8 665 templates · mis à jour oct. 2026
GPT Image 2 est le modèle de génération et d'édition d'images d'OpenAI (gpt-image-2). Il suit fidèlement les instructions longues et structurées, ce qui en fait un choix idéal pour les affiches, les photos de produits, les maquettes d'UI et les infographies avec du texte court.
Cette page répertorie les 8 665 templates de la bibliothèque conçus pour GPT Image 2. Chacun s'ouvre dans le générateur avec GPT Image 2 sélectionné : 43 crédits en 1K, jusqu'à 16 images de référence et 16 formats d'image. GPT Image 2 Saver exécute le même modèle pour un tarif fixe de 5 crédits quelle que soit la taille.
Cinematic double exposure portrait of [a young man] in side profile, displaying an intense, focused expression and sharp eyes. His silhouette seamlessly blends with [a futuristic city skyline], with skyscrapers and architectural structures…
Ultra cinematic movie poster in the style of a dark modern thriller drama, fractured glass composition with multiple diagonal shards dividing the image into separate character panels. Highly detailed photorealistic faces with intense emotional expressions, gritty skin texture, dramatic shadows, realistic pores, and cinematic lighting. In the center shard, an extreme close-up portrait of [a determined detective with intense emotional eyes], ultra detailed facial features, dominant presence. Additional shards feature: — secondary characters with varied emotional expressions — dynamic action scenes from the film — atmospheric environmental storytelling — a silhouette scene in the background — cinematic location elements relevant to the story Dark moody color grading, deep blacks, warm orange highlights, subtle teal shadows, heavy contrast, realistic film grain, dust particles, scratches, broken glass texture overlay, dramatic rim lighting, volumetric fog, atmospheric smoke. Movie title at the bottom in massive bold condensed typography with distressed texture in [red and orange], accompanied by a realistic cinematic credits billing block and production logos. Festival-quality Hollywood blockbuster promotional artwork.
A genuinely low-quality, grainy, black-and-white CCTV security camera still showing a [classic grey alien with a large head and skinny body] standing next to a gas pump at a [deserted gas station at night]. The gas pump has the word "UNLEADED" printed on the top canopy and a large number "2" on the side. In the bottom-left corner, there is a digital timestamp overlay reading "[CAM 2]", "[OCT 27 2004]", and "12:04:16 AM" in a retro pixelated font. The overall aesthetic is authentic early-2000s surveillance footage with heavy noise, poor contrast, and VHS-style artifacts.
Cinematic action photograph in a clean, seamless light gray studio environment. Exactly two main subjects: a joyful young man riding a classic silver retro motorcycle at high speed, and a fluffy white sheep leaping mid-air beside him while holding a small brown wicker basket by its handle. Dynamic close side-angle medium full-body shot; the motorcycle enters from the left foreground angled slightly toward the camera, the rider leaning forward with both hands on the handlebars. The man has [dark brown] short styled hair and wears a black casual jacket over a rolled-sleeve light gray button-up shirt, blue jeans, and black sneakers. The motorcycle is a polished vintage silver road bike featuring a glowing round headlight, chrome mirrors, visible engine details, and spinning wheels with motion blur. The airborne sheep on the right leaps forward with a humorous determined expression. Crisp studio lighting, sharp textures on chrome and denim, soft floor shadows, subtle speed blur on the wheels and ground, shallow depth of field. Clean composition with no text, logos, or background props.
A cinematic black-and-white neo-western scene in a heavy downpour. [A lone cowboy gunslinger] walks directly toward the camera down the center of a muddy, rutted road, full body visible. He wears [a dark wide-brim cowboy hat, a long soaked leather duster coat, dark clothing, gloves, and boots], with rainwater glistening across every surface and his face obscured in deep shadow. He holds [a revolver pointed downward] at his side. In the background on the right side of the road stands [a wet dark horse], slightly out of focus; on the left roadside stands [a solitary wooden grave cross]. The surrounding landscape is flat, barren, and desolate beneath churning low storm clouds. Dramatic storm lighting, deep blacks, silvery highlights, high contrast monochrome, vertical rain streaks, reflective mud puddles, shallow depth of field, symmetrical confrontational movie poster composition.
