North Indian Royal Wedding

Create a photorealistic wedding portrait of exactly the two adults in the reference images. Image 1 is the man and image 2 is the woman. Use these photographs as the only identity references. Preserve both recognizable facial identities, natural skin tones, face shapes, eyes, noses, mouths, hairlines, facial hair, apparent ages and body proportions. Keep the man on the left and the woman on the right. They remain the same Indian individuals, with natural skin texture and believable gentle bridal grooming; no skin lightening, face replacement, de-aging or generic model faces. Replace their casual clothing with the specific attire below. Give them natural, comfortable body language, clear unobstructed faces and anatomically plausible hands. Make a vertical 4:5 medium portrait, approximately mid-thigh or waist upward, with sufficient space above both heads and around the shoulders for later cropping. Both faces should be turned toward the camera and recognizable. Use realistic wedding photography, coherent natural light, real fabric and jewellery textures, softly separated background and lifelike expressions. One photographic image with exactly two main people, no split-screen, illustration, text, watermark or decorative photo border. Avoid a Western wedding gown, tuxedo, church or champagne props. Specific wedding look and scene: A North Indian red-and-gold wedding portrait in a sandstone haveli courtyard at warm late-afternoon light. The bride wears a deep vermilion red silk lehenga with detailed gold zari embroidery, a matching modest blouse and a red dupatta with a gold border resting lightly over the back of her head while keeping her face fully visible. Add a refined gold-and-pearl bridal necklace, jhumka earrings, a small central maang tikka, red-and-gold bangles and delicate mehendi on her hands. The groom wears a finely embroidered ivory sherwani with a restrained red stole and an ivory safa; preserve his natural hairline and facial features. They sit close on a low ceremonial bench, bodies angled slightly toward each other, the bride lightly resting one hand on his forearm and both giving warm relaxed smiles to the camera. Behind them, a real mandap with red fabric accents and orange marigold garlands, sandstone columns and a few soft distant oil-lamp highlights. The red bridal textiles, ivory groom attire and marigold mandap are unmistakably central. Keep adornment elegant and believable rather than excessive.