The groom wears a cream silk shirt, cream dhoti with red-gold border and a matching angavastram. Both wear fresh jasmine-and-red-flower wedding garlands. They pause just beside the mandap, bodies angled slightly together, one of her hands naturally resting on his arm, both looking at the camera with relaxed smiles. Banana stems, jasmine strands, brass lamps and warm daylight give the scene a South Indian ceremonial atmosphere. Keep cloth folds, garlands and hands plausible; no face whitening, changed face shapes or overly heavy makeup.
High quality, real, HDR, HD, Brazilian wedding dresses are white. In terms of design, wedding dresses with deep V designs are usually made of lace or chiffon
In Figure 1, a man stands at a 70-degree angle on a dark street, getting rained on under a dim streetlamp. His expression is melancholic, his head slightly tilted back at a 45-degree angle, his back slightly hunched, his eyes closed, and his eyelashes thick. His lips are relaxed, his face etched with sadness, and his facial muscles are relaxed. He wears a military green fitted T-shirt. The image has been sharpened and contrast enhanced. Skin texture has been improved, with clear pores, raindrops on his face, and a 4K high-definition rendering. The image captures the melancholic mood, with clear rain lines, raindrops on his face, and his wet hair. His military green short-sleeved shirt is completely soaked and clings to his body. The background clearly shows the heavy rain. A melancholic Indian man in the rain. His eyes are closed in melancholy, and he has thick eyebrows. The image exudes realism. The cool color palette, blue streetlamp, downturned lips, and sad expression are all present. The hairstyle and facial features retain the appearance of the man in Figure 1. A portrait photograph with sophisticated atmospheric lighting. He's completely soaked in the rain, his face turned to the side, eyes closed, facing the raindrops. His wet face, flowing hair, the rain, the wind, the raindrops wetting his face, hair, and clothes—low light, white clothes, blue tones, rim lighting—his expression conveys a sense of melancholy. A rainy day, reminiscent of a Wong Kar-wai film. A hunched back, letting the rain fall. The various lights in the alleyway in the background are out of focus as circular halos.
Using the two people in the picture as character references, accurately preserve their facial features, hairstyles, skin tones and ages, and naturally place them into the same real scene. Generate the man and woman in the picture kissing during the intermission in a private box at an opera house. The man wears a formal black suit, a white shirt and a black bow tie, and the woman wears a dark green silk blouse, a short black skirt, black stockings and refined earrings. The two stand side by side next to the box railing; the woman rests one hand on the railing, her body naturally turned toward the man; the man gently holds her other hand, and the two lean in close and kiss tenderly. The background is a real classical opera house, where red velvet seats, golden railings, the box structure, the stage curtain and audience members returning to their seats are visible. The lighting comes from the theater chandeliers, wall sconces and residual stage light. Vertical medium shot from above the thighs, three-quarter camera angle from the front side, with the two occupying about 78% of the image height. 50mm lens, realistic indoor exposure, fine clothing texture and natural skin tones, presenting an elegant, formal social-occasion atmosphere, no text, no watermark.
Create a photorealistic wedding portrait of exactly the two adults in the reference images. Image 1 is the man and image 2 is the woman. Use these photographs as the only identity references. Preserve both recognizable facial identities, natural skin tones, face shapes, eyes, noses, mouths, hairlines, facial hair, apparent ages and body proportions. Keep the man on the left and the woman on the right. They remain the same Indian individuals, with natural skin texture and believable gentle bridal grooming; no skin lightening, face replacement, de-aging or generic model faces. Replace their casual clothing with the specific attire below. Give them natural, comfortable body language, clear unobstructed faces and anatomically plausible hands. Make a vertical 4:5 medium portrait, approximately mid-thigh or waist upward, with sufficient space above both heads and around the shoulders for later cropping. Both faces should be turned toward the camera and recognizable. Use realistic wedding photography, coherent natural light, real fabric and jewellery textures, softly separated background and lifelike expressions. One photographic image with exactly two main people, no split-screen, illustration, text, watermark or decorative photo border. Avoid a Western wedding gown, tuxedo, church or champagne props. Specific wedding look and scene: A Tamil wedding couple on a shaded South Indian heritage-house veranda. The bride wears a rich coral-red Kanjeevaram silk sari with broad woven gold borders, a matching short-sleeved blouse, traditional layered gold necklaces, gold jhumkas, a neat central forehead ornament and a small bindi. Her hair is arranged in a low bun encircled with fresh jasmine flowers, leaving her face unobstructed. The groom wears a cream silk shirt with a gold-bordered white veshti and an angavastram over one shoulder. Both wear modest fresh jasmine-and-red-rose wedding garlands. Capture a natural pause as they walk side by side: he gently holds her hand low between them, shoulders relaxed, both looking toward the camera with quiet happy smiles. Include carved wooden pillars, banana-leaf decoration and jasmine garlands in the softly blurred background. Soft morning daylight emphasizes the lustrous silk weave and warm natural brown skin. The sari, jasmine, gold jewellery and veshti establish the regional look without adding elements from other regional wedding traditions.
Create a photorealistic wedding portrait of exactly the two adults in the reference images. Image 1 is the man and image 2 is the woman. Use these photographs as the only identity references. Preserve both recognizable facial identities, natural skin tones, face shapes, eyes, noses, mouths, hairlines, facial hair, apparent ages and body proportions. Keep the man on the left and the woman on the right. They remain the same Indian individuals, with natural skin texture and believable gentle bridal grooming; no skin lightening, face replacement, de-aging or generic model faces. Replace their casual clothing with the specific attire below. Give them natural, comfortable body language, clear unobstructed faces and anatomically plausible hands. Make a vertical 4:5 medium portrait, approximately mid-thigh or waist upward, with sufficient space above both heads and around the shoulders for later cropping. Both faces should be turned toward the camera and recognizable. Use realistic wedding photography, coherent natural light, real fabric and jewellery textures, softly separated background and lifelike expressions. One photographic image with exactly two main people, no split-screen, illustration, text, watermark or decorative photo border. Avoid a Western wedding gown, tuxedo, church or champagne props. Regional character must come from the garments, textiles, jewellery and setting, never from replacing either face with a stereotyped regional face. Preserve any original facial hair, natural body build and mature features. Keep both people individually recognizable, with comfortable asymmetrical posture rather than rigid mannequin poses. Specific wedding look and scene: An Assam-inspired wedding portrait in a quiet bamboo-and-wood veranda near lush green trees. The bride wears a warm champagne-gold muga-silk mekhela chador with restrained red woven motifs, a matching modest blouse and a few elegant Assamese-inspired gold ornaments. Preserve her natural hair texture and face; use a neat low hair arrangement and a small bindi. The groom wears an ivory silk kurta with dhoti-style trousers and a cream handwoven cheleng chadar with red woven accents. They sit close on a simple cane bench, leaning gently toward each other, hands relaxed on their own laps and faces turned toward the camera. The warm lustre of muga silk, handwoven texture and soft greenery are central. Do not change their facial features or skin tones to imitate a regional stereotype.
Keep the facial features of the person in the photo. The main subject in the reference photo sits astride a deep red heavy motorcycle, wearing a leather vest, with a golden castle in the background and long hair gently moving. Image size 9:16.
Keep the person's head features consistent. Generate a hyper-realistic night-time outdoor birthday celebration portrait photograph: the person sits in the center on a park bench, the body facing the camera but the head turned slightly toward the right side of the frame, the face lit by the cake's firelight, the expression relaxed with slightly squinting eyes, as if blowing out the candles or feeling the heat of the flames. In the person's left hand is a bottle of dark green champagne, the mouth of the bottle pointing up and slightly to the left, the foam or champagne inside spraying out to form a tall vertical column of mist that shoots upward from the left side of the frame; the spray is a warm orange, semi-transparent, lit by the lights, with tiny droplets clearly visible. In the person's right hand is a round, dark chocolate birthday cake resting on a tray, at chest height on the right side of the frame. The cake has several lit birthday candles, the candle flames are very bright and form an intense orange-white beam of flame shooting horizontally toward the right side of the frame, the edges of the flame diffusing and the center slightly overexposed, like the effect of birthday candles and a spray-flower flare suddenly blown bright. The background is a city park at night; behind the person is a wooden bench running horizontally across the middle of the frame, with black metal armrests and a backrest. In the distance are silhouettes of dark tree branches, blurred building outlines, and bokeh from street lamps and car lights, forming small round bokeh light spots in white, yellow and red. There is a little snow or light-colored patches on the ground and under the bench, and the overall environment is cold and dark. The main light of the image comes from the cake candles and flames; intense warm orange firelight illuminates the person's face, hair and upper body, with clear orange-yellow highlights on the face, while the dark areas still keep their night-scene shadows. The champagne spray is lit by the firelight and street lamps, forming a glowing golden column of mist. The background overall is deep and dark, with only street-lamp bokeh and a few city light points; do not light the environment too brightly. A high-contrast night scene, with the warm firelight forming a strong contrast against the cold, dark city background, slight motion blur, and real high-ISO grain.
