# GPT Image Hub prompt

## Tranh Ghép Áp Phích Rách Làn Sóng Mới Pháp
- URL: https://www.gptimagehub.com/vi/library/french-new-wave-torn-poster-collage
- Generator URL: https://www.gptimagehub.com/vi/generate?promptId=oss-ym-g2-16300
- Markdown URL: https://www.gptimagehub.com/api/agent/markdown?path=%2Fvi%2Flibrary%2Ffrench-new-wave-torn-poster-collage
- Category: Áp phích và minh họa
- Model: gpt-image-2
- Aspect ratio: 2:3
- Style: retro
- Tags: làn sóng mới pháp, áp phích phim, nghệ thuật cắt dán, cổ điển thập niên 60, kiểu chữ, halftone, điện ảnh retro
- Updated: 2026-10-27T13:38:58.098Z
- Created: 2026-10-27T13:38:58.098Z

Tạo áp phích phim nghệ thuật Pháp thập niên 1960 phong cách cắt dán với kết cấu sờn rách và hiệu ứng halftone. Tùy chỉnh trích dẫn, tên đạo diễn và tựa phim trong ngoặc vuông.

### Full prompt
```text
A vintage 1960s French New Wave cinema poster collage on aged beige paper, designed like a torn-paper art-house one-sheet with analog film grain, distressed print textures, rough ripped edges, ink wear, halftone patterns, and slight color misregistration.

Composition & Layout:
Centered around a large black-and-white portrait of a woman with messy dark hair, hand raised holding a cigarette, chest-up crop, with her face obscured by a rectangular blur block. Layered collage arrangement containing 8 specific paper elements:
1) Top-left black text block reading "LES FILMS DU CARREFOUR présentent" above stacked bold text "[ANNA KARINA]" and smaller subtitle "dans un film de [JEAN-LUC GODARD]".
2) Left red torn quote strip reading "[Il faut essayer d’être jeune comme on peut. - GODARD]".
3) Upper-right blue torn panel with a black label badge reading "[PRIX JEAN VIGO 1962]".
4) Upper-right narrow torn newspaper scrap reading "[l’amour est plus fort que la mort]".
5) Mid-right mustard-yellow torn panel showing a black silhouette of a fedora-wearing man facing a woman, set beside a vertical 35mm black filmstrip with white sprocket holes.
6) Bottom-left black-and-white Paris street photograph featuring wet pavement, a vintage lamppost, pedestrians, and an illuminated sign reading "HOTEL DU NORD".
7) Bottom-left small review snippet reading '"LE FILM QUI A CHANGÉ LE CINÉMA" - CAHIERS DU CINÉMA'.
8) Bottom-right cropped black-and-white portrait of a man in a suit with his face obscured by a rectangular blur block, partially overlapped by a torn red paper fragment.

Typography & Details:
Across the lower middle, a massive torn-paper title in bold condensed uppercase: "[À BOUT DE]" in black and "[SOUFFLE]" in red, set at a slight dynamic angle. Directly beneath the title, a torn blue paper strip with white uppercase text: "[UNE HISTOIRE D’AMOUR ET DE LIBERTÉ]". At the bottom center, "COMING SOON" in black uppercase above "LES FILMS DU CARREFOUR".

Palette & Mood:
Limited palette of faded cream, dense printer black, deep ultramarine blue, muted poster red, and mustard yellow. Rebellious, poetic, and quintessentially French Nouvelle Vague.
```