Tranh Anime Vẽ Lại Văn Phòng Cyberpunk Hai Khung

A two-panel anime redraw comparison featuring [Raul Creed] from Ergo Proxy in an executive office scene, presented in a vertical 3:4 canvas with a thick black horizontal divider separating two identical stacked panels. Layout and Composition: Exactly two panels. Top panel is full-color cool blue cyberpunk; bottom panel is an identical monochrome grayscale drawing. In both panels, the subject is in profile on the left half of the frame, seated in a reclining office chair facing right toward a large floor-to-ceiling window overlooking a glowing futuristic cityscape at night. Narrow dark borders frame the outer edges. Subject Details: [Raul Creed], an adult man with medium-length swept-back dark brown hair, dressed in a sharp dark formal suit, crisp white shirt, tailored trousers, and polished black dress shoes. He reclines with relaxed authority, one leg crossed over the other, hands resting near the chair arms. His face is obscured by a soft rectangular censor blur, preserving his head silhouette while concealing facial features. Setting: A dim executive command office interior. Features a high-backed ergonomic desk chair with a pale headrest, dark armrests, pedestal base, and a small dark console desk at the far left. Behind the chair stands a minimalist coat fixture with four short horizontal pegs. The right side features tall vertical wall panels, a diagonal shaft of light across the wall, and dark industrial ceiling piping (two vertical pipes connected by three horizontal rungs, plus one long horizontal pipe spanning the window). Beyond the glass is a dense cyberpunk city glowing with tiny white and cyan lights. Visual Style: Mature 2000s psychological sci-fi anime aesthetic, crisp cel-shaded linework, film grain, deep noir shadows, and high contrast. Top panel color palette: teal, cyan, deep navy, black, and cool white. Bottom panel: high-contrast grayscale monochrome. Constraints: Pure stacked comparison format, identical line art across both panels, blurred face maintained in both panels, no text, no captions, no logos.