A vertical medium-shot outdoor portrait photoshoot at golden sunset hour with a backlit setting, warm sunlight shining from behind the subject and forming a soft, bright golden rim halo along the edges of her hair; she stands gracefully, her right hand gently raised with the palm facing up, an exquisite, vividly colored blue-purple butterfly hovering above her palm, her eyes lowered tenderly toward the palm; she wears a light gray-green, translucent sheer saree, its surface scattered with a large number of golden sparkling floral embroideries, the saree border trimmed with intricate, gorgeous gold-thread beaded embroidery, with a matching V-neck short-sleeved blouse covered all over with exquisite heavy beadwork; she wears layered, stacked gold and pearl bangles, pendant bell earrings and a luxurious full-diamond short choker necklace, her left hand lightly gripping the saree fabric, with a simple slim ring on a finger; the background is a blurred outdoor garden, with branches covered in small white flowers in the upper left corner, a large hazy patch of orange-red flowers on the left, and soft warm golden bokeh light spots in the background; the sheer fabric is light and translucent, the embroidery texture delicate and three-dimensional, soft warm backlight, shallow depth of field with a blurred background, film texture, ultra-realistic high-definition photographic quality, fully recreating the figure's pose, the hovering butterfly, the complete set of jewelry and accessories, the saree embroidery details and the dusk garden atmosphere.
Using the adult woman in the input photo as the sole identity reference, generate a vertical instant-film snapshot genuinely shot with the built-in direct flash of a portable Polaroid camera. Strictly preserve her real facial features, face shape, age, skin tone, hair color and natural skin texture; do not swap the face, do not whiten the skin, do not make her look younger, do not redesign the face. Scene and styling: She wears an off-white Kerala-style kasavu saree with a thin gold border clearly visible, a simple warm-gold blouse and small gold jhumka earrings. Keep her original hair color and hair texture; her hair is tied up naturally at the back, with a small ring of real white jasmine flowers (a gajra) beside the bun, the flowers not covering her face. She stands on the porch of a traditional Kerala house with a dark wooden door, her body naturally turned slightly, her face toward the camera, with the natural smile of someone caught off guard when a friend or relative suddenly raises a Polaroid; her hands rest relaxed in front of her waist. The camera is very close to her, in a head-to-waist souvenir-snapshot composition, with the person taking up the main part of the photo, keeping the slight imperfection of a casual grab shot. Decisive Polaroid lighting: it is a dim evening after the sun has set, the ambient light on the porch is very weak, and the wooden door and courtyard behind her are noticeably dark. The only key light is the built-in flash right next to the lens, firing straight at her from the front, clearly producing a bright subject, a slightly harsh frontal flash, a crisp hard-edged shadow on the wooden door behind her head and shoulders, and the saree folds, jasmine flowers and natural skin texture lit by the flash. Facial detail is retained, but there is a clear flash exposure difference between the person and the dark background. No soft window light, daylight backlight, rim light, soft studio light or creamy background blur; do not present the soft lighting of a professional portrait or wedding photography. Genuine instant-film texture: visible but natural analog film grain, slight softening, limited dynamic range, a slightly warm look with a touch of yellow-green color cast, and slightly darkened corners. The distant courtyard is only a dim bit of green leaves and wooden-structure outlines, not a bright, transparent daylight garden, and no large round bokeh appears. The photo has both a casual, life-snapshot feel and a clear recognizability of her, not a high-definition commercial-ad-style retouch or plastic skin. Layout: The whole image is a front-facing, complete classic Polaroid print, with clean pure-white wide borders all around and a slightly wider bottom border, the photo window keeping a slight film vignette, and all four corners intact. Nothing is written on the white border, and do not add a tabletop outside the print, decorations, a hand holding the print, a second photo or a collage. Only this one woman appears; no text, date stamp, watermark, logo, interface, extra people, extra limbs or small reference-photo window.
Using the same adult man from reference image 1 and the same adult woman from reference image 2, generate a natural phone photo of an Indian couple. Strictly preserve each person's original facial feature proportions, face shape, true skin tone, age, hairline, hairstyle, beard, glasses status and body type; do not swap or blend faces, do not whiten skin, do not slim down, do not make anyone look younger. Clothing is changed as described below. The people rely only on the two original images for their appearance; the home-life and royal-style scenarios are both original fiction. Scene: beside a tennis court at a sports club in an Indian residential area, with a green court, an ordinary net, a shaded rest bench at the side and a sports bag, and the club building in the background. Ordinary daytime on-site light, like a rest-break photo after playing tennis. Clothing: the man wears a white short-sleeve sports polo shirt and navy sports shorts; the woman wears a light purple collared sports top, white loose sports trousers and ordinary sports shoes. The clothes have natural movement wrinkles and no brand logos. Action and relationship: the woman sits on the courtside bench, one hand holding an ordinary water bottle resting in front of her knees; the man stands beside her, bending his knees slightly and leaning over so that the two faces are at nearly the same height, one hand gripping the racket handle, the racket head pointing down and resting on the ground beside them. The two look at a friend's phone and smile slightly, not making a match-style swing. Composition: shot from diagonally in front of the bench, from the top of the head to above the knees, with the court and the lower end of the racket appearing naturally; the people are not over-polished or turned into a sports advertisement. Overall it continues the already-confirmed ordinary phone-snapshot texture, a casual everyday photo taken in passing by a familiar family member or friend during a real activity. Both faces are clear and unobstructed, the two naturally look at the phone that is taking the photo, with relaxed expressions and slightly asymmetric slight smiles. The composition is not deliberately centered, and the horizon may have a very slight casual tilt; ordinary phone main-camera slight wide-angle perspective, the people and background both keep basic sharpness, no portrait mode, no creamy bokeh. Use only the scene's natural light or everyday lamps; facial brightness may be slightly uneven, and a bright background may be a little naturally overexposed. Keep pores, small blemishes, texture under the eyes, natural stray hairs, clothing wrinkles and slight phone noise-reduction grain, like an unretouched everyday album photo. The environment and clothing are refined and textured, but the people are still in an ordinary-life state. Vertical 4:5, medium-close two-person shot. No professional lighting, wedding photography, luxury-brand advertising, fashion editorial, cinematic color grading, strong golden backlight, excessive HDR, skin smoothing or beautifying, influencer face, stiff standing posture or standard symmetrical posed shot. No large brand logos, real royal emblems, lined-up staff, text overlay, watermark or interface. No crown, wedding garland or exaggerated dramatic cape. Avoid extra main characters, extra arms, duplicated hands, deformed fingers, fabric fused with the body. Do not fake a phone look with heavy blur, scratches, dirt or coarse grain.
Close-up shot, Lo-fi Dusk twilight-glow atmosphere filter, low-saturation warm tones, warm golden backlight outlining the hair with a halo glow, the image has a retro film-grain feel; medium-shot portrait, wearing a dark green soft silky saree traditional gown, the body and shawl edges covered in intricate, heavily worked golden floral-vine embroidery patterns, the fabric a delicate, soft matte, soft-light gauze-like material with a fine, gentle sheen; paired with same-color trim and pearl piping, the neckline and drape covered in traditional Indian patterns; wearing matching dark green enamel and gold jewelry: carved emerald earrings, a chrysoprase necklace, slim green-patterned bangles; standing sideways, one hand raised lightly holding the saree neckline, the other hand hanging naturally, the saree fabric draping and spreading, showing a velvety soft sheen under the backlight; the background is a nighttime outdoor brick-paved road, the overall tone dark, warm backlight creating a hazy atmosphere, clear and translucent makeup, 8K ultra-high definition, masterpiece, best quality.