Cinematic 8-shot storyboard layout depicting a continuous, seamless high-speed FPV drone flight sequence traveling through history: Shot 1: [Dinosaurs and Great Canyon] – FPV camera bursts through golden morning mist over a vast Jurassic canyon, skimming low past grazing long-necked sauropods and dinosaurs drinking at a river, plunging toward dense jungle ferns. Dynamic morning light, strong motion blur. Shot 2: Dinosaurs, Jungle to Volcano – FPV camera dives through primitive jungle ferns, streaking past a roaring T-Rex, scattering raptors and diving pterosaurs, hurtling toward an erupting volcano with glowing lava into thick volcanic smoke. Shot 3: [Edo Town (Aerial)] – FPV camera emerges from morning mist over an Edo-period Japanese castle town, skimming tiled rooftops toward a tall white castle tower, capturing kimonos and horse processions below before swooping toward a market street. Shot 4: Edo, Market Street to Under Bridge – Low-altitude FPV flight through a crowded Edo market street with wooden stalls, banners, and lanterns, darting past samurai and merchants, plunging into deep shadows under an arched wooden river bridge. Shot 5: [Showa Shopping Street] – FPV camera bursts into a bustling 1960s Showa-era Japanese shopping street with glowing vintage neon signs, streetcars, hanging laundry, and shopkeepers, plunging into white smoke from a steam locomotive. Shot 6: Showa, Station to Tunnel – FPV camera hurtles along a crowded retro station platform through rising steam, racing parallel to an accelerating steam locomotive before plunging into a dark railway tunnel. Shot 7: Reiwa, Crowded Train to Platform – FPV camera shoots out of a subway tunnel into a crowded modern Tokyo commuter train, flying along the central aisle past passengers on smartphones, exiting doors onto a bustling platform, and ascending an escalator. Shot 8: Reiwa, Shibuya to Sky (Closing) – FPV camera bursts from a station exit low over Shibuya Crossing's crowds, giant LED screens, and traffic, pulling into a vertical climb between towering glass skyscrapers into the bright open sky. Style: Photorealistic cinematic stills, ultra-realistic visual continuity, hyper-dynamic perspective, authentic motion blur, no visible drones or aircraft.
Cinematic photorealistic urban alley mural scene at dusk after rain, 16:9 composition. At the end of a narrow red brick alley, a large hyper-detailed 3D graffiti mural depicts an exposed human brain with glossy pink folds, dark mechanical seams, tiny circuit-board inserts, and radiating glowing orange lightning cracks. Across the center of the brain is bold metallic wildstyle graffiti lettering spelling "[GeniArt]" with chrome-blue highlights, purple shadows, a black outline, and a sharp arrow extending from the final letter. Layered behind the brain are colorful street tags and abstract spray shapes in blue, yellow, red, and green. Connected by thin glowing cables and electric lines, exactly 6 visible neon circuit nodes surround the mural: 3 purple hexagonal nodes on the left and lower left, 2 purple hexagonal nodes on the right and lower right, and 1 small orange node near the upper right. The red brick wall features realistic grime, rain streaks, urban decay, exactly 4 torn paper poster fragments, and a small handwritten tag reading "[Nox-7]" near the lower left. Industrial details include a black metal fire escape platform above the mural, horizontal black cables along the upper wall, and a beige electrical junction box at the upper right with descending wires. The wet asphalt pavement reflects orange, purple, green, and red light. In the bottom left foreground, exactly 2 discarded drink cans sit on the ground—one upright red can and one crushed can on its side—with sparse litter nearby. The alley recedes into soft-focus city depth with blurred neon storefront signs and 1 distant hooded pedestrian silhouette walking on the right. Moody cyberpunk street-art atmosphere, shallow depth of field, volumetric mist, high contrast, ultra-detailed textures. No watermark, no extra readable text besides "[GeniArt]" and "[Nox-7]".
