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An artistic composite using the reference photo in a 3:4 vertical composition. The real reference photo fills the entire frame with authentic photographic textures, realistic natural lighting, and fine film grain, completely preserving the identity, postures, key architectural or natural elements, and clothing colors of the subject.

Foreground Paper: Positioned in the foreground directly over the photo is a flat, crisp-edged rectangular sheet of warm-white art paper with fine paper fiber texture and subtle contact drop shadows onto the photo beneath. The paper occupies about 50% to 60% of the frame, cleanly overlaying part of the photo while leaving enough of the real scene and subject visible around it. The paper has straight, unbent edges with no tears, folds, frames, or digital screens.

Manuscript on Paper: On the surface of the paper is an elegant hand-drawn travel sketch corresponding directly to the underlying subject at the exact same moment and angle. The sketch is rendered using [loose colored pencil lines, expressive markers, and light watercolor washes], focusing minimally on the core silhouette, key postures, and primary color accents, leaving 50% to 70% of the paper as warm-white negative space. Seamless visual dialogue between the realistic photograph background and the minimalist artistic manuscript in the foreground.

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