Keep the facial features of the person in the reference photo, 9:16 composition down to the thighs, facing the camera head-on, with the face taking up a large share of the frame, photographic realistic style, male, wearing a crisp navy blue suit set with a flat white shirt underneath, the collar open without a tie for a more casual look, a calm and confident expression, hands hanging naturally at his sides, the background is the seaside of Marine Drive in Mumbai, the sea showing faint blue fine ripples, the clear architectural outline of the Gateway of India visible in the distance, the light is soft natural afternoon light, the sea breeze gently lifting the edges of the jacket and the shirt collar, the sea sparkling with fine glittering waves, the whole image full of the elegant texture of an urban elite
Using the two people in the image as the character reference, accurately preserve each person's facial features, hairstyle, skin tone and age, and naturally place them into the same real scene. Generate the man and woman from the image reuniting and kissing on a modern train station platform. The man wears a dark gray business suit, a white shirt and a dark tie; the woman wears an ivory-white blouse, a dark plaid high-waisted short skirt and black stockings. The man has just finished a business trip, and the woman has come to the platform to meet him. The woman naturally rests both hands on the man's upper arms, and the man gently wraps one hand around the woman's lower back while the other hand still holds the handle of a travel suitcase. The two lean slightly toward each other and kiss naturally in a brief reunion embrace, the movement restrained and genuine, carrying the emotion of meeting again after a long separation. The background is a realistic modern intercity railway station, including a stopped train, platform safety lines, platform number signs, metal seats, a canopy structure and passengers boarding and alighting. The station is lit by both natural daylight and canopy lighting, and the people keep normal proportions relative to the train and platform facilities. The suitcase shows only its handle and a small part of its body at the bottom of the frame. Vertical medium shot from above the thighs, with the bottom edge of the frame falling at mid-thigh, clearly showing the man's suit and the woman's blouse, skirt and part of the stockings. The two together take up about 78%–82% of the frame height. Eye-level camera, 50mm lens, natural ambient light, normal colors and real depth of field, preserving the station's actual structure and everyday flow of people, presenting an authentic reunion photo captured by a photographer during a trip, no text, no watermark.
Keep the facial features of the person in the image. The protagonist leans against a bright purple Lamborghini, with a night view of Mumbai's Bandra bridge in the background. Slim-fit suit, neon light and shadow.
A woman physicist in a suit, close-up portrait, looking at viewer,,analyzing complex equations on a chalkboard, surrounded by books and scientific instruments, in a lit study,
Cinematic portrait style with a rainy-night atmosphere. Medium close-up, shot from the side. In the frame, the person from the reference photo sits on a park bench, head lowered, sadly holding their head; behind the person stands a semi-transparent glowing figure who looks identical to the original and wears the same outfit, gently placing a hand (semi-transparent) on the person's shoulder, as if comforting them. The background is a park on a rainy night, with streetlights giving off a hazy halo; the person's face is clearly visible, there are reflective puddles on the ground and raindrops are clearly visible; the overall mood is sad yet healing, warm-toned lighting, realistic texture, 8K high-definition detail
High quality, real, HDR, HD, Italian wedding dress design pays more attention to gorgeousness and luxury. Many Italian brides choose wedding dresses that are heavily embroidered or decorated with jewelry. This design can show the bride's nobility and magnificence. Color is usually white or champagne
While keeping the facial features in the image, an Indian woman stands in the middle of a pedestrian overpass in a city on a rainy night. She leans slightly sideways against the wet metal railing, her other hand hanging naturally at her side. Dense, heavy rain falls from the sky, forming clear streaks of rain in the lights of the bridge. The bridge surface is completely soaked with rain, and the metal railings and the ground reflect soft orange street light. The neon lights of the distant city skyscrapers blur into hazy spots of light through the curtain of rain. Her face is clearly visible, her lips are slightly relaxed, with a faint sadness on her face, her facial muscles slack, her eyes lowered and melancholy. She wears a black fitted shirt, the fabric thoroughly soaked by the rain. Her hair is drenched, and raindrops slide down her cheeks. She stands in the rain with her head slightly lowered, as if lost in her own thoughts, a street lamp lighting her face, her skin texture fine and real, pores clearly visible, with tiny raindrops on her face and collarbone. Rendered in 4K high definition with a realistic photographic quality. The image captures the loneliness of a rainy night, with the rain streaks clearly visible. The city lights in the background form soft circular bokeh in a shallow depth of field. The distant neon lights, street lamps and building lights flicker faintly in the rain. A blue tone, with gray, orange lights and the dark city environment forming contrast. This is a portrait photograph with refined atmospheric lighting. Ambient light and rim light outline her wet silhouette, and raindrops, wind and light together create the mood of a rainy night. She is completely drenched, her wet face and hair faintly glinting under the lights. The whole image is full of realism and emotional tension, reminiscent of a film frame with a strong emotional atmosphere
Keep the facial features of the person in the reference photo, wearing a lightweight electric-blue sari with a close-fitting, flowing fabric, set on a misty mountain balcony with a wet, reflective floor, tilted composition, medium close-up shot, the person tilting their head back to feel the raindrops, a quiet atmosphere with an emotional feel, cool moonlight, retro high-saturation film style
Keep the facial features of the person in the image, a 9:16 composition down to the thighs, facing the camera head-on, with the face taking up a large share of the frame, photorealistic photography style, female, wearing a lake-blue silk saree with silver water-ripple embroidery along the edges, long black hair styled in big loose waves and falling over the shoulders, standing barefoot at the edge of a shallow pool with a mirror-like surface, the calm water reflecting her upper body, both hands lightly lifting the saree skirt, fingertips lightly touching the water and setting off fine ripples, the background a minimalist dark gray with no extra decoration, the lighting a low-saturation soft light from the side, the water reflection clear with slight blur, symmetrical composition, the overall color a clash of lake blue and gray tones, a serene and beautiful atmosphere, full of the creative artistry of mirror reflections
Keep only the identity and facial features of the person in the uploaded photo as reference, accurately preserving the person's face shape, facial feature proportions, skin tone, hairstyle, age characteristics and personal recognizability, without changing the person's identity. There is strictly only one person in the frame. The person wears a light ice-blue and cream-white thin shirt with the collar naturally open, the wet fabric clinging to the shoulders and chest, forming soft underwater folds with a moderate degree of translucency; the collar, shoulders and cuffs are gently lifted by the water current, retaining realistic fabric texture, with no patterns, text or logos. The person wears small, delicate earrings. A hyper-realistic underwater female portrait, using an extreme close-up from the face to the chest. The person floats on her back in the water, the body arranged vertically, the face positioned in the upper center of the frame, with the shoulders, neck, collarbones and chest extending to the bottom of the frame; the face takes up the main area of the frame, and no full-body or distant shots are used. The hair spreads out naturally in the water, with strands floating toward the left and bottom of the frame. The head tilts slightly toward the right side of the frame and leans back a little, the face turned toward the camera, the bridge of the nose, jaw and neck connecting naturally. The eyes are fully closed, the eyelashes clear, the eyebrows relaxed, the lips slightly parted, moist and carrying soft highlights; the expression is quiet, soft, immersed and relaxed, as if sleeping or meditating in the water, showing no pain, fear or crying. The shoulders sink naturally, the arms are below the frame or at the sides of the body, with no hands raised to cover the face. An underwater frontal camera position slightly above is used, the lens shooting from close range above the person's face, with a 50mm to 85mm portrait lens and shallow depth of field. The focus is concentrated on the person's closed eyes, eyelashes, bridge of the nose, lips and the water patterns on the face, with the chest and shirt kept sharp, and the distant water and bubbles softly blurred, forming a quiet, immersive underwater look. The background is deep blue, transparent water, with bubbles of varying sizes floating around, concentrated around the person's head, shoulders and strands of hair and rising naturally upward. Light from the water surface penetrates the water from the upper right of the frame, forming clear, fine golden-white caustic light patterns that continuously fall across the person's forehead, brow bone, eyelids, bridge of the nose, cheeks, lips, neck, collarbones and chest; the water-ripple texture must be clearly visible, not appearing only in the background. The main light is golden-white volumetric light refracted from the water surface, the beams slanting from the upper right onto the person's face, forming flowing wave-like light spots; the person's face is lit by soft warm-white light, with delicate highlights appearing on the eyelids, tip of the nose, cupid's bow and the edge of the jaw. The ambient light of the water stays deep-sea blue, cyan-blue and indigo, with blue-gray shadows on the person's left side and in the background, the cold blue of the water forming a clear contrast with the warm golden light patterns, with no harsh flash, overexposure or overly dark face. The overall palette is deep-sea blue, lake blue, cyan-blue, ice blue, cream white and a small amount of warm gold; the image is transparent, cool and dreamy. Retain realistic skin pores, moist lips, water droplets, floating strands of hair, shirt fabric and bubble reflections; add soft haze, delicate highlight bloom, slight film grain and a cinematic underwater photography feel, the image hyper-realistic, serene and hazy. The person must remain floating on her back, with the face toward the camera, the head tilted slightly toward the right of the frame, the eyes closed, the lips slightly parted, the arms not covering the face, and the extreme close-up composition from the face to the chest. Do not generate open eyes, a toothy smile, crying, terror, an overly wide-open mouth, a side profile, a swimming pose, a standing pose or a distant full-body shot; no second person, extra arms, deformed fingers, hair completely covering the face, body sinking, or severely transparent clothing; no text, watermarks, logos, black borders, play buttons, progress bars, arrows, dots or other interface elements.
