Triptyque Cinématographique Noir sous la Pluie Nocturne

Cinematic vertical triptych photography of the woman from the reference photo during a [heavy rainy night] in an [empty city], strictly maintaining her exact facial features, face shape, hair color, and identity without beautification. Top panel: Extreme close-up portrait through a rain-streaked window. Wet hair clings to her face. She looks slightly away from the camera with a distant, melancholic expression, illuminated by cold cyan and teal neon glow with large bokeh circles in the background. Middle panel: Ground-level shot beside her face as she lies on rain-soaked asphalt. The glistening wet pavement creates mirror-like reflections, with falling raindrops causing ripples and splashes around her soaking hair spread across the ground. Bottom panel: Full view of the woman standing alone in the middle of a desolate city street under pouring rain, wearing soaked [black clothing] clinging to her body. She looks directly into the lens with an emotionally exhausted expression, the city backdrop dissolving into blue neon haze and water reflections. Lighting and color palette: Cool cyan, deep teal neon, turquoise reflections, dark navy shadows, and wet black asphalt with minimal warm tones. Anamorphic lens blur, fine film grain, realistic rain droplets on lens, emotional noir atmosphere inspired by Blade Runner 2049 and Wong Kar-wai night cinema.