Mô Hình Thu Nhỏ Đình Trung Hoa Bằng Ngọc và Pha Lê

Conceptual product-style still life of an elegant traditional Chinese pavilion presented as a miniature architectural artwork. The three-tiered pagoda structure is crafted from semi-transparent jade-like and softly frosted glass in milky white and ice-blue tones. Translucent turquoise-blue glass roofs feature delicately tapered profiles, champagne-gold ornamental edges, and intricate golden flying-eave details. A warm, subtle golden glow radiates softly from within through translucent lattice windows. A small vertical blue-and-gold plaque is embedded on the upper tier façade. A clean white jade staircase rises diagonally from within the base toward the entrance. Base and Setting: The pavilion rests on a smooth, sculptural base inspired by stylized mountains and calm water, carved from semi-transparent ice-blue crystal with flowing, rounded contours and no sharp ridges. The mountain-water base fully fills the bottom of the frame and is cleanly cropped by the image edge with no visible ground, platform, horizon line, or empty bottom space. Composition and Camera: Tight, immersive composition with subtle low-angle, 3/4 perspective (approximately 25–30 degrees turned), close framing emphasizing fine material textures and sculptural precision. Soft, diffused luxury studio lighting with minimal hard shadows. High realism, shallow depth of field. Clean white to light-gray gradient background in the upper area with restrained negative space. Ethereal, refined, Eastern fantasy minimalism.