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A realistic vertical 3:4 photo collage divided into exactly four equal panels in a 2×2 grid, separated by thick white borders, showing the same [Japanese adult woman with shoulder-length straight black hair] in different poses at an outdoor train station platform.

Overall Composition and Layout:
- 3:4 portrait aspect ratio divided into top-left, top-right, bottom-left, and bottom-right panels.
- Thick white border dividing lines between panels and around the collage.
- Bold red text with a white outline reading "[GPT 2]" in the upper-left corner of the overall collage.
- A faint semi-transparent watermark across the center reading "[©CottonAIImageLABO]".

Subject and Consistency:
- The woman wears a [navy polo shirt, blue plaid pleated skirt, dark knee socks] and carries a [large navy shoulder bag with a light gray strap and a pink heart-shaped charm].
- Her face is obscured by a soft rectangular censor blur in every panel for anonymity.
- Identical character, clothing, accessories, and station environment across all four panels.

Four Panels:
1. Top-left: Full-body selfie-angle shot on the platform; she reaches one hand toward the camera with an open palm, bag on her shoulder, platform and railway tracks extending behind.
2. Top-right: Medium shot; she raises one hand to her forehead in a salute or shading gesture, bag on her shoulder, platform and tracks visible behind.
3. Bottom-left: Closer portrait standing next to a stopped train with an orange stripe; she makes a peace sign near her cheek, bag strap visible.
4. Bottom-right: Full-body angled shot near an overhead station transfer sign; she points one arm upward with an extended index finger while holding her bag with the other hand.

Lighting and Style:
- Authentic Japanese smartphone photography, candid travel snapshot aesthetic.
- Natural daylight under an overcast sky, muted authentic colors, shallow-to-moderate depth of field, railway tracks, overhead catenary wires, platform yellow warning blocks, and station signage. No anime or illustrative rendering.

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