A photorealistic vintage [barbershop]. Seven small framed signs hang on the wall, each with neat painted text: "NO HATS", "TALKING PAID EXTRA", "TUESDAYS ARE QUIET", "DOGS ON A LEASH", "MIRRORS BEFORE 10 AM", "NO NAPPING ON THURSDAYS", and "BEEPS COST 2 PENNIES". A [woman barber] in a striped apron trims a [poodle's] fur on a barber chair, with fur clippings floating in the air. Outside the window, a red-and-white barber pole glows under warm interior tungsten lighting.
Cinematic 9:16 five-panel sequence featuring the young man from the reference photo exploring the [Icelandic highlands]. He has curly dark hair and a beard, wearing a [rust-orange wool coat over a mustard hoodie]. The panels show: a contemplative side-profile close-up; standing atop a dramatic green cliff; a tiny lone figure traversing vast moss-covered plains; an aerial view of volcanic landscapes with winding roads; and a front-facing portrait on a dark gravel path. Arthouse film stills, 35mm film grain, photorealistic, [moody overcast skies], warm orange tones contrasting cool greens and blues, lonely introspective mood, cinematic composition.
A detailed, humorous photograph of a real [zebra] standing patiently at an urban [crosswalk] beside a bewildered pedestrian waiting at a red light. A nearby street sign clearly reads "CROSS ONLY AT THE LINES". Busy city street setting with traffic and storefronts, capturing playful confusion and surreal everyday humor, sharp natural lighting.
Cinematic dark gothic horror scene of an abandoned small-town railway station at night during a heavy snowstorm. In the lower-left foreground on a wet, icy cobblestone platform, a lone [young woman] is seen from behind, wearing a long dark coat and holding a small suitcase at her side, staring down the tracks. On the far left, the decayed railway station building stands partly in silhouette, featuring peeling paint, a hanging lantern, an antique round station clock, and a readable wooden sign that reads "[RAVENCROFT]". Snow-covered train tracks begin at the bottom center and recede into the foggy distance, guiding the perspective toward a haunted Victorian mansion in the mid-background with a single glowing window. On the right side, three structures appear: a broken wooden house, a weathered utility pole, and a low chain-link fence tangled with dead winter brush. Lighting is cold blue-gray moonlight casting deep shadows and subtle volumetric light through mist and falling snowflakes. Realistic film still style, moody contrast, bleak suspenseful atmosphere, wide 4:3 framing. No modern vehicles, no other people, no bright colors, no watermarks.
Luxury editorial movie poster photography of [a handsome young East Asian man] wearing a [tailored matte black suit], dark shirt, and polished shoes. He stands thoughtfully with a hand on his chin, displaying a sharp jawline, side-parted black hair, and a calm, mysterious expression in a minimalist beige studio. Surrounded by multiple tall, freestanding reflective mirror panels showing surreal alternate angles and distant reflections, creating a psychological atmosphere. Soft cinematic lighting, muted monochrome tones, shallow depth of field, 85mm lens aesthetic. Clean movie poster layout featuring elegant Chinese typography at the top and a bold title "[PSYCHOLOGIST]" at the bottom.
A cinematic, photorealistic wide shot of a massive bipedal police robot standing inside a large industrial hangar on a rainy day. The robot is the central focus, towering over the scene with complex mechanical design featuring white armored plating and exposed black hydraulic joints. It has a multi-lens camera array head instead of a face, and glowing red warning lights on its shoulders. The text "[警視庁 MPD]" is stenciled in crisp black on its chest plates and arms. Wide, treaded feet rest on the reflective wet concrete floor. To the left, a hanging vertical banner reads "[警視庁 METROPOLITAN POLICE DEPARTMENT]" beneath a gold cherry blossom crest, and below it a horizontal sign reads "[安全な東京を 次の世代へ A SAFER TOKYO FOR THE NEXT GENERATION]". In the background through open hangar doors, heavy rain falls over a distant [Tokyo] cityscape with the red lattice structure of [Tokyo Tower] and hazy skyscrapers under an overcast sky. Police trucks marked "[MPD]" are parked outside with illuminated headlights. In the foreground corners, two human officers in dark uniforms and white helmets stand looking up, providing scale.
