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Vertical vintage mixed-media collage illustration of a standing [a rabbit silhouette] character centered on [aged cream paper] with a thin rectangular border and subtle paper stains. The full-body anthropomorphic bunny figure is constructed from layered torn paper fragments, antique diagrams, maps, manuscript scraps, circuit board fragments, coins, and gears. Color palette: muted sepia, aged parchment, ochre, navy blueprint, faded green circuit board, copper, and dark ink. Head: left half composed of pale cave-art horse drawings, right half of anatomical technical sketches, with a central round cream face patch bearing [a black infinity symbol] and a prominent red glass camera lens fixture on the right cheek. Fine radial ink sunburst lines extend outward behind the head. Two upright ears: left ear features a scientific network node diagram with torn manuscript edges; right ear features the printed text “MYCELIUM”, a white mushroom illustration, and a circuit board strip. Torso & limbs: patched ochre paper tunic displaying bold printed text “[KANA]”, drafting tape strips, small lightbulb sketches, and exposed green circuit board on the right side. Exactly six metallic coins clustered near the upper left collar, and three industrial brass gears at the left hip. Legs and chunky boots fashioned from dark navy blueprint paper with white drafting lines, beige torn paper cuffs, and heavy black soles. Surroundings & details: handwritten specimen plate annotations with thin leader lines reading “Catalog ocean prominent” (upper right), “Illimeted manuscip cuttings” (middle left), “Circuit letterpress samples” (middle right), “Industrial gears” (lower left), and “Catalog specimen plate” (lower right). Aesthetic: tactile retro-futurist cabinet of curiosities, visible paper grain and torn edges, archival scan quality, non-photorealistic, no modern vector minimalism.