Pintora Pré-Rafaelita em seu Ateliê

A richly detailed Pre-Raphaelite oil painting of [Adriana], a young female artist in profile seated at an ornate wooden desk inside a dim, romantic studio, painting on an upright easel. She has long flowing [auburn-gold] hair partly braided with a delicate jeweled headband, pale luminous skin, red lips, and a calm, absorbed expression. She wears a deep emerald velvet gown with loose cream silk sleeves and gold trim. Her right hand touches a fine paintbrush to the canvas, while her left hand holds a round painter’s palette with muted jewel-tone pigments. The canvas displays an ethereal female figure with glowing reddish hair and a halo-like golden aura. Dense symbolic still-life details surround the workspace: exactly 1 blue-and-white porcelain vase, exactly 3 prominent pink roses, exactly 2 purple-blue flowers, exactly 1 drooping pink blossom on the desk, exactly 1 small classical bust with a pink rose at its neck, exactly 1 ornate gold box, exactly 1 red glass bottle, exactly 1 draped dark blue cloth, and exactly 1 small framed mirror behind the palette. An open window overlooks a lush garden with exactly 2 white lilies and a distant river cityscape under twilight. Composition: horizontal 16:9, woman positioned on the left half, easel and still life on the right. Warm, golden, softly diffused evening lighting; tactile textures of velvet, brocade, aged wood, porcelain, and layered oil glazes in the style of Dante Gabriel Rossetti and John Everett Millais. No modern objects, no text, no watermarks.