A cinematic character poster featuring [character's name], visually capturing their story and essence. Composition: An elegant, prominent close-up profile of the character's face occupies half the frame, infused with perspective and subtle motion. The character holds their signature weapon with naturally relaxed, bare hands and no gloves, featuring expressions and poses faithful to their original design. Style and Camera: Kodak film aesthetic, slightly reduced saturation, high dynamic range, and realistic contrast. Shot on an [85mm lens] at [f/1.8 aperture] with shallow depth of field, capturing authentic skin pores, correct anatomy, and finely detailed clothing.
Cinematic dark fantasy portrait of [a silver-haired dragon queen] standing in the foreground on blackened volcanic rubble, with a colossal black dragon looming protectively behind her. The woman wears an intricate floor-length black gown featuring armored detailing across the bodice and shoulders, long fitted sleeves, a high structured collar, and a heavy dark cape trailing to the right. Her hair is [platinum silver], extremely long, loose, and wavy, softly catching the firelight. Her face is intentionally obscured and indistinct, with no defined facial features. The dragon dominates the background with two immense outstretched wings framing the scene, dense charcoal scales, sharp horns, facial spikes, glowing amber eyes, and a massive curved neck arcing above her. Set in a ruined medieval city with burned stone towers, crumbling masonry, ground fires, drifting embers, thick smoke, and a blazing orange sunset sky filled with storm clouds. Low-angle heroic composition, dramatic scale contrast, photorealistic fantasy realism, intense rim lighting, fiery orange and deep black palette, sharp focus on queen and dragon. Clean white sans-serif text reading "[Pollo.ai]" positioned near the upper right corner.
A photorealistic wide-angle 16:9 photograph of a modern Japanese urban train station platform on a bright daytime, showcasing a commuter train fully wrapped in a special anime-themed design for [HANA]. The lavender-purple train is stopped at platform 2, receding from the left foreground into the right background. The exterior features soft pastel hydrangea blooms, sparkle effects, water droplets, and character branding. The front of the train on the left has a dark windshield, a circular lavender emblem inscribed with 「花奈」 and "HANA", and a destination headsign displaying 「花奈 記念運行」, 「本日限定運行」, and "SPECIAL WRAPPED TRAIN". Along the side, an enormous anime portrait depicts a young girl with short light-blonde bob hair, a small white flower hair ornament, and a gray off-shoulder shirt, with a plain rectangular privacy-style blur covering her face. Adjacent to the portrait is large Japanese typography 「花奈」, the Roman name "HANA", the Japanese slogan 「会いに行ける、うちの子。」, and a circular gold commemorative seal. Platform Branding and Environment: - An overhead black illuminated station sign reads "HANA Limited Memorial Line", 「花奈 記念運行」, 「本日限定運行」, and "SPECIAL WRAPPED TRAIN". - A tall station pillar on the right displays a vertical poster with matching lavender hydrangeas, the character, 「花奈」, and "HANA". - A large round floor decal near the bottom center reads 「花奈」 and "HANA" with hydrangea artwork. - Platform number sign "2" on the left, yellow tactile safety paving tiles, clean station floor, overhead steel girders, catenary wiring, tracks, and distant city structures. People and Composition: - Exactly one main passenger stands near the train doors seen from behind, wearing a white short-sleeve top, long dark skirt, white sneakers, and a black backpack, holding up a smartphone to photograph the wrapped train. - Three secondary passengers stand loosely clustered near an open door further down the platform. Lighting and Style: Realistic railway photography blended with detailed vinyl wrap graphics, crisp daylight, sharp textures, natural glossy reflections on train windows and metallic panels, pastel lavender and hydrangea color palette.
