Split Photo and Woodcut Rubbing Poster

A high-end editorial graphic design poster in a vertical 3:4 composition, strictly divided into two equal 1:1 halves (top and bottom 50% split). The upper half features [the reference photo of an ancient pottery vessel], preserving its realistic textures, organic light and shadow, authentic atmosphere, and natural proportions with fine-art exhibition color grading. The lower half reinterprets the subject into a minimalist graphic deconstruction inspired by ancient artifact rubbings, woodcut prints, and modern Swiss graphic design. The graphic reconstruction uses a strict geometric grid of circles, axes, and silhouettes extracted from the subject's posture, rendered with raw woodcut rubbing textures, dry-brush screen printing ink inconsistencies, and crisp vector edges. Restrained print color palette: clean off-white paper base, deep dark ink for structural silhouettes, and 1–2 accent colors drawn directly from the photo. Minimalist editorial typography and micro-annotations aligned along geometric axes, leaving ample negative breathing space.