Affiche Séparée avec Déconstruction Isométrique à l'Aquarelle

An independent high-end design poster in a vertical 3:4 composition, split strictly 1:1 horizontally (50% upper, 50% lower). Upper Half: Retains [the reference photo], preserving the exact subject identity, structure, proportions, perspective, realism, natural lighting, and color palette. Subtle fine-art magazine editorial color grading. Seamlessly extend the sky or background margins naturally to fit the frame without stretching, warping, or altering the subject. Lower Half: An isometric structural deconstruction watercolor study derived directly from the reference photo. The subject is deconstructed along its primary axes into 2–5 restrained, elegant architectural layers or components (e.g., roof, floor, modules, or layered planar contours for organic subjects; physically whole, no dismemberment). Rendered in clear fine linework and translucent watercolor washes on warm ivory paper with visible paper grain, soft brushstrokes, and deliberate negative space. Palette extracted and purified from the upper photo. Typography & Annotation: Minimalist research diagram annotations, slender serif/sans-serif typography, subtle axis lines, discrete numbers, and a concise title extracted from the subject's theme [Subject Study / Spatial Deconstruction], arranged along structural axes in an editorial graphic design layout.