Hyderabadi Bridal Wedding

Create a photorealistic wedding portrait of exactly the two adults in the reference images. Image 1 is the man and image 2 is the woman. Use these photographs as the only identity references. Preserve both recognizable facial identities, natural skin tones, face shapes, eyes, noses, mouths, hairlines, facial hair, apparent ages and body proportions. Keep the man on the left and the woman on the right. They remain the same Indian individuals, with natural skin texture and believable gentle bridal grooming; no skin lightening, face replacement, de-aging or generic model faces. Replace their casual clothing with the specific attire below. Give them natural, comfortable body language, clear unobstructed faces and anatomically plausible hands. Make a vertical 4:5 medium portrait, approximately mid-thigh or waist upward, with sufficient space above both heads and around the shoulders for later cropping. Both faces should be turned toward the camera and recognizable. Use realistic wedding photography, coherent natural light, real fabric and jewellery textures, softly separated background and lifelike expressions. One photographic image with exactly two main people, no split-screen, illustration, text, watermark or decorative photo border. Avoid a Western wedding gown, tuxedo, church or champagne props. Regional character must come from the garments, textiles, jewellery and setting, never from replacing either face with a stereotyped regional face. Preserve any original facial hair, natural body build and mature features. Keep both people individually recognizable, with comfortable asymmetrical posture rather than rigid mannequin poses. Specific wedding look and scene: A traditional Hyderabadi bridal portrait in a softly lit Nizam-era haveli interior. The bride wears a dusty-rose and antique-gold Khada Dupatta ensemble: a modest kurta, churidar and a long embroidered dupatta that rises upright over both shoulders, falls down her back and comes forward in carefully arranged folds. Its heavy zardozi borders create a clear structured silhouette. Keep her face fully visible, with a delicate side passa and restrained pearl-and-gold jewellery. The groom wears a deep charcoal brocade achkan, cream trousers and a simple cream embroidered cap, retaining his source facial hair. They sit beside one another on a low carved bench, slightly angled together, hands relaxed and eyes on the camera. Pale plaster arches, jali-filtered warm light and a few soft rose accents. This is a portrait focused on clothing and the same two identities, with no written religious text or mixed ritual props.