# GPT Image Hub prompt

## Poster biên tập bản sonata cello cổ điển
- URL: https://www.gptimagehub.com/vi/library/classical-cello-sonata-editorial-poster-2
- Generator URL: https://www.gptimagehub.com/vi/generate?promptId=oss-ym-g2-25075
- Markdown URL: https://www.gptimagehub.com/api/agent/markdown?path=%2Fvi%2Flibrary%2Fclassical-cello-sonata-editorial-poster-2
- Category: Áp phích và minh họa
- Model: gpt-image-2
- Aspect ratio: 16:9
- Style: cinematic
- Tags: nhạc cổ điển, thiết kế poster, biên tập, đồ họa thông tin, cello, in ấn cổ điển, điện ảnh, nghệ thuật chữ
- Updated: 2026-10-27T03:30:08.098Z
- Created: 2026-10-27T03:30:08.098Z

Tạo poster triển lãm đậm chất điện ảnh với đàn cello, dòng thời gian bản thu và kiểu chữ tiếng Tây Ban Nha. Dễ dàng đổi nhạc cụ, nghệ sĩ hoặc văn bản.

### Full prompt
```text
A dramatic 16:9 widescreen editorial museum poster about classical music, set against a dark charcoal-black background with aged paper texture, distressed ink, and fine collage grain. In the center, an oversized vertical [cello] collage dominates the composition, split into semi-transparent geometric overlays of worn cream wood, black, deep crimson red, and amber-orange, surrounded by subtle sound-wave curves, dotted grids, thin technical diagram arcs, and faint musical staff lines. On the left third, stacked uppercase typography in bold condensed serif and slab-serif reads: “[TODOS LOS GRANDES CHELISTAS DEL SIGLO XX SUPIERON QUE ESTA SONATA ERA DIFERENTE.]”, followed by a very large headline: “[¿POR QUÉ USTED NO LA HA ESCUCHADO AÚN?]” with “USTED NO” in vibrant red, “AÚN?” in rich gold, and the remaining words in weathered cream-white; at the bottom left, an italic line reads: “[Estoy casi seguro de que la conoce. Buen momento para volver a escucharla.]”. In the bottom right, a cropped piano keyboard extends horizontally over a fragment of vintage handwritten sheet music. Along the right third, a vertical discography timeline features a crimson sun accent and exactly four circular portrait medallions connected by a thin vertical line and nodes, each labeled: 1) “[ROSTROPOVICH Y RICHTER, 1963]”, 2) “[CASALS Y SERKIN, 1952]”, 3) “[YO-YO MA Y EMANUEL AX, 1985]”, and 4) “[ALISA WEILERSTEIN, 2022]”, shown in muted sepia, black-and-white, and cool monochrome archival tones.
```