Vertical double-layer overlay composite composition of a traditional wedding photo on a rainy night, the whole frame filled with dense, vertically falling transparent raindrops; the people's skin, hair strands and clothing surfaces are covered with plump, translucent water droplets with specular highlight refraction; the overall background is plain, dark, minimalist pure black. The left and right sides of the frame are enlarged close-up face shots of the two people, foreheads pressed tightly together, both with eyes closed and a gentle, peaceful expression; the woman wears a gorgeous crystal and gilded headdress, gold gemstone carved earrings by her ears, a white strand-style floral garland wrapped around her neck and shoulders, and a light apricot, richly crafted lace-embroidered traditional top; the man wears a black-based head wrap with orange-gold retro patterns, and a black traditional stand-collar top with gold-trimmed embroidery; the center of the frame is a full-body real-scene portrait of the couple, standing barefoot on a bright, wet, water-covered ground, the water surface reflecting fine fragments of light and shadow, the two facing each other with hands tightly clasped and heads leaning slightly together; the woman's hair is in an updo with gold flowers and red accent flowers and the same gilded headdress, wearing an off-white sheer lace long-sleeved top, paired with a wide red-and-gold waist sash and a black-and-orange retro-print long traditional skirt; the man wears a head wrap of the same pattern, a black-and-gold trimmed embroidered top and an orange-and-black wrap-style lower garment with the same pattern; the overall approach uses directional soft light to selectively brighten the people, the dark background maximizing the warm brown, off-white and red-gold clothing tones of the people, with the lace cut-out textures, brocade print patterns, translucent raindrops and puddle reflections all rendered in realistic, fine detail, a solemn, tranquil rainy-night traditional wedding atmosphere, hyper-realistic wedding portrait photography, 8K high-definition sharp image quality, no watermark, no play icon, no extra clutter, the people's limb structures natural and free of deformities.
Keep the facial features of the person in the image. The person sits in a luxury convertible sports car, looking at the camera with a handsome air, both hands on the steering wheel. The background is a coastal road and blue sea. He wears metallic-textured jewelry and dark sunglasses, with a thin necklace around his neck, and high-end fashion clothing; the overall atmosphere is confident and calm, with clean light and shadow. Side shot, the background is the sea.
Using the same adult man from reference photo 1 and the same adult woman from reference photo 2, generate a natural phone photo of an Indian couple. Strictly preserve each person's original facial feature proportions, face shape, true skin tone, age, hairline, hairstyle, facial hair, glasses status and body build; do not swap or blend faces, do not whiten the skin, slim the body or make anyone look younger. Change the clothing as described below. The people take their appearance only from the two original photos; the home and royal-style settings are entirely original fiction. Scene: during ordinary opening hours at a contemporary art gallery in an Indian city, with light-colored walls, a wooden bench, a few original abstract paintings by no particular artist and small sculptures, and only a few visitors in the distance. A mix of ordinary indoor ceiling lights and window light. Clothing: the man wears a simple dark navy bandhgala jacket and light gray trousers, with no exaggerated accessories; the woman wears a terracotta-orange silk-cotton blend kurta and cream wide-leg trousers, with a thin beige dupatta draped loosely, and holds a small fabric handbag. Action and relationship: the two have just stepped away from a painting; the man, half turned to the side, holds a folded exhibition leaflet, and the woman leans lightly against one end of the wooden bench, gripping the handbag in one hand while the other rests casually on the edge of the bench. They hear a friend calling, turn their heads and look at the phone, with natural, relaxed expressions. Composition: a close vertical shot of the two from the thighs up, the artworks in the background serving only as setting, faces clear, composition not laid out like an album. Overall, continue the already-confirmed ordinary phone-snapshot look, a casual everyday photo taken in passing by a familiar family member or friend during a real activity. Both faces are clear and unobstructed, both people look naturally at the phone taking the picture, with relaxed expressions and slightly asymmetric faint smiles. The composition is not deliberately centered, and the horizon may have a very slight handheld tilt; a slight wide-angle perspective from an ordinary phone main camera, with both people and background keeping basic sharpness, no portrait mode, no creamy bokeh. Use only the scene's natural light or everyday lamps; facial brightness may be slightly uneven, and bright backgrounds may be a little naturally overexposed. Keep pores, small blemishes, texture under the eyes, natural stray hairs, clothing wrinkles and slight phone noise-reduction grain, like an unretouched everyday album photo. The environment and clothing are refined and textured, but the people remain in an ordinary-life state. Vertical 4:5, two-person medium close-up. No professional lighting, wedding photography, luxury advertising, fashion editorial, cinematic color grading, strong golden backlight, excessive HDR, skin-smoothing beauty filters, internet-celebrity faces, stiff standing poses or standard symmetrical posed shots. No large brand logos, real royal emblems, lines of staff, text overlays, watermarks or interfaces. No crowns, wedding garlands or exaggerated dramatic capes. Avoid extra main subjects, extra arms, duplicated palms, deformed fingers, fabric fusing with bodies. Do not fake a phone look with heavy blur, scratches, dirt or coarse grain.
Indoor, upscale venue, elegant environment, noble environment, formal venue, white detailed embroidery suit, this is a white suit specially designed for the groom, elegant and formal, suitable for wedding occasions
Hyper-realistic outdoor fashion portrait photography, 9:16 vertical, strictly keep the protagonist's gender, head and facial features, facial proportions, skin tone, recognizability and natural body proportions from the reference photo unchanged, and reproduce the original photo's composition, pose, clothing, flower wall position, lighting and shallow depth of field. The protagonist is in the center-right of the frame, in a half-body to above-the-thighs composition, body fully turned toward the right side of the frame, head turned back to face the camera, looking directly at the camera through red-brown sunglasses, lips closed or with a very faint smile, expression calm, confident and natural; both hands fully inserted into trouser pockets, pose relaxed and neat. The protagonist wears a red-and-white gradient long-sleeve shirt, the upper part bright red or brick red, transitioning naturally downward to white, the fabric with fine vertical stripes, the collar open, the cuffs rolled up to show a white inner layer, with white or light-colored trousers below, a black bead bracelet may be worn on the wrist, and the clothing keeps real texture and natural wrinkles. A dense flower wall is arranged at the upper left and left of the frame, hanging diagonally from the upper-left corner toward the center, with rose-pink, bright yellow and sapphire-blue flowers and a few green leaves forming vivid color blocks, some flowers sharp and some softened, and out-of-focus green leaves at the lower left forming a hazy foreground frame; the person is close to the flower wall but the face and body are not blocked. The background on the right is a bright, soft outdoor road or garden path, highly blurred in cream white, light yellow-green and soft bright light. Natural soft daylight evenly illuminates the face and clothing, the tone slightly warm but not yellowish, the white clothing not overexposed, the image clear and bright. 85mm portrait lens, f/1.8 large aperture, the person sharp and crisp, the flower wall richly layered, the background in soft round bokeh with a slight airy feel, real skin and fabric details, a fresh outdoor portrait quality that is vivid but not over-saturated, no text, watermark, interface buttons or screenshot borders.
Cinematic rainy-day park portrait, 8K ultra HD, soft rainy-night light. 【Composition and Subject】 The person in the reference photo appears from the waist up, holding a transparent umbrella covered in raindrops, standing naturally in the rain and looking off-camera; the whole image is full of a cool, gentle sense of story. 【Clothing and Styling】 A dark blue plaid shirt over a white T-shirt, with a thin necklace and a watch; the look is clean and fresh. 【Scene and Background】 A city park scene; the background is blurred green trees and street lamps, and the ground is wet with rain; the overall atmosphere is fresh and languid. 【Light and Color】 Soft street-lamp light on a rainy night, with warm yellow light spots blurred in the background and an overall cool tone; the raindrops on the transparent umbrella and the reflections on the wet ground push the atmosphere to the max. 【Texture Details】 The plaid texture of the shirt, the raindrops on the umbrella, the sheen of the hair strands and the blurred light spots in the background are all clearly visible; the overall image has a cool, moody atmosphere.