Cinematic editorial scene in a realistic retro WWII arcade-shooter metropolis. In the foreground, [a man] with a fearless ace-pilot expression walks forward wearing vintage military-pilot-inspired streetwear: an authentic leather bomber jacket adorned with retro aviation patches, fitted cargo trousers, rugged combat boots, fingerless tactical gloves, and vintage pilot goggles hanging loosely around his neck. The surrounding city functions as a living 1942 air combat simulator: massive WWII propeller fighter planes engage in low-altitude dogfights between towering skyscrapers, rooftop anti-aircraft flak cannons fire tracer rounds, and dense bullet patterns cut through storm clouds. A giant holographic alert projected onto the clouds reads "MISSION START", while a nearby neon billboard flashes "PLAYER 1 READY.". In the background, nonchalant pedestrians navigate sidewalks dodging falling debris and low-flying planes as if it were daily traffic, and glowing arcade power-up icons float midair over dockside aircraft carriers. Dynamic motion blur on soaring aircraft, explosive fiery reflections across urban streets, gritty war-blockbuster lighting, dramatic cinematic atmosphere.
Expand the reference image into a wide cinematic banner while preserving the surreal abandoned library scene, composition, mood, and painterly lighting. Add a single centered title across the middle reading "[MNEMOS]". Set the text in a tall, clean, widely tracked all-caps sans-serif font in bright warm white, spanning most of the frame's width. Seamlessly integrate the lettering into the scene with a subtle soft glow, a gentle drop shadow for readability, and delicate edge contrast against the dark shelves and clouds. Maintain the original background details, applying only minimal tonal balancing to ensure crisp legibility and a polished finish.
A hyper-realistic cinematic action photograph of a young man mid-jump above a rooftop during golden-hour sunset, captured from a dramatic low angle against a glowing orange sky filled with scattered clouds. Centered in the frame and airborne with bent knees, he wears a woven straw hat, an open [bright red] overshirt fluttering in the wind, a white tank top, dark loose cargo pants, rugged dark boots, layered necklaces, fingerless gloves, and a belt with a launcher holster. His right arm thrusts toward the camera, launching a spinning top on a visible ripcord, with the top in the extreme right foreground rendered large and motion-blurred for depth and velocity. In the bottom foreground sits a transparent plastic battle stadium catching warm sunset reflections, featuring clearly visible printed logo text "[BEYBLADE X]". A distant city skyline with high-rise silhouettes stretches along the horizon. Backlit composition with intense warm rim lighting, dramatic cinematic contrast, subtle lens flare, and dynamic fabric movement, presented in a vertical promotional action poster style for [Beyblade X].
A photorealistic 1970s radio studio. In the booth, a woman radio host wearing a feathered hat and vintage headphones sits before a large broadcast microphone, with a glowing red "ON AIR" sign mounted nearby. A painted sign on the studio window reads "[K-FROG — THE FROG STATION]". Beside the booth, a schedule board lists "6:00 DAWN CHORUS / 9:00 FROG FACTS / 12:00 LUNCH JAZZ / 15:00 FROG & FRIENDS / 21:00 LULLABIES". On the console rests a ceramic mug with the text "[CALM SEAS ONLY]". Illuminated by [warm studio light], detailed vintage audio equipment, authentic period atmosphere, cinematic composition.
Cinematic photorealistic awards-ceremony still of [John C. Swaggert], a silver-haired male actor in a black tuxedo with a white shirt, pale silver tie, and white pocket square, standing behind an elegant black-and-gold podium on a grand theater stage. His face is covered by a flat skin-toned rectangular privacy mask, and the audience faces in the background are similarly obscured with small skin-toned blocks. In his left hand, he raises a large ornate gold trophy: a circular Vitruvian-man style statuette inside a ring with small round perforations, mounted on a black base with a gold nameplate reading "THE VITRUVIAN CINEMATIC ACHIEVEMENT AWARD". The podium front is inscribed with "THE VITRUVIAN CINEMATIC ACHIEVEMENT AWARD" in gold serif lettering beneath a gold eagle emblem. Behind him, a massive draped American flag fills the left background, while the right features a large black stage screen with gold serif text reading "[The 97th Da Vinci Awards]" and a small gold eagle icon. A single black gooseneck microphone sits centered on the podium. Setting features warm chandelier glow, gilded architectural details, stage spotlights piercing through light atmospheric haze, and bokeh of a formal seated audience applauding. Wide 4:3 shot, shallow depth of field, high-end live broadcast gala photography style with rich warm golden lighting.
