Bagan Silabaris Hiragana Garis Tunggal Berulang

{
  "type": "typographic specimen chart",
  "subject": "a complete Japanese hiragana syllabary table rendered as an experimental strange loop-line font",
  "style": {
    "background": "clean white paper",
    "grid": "thin pale gray table lines",
    "ink": "solid black, smooth rounded monoline strokes",
    "letterform": "hand-drawn cursive glyphs made from exaggerated loops, knots, swirls, and continuous marker-like strokes, playful but still based on hiragana",
    "composition": "flat front-facing scan-like view, centered, minimal, no shadows"
  },
  "layout": {
    "format": "portrait rectangular chart",
    "columns": {
      "count": 5,
      "headers": [
        "あ段",
        "い段",
        "う段",
        "え段",
        "お段"
      ]
    },
    "rows": {
      "count": 11,
      "labels": [
        "あ行",
        "か行",
        "さ行",
        "た行",
        "な行",
        "は行",
        "ま行",
        "や行",
        "ら行",
        "わ行",
        "ん"
      ]
    },
    "cells": {
      "total visible glyphs": 46,
      "description": "one large black custom hiragana glyph per occupied cell, centered within each grid square; leave the historically empty gojuon cells blank",
      "row contents": [
        {
          "row label": "あ行",
          "count": 5,
          "glyphs": [
            "あ",
            "い",
            "う",
            "え",
            "お"
          ]
        },
        {
          "row label": "か行",
          "count": 5,
          "glyphs": [
            "か",
            "き",
            "く",
            "け",
            "こ"
          ]
        },
        {
          "row label": "さ行",
          "count": 5,
          "glyphs": [
            "さ",
            "し",
            "す",
            "せ",
            "そ"
          ]
        },
        {
          "row label": "た行",
          "count": 5,
          "glyphs": [
            "た",
            "ち",
            "つ",
            "て",
            "と"
          ]
        },
        {
          "row label": "な行",
          "count": 5,
          "glyphs": [
            "な",
            "に",
            "ぬ",
            "ね",
            "の"
          ]
        },
        {
          "row label": "は行",
          "count": 5,
          "glyphs": [
            "は",
            "ひ",
            "ふ",
            "へ",
            "ほ"
          ]
        },
        {
          "row label": "ま行",
          "count": 5,
          "glyphs": [
            "ま",
            "み",
            "む",
            "め",
            "も"
          ]
        },
        {
          "row label": "や行",
          "count": 3,
          "glyphs": [
            "や",
            "ゆ",
            "よ"
          ],
          "blank columns": [
            "い段",
            "え段"
          ]
        },
        {
          "row label": "ら行",
          "count": 5,
          "glyphs": [
            "ら",
            "り",
            "る",
            "れ",
            "ろ"
          ]
        },
        {
          "row label": "わ行",
          "count": 2,
          "glyphs": [
            "わ",
            "を"
          ],
          "blank columns": [
            "い段",
            "う段",
            "え段"
          ]
        },
        {
          "row label": "ん",
          "count": 1,
          "glyphs": [
            "ん"
          ],
          "blank columns": [
            "い段",
            "う段",
            "え段",
            "お段"
          ]
        }
      ]
    }
  },
  "text": {
    "header font": "small neat standard Japanese sans-serif labels",
    "glyph font": "[strange looping monoline hiragana]",
    "stroke color": "[black]",
    "grid color": "[very light gray]"
  },
  "rendering instructions": "Crisp high-resolution typographic specimen chart. Clean readable layout, evenly spaced cells, generous margins, thin grid borders, each custom glyph centered and filling most of its cell while retaining a continuous looped-line aesthetic."
}