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Cinematic retro-futurist sci-fi horror portrait, vertical overhead shot with symmetrical composition: a visibly pregnant [young woman with short dark curly hair, pale skin, black cat-eye glasses, red lipstick, and an anxious distant expression] lies flat on her back inside a narrow metallic medical pod or experimental chamber. She wears a glossy deep [emerald green] maternity dress with gathered fabric over her bump, and a heavy textured brown tweed overcoat spread open beneath and around her body. A small choker necklace sits on her neck, and a chunky metallic cuff or device is attached to one wrist. Her bare feet point toward the bottom edge, arms resting straight along her sides with relaxed fingers. Dense biomechanical machinery surrounds her: exactly 3 CRT monitors (two large angled screens on the sides and one smaller monitor top-center) displaying glowing green heartbeats and waveform lines with tiny unreadable diagnostic text; tangled pink, purple, red, and black cables lining both side walls; two prominent blue ribbed coil cylinders, one beside each hand; metal rails, rivets, sockets, tubes, brass fittings, exposed circuitry, and dark industrial panels. Lighting: moody magenta and violet ambient light mixed with the green phosphorescent glow of the monitors casting highlights across her face and dress. High detail, painterly photorealism, 1980s analog science-fiction atmosphere, claustrophobic laboratory set, dramatic contrast, sharp central focus, rich textures, no watermark.

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