Cinematic concept poster with the theme "[Book A Couple]", featuring the couple from the reference photo standing inside the pages of a giant, open vintage diary book. The thick book spine naturally divides the couple in the center. On the left, the man wears a stylish [maroon shirt rolled up sleeve], black pants, and black shoes, leaning naturally against the left page with a calm, cinematic expression. On the right, the woman wears a bright [pink traditional saree] with heavy golden embroidery, earrings, bangles, and a wristwatch, posing gracefully against the right page with an elegant bridal expression. The diary is massive and aged, with yellowed-brown pages, distressed edges, and detailed vintage paper texture. The left page displays the text "Jun 02 Tuesday" in classic diary typography alongside handwritten English notes, calendar elements, and delicate hand-drawn flowers. The right page features the header "JUNE" with aesthetic handwritten romantic notes, heart shapes, and floral sketches. Warm cinematic lighting, soft shadows, vintage sepia-brown aesthetic, dreamy storytelling mood, DSLR depth of field, and rich color grading. Maintain both facial features exactly identical to the reference photo.
Regardez cette affiche, imaginez-la vous-même et créez un visuel de type bande-annonce pour celle-ci. Extrapolez le monde, les personnages et la narration à partir des indices visuels de l'affiche, puis composez une key frame cinématique qui pourrait servir de capture d'écran de bande-annonce de film - avec un éclairage dramatique, un moment culminant d'action ou d'émotion, une composition widescreen et l'échelle épique qu'exigent les moments de bande-annonce. Incluez un grain de film subtil et des effets d'anamorphic lens.
Une scène de nuit cinématographique et ultra-réaliste d'un {argument name="artist" default="jeune artiste de rue masculin"} peignant une grande {argument name="mural subject" default="fresque murale du visage d'une femme"} dans une {argument name="setting" default="ruelle urbaine étroite"}. L'angle de prise de vue est légèrement en contre-plongée, créant une perspective dramatique et puissante. L'artiste a des cheveux bruns mi-longs légèrement décoiffés et une barbe naissante ou courte, ce qui lui donne un look brut et créatif. Il porte un t-shirt blanc ample et un jean décontracté, légèrement oversize, avec une allure streetwear détendue. Sa posture est concentrée et engagée alors qu'il se tient près du mur, maniant activement une bombe de peinture. Il réalise une fresque murale massive et hyperréaliste représentant le visage d'une femme sur un mur de briques texturé. La fresque est incroyablement détaillée — teints de peau lisses, éclairage réaliste, yeux expressifs et lèvres brillantes — ressemblant presque à une photographie. Une fine brume de peinture en spray est visible dans l'air, captant la lumière et ajoutant du mouvement et de l'atmosphère. Le décor est une ruelle urbaine étroite la nuit, entourée de grands immeubles. L'environnement est brut et texturé — murs de briques vieillis, éclaboussures de peinture, patine subtile et usure urbaine. Des enseignes au néon et des lampadaires lointains projettent des reflets vibrants dans des tons sarcelle, magenta et bleu, créant une ambiance cinématographique légèrement cyberpunk. L'éclairage est dramatique et composé de plusieurs couches : une lumière ambiante froide emplit la ruelle, tandis que des reflets néon plus chauds créent du contraste. Une subtile lumière de contour (rim light) dessine la silhouette de l'artiste, le détachant de l'arrière-plan sombre. La fresque est partiellement illuminée, agissant comme un puissant point focal. L'atmosphère comprend un léger brouillard ou une brume, renforçant la profondeur et faisant doucement briller les éclairages. La scène semble immersive, calme et artistiquement intense. La profondeur de champ est modérément faible : l'artiste et la fresque sont parfaitement nets, tandis que l'arrière-plan s'estompe dans un flou doux avec des reflets bokeh. Style : hyperréaliste, photographie cinématographique, esthétique street art, textures ultra-détaillées, plage dynamique élevée, grain argentique subtil. Détails de l'appareil : objectif 35mm ou 50mm, ouverture f/1.8–f/2.8, photographie en basse lumière, vue en légère contre-plongée, perspective naturelle. Composition : cadrage vertical (4:5 ou 9:16), sujet légèrement décentré, fresque dominant le cadre pour une narration visuelle forte. Générer l'image en utilisant l'image téléversée comme référence
