Póster de puerto al atardecer: foto y boceto arquitectónico

Vertical travel and architecture poster divided into two horizontal sections: a realistic twilight photograph on the upper 52% and an architectural concept sketch of the same scene on the lower 48% cream paper background. Top photographic section: A serene [small Japanese coastal harbor village at twilight]. Calm blue water in the foreground reflecting vertical warm yellow streaks from streetlights. Stone harbor wall on the right, pier and breakwater on the left, hillside village houses with glowing windows and warm lampposts. Dark layered mountains in the distance under a deep blue dusk sky with subtle clouds and a faint pink glow near the horizon. Exactly 3 visible boats: one larger white fishing boat near center-left foreground, one small boat moored near center-right, and one white boat at the far right foreground. Cinematic blue-hour lighting, crisp realistic photography. Bottom sketch section: Warm off-white textured paper featuring an architectural concept perspective sketch of the identical harbor scene, perfectly aligned with the photograph above. Fine graphite construction lines, loose ink outlines, soft blue and gray watercolor washes, and selective golden yellow accents for lantern glow and water reflections. Perspective guide lines and measurement marks visible across buildings, boats, and the horizon line. Exactly 3 matching sketched boats. Typography and layout in the bottom section: On the left, large elegant serif title reading "[Harbor\nat Twilight]". Below it, small widely spaced uppercase subtitle "[A QUIET EDGE\nA BRIGHTER TOMORROW]" separated by a thin hairline divider. At bottom left, small uppercase text reading "COASTAL VILLAGE\nSTUDY SKETCH\nJAPAN" with a short divider. At upper right of the sketch area, tiny stacked uppercase words "PLACE\nPEOPLE\nLANDSCAPE\nA BETTER DAILY LIFE". At bottom right, a casual handwritten signature note reading "Same Sea\nA Kinder Tomorrow". Style and constraints: Clean editorial Japanese travel poster aesthetic, refined negative space, delicate watercolor and ink on cream paper. No additional boats beyond the 3 specified. No prominent human figures. All text legible and confined to the lower section.