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Vertical editorial poster in a 2:3 aspect ratio, rendered in a [surreal vintage analog-digital collage poster] style on an aged, warm ivory paper background with subtle stains, paper grain, fine scratches, and faint fold creases.

Main Subject & Composition:
Positioned slightly right of center is [a broken classical plaster bust with exposed circuit boards], cropped from head and shoulders down to a jagged, broken bottom edge. The bust is split open vertically to reveal dense dark green circuit boards, microchips, gold traces, copper wiring, and bundled cables. Plaster fragments, dust, and cracked textures surround the rupture, with flowing classical stone hair and partial facial features obscured by the break. A black 3.5 mm audio cable hangs down from the bottom opening. Exactly two detailed bird wings emerge from the bust: one large wing stretching upward from the upper-right shoulder and one smaller wing extending horizontally to the right. Scattered plaster shards and feather fragments float nearby.

Overlays & Diagrams:
Subtle, low-contrast technical drafting lines, geometric circles, registration marks, and dotted construction guides in faint ink crisscross the paper background, accented by minimal [rust red] square markers. In the center-left foreground, an opaque muted gray-beige rectangular dialog box partially obstructs the headline and the left bust edge, featuring a vintage blue title bar corner and a small close button with no interior text.

Typography & Text Elements:
- High-fashion tall narrow serif headline stacked on the left reading: "[WE ARE ALL JUST BROKEN LINKS]" in black ink, with "BROKEN" enlarged, distressed, in [rust red], and partially masked by the dialog overlay.
- Additional typographic elements in sparse letterpress typesetting:
  - "fig. 23." near top
  - "[An inquiry into the fragility of connection in a fragmented digital age.]" as a small caption paragraph
  - A thin red rule and tiny text "DISCONNECT TO CONNECT"
  - "07-95"
  - Terminal-style two-line text: "exist.exe" and "not found"
  - "fig. a." and "fig. b." accompanying lower-right diagrams

Aesthetic & Constraints:
Asymmetrical composition with intentional negative space on the left. Tactile cracked plaster, etched linework, museum specimen anatomical study meets cyberpunk retro print. No modern glossy UI, no photorealistic human skin, no extra wings, and no watermarks.

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