The subject is a confident, overbearing, powerful, and coolly beautiful female centered in the frame, whose facial structure, features, and overall demeanor (serious, authoritative, confident, powerful) must match the features of the subject in the reference image exactly, ensuring exceptional character consistency. She looks directly into the camera with a sharp, piercing gaze. The person presents a cross-legged full-body pose, fully seated in a modern cream armchair, with hands elegantly resting on the top of the armrests. The perspective is a dramatic high-angle full-body shot from above. She wears a well-tailored, structured black female suit jacket paired with a fitted black professional pencil skirt, and on her feet, she wears a pair of exquisite, sharp black patent leather pointed-toe stilettos. She is positioned within a modern cream stone terrace environment (with marble flooring and limestone walls). The core and most overwhelming visual feature is that she is surrounded by gigantic, densely packed bouquets of deep red roses, distributed behind and on both sides of the armchair, nearly filling the entire terrace space, creating a sea of red effect. The lighting is bright, soft, and even daylight. This is a highly impactful cinematic photo, precisely showcasing the powerful aura of an overbearing female CEO, with vibrant colors (for the roses), strong contrast, 8k high resolution, and the exquisite quality of fine art photography.
Create a photorealistic wedding portrait of exactly the two adults in the reference images. Image 1 is the man and image 2 is the woman. Use these photographs as the only identity references. Preserve both recognizable facial identities, natural skin tones, face shapes, eyes, noses, mouths, hairlines, facial hair, apparent ages and body proportions. Keep the man on the left and the woman on the right. They remain the same Indian individuals, with natural skin texture and believable gentle bridal grooming; no skin lightening, face replacement, de-aging or generic model faces. Replace their casual clothing with the specific attire below. Give them natural, comfortable body language, clear unobstructed faces and anatomically plausible hands. Make a vertical 4:5 medium portrait, approximately mid-thigh or waist upward, with sufficient space above both heads and around the shoulders for later cropping. Both faces should be turned toward the camera and recognizable. Use realistic wedding photography, coherent natural light, real fabric and jewellery textures, softly separated background and lifelike expressions. One photographic image with exactly two main people, no split-screen, illustration, text, watermark or decorative photo border. Avoid a Western wedding gown, tuxedo, church or champagne props. Regional character must come from the garments, textiles, jewellery and setting, never from replacing either face with a stereotyped regional face. Preserve any original facial hair, natural body build and mature features. Keep both people individually recognizable, with comfortable asymmetrical posture rather than rigid mannequin poses. Specific wedding look and scene: A joyful Sangeet pre-wedding dance-night portrait with distinctly Indian festive clothing. The bride wears a rich plum-purple lehenga with fine silver mirror-work and a flowing lavender dupatta; the groom wears a deep teal embroidered bandhgala-kurta ensemble with cream trousers. Capture a small comfortable dance step, her skirt and dupatta moving subtly, one hand lightly joined between them below chest height while their other arms remain relaxed. Both faces are turned to the camera with spontaneous friendly smiles. A courtyard stage with colourful textiles and strings of warm lights gives the evening a celebratory feel. Keep facial detail crisp while only the lower fabric shows a touch of natural motion. Preserve their original age, facial hair and body proportions; no disco nightclub props or extreme dance poses.
The subject is dressed in an immaculate powder blue two-piece suit, featuring a single-breasted jacket with notch lapels, structured shoulders, and a single white button fastened at the midsection. A cream-colored silk tie is knotted neatl…
This is a black-and-white photograph, a close-up of the left half of a person's face. Delicate pores, beads of sweat on the face, wet hair, a cold expression, looking straight ahead. High contrast, a pure black, white and gray composition. The frame shows only half of the person's face, and the half face fills the entire screen. Black background, thick eyebrows and eyelashes, wet strands of hair. Delicate facial pores. Dark gray lips with a reflective sheen, a strand of hair stuck to the forehead.
Using the same adult man from reference photo 1 and the same adult woman from reference photo 2, generate a natural phone photo of an Indian couple. Strictly preserve each person's original facial feature proportions, face shape, true skin tone, age, hairline, hairstyle, beard, glasses status and body type; do not swap or blend faces; do not whiten, slim or make them look younger. Clothing is changed as described below. The people are based on the two original images only for their appearance; the home and royal-style settings are original fiction. Scene: a stretch of light-colored carved-stone corridor in a fictional Indian palace-family mansion, with repeating arches, fine stone windows and a few old wooden benches, and slight real signs of wear on the floor. Daytime light in ordinary shade, no stage lighting or golden beams. Clothing: the man wears a dark navy bandhgala with a fine tonal pattern and light jodhpur trousers, with discreet metal buttons; the woman wears a lotus-root pink anarkali dress with a narrow gold-thread border, a sheer dupatta and small pearl earrings, no wedding veil or garland. Action and relationship: the two walk slowly out of the corridor, the woman half a step ahead, casually adjusting the edge of her dupatta with one hand; the man lightly rests one hand on a wooden bench at the edge of the corridor, the other hand hanging naturally. They look at a family member's phone positioned at a diagonal front, as if called to stop mid-walk, with natural asymmetric smiles. Composition: a vertical close shot of the two from the thighs up, with slightly different strides and body orientations; the arches are only the background, with no centered, axially symmetric composition. Overall, continue the already-confirmed ordinary phone-snapshot look: a casual everyday photo taken in passing by a familiar family member or friend during a real activity. Both faces are clear and unobstructed, and both look naturally at the phone taking the picture, with relaxed expressions and slightly asymmetric smiles. The composition is not deliberately centered, and the horizon may have a very slight handheld tilt; ordinary phone main-camera slight wide-angle perspective, with basic sharpness kept in both the people and the background, no portrait mode, no creamy bokeh. Use only the scene's natural light or everyday lamps; facial brightness may be slightly uneven and a bright background may be a little naturally overexposed. Keep pores, small blemishes, texture under the eyes, natural flyaway hairs, clothing wrinkles and slight phone noise-reduction grain, like an unretouched everyday album photo. The environment and clothing are refined and textured, but the people are still in an ordinary-life state. Vertical 4:5, two-person medium-close shot. No professional lighting, wedding photography, luxury advertising, fashion editorial, cinematic color grading, strong golden backlight, excessive HDR, skin-smoothing beauty filter, influencer face, stiff posture or standard symmetrical posed shot. No large brand logos, real royal emblems, staff lined up, text overlays, watermarks or interfaces. No crown, wedding garland or exaggerated dramatic cape. Avoid extra main subjects, extra arms, duplicate hands, deformed fingers, fabric fusing with the body. Do not fake the phone look with heavy blur, scratches, dirt or coarse grain.
