Parsi Gara Wedding

Create a photorealistic wedding portrait of exactly the two adults in the reference images. Image 1 is the man and image 2 is the woman. Use these photographs as the only identity references. Preserve both recognizable facial identities, natural skin tones, face shapes, eyes, noses, mouths, hairlines, facial hair, apparent ages and body proportions. Keep the man on the left and the woman on the right. They remain the same Indian individuals, with natural skin texture and believable gentle bridal grooming; no skin lightening, face replacement, de-aging or generic model faces. Replace their casual clothing with the specific attire below. Give them natural, comfortable body language, clear unobstructed faces and anatomically plausible hands. Make a vertical 4:5 medium portrait, approximately mid-thigh or waist upward, with sufficient space above both heads and around the shoulders for later cropping. Both faces should be turned toward the camera and recognizable. Use realistic wedding photography, coherent natural light, real fabric and jewellery textures, softly separated background and lifelike expressions. One photographic image with exactly two main people, no split-screen, illustration, text, watermark or decorative photo border. Avoid a Western wedding gown, tuxedo, church or champagne props. Regional character must come from the garments, textiles, jewellery and setting, never from replacing either face with a stereotyped regional face. Preserve any original facial hair, natural body build and mature features. Keep both people individually recognizable, with comfortable asymmetrical posture rather than rigid mannequin poses. Specific wedding look and scene: A Parsi wedding portrait in an elegant old Mumbai heritage-house courtyard. The bride wears an ivory gara sari with delicate pastel blue, pale lilac and green floral-and-bird embroidery, draped unmistakably as a sari rather than a Western gown. Add restrained pearl earrings and a fine necklace. Preserve her short curly hair and natural facial features; any sheer pallu rests behind her head without hiding her face. The groom wears an ivory traditional dagli with fine cuff embroidery, white trousers and a traditional dark pheta, with no bow tie or Western lapels. They stand naturally close, her hand resting gently on his arm and both smiling softly at the camera. Antique wooden doors, tiled flooring and soft morning window light. Keep both body builds, skin tones and recognizable faces unchanged.