Night Train Departure at Aurora Central

Cinematic 3:2 horizontal composition inside a grand Victorian glass-roof railway station at night, with a wet reflective floor, ornate black iron arches, rain on the glass ceiling, and a dramatic teal-and-amber lighting grade. Foreground (right): A stern, elegant middle-aged woman station official named [Mara Voss] with short silver-gray hair and fair skin sits at a polished wooden table. She wears a dark emerald-green tailored uniform jacket with gold piping, brass buttons, a crisp white shirt, a black necktie, and an engraved name badge reading "MARA VOSS". She holds a cream-colored paper ticket facing directly toward the camera. The ticket is sharply legible with a thin decorative border and centered text: "NORTHSTAR EXPRESS" "PLATFORM" "9" "DEPARTURE" "21:15" On the wooden table, arranged neatly in a row from left to right, are exactly 5 discrete objects: 1 brass compass, 1 translucent red glass apple, 1 blue origami crane, 1 silver fountain pen, and 1 white ceramic coffee mug with the exact printed text "07:42". Midground and Background: Exactly 1 glossy deep-blue streamlined passenger train sits centered on the tracks amid billows of warm white steam. Suspended above the platform hangs a station sign reading "AURORA CENTRAL". On the upper left, an illuminated departure board displays 4 legible rows: "LONDON — ON TIME", "PARIS — 10 MIN LATE", "OSLO — BOARDING", and "MARS — CANCELLED". On the upper right, an ornate round analog clock reads exactly [9:15]. Walking along the platform on the left midground are exactly 3 figures: a child in a yellow raincoat holding 1 red balloon, an older man in a dark fedora and burgundy overcoat carrying 1 black suitcase, and an astronaut in a full white EVA spacesuit carrying 1 potted sunflower. Along with the seated official, there are strictly 4 human figures in the station. Style: Photorealistic cinematic realism, crisp foreground focus, deep atmospheric perspective, glowing lamplight reflecting on the wet stone floor and polished wood, with all signage and printed typography perfectly legible.