Tranh Ghép Đôi Ảnh Chụp và Bản In Hồ Como

A two-panel horizontal diptych in a 16:9 aspect ratio, split evenly into two vertical sections with a clean divider and no border. Left panel: A realistic travel photograph of [a Lake Como waterfront village] situated at the base of a steep, lush green forested mountain with rocky patches and tall cypress trees. Turquoise lake water fills the lower third, with a row of pastel waterfront buildings in yellow, pink, cream, and terracotta, and a prominent church bell tower with a pointed reddish spire near the center-left. Crisp, softened natural daylight. Right panel: A minimalist vintage two-color screenprint or risograph illustration of the same village scene printed on [warm ivory] textured paper. Rendered using only two ink colors: [deep teal-green] for shadows, trees, outlines, and water ripples, and [rusty orange] for roof accents, the spire, birds, and line details. The illustration sits in the lower half with generous negative space above. Visual style features intentional color misregistration, broken ink textures, and sparse hatching. In the upper right sky, include exactly three small orange birds in flight, and above the illustration, text reading "[where the lake\nholds its breath.]" with a single horizontal teal underline directly below it. Constraints: Exactly two panels, two ink colors on the right panel, three birds, no people, no boats, no modern elements, no extra text or logos.