Generation priority: first, keep both people's facial identity; second, complete the specified outfit change; third, accurately complete the specified body poses; fourth, complete the studio background and lighting. There are only two adults in the image. Reference photo 1 corresponds only to the man himself. Keep the recognizable head features of the man in reference photo 1, including his original face shape, eyes and brows, nose shape, lips, jaw contour, skin tone, apparent age, hairline and beard state, while also keeping his natural shoulder width, torso thickness, waist and belly volume and overall build. Reference photo 2 corresponds only to the woman herself. Keep the recognizable head features of the woman in reference photo 2, including her original face shape, eyes and brows, nose shape, lips, cheekbones, jaw contour, skin tone, apparent age, hairline and smile characteristics, while also keeping her natural shoulder width, arm thickness, waist and belly volume, bust-waist-hip proportions and overall build. Each face corresponds to its own reference photo: do not swap them, do not blend them, do not beautify or reshape them. The man is fully changed into traditional South Indian white clothing: a pure white fitted long-sleeve shirt, with both sleeves kept long and extending to the wrists, not rolled up; below, a pure white dhoti, with the waist wrap structure and front pleats clearly visible, the white fabric falling naturally to the ankles. Only the white long-sleeve shirt and white dhoti appear on the man. The woman is fully changed into an orange, green and gold South Indian Kanchipuram silk saree. The upper body is an emerald-green pure silk short-sleeve choli; the outer layer is an orange silk saree with a wide emerald-green border and gold zari weaving. The saree fully wraps the waist and both legs, forming clear vertical pleats at the front of the waist and falling to the ankles, with the pallu, which has a green and gold patterned border, draped diagonally across the chest, over the left shoulder and falling down behind the shoulder. The woman wears only this green choli and orange, green and gold saree; the original clothing in reference photo 2 does not appear at all. She wears gold temple jewelry and a traditional South Indian bun hairstyle decorated with white jasmine flowers, and the hair, jewelry and pallu do not cover the face. Fixed poses: the man sits in the exact center of a carved solid-wood armchair on the left side of the frame, facing the camera, his back naturally straight. The man's left hand rests palm-down on his left thigh and his right hand rests lightly on top of the left hand, the two hands only overlapping on his knee, arms not crossed, hands not touching the woman. The man's expression is calm, looking directly at the camera. The woman stands on the right side of the frame, half a step behind the chair, her body facing the camera. The woman's right arm is bent, and her right hand alone rests lightly on the man's left shoulder; her left arm extends naturally straight down from the shoulder along the left side of her body, her left hand hanging beside her own left thigh. Her left hand does not touch the man, does not touch her right hand, and does not rest on the chair back. The only physical contact between the two is her right hand on the man's left shoulder. The woman smiles warmly and looks directly at the camera. Use an eye-level vertical full-body composition, with the man, the armchair and the woman all fully in frame. The frame runs from above the heads of the two people down to their feet, with the woman's feet, the man's full dhoti and the bottom of the chair clearly visible, not cropping the knees, ankles or feet. The background is a formal studio backdrop with a warm-brown fabric texture, lit with large-area soft light from the front and slightly to the side plus slight fill light, clearly lighting both faces, the new clothing, the silk weave and the gold jewelry, preserving true skin tones and natural skin texture. The final result keeps: the man's facial identity from reference photo 1, the woman's facial identity from reference photo 2; the man's white long-sleeve shirt and white dhoti; the woman's complete orange, green and gold saree; the man's hands overlapping on his knees; the woman with only her right hand on the man's left shoulder and her left arm hanging naturally along her body. Avoid both hands placed beside the man's shoulders, the woman's arms crossed, the man's rolled-up sleeves, remnants of the original clothing, faces crossed between the two people, and a cropped lower body.
Keep the facial features of the person in the image. The protagonist leans elegantly against a holographic transparent wall, one hand in a trouser pocket. The outfit features traditional prints in a holographic gold hot-stamping technique. The background is a cyberpunk street with a strong futuristic feel. The portrait is centered, with even fill light on the face and nothing blocking it.
Keep the facial features of the person in the reference photo unchanged. Vertical realistic portrait composition of a beautiful full-figured Indian woman with long dark-brown big wavy curls, a small round bindi at the center of the forehead, refined bold eye makeup and pink lipstick, looking straight at the camera with a soft expression; she wears a pale lilac lace sequin spaghetti-strap saree blouse with thin straps, paired with a light purple sheer organza saree; she wears gold jhumka bell earrings, a thick gold chain necklace and gold bangles; seated, with her hands resting lightly on her lap; clean, minimalist white wall background, soft diffused indoor studio lighting, realistic and delicate skin texture, high-definition 8K, DSLR portrait photography, sharp focus, shallow depth of field, soft pale lavender color palette, premium quality, rich in detail
High quality, real, HDR, HD, German grooms usually choose to wear traditional German national costumes, such as Leder shorts suits. This design shows the tradition and pride of German men. The material is usually leather or cotton blend
A highly cinematic portrait, focused on the subject with consistent facial features and sharp clarity. She is a magnificent and graceful bride, wearing an incredibly opulent white lace wedding gown featuring a high, structured neckline and long, fitted sleeves that fully cover her arms and chest. The gown is heavily encrusted with intricate pearl beading, Swarovski crystals, and elaborate floral silk embroidery. She wears a cathedral-length tulle veil trimmed with lavish lace and statement diamond and pearl jewelry worn over the high collar. Her pose is majestic yet natural, standing gently in a blooming garden with soft petals and greenery around. She casts a warm, friendly gaze directly at the camera. The scene is bathed in soft, natural daylight, creating a realistic and high-quality atmosphere with photorealistic details of the luxurious fabric textures.
Keep the facial features of the person in the reference photo. Low-angle composition. The protagonist, wearing pink-purple traditional clothing, walks through lush flowers; the edge of her scarf is decorated with small pompoms and brushes past dewy petals. In the distance, the surface of the Ganges has a tranquil texture.
Keep the person's head features consistent with the reference photo. Close-up from the shoulders up, eye-level close-up shot. The person extends one hand upright to cover one side of the face, wearing a red sari head covering draped over the shoulders with gold embroidered decoration, a gold ornamental pendant on the forehead, and a luxurious red Indian bridal sari; the hand covering half of the face is covered in henna designs and wears gold rings. The person looks straight at the camera with a bright smile. Luxurious gold necklace, earrings and headpiece.
A double-layer semi-transparent gradient cross-dissolve composite image: the upper layer is a semi-transparent ghosted close-up of a person's head and shoulders facing the camera, and the lower layer is a medium half-body shot of the person from the side; the hairstyle, makeup, clothing and jewelry of the person in both layers are completely identical. The lower-layer person is in the lower half of the frame, body turned sideways with her back to the camera and her head turned toward the right side of the frame, hands naturally overlapped, with a gentle faint smile, wearing a wine-red pearlescent satin traditional sari outfit; the body of the garment is dotted with delicate small golden floral embroidery, and the edges of the garment, the edge of the shawl and the short-sleeve cuffs have richly worked golden three-dimensional embroidered trim patterns; the fabric is a fine, smooth, high-grade pearlescent satin with a soft, warm sheen. The upper cross-dissolved semi-transparent layer is a mirrored image of the same person, her head facing the camera with a gentle smile, her right hand lightly raised to touch the golden earring at her ear, her pose elegant and gentle. The person wears a full set of traditional South Asian golden jewelry, including a multi-layered teardrop-shaped golden collar necklace and dangling golden Jhumka earrings, with a translucent, refined, high-end, atmospheric matte light makeup. The overall background is a night city street scene, with soft, blurred warm yellow and warm red round light spots of neon bokeh lights in the distance, a soft warm-toned night atmosphere with soft side lighting, delicate, translucent and glossy skin texture, and wine-red satin clothing with fine, high-grade pearlescent reflections; the overall color tone is rich, high-end wine red and warm gold. Strictly reproduce the upper-and-lower double-layer cross-dissolve transparent structure, the person's pose and position, the clothing embroidery details, the full set of golden jewelry accessories, the night-scene bokeh light-spot background, the lighting and colors, 8K ultra-HD realistic night-scene portrait photography texture, no distortion, no missing elements, fully replicating every detail of the original image.
Using the same adult man from reference photo 1 and the same adult woman from reference photo 2, generate a natural phone photo of an Indian couple. Strictly preserve each person's original facial proportions, face shape, true skin tone, age, hairline, hairstyle, beard, glasses status and body type; do not swap or blend the faces, do not whiten the skin, slim the body or make anyone look younger. Change the clothing as described below. The people take their appearance only from the two original photos; the home and royal-style settings are entirely original and fictional. Scene: the private carved-stone terrace of a fictional Indian royal family, with a low carved balustrade, a few plain cushions, an ordinary small side table, and the quiet rooftops of the palace courtyard visible in the distance. Blue-gray dusk sky light mixes with the everyday warm wall lamps on the terrace, with the slight grain of a low-light phone shot. Clothing: the man wears a dark wine-red silk embroidered long kurta and cream long trousers; the woman wears a pale gold-peach silk saree with a thin blue border and a matching choli, with modest green gemstone earrings and a thin necklace. No crown, wedding garland or exaggerated cape. Action and relationship: the two sit side by side on a low cushioned seat on the terrace, their bodies naturally staggered a little; the man holds a glass of ordinary drinking water in one hand in front of his own knee; the woman adjusts the pleats of the saree on her knee with one hand and casually rests the other hand on the edge of the seat. They have just stopped chatting and look up at a friend's or relative's phone, with gentle, slight smiles, not performing a solemn royal pose. Composition: an eye-level waist-up close shot from an ordinary phone main camera; the faces are lit slightly unevenly by the wall lamp but stay clear, and the terrace is not rendered with dreamy blur. Overall, continue the already-confirmed ordinary phone-snapshot look, a casual life photo taken in passing by a familiar family member or friend during a real activity. Both faces are clear and unobstructed, and the two naturally look at the phone taking the picture with relaxed expressions and slightly asymmetric smiles. The composition is not deliberately centered, and the horizon may have a very slight handheld tilt; use the slight wide-angle perspective of an ordinary phone main camera, keeping basic sharpness on both the people and the background, with no portrait mode and no creamy bokeh. Use only the scene's natural light or everyday lamps; facial brightness may be slightly uneven and the bright background may be a little naturally overexposed. Keep pores, small blemishes, under-eye texture, natural flyaway hairs, clothing creases and slight phone noise-reduction grain, like an unretouched everyday album photo. The environment and clothing are refined and textured, but the people remain in an ordinary, everyday state. Vertical 4:5, two-person medium close-up. No professional lighting, wedding photography, luxury advertising, fashion editorial, cinematic color grading, strong golden backlight, excessive HDR, skin-smoothing beauty filter, influencer face, stiff standing pose or standard symmetrical posed shot. No large brand logos, real royal emblems, lined-up staff, text overlays, watermarks or interfaces. No crown, wedding garland or exaggerated dramatic cape. Avoid extra main subjects, extra arms, duplicated hands, malformed fingers, and fabric fused with the body. Do not fake a phone look with heavy blur, scratches, dirt or coarse grain.
