Poster Du Lịch Tối Giản Chia Đôi Ảnh và Vector

Split-layout high-end travel poster in a 3:4 vertical composition, divided into two equal 50/50 halves stacked vertically: - Top half (50%): The original scene from the reference photo, retaining its core subject, natural lighting, authentic texture, and photographic atmosphere. Subtle, refined color grading suited for an independent art magazine or exhibition print. Extended background edges if necessary to fit the frame, keeping the subject undistorted. - Bottom half (50%): A bespoke minimalist flat vector illustration reinterpreting the reference photo's core subject, silhouette, and essence. Japanese stationery aesthetic and modern editorial boutique branding style. Clean geometric silhouettes, uniform clean line weights, flat color fills, and restrained details without heavy shading, gradients, or realistic textures. Include 2–4 subtle environmental supporting elements and [3–6 tiny figures] naturally integrated into the background without a single protagonist. - Color palette: Breathable, slightly desaturated tones dominated by [powder blue, haze blue, and crisp cool blue], balanced with [ivory white, soft cream, sage green, and warm architectural neutrals], accented with subtle touches of [dusty muted rose]. - Typography: Minimalist editorial layout featuring a concise title [Kyoto Morning] and subtitle [Quiet Moments in Arashiyama] set in refined, spacious modern sans-serif typography in the upper corner of the illustration with generous negative space, accompanied by subtle coordinate-style notation.