提示詞
雨中繁華市中心街谷的電影級寫實動作場景，畫面中央前景處，{argument name="main subject" default="一名三十多歲、深色頭髮的男子"}神情緊繃、帶著拼命求生的神態全力衝向鏡頭，身穿濕透的深色夾克、深色襯衫與深色長褲，正處於跨步奔馳中，一隻手臂向前擺動。在他身後，一場巨大的城市爆炸撕裂了街道與高樓建築的低樓層立面，向四面八方噴射出由煙霧、烈火、塵土、破碎混凝土、玻璃與金屬碎片構成的巨大雲團。場景中恰好包含3輛清晰可見的受損車輛：左側前景1輛開著大燈、引擎蓋凹陷並濺起雨水的深色轎車；右側中景1輛車頭嚴重受損的報廢深色汽車；其右後方還有1輛翻覆或騰空傾斜而上的黑色SUV。潮濕的瀝青路面反射出車頭燈、火光與灰色的摩天大樓。空中充斥著密集的碎片，碎石塊彷彿在動態中定格。陰霾暴風雨的日光，低飽和度的藍灰色調搭配橙色火光點綴，飛濺的碎片帶有戲劇性的動態模糊，而奔跑的身影則焦點銳利，低角度廣角鏡頭構圖，災難大片般的寫實質感，極致細緻的紋理，高對比度，動態景深，體積煙霧，飛濺雨絲，電影級光影。在右上角添加白色的 {argument name="watermark text" default="Pollo.ai"} 標誌。
使用說明
這份使用說明目前提供英文版本。
A photoreal disaster-movie frame: a soaked runner charging at the camera while a building facade detonates behind him, with three wrecked vehicles arranged around the street. It is strongest as a thumbnail or key art where one figure must stay sharp inside total chaos.
When to use
Action-film poster mockups, video thumbnails, game-trailer storyboards and cinematic lighting studies. Keep the runner alone in the center foreground with the explosion behind and above him so the debris frames the face instead of covering it.
What the existing cover image shows
The existing cover illustration shows a dark-haired man in a drenched dark jacket mid-stride at center with a bent pumping arm, a dark sedan on the left with lit headlights and a crumpled hood throwing spray, a crushed dark car in the right midground and a black pickup-style vehicle tilted nose-up behind it. The facade shatters top-left around an orange fire core, debris hangs frozen in the air, and wet asphalt reflects the headlights. His gaze is turned to the side rather than at the lens, a fourth car with headlights appears at the far right edge despite the request for exactly three vehicles, the debris is sharp rather than motion-blurred, and a white wordmark-style watermark occupies the top-right corner.
Suggested setup
- Aspect ratio
- 3:2 · The cover is 3:2 and holds the three vehicles and the facade; switch to 16:9 only for a widescreen banner, and expect the explosion to be pushed higher out of frame. Ask for a low wide-angle camera, the runner's full body with feet in frame, and the fire kept behind his shoulder line.
- Reference images
- None needed for a fictional runner. If the runner is a real person or the vehicles must be a specific make, use only a likeness or product reference you have permission for, and do not request recognizable badges or logos.
What to customize
- Main subjectA woman in her 40s in a torn gray raincoat carrying a small dog
- This is a built-in argument. Keep one figure in dark, wet clothing so face and hands separate from the gray street; a bright outfit pulls attention away from the explosion.
- Vehicles1 yellow taxi, 1 overturned delivery van, 1 burning motorcycle
- Keep the count at three and assign each a position (left foreground, right midground, right background); vehicles you do not list get added to fill empty street.
- Watermark textYour own studio name in plain white type, or delete the sentence
- This is a built-in argument whose default is a third-party brand; never leave it in place. If you want no mark, replace the sentence with a request for no text or logos anywhere in the frame.
View a complete adaptation
Night port explosion with a running dock worker
Moves the chase to a container port at night, makes the runner a woman in a raincoat, shifts the palette to deep teal and black with magenta harbor lamps and orange fire, swaps the three vehicles for a forklift, a container truck and a patrol car, and drops the watermark.
This adaptation has not been generated. The existing cover image comes from the original prompt collection and is not a result of this adaptation.
Cinematic photorealistic action scene at a container port at night: a woman in her 40s in a torn gray raincoat and work boots sprints straight at the camera in the center foreground, tense expression, hair soaked by sea spray, one arm pumping forward. Behind her a fuel tank ruptures beside stacked containers, hurling fire, steam, torn steel and gravel outward. Exactly 3 damaged vehicles: 1 yellow forklift on its side in the left foreground, work light still on; 1 jackknifed container truck with a crushed cab in the right midground; 1 small white patrol car flung upward behind it on the right. Wet concrete reflects crane floodlights and fire; concrete chunks hang frozen in the air. Deep teal and black night palette with magenta harbor lamps and orange fire accents, motion blur on flying debris but sharp focus on the runner, low-angle wide-lens composition, disaster-movie realism, high contrast, volumetric steam, sea spray, cinematic lighting. No text or logos anywhere in the frame.
Troubleshooting
- The runner's face is lost in debris or turned away from the camera
- Specify eyes locked on the lens, face fully lit by the headlights and no debris crossing the face, and keep the explosion behind the shoulder line; otherwise the model points the gaze at the blast.
- Extra vehicles and extra fires creep into the background
- After listing the three vehicles, add that there are no other vehicles, people or fire sources, and describe what fills the far background instead, such as empty wet road and dark towers.
Editorial notes and generation record
AI-assisted editorial analysis of the source prompt and existing illustration. Settings are starting suggestions; the new adaptation is not a model test.
No new illustration was generated for this guide. The observations refer to the prompt's existing cover image from its source collection; its generation details are not recorded.