Using the two people in the reference photo as the person reference, accurately preserve each person's facial features, hairstyle, skin tone and age, and naturally blend them into the same real scene. Generate the man and woman in the photo kissing in a first-class VIP lounge at an international airport. The man wears a dark business suit and a white shirt, and the woman wears a light pink silk blouse, a short black skirt and black stockings. The two sit side by side on a wide leather sofa; the woman holds two boarding passes in her hand, her body naturally leaning close to the man, and the man gently holds the hand in which she holds the boarding passes. The two share a brief, relaxed kiss before the announcement sounds. The background shows only part of the floor-to-ceiling window behind the sofa, the distant airport apron, a reading lamp and a small suitcase beside them. Only part of an aircraft's fuselage is visible outside the window, a few travelers in the lounge are naturally blurred, and the environment is quiet and tidy but consistent with the real condition of an airport in use. Use a full-frame camera with a 50mm prime lens, aperture f/2.8, the camera about 2.5 meters from the subjects, an eye-level camera position, and a vertical 2:3 composition. The bottom edge of the frame falls at mid-thigh, and the two people together take up about 80% of the frame height. Both faces are on the same focal plane, the natural daylight from outside the window and the warm light of the reading lamp are balanced, and the background is moderately blurred, keeping realistic airport proportions and natural skin tones, with no text and no watermark.
Keep the facial features of the person in the reference photo. A highly dreamy surreal portrait photograph, with a top-down view and close-up composition, the subject lying quietly in a boundless sea of cherry blossoms, the body surrounded by layers of soft, delicate pink petals, hands naturally crossed behind the head as a pillow, the pose relaxed and immersive, the face turned slightly toward the camera, the gaze gentle and slightly ethereal, with a faint hint of a smile at the corners of the mouth; cherry blossom petals float lightly in the air, forming dynamic foreground layers, with some petals blurred as they sweep past the lens to enhance the sense of space; the overall color tone is mainly soft pink-white and light purple, with a faint highlight bloom effect, creating a hazy, dreamlike visual atmosphere; the lighting is diffused soft light, forming a delicate halo on the face and along the contours, and the skin has a translucent, fine texture; the image has slight depth of field and film grain, in a style leaning toward romanticism and Japanese aesthetic photography, with an overall atmosphere that is quiet, healing and poetic, with strong visual appeal and emotional impact.\n
Generate a vertical, realistic Indian-lifestyle-themed Polaroid instant film photograph. Use the people in the input photos as the sole identity reference, preserving their real facial features, face shape, age, skin tone, hair color and natural skin texture; do not swap faces, do not blend the two people's faces, do not make the people younger or change their ethnicity. Clothing, pose and scene are adjusted according to the theme below. The image is a complete, front-facing Polaroid photo print, with classic pure white wide borders around the photo and the bottom border slightly wider; the border is fully in frame, clean and without any writing. No tabletop outside the photo print, no scene of a hand holding the print, no extra frame or collage. Inside the photo, the people are the subject, in a close-range, above-the-waist composition, with clear and natural faces; a small on-camera direct flash lights the people, the background is slightly darker, keeping realistic flash shadows, a moderate amount of analog film grain, a slight warm color cast and a soft vignette, giving the texture of a real-life candid snapshot. Only the two adults from the input photos appear: the man from reference photo 1 and the woman from reference photo 2. The identities of both must be clearly preserved, with natural body proportions. Theme: Chai street tea. The two keep the everyday clothes, hairstyles and their own skin tones from their respective reference photos, and stand shoulder to shoulder in front of an Indian roadside chai stall, looking at the camera and smiling in a relaxed way. Each naturally holds a small transparent thick glass tea cup in one hand, with light brown milk tea inside; the cups are below chest level and do not block the faces; the other arms are relaxed, and the relationship between the cups and fingers is clear. Behind them can be seen a metal teapot, a bit of rising steam and the stall's warm small lights, with the background blurred and not overly crowded. The warm lived-in feel of an evening street, close-range direct flash, real skin texture and slight film grain. No brands, clear signboards or extra passersby. No titles, captions, readable text, date stamps, trademarks, watermarks, interface elements or reference-photo thumbnails inside the final photo. No extra people, extra limbs, comic style, plastic skin or heavy beautification.
Use the user's uploaded image as the sole identity reference, strictly preserving the main subject's original facial features, hairstyle, skin tone, apparent age, build and natural proportions. Generate a 9:16 vertical, hyper-realistic cinematic portrait of a city at night after rain. Close-up from the chest up, the man on the left, wearing a black hoodie, head turned slightly as he gazes at the phantom on the right, his expression quiet and restrained; his right hand reaches toward the bottom of the frame and truly holds the phantom's left hand, the palms and fingers of both clearly in contact. The female phantom is on the right, formed only of delicate warm-gold glowing outlines, translucent light threads and particles, faintly suggesting the form of a sari, with the outline of her hair lifting gently backward; her other hand holds a bouquet of full deep-red roses in her arms, the petals keeping their real texture and color. The two walk slowly side by side, the man a real physical presence, the phantom translucent and glowing but with a complete body structure. The background is an empty wet city road, warm light from tall street lamps and soft-focus city lights, the asphalt reflecting golden halos; the deep blue night, black clothing, warm-gold phantom and deep-red roses create cinematic contrast. 50–70mm lens, shallow depth of field, light rain mist and film grain. Avoid: the phantom turning into a real person, the clasped hands floating in the air or merging, deformed fingers, roses changing color, light blocking the man's face, and extra people; no text, logo, watermark or interface elements
Using the two people in the image as the character reference, accurately preserve both people's facial features, hairstyles, skin tones and ages, and naturally place them into the same realistic scene. Generate the man and woman from the image kissing on a dinner date at a Michelin-starred restaurant. The man wears a navy suit, white shirt and dark tie; the woman wears a champagne silk blouse, a black short skirt and sheer black stockings. The two sit side by side on a curved upholstered booth, the woman turning naturally toward the man with one hand resting on the back of his hand; the man leans in slightly sideways, and the two share a brief kiss in the middle of conversation. The table is covered with a crisp white tablecloth, set with refined tableware, wine glasses, a candle holder and a few beautifully plated dishes. The background includes dark wood paneling, understated artwork, soft wall sconces and guests dining normally. Vertical, mid-thigh-up medium shot, keeping both people's upper bodies, the short skirt, part of the stockings and part of the dining table in frame. Use a 50mm lens and the restaurant's available lighting, with natural skin tones and a refined, realistic space, presenting an intimate moment casually captured in a high-end restaurant, no text, no watermark.
Keep the head features of the person in the picture. A cinematic-quality portrait photograph against a softly blurred background of a lakeside path on a university campus, with light blue water that is clear and translucent and rippling; the lake and the distant campus buildings form a quiet, open setting. The image uses a double-exposure composition to present two views of the same subject. The entire background is occupied by a huge, gorgeous, frontal close-up portrait of the subject, head tilted slightly, gaze calm and gentle, with a faint smile at the corners of the mouth. At the center of the image is a full-body shot of the same subject, standing before a stone balustrade by the lake, one hand lightly resting on the railing, body leaning slightly forward, the other hand hanging naturally, in a relaxed and elegant pose. The subject wears a light green cotton Saree, the fabric light and soft, the edges trimmed with a simple traditional patterned woven border, paired with a matching short-sleeved top; the overall style is simple and fresh. The subject's makeup is soft and natural, the eyes warm and quiet, and the whole image creates a tranquil, comfortable and poetic campus atmosphere, with delicate, soft light and shadow and a cinematic photographic texture.
