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A vertical diptych poster split horizontally into two equal stacked panels with no thick border, presenting a transformation of a surreal studio scene:

- Top panel: High-contrast 1940s-style black-and-white surreal studio photograph with visible film grain. A smiling man in a dark suit stands slightly left of center, leaning backward while holding a thin object near his mouth. A massive arcing sheet of water sweeps from the lower-left foreground across the center, splashing toward the right. Exactly 3 black cats are airborne: 1 cat above the water arc in the upper right, and 2 cats leaping together on the right side below the arc. A wooden chair is tilted and floating on the far left. An easel holding a framed drawing stands in the center background, and a small table with stacked books and studio items sits on the right. Deep shadows, gray studio walls, and a smooth floor.

- Bottom panel: An ink-and-watercolor sketch poster interpretation on [warm cream aged paper] replicating the exact scene and layout. Features loose black ink linework, pale blue-gray washes for the water splash, and [muted red-orange] accent colors on the chair seat, picture frame, and drawers. Playful, mid-century editorial illustration aesthetic that precisely matches the composition and count of the top panel (1 suited man, 1 tilted chair, 1 water arc, 3 airborne cats, 1 easel, 1 side table).

Constraints: No text, no captions, no logos, no watermarks, no additional people or animals.

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