Mandap Phera Wedding

Create a photorealistic wedding portrait of exactly the two adults in the reference images. Image 1 is the man and image 2 is the woman. Use these photographs as the only identity references. Preserve both recognizable facial identities, natural skin tones, face shapes, eyes, noses, mouths, hairlines, facial hair, apparent ages and body proportions. Keep the man on the left and the woman on the right. They remain the same Indian individuals, with natural skin texture and believable gentle bridal grooming; no skin lightening, face replacement, de-aging or generic model faces. Replace their casual clothing with the specific attire below. Give them natural, comfortable body language, clear unobstructed faces and anatomically plausible hands. Make a vertical 4:5 medium portrait, approximately mid-thigh or waist upward, with sufficient space above both heads and around the shoulders for later cropping. Both faces should be turned toward the camera and recognizable. Use realistic wedding photography, coherent natural light, real fabric and jewellery textures, softly separated background and lifelike expressions. One photographic image with exactly two main people, no split-screen, illustration, text, watermark or decorative photo border. Avoid a Western wedding gown, tuxedo, church or champagne props. Regional character must come from the garments, textiles, jewellery and setting, never from replacing either face with a stereotyped regional face. Preserve any original facial hair, natural body build and mature features. Keep both people individually recognizable, with comfortable asymmetrical posture rather than rigid mannequin poses. Specific wedding look and scene: A warm Indian wedding portrait during a quiet pause beside the phera fire under a decorated mandap. The bride wears a deep maroon silk lehenga with restrained gold work and a burnt-orange dupatta; the groom wears a cream silk sherwani with a saffron stole. Their draped fabrics are gently tied low in a simple gathbandhan knot, away from their faces. They are mid-step but paused comfortably together, hands lightly joined near the waist, torsos and both faces turned sufficiently toward the camera to show the same two people clearly. A small controlled ceremonial fire appears only at the bottom foreground edge, with jasmine-marigold strings and carved mandap pillars softly behind. Warm dusk light with gentle lamp highlights, natural expressions, no dramatic flames, smoke-obscured faces or extra main subjects.