Using the same adult man from reference image 1 and the same adult woman from reference image 2, generate a lavish Indian royal-style couple photo. Strictly preserve each person's original facial feature proportions, face shape, true skin tone, age, hairline, hairstyle, beard, glasses status and body type; do not swap or blend faces, do not whiten skin, slim the body or make anyone look younger. Change only the clothing, jewelry, poses and environment. The people's appearance is based only on these two original images; the palace setting and identities are original fiction. Both faces must be clear, unobstructed, and naturally looking at the camera. Scene: a painted peacock gate of a Jaipur-style Indian palace, blue, green and gold mosaic feather patterns surrounding the arched opening, rose-pink sandstone and brass studs beside the door clearly visible, soft natural light in the courtyard shadow, no tourist crowds. Clothing: the man wears a heavily gold-embroidered peacock-blue sherwani and cream trousers, a thin teal-green stole draped over his shoulder, an emerald brooch and two strands of pearls on his chest; the woman wears an emerald-green and royal-blue lehenga, lightweight, covered with fine mirror work and gold-thread embroidery, a dupatta naturally arranged over both shoulders, with a gold kundan necklace, earrings and stacked bangles, no face-covering veil. Pose and relationship: the man leans one shoulder and back lightly against the stone wall beside the door, his body angled toward the woman; the woman stands near him, one hand lightly resting on the edge of the stole on the man's chest, and the man's other hand gently around her waist; both look at the camera, with a hint of a natural smile as if just called over. Composition: a two-person medium shot from above the thighs, a slightly off-center phone angle, the painted peacock arch surrounding the figures without overpowering the faces, showing the intricate embroidery of the upper-body clothing. The focus this time is a very gorgeous yet believable Indian court aesthetic: real embroidery, heavy brocade, richly layered jewelry, finely carved palace, so that the clothing, accessories and space look luxurious at a glance. Keep the physical texture of real people and actual materials; clothes have weight and natural folds, gems and metal show only moderate, realistic reflections. The photographic feel is like a nice photo carefully taken by a friend on an ordinary phone, phone main-camera perspective, on-site light, people and background mostly clear, keeping pores, skin tone variation, under-eye texture and fine flyaway hairs, no retouched skin smoothing, no studio-style sculpted lighting or cinematic filter. Each set's poses differ, expressions are relaxed with natural smiles, not uniformly facing the camera in stiff standing poses. Vertical 4:5, the two adults are the only protagonists. No Western wedding dress, Western crown, armor, scepter, ritual or wedding ceremony, wedding garland, face-covering veil, exaggerated long cape, real royal emblem, brand logo, text, watermark or interface. No extra full faces in the background or mirror clones. No face blending, internet-celebrity face, plastic skin, excessive HDR, strong blur, strong orange-teal grading, game rendering, illustration, AI oil-painting texture, over-sharpening or fake coarse grain. Hands and poses anatomically correct, the two people's hands not mixed together, avoid extra arms, duplicated palms, malformed fingers, fabric fused with body.
Vertical dreamy cinematic AI portrait. A model stands on an outdoor road at night, framed from half-body to thigh. The person is positioned slightly right of center in the frame, in a three-quarter side view: the torso and shoulders as a whole are turned about 35-45 degrees toward the left of the frame, the right shoulder sits further back on the right side of the frame, while the left shoulder and left hand are closer to the camera. The head is turned slightly back toward the camera, the face nearly frontal but angled slightly toward the left of the frame, eyes looking straight into the camera, not tilting the head up or down, with a calm and serious expression. The model wears a red-to-white gradient shirt, deep red on the upper body gradually fading to white on the lower body, with white sleeves rolled up to the forearms; a black smartwatch is worn on the left wrist. The left hand is held out flat in front of the body, toward the lower left of the frame, palm up, holding a glowing red butterfly; the right hand hangs naturally at the side. The butterfly gives off a strong orange-red light that illuminates the hand, the chest and the lower part of the shirt. The background is a deep teal-green and dark-green night scene, with distant trees and buildings heavily blurred; at the top of the frame, center and slightly above, is a bright white full moon above the person's head, with a soft teal-green halo. Many green glowing particles, fireflies, leaf-shaped light spots and round bokeh float in the air. The overall palette is deep teal-green night scenery, a red-to-white gradient shirt and orange-red butterfly light, soft focus, high saturation, strong depth of field, a romantic fantasy atmosphere, cinematic lighting, ultra-fine detail, smooth skin.
Keep the head features of the person in the reference photo unchanged, change the background to a solid-color background in the same color family, the person facing the camera, the right index finger and thumb lightly pinching the skirt hem, the other fingers naturally curled slightly inward, wearing a short V-neck Indian top, the saree draping elegantly, accentuating a slender waist and toned figure. Paired with a gold waist belt, exquisite gold jewelry adorned with ornate pendants and a beaded necklace, a flower garland in the hair, nails painted a light soft blue.
Black-and-white, high-quality, dark-toned fashion editorial shot from a 45° eye-level angle at the side-rear; the man turns his profile toward the camera, with a diagonal composition running through the frame, the man's body and the horse's body forming oblique extending lines with strong visual tension. The man wears a black suit with a white shirt underneath, the draping fabric echoing the flowing curves of the horse's body; soft side-rear light gently outlines the shoulders, back, neck and the horse's back, with finely layered, rich light and shadow; the background is a blurred paddock with grass and fencing; the overall mood is mysterious, aloof, cold and refined, with maximum detail and texture, presenting the exquisite style and narrative quality of a top fashion magazine's dark-toned editorial; white text appears at the bottom: Wildness and Strength
Generate a realistic, vertical Polaroid instant-film snapshot with an Indian everyday-life theme. Use the person in the input photo as the sole identity reference, preserving their real facial features, face shape, age, skin tone depth, hair color and natural skin texture; do not swap the face, do not blend two people's faces, do not make the person look younger, do not whiten the skin or change ethnicity. Only adjust clothing, natural pose and environment according to the theme. The lighting must have the genuine feel of a portable Polaroid's built-in direct flash: a front-facing close-range flash beside the lens lights the person, who is bright against a slightly darker background, with a clear natural flash shadow, preserving real skin texture. Present visible but moderate analog film grain, slight softening, limited dynamic range, a slight warm color cast and vignetting, like a casual keepsake photo taken by a friend. No professional studio softbox light, cinematic rim light, soft natural-light portrait look, excessive creamy bokeh, plastic skin or heavy retouching. The whole frame is one complete, front-facing classic Polaroid print with a clean pure-white wide border on all sides, the bottom border slightly wider, the border intact and with no writing; do not add a tabletop outside the print, a hand-held print scene, a second photo or a collage. The person is the main subject of the photo with a clear face; choose the framing range according to the specific theme. Theme: Train Memories. Only one adult woman from the reference photo appears, keeping her own dark skin tone, face shape, hairline and original hair-tying features. She wears a plain indigo printed cotton kurta with an ochre-orange dupatta loosely draped over her shoulders, and sits by the window inside a vintage blue Indian train carriage. The camera is on the platform, shooting at close range from outside the open window toward the inside; the blue metal window frame is clearly visible at the edge of the photo, and there are no bars, glass reflections or other obstructions in front of her face. One hand rests naturally on the windowsill below chest height, her body leaning slightly toward the window, smiling at the friend taking the photo, in a natural travel-snapshot composition from head to waist. Inside the carriage a small stretch of tan seats and the old-style carriage inner wall are visible, with the environment darker than the person. The platform is just after sunset, and the flash beside the lens lights her face and the blue windowsill, keeping a touch of the yellow-green cast and grain of an old-film travel keepsake photo. She sits only inside the carriage, without leaning her upper body out, and there are no extra passengers, text or train logos. The final photo and its white borders must have no title, caption, readable text, date stamp, trademark, watermark, app interface or reference-image thumbnail; no extra people, extra arms or fingers, wrong joints, or cartoon or 3D-render look.
Keep the facial features of the person in the image. [Close-up shot] Love in the rain. The protagonist rests a hand on a window pane covered in raindrops. Wearing a dark turtleneck sweater. The face is lit by indoor light, with sharp, defined features, a beautiful and melancholy mood. 9:16 aspect ratio.