cinematic sci-fi storyboard contact sheet. concept art cinématographique photoréaliste au réalisme de science-fiction sombre, nuages d'orage volumétriques, fort contraste, palette ambre et noire ponctuée d'éclairs bleu froid. plan large ex…
Une vue aérienne panoramique et cinématographique d'une ville côtière tropicale au coucher du soleil pendant une violente tempête, divisée de façon spectaculaire entre de sombres nuages d'orage sur la gauche et une flamboyante lumière dorée du soleil sur la droite. Au premier plan, un petit avion léger monomoteur à ailes hautes et dérive visible est stationné ou perché de manière précaire sur un toit-terrasse plat, vu de dos et légèrement du dessus, centré près du bas du cadre. Dans les airs sur la gauche, 1 hélicoptère vole bas au-dessus de la ville, son projecteur dirigé vers le bas. Dans le ciel, inclure 1 faible éclair à l'extrême gauche. La ville en contrebas est dense, avec des rues mouillées, un asphalte réfléchissant, des bâtiments commerciaux bas et quelques tours modernes plus hautes, dont 1 imposant gratte-ciel rayé près du centre. Une enseigne lumineuse circulaire au néon rouge brille à mi-distance. Sur le côté droit, une baie ou crique calme serpente à travers la ville, bordée par 1 rangée de hauts palmiers le long de la route côtière, et traversée par 1 long pont bas au loin. L'eau et les rues scintillent après la pluie récente, reflétant la lumière orange du soleil perçant à travers les nuages. L'ambiance est tendue, dramatique et légèrement surréaliste, comme un arrêt sur image d'un thriller de catastrophe urbaine. Photoréaliste, ultra-détaillé, éclairage high dynamic range, rayons solaires volumétriques, atmosphère d'orage, surfaces humides, contraste riche, ombres profondes, reflets dorés, objectif wide-angle lens, composition épique.
Une scène d'action cinématographique et photoréaliste dans une rue encaissée sous la pluie en plein centre-ville, montrant {argument name="main subject" default="un homme aux cheveux foncés dans la trentaine"} sprintant droit vers la caméra au centre du premier plan avec une expression tendue de survie, portant une veste sombre trempée, une chemise sombre et un pantalon sombre, en pleine foulée avec un bras propulsé vers l'avant. Derrière lui, une immense explosion urbaine déchire la rue et la façade inférieure d'un gratte-ciel, projetant un énorme nuage de fumée, de feu, de poussière, de béton brisé, de verre et de débris métalliques dans toutes les directions. La scène comprend exactement 3 véhicules endommagés visibles : 1 berline sombre au premier plan à gauche avec les phares allumés et un capot froissé éclaboussant l'eau de pluie, 1 voiture sombre accidentée au plan moyen à droite avec de graves dommages à l'avant, et 1 SUV noir retourné ou en l'air incliné vers le haut derrière elle sur le côté droit. L'asphalte mouillé reflète les phares, la lueur du feu et les gratte-ciels gris. Des débris denses emplissent l'air, avec des morceaux de gravats figés en plein mouvement. Lumière du jour orageuse et couverte, palette de couleurs bleu-gris désaturée avec des touches de feu orange, flou de mouvement dramatique sur les débris volants mais mise au point nette sur la silhouette en train de courir, cadrage en contre-plongée avec objectif grand-angle, réalisme digne d'un blockbuster de catastrophe, textures ultra-détaillées, contraste élevé, profondeur dynamique, fumée volumétrique, embruns de pluie, éclairage cinématographique. Ajoutez un logo {argument name="watermark text" default="Pollo.ai"} blanc dans le coin supérieur droit.
