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A 16:9 horizontal structural flat infographic poster rendered in a Perler bead and fuse bead mosaic array style. The entire image is constructed from regular circular plastic beads with distinct round outlines, slight center indentations, uniform spacing, and a matte low-saturation plastic finish arranged on a strict grid.

Subject: [Pan Jinlian].

Composition and Framing:
The subject forms a large-scale structural bead color field surging in from the edges of the frame, cropped as an incomplete fragmented visual entering the page. The silhouette is defined by pixelated stepped edges, hard bead block breaks, gaps, and sampled mosaic textures rather than smooth lines. Inside the subject, subtle value shifts of the same primary structural hue create halftone noise, scanlines, and textural variations.

Negative Space and Background:
A high-brightness light bead field (off-white, cream, or pale grey-white) occupies 60%–70% of the canvas. The background cuts deeply into the subject, forming open reading zones, negative space channels, and quiet text containers.

Color Palette:
Strict functional three-color scheme:
1. Light background field (60%–70%): cream white or pale gray beads.
2. Subject structural color (25%–35%): [deep burnt ocher red or ink dark green] beads.
3. High-contrast accent color (3%–6%): sharp red or deep black beads for titles, labels, and metadata.

Infographic and Typography:
Displays structured information across [Points 1 through 8] formatted into bead-styled data nodes, numbered circular callouts, legend boxes, thin coordinate lines, and metadata text blocks placed inside the negative space windows and along structural margins. Clean modern sans-serif or monospace typography, strictly kept off the central subject silhouette.

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